Banner Message
Please note: Due to the renovations happening to the Pritzker building, the bookstore is in a temporary location without full access to the inventory. There might be items that appear online that are not currently accesible to us to ship to you. If you order these items, you will be refunded and the rest of your order will ship. Feel free to contact us with any questions.
Summer Classics
For two thousand years, the epic tale of Aeneas's dramatic flight from Troy, his doomed love affair with Dido, his descent into the underworld, and the bloody story behind the establishment of Rome has electrified audiences around the world. In Vergil's telling, Aeneas's heroic journey not only gave Romans and Italians a thrilling origin story, it established many of the fundamental themes of Western life and literature--the role of duty and self-sacrifice, the place of love and passion in human life, the relationship between art and violence, the tension between immigrant and indigenous people, and the way new foundations are so often built upon the wreckage of those who came before. Throughout the course of Western history, the Aeneid has affirmed our best and worst intentions and forced us to confront our deepest contradictions. Shadi Bartsch, Guggenheim Laureate, award-winning translator, and chaired professor at the University of Chicago, confronts the contradictions inherent in the text itself, illuminating the epic's subversive approach to storytelling. Even as Vergil writes the foundation myth for Rome, he seems to comment on this tendency to mythologize our heroes and societies, and to gesture to the stories that get lost in the mythmaking. Bartsch's groundbreaking translation, brilliantly maintaining the brisk pace of Vergil's Latin even as it offers readers a metrical line-by-line translation, provides a literary and historical context to make the Aeneid resonant for a new generation of readers.
vivid--while remaining solidly grounded in the nuances of meaning and
diversity of resonances present in the Hebrew text.
The result is a translation often startling in its power and insight, opening
the way to a deeper undertanding of this profound and unsettling book.
Numerous notes provide enlightening but unobtrusive explanation of many
of the translator's choices. In a separate chapter-by-chapter commentary,
Sacks offers sustained original reflection on the several characters, their
intentions, and their core beliefs.
Winner of the 2004 Pulitzer Prize Award and recognized as the best book of fiction in the 21st century by the New York Times, Edward P. Jones's The Known World is a debut novel of stunning emotional depth and unequaled literary power and continues to show its importance to the American literary canon.
Henry Townsend, a farmer, boot maker, and former slave, through the surprising twists and unforeseen turns of life in antebellum Virginia, becomes proprietor of his own plantation--as well his own slaves. When he dies, his widow Caldonia succumbs to profound grief, and things begin to fall apart at their plantation: slaves take to escaping under the cover of night, and families who had once found love under the weight of slavery begin to betray one another. Beyond the Townsend household, the known world also unravels: low-paid white patrollers stand watch as slave "speculators" sell free black people into slavery, and rumors of slave rebellions set white families against slaves who have served them for years.
An ambitious, courageous, luminously written masterwork, The Known World seamlessly weaves the lives of the freed and the enslaved--and allows all of us a deeper understanding of the enduring multidimensional world created by the institution of slavery. The Known World not only marks the return of an extraordinarily gifted writer, it heralds the publication of a remarkable contribution to the canon of American classic literature.
JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.
This edition features the Northwestern-Newberry edition of Melville's text, approved by the Center for Scholarly Editions and the Center for Editions of American Authors of the MLA.
Nominated as one of America's best-loved novels by PBS's The Great American Read Moby-Dick still stands as an indisputable literary classic. It is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopedia of whaling lore and legend, Moby-Dick is a haunting, mesmerizing, and important social commentary populated with several of the most unforgettable and enduring characters in literature. Written with wonderfully redemptive humor, Moby-Dick is a profound and timeless inquiry into character, faith, and the nature of perception. Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
"This book is a very specialized but broadly useful introduction to set theory. It is aimed at 'the beginning student of advanced mathematics' ... who wants to understand the set-theoretic underpinnings of the mathematics he already knows or will learn soon. It is also useful to the professional mathematician who knew these underpinnings at one time but has now forgotten exactly how they go. ... A good reference for how set theory is used in other parts of mathematics." -- Allen Stenger, The Mathematical Association of America, September 2011.
This volume contains a new translation, with a historical introduction by the translators, of two works written under the pseudonym Johannes Climacus. Through Climacus, Kierkegaard contrasts the paradoxes of Christianity with Greek and modern philosophical thinking. In Philosophical Fragments he begins with Greek Platonic philosophy, exploring the implications of venturing beyond the Socratic understanding of truth acquired through recollection to the Christian experience of acquiring truth through grace. Published in 1844 and not originally planned to appear under the pseudonym Climacus, the book varies in tone and substance from the other works so attributed, but it is dialectically related to them, as well as to the other pseudonymous writings.
The central issue of Johannes Climacus is doubt. Probably written between November 1842 and April 1843 but unfinished and published only posthumously, this book was described by Kierkegaard as an attack on modern speculative philosophy by "means of the melancholy irony, which did not consist in any single utterance on the part of Johannes Climacus but in his whole life. . . . Johannes does what we are told to do--he actually doubts everything--he suffers through all the pain of doing that, becomes cunning, almost acquires a bad conscience. When he has gone as far in that direction as he can go and wants to come back, he cannot do so. . . . Now he despairs, his life is wasted, his youth is spent in these deliberations. Life does not acquire any meaning for him, and all this is the fault of philosophy." A note by Kierkegaard suggests how he might have finished the work: "Doubt is conquered not by the system but by faith, just as it is faith that has brought doubt into the world!."
By pairing translations of Gorgias and Rhetoric, along with an outstanding introductory essay, Joe Sachs demonstrates Aristotles response to Plato. If in the Gorgias Plato probes the question of what is problematic in rhetoric, in Rhetoric, Aristotle continues the thread by looking at what makes rhetoric useful. By juxtaposing the two texts, an interesting "conversation" is illuminated--one which students of philosophy and rhetoric will find key in their analytical pursuits.
Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Aristotle and Plato's immediate audience.
An undisputed masterpiece, The Portrait of a Lady is arguably James's most popular work, and certainly the finest of his early novels. It focuses on Isabel Archer, a young, intelligent, and spirited American girl, determined to relish her first experience of Europe. She rejects two eligible suitors in her fervent commitment to liberty and independence, declaring that she will never marry. Thanks to the generosity of her devoted cousin Ralph, she is free to make her own choice about her destiny. Yet in the intoxicating worlds of Paris, Florence, and Rome, her fond illusions of self-reliance are twisted by the machinations of her friends and apparent allies. What had seemed to be a vista of infinite promise steadily closes around her and becomes instead a "house of suffocation."
Portrait of a Lady is at once a dramatic Victorian tale of betrayal and a wholly modern psychological study of a woman caught in a web of relations she only comes to understand too late. This new edition includes helpful notes on the numerous changes James made between the first edition and the revised New York Edition, reproduced here, an up-to-date bibliography, and a new chronology. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
As relevant now as ever before, this accessible collection is an essential landmark in the philosophy of science from "one of the most profound thinkers of the twentieth century" (New York Times).
The advent of machine technology has given rise to some of the deepest problems of modern thought. Featuring the celebrated essay "The Question Concerning Technology," this prescient volume contains Martin Heidegger's groundbreaking investigation into the pervasive "enframing" character of our understanding of ourselves and the world.
This book consists of literal English translations of ten Socratic dialogues that have been largely neglected for the last century. Although everyone of these dialogues belongs to the classical canon of Platonic writings and was accepted as genuine in antiquity, most were condemned as forgeries in the early nineteenth century--and have remained under a shadow ever since. In his long introductory essay, Thomas L. Pangle offers a spirited criticism of arguments that have been adduced to support the view that some of the dialogues are counterfeit and shows in scrupulous detail why he believes in their authenticity.
Each dialogue is accompanied by an interpretive essay that demonstrates how a close reading of the dialogue sheds revealing light on the Platonic understanding of political theory, ethics, aesthetics, and the philosophic way of life as exemplified by Socrates. The essays include previously published pieces, some of classic stature, as well as studies written especially for this volume.
Opening an entirely new dimension of Platonic studies, The Roots of Political Philosophy addresses, in a fresh or unfamiliar perspective, major themes and puzzles such as: the nature of law, of property, and of acquisitiveness; the meaning of Socrates' famous "demonic voice"; what is at stake in the poetic claim to inspiration; and the psychology of the tyrannic as opposed to the statesmanlike or political personality.
Political scientists, philosophers, classicists, and students who are familiar with the textual approach associated with Leo Strauss will welcome this book, as will other readers with an interest in ancient Greek philosophy and political thought.
Contributors and translators: Allan Bloom, Christopher Bruell, Steven Forde, James Leake, Carnes Lord, James H. Nichols, Clifford Orwin, Thomas L. Pangle, Leo Strauss, and David Sweet.
An NRC Handelsblad Book of the Year
"Offers rich discussions of olfactory perception, the conscious and subconscious impacts of smell on behavior and emotion."--Science Decades of cognition research have shown that external stimuli "spark" neural patterns in particular regions of the brain. We think of the brain as a space we can map: here it responds to faces, there it perceives a sensation. But the sense of smell--only recently attracting broader attention in neuroscience--doesn't work this way. So what does the nose tell the brain, and how does the brain understand it? A. S. Barwich turned to experts in neuroscience, psychology, chemistry, and perfumery in an effort to understand the mechanics and meaning of odors. She discovered that scents are often fickle, and do not line up with well-defined neural regions. Upending existing theories of perception, Smellosophy offers a new model for understanding how the brain senses and processes odors. "A beguiling analysis of olfactory experience that is fast becoming a core reference work in the field."
--Irish Times "Lively, authoritative...Aims to rehabilitate smell's neglected and marginalized status."
--Wall Street Journal "This is a special book...It teaches readers a lot about olfaction. It teaches us even more about what philosophy can be."
--Times Literary Supplement