Banner Message
Please note: Due to the renovations happening to the Pritzker building, the bookstore is in a temporary location without full access to the inventory. There might be items that appear online that are not currently accesible to us to ship to you. If you order these items, you will be refunded and the rest of your order will ship. Feel free to contact us with any questions.
Summer Classics
A fresh and faithful translation of Vergil's Aeneid restores the epic's spare language and fast pace and sheds new light on one of the cornerstone narratives of Western culture. "Vivid and haunting . . . a model of how to render Latin poetry in English."--Tom Holland, New Statesman
For two thousand years, the epic tale of Aeneas's dramatic flight from Troy, his doomed love affair with Dido, his descent into the underworld, and the bloody story behind the establishment of Rome has electrified audiences around the world. In Vergil's telling, Aeneas's heroic journey not only gave Romans and Italians a thrilling origin story, it established many of the fundamental themes of Western life and literature--the role of duty and self-sacrifice, the place of love and passion in human life, the relationship between art and violence, the tension between immigrant and indigenous people, and the way new foundations are so often built upon the wreckage of those who came before. Throughout the course of Western history, the Aeneid has affirmed our best and worst intentions and forced us to confront our deepest contradictions. Shadi Bartsch, Guggenheim Laureate, award-winning translator, and chaired professor at the University of Chicago, confronts the contradictions inherent in the text itself, illuminating the epic's subversive approach to storytelling. Even as Vergil writes the foundation myth for Rome, he seems to comment on this tendency to mythologize our heroes and societies, and to gesture to the stories that get lost in the mythmaking. Bartsch's groundbreaking translation, brilliantly maintaining the brisk pace of Vergil's Latin even as it offers readers a metrical line-by-line translation, provides a literary and historical context to make the Aeneid resonant for a new generation of readers.
For two thousand years, the epic tale of Aeneas's dramatic flight from Troy, his doomed love affair with Dido, his descent into the underworld, and the bloody story behind the establishment of Rome has electrified audiences around the world. In Vergil's telling, Aeneas's heroic journey not only gave Romans and Italians a thrilling origin story, it established many of the fundamental themes of Western life and literature--the role of duty and self-sacrifice, the place of love and passion in human life, the relationship between art and violence, the tension between immigrant and indigenous people, and the way new foundations are so often built upon the wreckage of those who came before. Throughout the course of Western history, the Aeneid has affirmed our best and worst intentions and forced us to confront our deepest contradictions. Shadi Bartsch, Guggenheim Laureate, award-winning translator, and chaired professor at the University of Chicago, confronts the contradictions inherent in the text itself, illuminating the epic's subversive approach to storytelling. Even as Vergil writes the foundation myth for Rome, he seems to comment on this tendency to mythologize our heroes and societies, and to gesture to the stories that get lost in the mythmaking. Bartsch's groundbreaking translation, brilliantly maintaining the brisk pace of Vergil's Latin even as it offers readers a metrical line-by-line translation, provides a literary and historical context to make the Aeneid resonant for a new generation of readers.
No other Sanskrit work approaches the Bhagavadgita in the influence it has exerted in the West. Philosophers such as Emerson and the other New England Transcendentalists were deeply affected by its insights, a dozen or more scholars, including Annie Besant and Mahatma Gandhi, have attempted its translation, and thousands of individuals struggling with the problems divided loyalties have found comfort and wisdom in its pages. The Bhagavadgita ("Song of the Lord") tells of the young and virtuous Prince Arjuna who is driven to lead his forces into battle against an opposing army composed of close relatives and others whom he loves. The Lord Krsna, appearing in the poem as Arjuna's friend and charioteer, persuades him that he must do battle, and we see Arjuna changing from revulsion at the thought of killing members of his family to resignation and awareness of duty, to manly acceptance of his role as warrior and defender of his kingdom. The Bhagavadgita is a self-contained episode in the Mahabharata, a vast collection of epics, legends, romances, theology, and metaphysical doctrine that reflects the history and culture of the whole of Hindu civilization. The present edition forms a part of J. A. B. van Buitenen's widely acclaimed translation of this great work. Here English and Sanskrit are printed on facing pages, enabling those with some knowledge of Sanskrit to appreciate van Buitenen's accurate rendering of the intimate, familial tone and directness of the original poem.
Robert D. Sacks has rendered the bold and vivid poetic imagery of the Hebrew original in English prose that is equally bold and equally
vivid--while remaining solidly grounded in the nuances of meaning and
diversity of resonances present in the Hebrew text.
The result is a translation often startling in its power and insight, opening
the way to a deeper undertanding of this profound and unsettling book.
Numerous notes provide enlightening but unobtrusive explanation of many
of the translator's choices. In a separate chapter-by-chapter commentary,
Sacks offers sustained original reflection on the several characters, their
intentions, and their core beliefs.
vivid--while remaining solidly grounded in the nuances of meaning and
diversity of resonances present in the Hebrew text.
The result is a translation often startling in its power and insight, opening
the way to a deeper undertanding of this profound and unsettling book.
Numerous notes provide enlightening but unobtrusive explanation of many
of the translator's choices. In a separate chapter-by-chapter commentary,
Sacks offers sustained original reflection on the several characters, their
intentions, and their core beliefs.
"A superb new translation" (The New Yorker) of stories that allow readers to experience the unmistakable genius of a writer who paved the way for Dostoevsky and Kafka. When Nikolai Gogol left his Ukrainian village in 1828 to seek his fortune in St. Petersburg, he began composing these marvelous stories--tales that combine the wide-eyed, credulous imagination of the peasant with the sardonic social criticism of the city-dweller. Collected here are Gogol's finest tales--from the demon-haunted "St. John's Eve" to the strange surrealism of "The Nose," from the heartrending trials of the copyist in "The Overcoat" to those of the delusional clerk in "The Diary of a Madman." To this exquisite translation--destined to become the definitive edition of Gogol's short fiction--Richard Pevear and Larissa Volokhonsky bring the same clarity and fidelity to the original that they brought to their brilliant translation of Gogol's classic novel Dead Souls and their award-winning version of Dostoevsky's The Brothers Karamazov.
Alexis de Tocqueville (1805-59) came to America in 1831 to see what a great republic was like. What struck him most was the country's equality of conditions, its democracy. The book he wrote on his return to France, Democracy in America, is both the best ever written on democracy and the best ever written on America. It remains the most often quoted book about the United States, not only because it has something to interest and please everyone, but also because it has something to teach everyone. When it was published in 2000, Harvey Mansfield and Delba Winthrop's new translation of Democracy in America--only the third since the original two-volume work was published in 1835 and 1840--was lauded in all quarters as the finest and most definitive edition of Tocqueville's classic thus far. Mansfield and Winthrop have restored the nuances of Tocqueville's language, with the expressed goal "to convey Tocqueville's thought as he held it rather than to restate it in comparable terms of today." The result is a translation with minimal interpretation, but with impeccable annotations of unfamiliar references and a masterful introduction placing the work and its author in the broader contexts of political philosophy and statesmanship.
Emerson's enduring power is apparent everywhere in American literature: there is scarcely a writer or philosopher who has not been touched by his vision. The first volume of his writing in The Library of America covers his most productive period, and encompasses his richest and most important works. Here in their entirety are the books that established Emerson's colossal reputation as our most eloquent champion of individualism and as a prescient critic of the countervailing pressures of society. Included are such renowned works as "The American Scholar" (which Oliver Wendell Holmes called "our intellectual Declaration of Independence"), the controversial "Divinity School Address, " which led to Emerson's leaving the ministry to pursue a fiercely independent course, the inspiring summons to "Self-Reliance." No other volume conveys so comprehensively the exhilaration and exploratory energy of perhaps America's greatest writer.
This monument of rabbinical exegesis written at the end of the twelfth century has exerted an immense and continuing influence upon Jewish thought. Its aim is to liberate people from the tormenting perplexities arising from their understanding of the Bible according only to its literal meaning. This edition contains extensive introductions by Shlomo Pines and Leo Strauss, a leading authority on Maimonides.
This monument of rabbinical exegesis written at the end of the twelfth century has exerted an immense and continuing influence upon Jewish thought. Its aim is to liberate people from the tormenting perplexities arising from their understanding of the Bible according only to its literal meaning. This edition contains extensive introductions by Shlomo Pines and Leo Strauss, a leading authority on Maimonides.
Winner of the 2004 Pulitzer Prize Award and recognized as the best book of fiction in the 21st century by the New York Times, Edward P. Jones's The Known World is a debut novel of stunning emotional depth and unequaled literary power and continues to show its importance to the American literary canon.
Henry Townsend, a farmer, boot maker, and former slave, through the surprising twists and unforeseen turns of life in antebellum Virginia, becomes proprietor of his own plantation--as well his own slaves. When he dies, his widow Caldonia succumbs to profound grief, and things begin to fall apart at their plantation: slaves take to escaping under the cover of night, and families who had once found love under the weight of slavery begin to betray one another. Beyond the Townsend household, the known world also unravels: low-paid white patrollers stand watch as slave "speculators" sell free black people into slavery, and rumors of slave rebellions set white families against slaves who have served them for years.
An ambitious, courageous, luminously written masterwork, The Known World seamlessly weaves the lives of the freed and the enslaved--and allows all of us a deeper understanding of the enduring multidimensional world created by the institution of slavery. The Known World not only marks the return of an extraordinarily gifted writer, it heralds the publication of a remarkable contribution to the canon of American classic literature.
Thucydides called his account of two decades of war between Athens and Sparta "possession for all time, " and indeed it is the first and still most famous work in the Western historical tradition. Considered essential reading for generals, statesmen, and liberally educated citizens for more than 2,000 years, "The Peloponnesian War" is a mine of military, moral, political, and philosophical wisdom.
Challenging Locke's views in Essays on Human Understanding chapter by chapter, Leibniz's references to his contemporaries and his discussion of the ideas and institutions of the age make this work a fascinating and valuable document in the history of ideas.
At the age of ten, Fanny Price leaves the poverty of her Portsmouth home to be brought up among the family of her wealthy uncle, Sir Thomas Bertram, in the chilly grandeur of Mansfield Park. She gradually falls in love with her cousin Edmund, but when the dazzling and sophisticated Crawfords arrive, and amateur theatricals unleash rivalry and sexual jealousy, Fanny has to fight to retain her independence. This new edition places Mansfield Park in its Regency context and elucidates the theatrical background that pervades the novel. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, form one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, depicting a court life Shakespearean in its pathos, drama, and grandeur. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman.
JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.
JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.
"As one would expect from the team of Brann, Kalkavage and Salem, their edition of Plato's Meno is a fine one. The translation meets their stated goal of remaining 'as faithful as possible to the Greek, while using lively, colloquial English.' Their notes are consistently helpful and will be particularly useful to those readers willing to explore the nuances of Plato's extraordinary prose. Their introduction is clear and compact, and it highlights the most philosophically important themes of the dialogue. One particularly useful feature of this edition is the manner in which it displays the diagrams Socrates draws in order to illustrate his famous 'square within a square.' Instead of relegating them to the notes, it integrates them into the text of the dialogue itself. Readers are able to follow along, and 'watch' Socrates actually construct them." --David Roochnik, Boston University
Herman Melville's masterpiece of obsession and the untamed sea, one of the greatest works of imagination in literary history--featuring an introduction by Andrew Delbanco and notes by Tom Quirk.
This edition features the Northwestern-Newberry edition of Melville's text, approved by the Center for Scholarly Editions and the Center for Editions of American Authors of the MLA.
Nominated as one of America's best-loved novels by PBS's The Great American Read Moby-Dick still stands as an indisputable literary classic. It is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopedia of whaling lore and legend, Moby-Dick is a haunting, mesmerizing, and important social commentary populated with several of the most unforgettable and enduring characters in literature. Written with wonderfully redemptive humor, Moby-Dick is a profound and timeless inquiry into character, faith, and the nature of perception. Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This edition features the Northwestern-Newberry edition of Melville's text, approved by the Center for Scholarly Editions and the Center for Editions of American Authors of the MLA.
Nominated as one of America's best-loved novels by PBS's The Great American Read Moby-Dick still stands as an indisputable literary classic. It is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopedia of whaling lore and legend, Moby-Dick is a haunting, mesmerizing, and important social commentary populated with several of the most unforgettable and enduring characters in literature. Written with wonderfully redemptive humor, Moby-Dick is a profound and timeless inquiry into character, faith, and the nature of perception. Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This classic by one of the twentieth century's most prominent mathematicians offers a concise introduction to set theory. Suitable for advanced undergraduates and graduate students in mathematics, it employs the language and notation of informal mathematics. There are very few displayed theorems; most of the facts are stated in simple terms, followed by a sketch of the proof. Only a few exercises are designated as such since the book itself is an ongoing series of exercises with hints. The treatment covers the basic concepts of set theory, cardinal numbers, transfinite methods, and a good deal more in 25 brief chapters.
"This book is a very specialized but broadly useful introduction to set theory. It is aimed at 'the beginning student of advanced mathematics' ... who wants to understand the set-theoretic underpinnings of the mathematics he already knows or will learn soon. It is also useful to the professional mathematician who knew these underpinnings at one time but has now forgotten exactly how they go. ... A good reference for how set theory is used in other parts of mathematics." -- Allen Stenger, The Mathematical Association of America, September 2011.
"This book is a very specialized but broadly useful introduction to set theory. It is aimed at 'the beginning student of advanced mathematics' ... who wants to understand the set-theoretic underpinnings of the mathematics he already knows or will learn soon. It is also useful to the professional mathematician who knew these underpinnings at one time but has now forgotten exactly how they go. ... A good reference for how set theory is used in other parts of mathematics." -- Allen Stenger, The Mathematical Association of America, September 2011.
The volume is full of thought-provoking insight which will prove a stimulus both to further study and to scholarly disagreement.
On the Genealogy of Morals (1887) is a book about the history of ethics and about interpretation. Nietzsche rewrites the former as a history of cruelty, exposing the central values of the Judaeo-Christian and liberal traditions - compassion, equality, justice - as the product of a brutal process of conditioning designed to domesticate the animal vitality of earlier cultures. The result is a book which raises profoundly disquieting issues about the violence of both ethics and interpretation. Nietzsche questions moral certainties by showing that religion and science have no claim to absolute truth, before turning on his own arguments in order to call their very presuppositions into question. The Genealogy is the most sustained of Nietzsche's later works and offers one of the fullest expressions of his characteristic concerns. This edition places his ideas within the cultural context of his own time and stresses the relevance of his work for a contemporary audience.
With his journeys through Hell and Purgatory complete, Dante is at last led by his beloved Beatrice to Paradise. Where his experiences in the Inferno and Purgatorio were arduous and harrowing, this is a journey of comfort, revelation, and, above all, love-both romantic and divine. Robert Hollander is a Dante scholar of unmatched reputation and his wife, Jean, is an accomplished poet. Their verse translation with facing-page Italian combines maximum fidelity to Dante's text with the artistry necessary to reflect the original's virtuosity. They have produced the clearest, most accurate, and most readable translation of the three books of The Divine Comedy, with unsurpassable footnotes and introductions, likely to be a touchstone for generations to come.
This volume contains a new translation, with a historical introduction by the translators, of two works written under the pseudonym Johannes Climacus. Through Climacus, Kierkegaard contrasts the paradoxes of Christianity with Greek and modern philosophical thinking. In Philosophical Fragments he begins with Greek Platonic philosophy, exploring the implications of venturing beyond the Socratic understanding of truth acquired through recollection to the Christian experience of acquiring truth through grace. Published in 1844 and not originally planned to appear under the pseudonym Climacus, the book varies in tone and substance from the other works so attributed, but it is dialectically related to them, as well as to the other pseudonymous writings.
The central issue of Johannes Climacus is doubt. Probably written between November 1842 and April 1843 but unfinished and published only posthumously, this book was described by Kierkegaard as an attack on modern speculative philosophy by "means of the melancholy irony, which did not consist in any single utterance on the part of Johannes Climacus but in his whole life. . . . Johannes does what we are told to do--he actually doubts everything--he suffers through all the pain of doing that, becomes cunning, almost acquires a bad conscience. When he has gone as far in that direction as he can go and wants to come back, he cannot do so. . . . Now he despairs, his life is wasted, his youth is spent in these deliberations. Life does not acquire any meaning for him, and all this is the fault of philosophy." A note by Kierkegaard suggests how he might have finished the work: "Doubt is conquered not by the system but by faith, just as it is faith that has brought doubt into the world!."
The classic portrayal of court life in tenth-century Japan Written by the court gentlewoman Sei Shonagon, ostensibly for her own amusement, The Pillow Book offers a fascinating exploration of life among the nobility at the height of the Heian period, describing the exquisite pleasures of a confined world in which poetry, love, fashion, and whim dominated, while harsh reality was kept firmly at a distance. Moving elegantly across a wide range of themes including nature, society, and her own flirtations, Sei Shonagon provides a witty and intimate window on a woman's life at court in classical Japan. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
By pairing translations of Gorgias and Rhetoric, along with an outstanding introductory essay, Joe Sachs demonstrates Aristotles response to Plato. If in the Gorgias Plato probes the question of what is problematic in rhetoric, in Rhetoric, Aristotle continues the thread by looking at what makes rhetoric useful. By juxtaposing the two texts, an interesting "conversation" is illuminated--one which students of philosophy and rhetoric will find key in their analytical pursuits.
Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Aristotle and Plato's immediate audience.
Henry James is one of the giants of American literary history. From the novella "Daisy Miller" and classic short stories such as "The Turn of the Screw" to the popular short novel Washington Square and intricately woven and highly complex later novels such as The Golden Bowl and The Ambassadors, James's work is a required stop on any journey through our nation's artistic and cultural heritage.
An undisputed masterpiece, The Portrait of a Lady is arguably James's most popular work, and certainly the finest of his early novels. It focuses on Isabel Archer, a young, intelligent, and spirited American girl, determined to relish her first experience of Europe. She rejects two eligible suitors in her fervent commitment to liberty and independence, declaring that she will never marry. Thanks to the generosity of her devoted cousin Ralph, she is free to make her own choice about her destiny. Yet in the intoxicating worlds of Paris, Florence, and Rome, her fond illusions of self-reliance are twisted by the machinations of her friends and apparent allies. What had seemed to be a vista of infinite promise steadily closes around her and becomes instead a "house of suffocation."
Portrait of a Lady is at once a dramatic Victorian tale of betrayal and a wholly modern psychological study of a woman caught in a web of relations she only comes to understand too late. This new edition includes helpful notes on the numerous changes James made between the first edition and the revised New York Edition, reproduced here, an up-to-date bibliography, and a new chronology. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
An undisputed masterpiece, The Portrait of a Lady is arguably James's most popular work, and certainly the finest of his early novels. It focuses on Isabel Archer, a young, intelligent, and spirited American girl, determined to relish her first experience of Europe. She rejects two eligible suitors in her fervent commitment to liberty and independence, declaring that she will never marry. Thanks to the generosity of her devoted cousin Ralph, she is free to make her own choice about her destiny. Yet in the intoxicating worlds of Paris, Florence, and Rome, her fond illusions of self-reliance are twisted by the machinations of her friends and apparent allies. What had seemed to be a vista of infinite promise steadily closes around her and becomes instead a "house of suffocation."
Portrait of a Lady is at once a dramatic Victorian tale of betrayal and a wholly modern psychological study of a woman caught in a web of relations she only comes to understand too late. This new edition includes helpful notes on the numerous changes James made between the first edition and the revised New York Edition, reproduced here, an up-to-date bibliography, and a new chronology. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
Regarded by many as Henry James's finest work, and a lucid tragedy exploring the distance between money and happiness, The Portrait of a Lady contains an introduction by Philip Horne in Penguin Classics. When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to enjoy the freedom that her fortune has opened up and to determine her own fate, does not hesitate to turn down two eligible suitors. Then she finds herself irresistibly drawn to Gilbert Osmond. Charming and cultivated, Osmond sees Isabel as a rich prize waiting to be taken. Beneath his veneer of civilized behaviour, Isabel discovers cruelty and a stifling darkness. In this portrait of a 'young woman affronting her destiny', Henry James created one of his most magnificent heroines, and a story of intense poignancy. This edition of The Portrait of a Lady, based on the earliest published copy of the novel, is the version read first and loved by most readers in James's lifetime. It also contains a chronology, further reading, notes and an introduction by Philip Horne. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
As relevant now as ever before, this accessible collection is an essential landmark in the philosophy of science from "one of the most profound thinkers of the twentieth century" (New York Times).
The advent of machine technology has given rise to some of the deepest problems of modern thought. Featuring the celebrated essay "The Question Concerning Technology," this prescient volume contains Martin Heidegger's groundbreaking investigation into the pervasive "enframing" character of our understanding of ourselves and the world.
This book consists of literal English translations of ten Socratic dialogues that have been largely neglected for the last century. Although everyone of these dialogues belongs to the classical canon of Platonic writings and was accepted as genuine in antiquity, most were condemned as forgeries in the early nineteenth century--and have remained under a shadow ever since. In his long introductory essay, Thomas L. Pangle offers a spirited criticism of arguments that have been adduced to support the view that some of the dialogues are counterfeit and shows in scrupulous detail why he believes in their authenticity.
Each dialogue is accompanied by an interpretive essay that demonstrates how a close reading of the dialogue sheds revealing light on the Platonic understanding of political theory, ethics, aesthetics, and the philosophic way of life as exemplified by Socrates. The essays include previously published pieces, some of classic stature, as well as studies written especially for this volume.
Opening an entirely new dimension of Platonic studies, The Roots of Political Philosophy addresses, in a fresh or unfamiliar perspective, major themes and puzzles such as: the nature of law, of property, and of acquisitiveness; the meaning of Socrates' famous "demonic voice"; what is at stake in the poetic claim to inspiration; and the psychology of the tyrannic as opposed to the statesmanlike or political personality.
Political scientists, philosophers, classicists, and students who are familiar with the textual approach associated with Leo Strauss will welcome this book, as will other readers with an interest in ancient Greek philosophy and political thought.
Contributors and translators: Allan Bloom, Christopher Bruell, Steven Forde, James Leake, Carnes Lord, James H. Nichols, Clifford Orwin, Thomas L. Pangle, Leo Strauss, and David Sweet.
An NRC Handelsblad Book of the Year
"Offers rich discussions of olfactory perception, the conscious and subconscious impacts of smell on behavior and emotion."--Science Decades of cognition research have shown that external stimuli "spark" neural patterns in particular regions of the brain. We think of the brain as a space we can map: here it responds to faces, there it perceives a sensation. But the sense of smell--only recently attracting broader attention in neuroscience--doesn't work this way. So what does the nose tell the brain, and how does the brain understand it? A. S. Barwich turned to experts in neuroscience, psychology, chemistry, and perfumery in an effort to understand the mechanics and meaning of odors. She discovered that scents are often fickle, and do not line up with well-defined neural regions. Upending existing theories of perception, Smellosophy offers a new model for understanding how the brain senses and processes odors. "A beguiling analysis of olfactory experience that is fast becoming a core reference work in the field."
--Irish Times "Lively, authoritative...Aims to rehabilitate smell's neglected and marginalized status."
--Wall Street Journal "This is a special book...It teaches readers a lot about olfaction. It teaches us even more about what philosophy can be."
--Times Literary Supplement
The fourth volume of one of the greatest novels of the twentieth century John Sturrock's acclaimed new translation of Sodom and Gomorrah will introduce a new generation of American readers to the literary riches of Proust. The fourth volume in this superb edition of In Search of Lost Time--the first completely new translation of Proust's masterpiece since the 1920s--brings us a more comic and lucid prose than English readers have previously been able to enjoy. Sodom and Gomorrah takes up the theme of homosexual love, male and female, and dwells on how destructive sexual jealousy can be for those who suffer it. Proust's novel is also an unforgiving analysis of both the decadent high society of Paris and the rise of a philistine bourgeoisie that is on the way to supplanting it. Characters who had lesser roles in earlier volumes now reappear in a different light and take center stage, notably Albertine, with whom the narrator believes he is in love, and the insanely haughty Baron de Charlus.
From the bestselling author of The Passenger and the Pulitzer Prize-winning novel The Road, here is the story of Cornelius Suttree, who has forsaken a life of privilege with his prominent family to live in a dilapidated houseboat on the Tennessee River near Knoxville. Remaining on the margins of the outcast community there--a brilliantly imagined collection of eccentrics, criminals, and squatters--he rises above the physical and human squalor with detachment, humor, and dignity.