Summer Classics
This new translation of Montaigne's immortal Essays received great acclaim when it was first published in The Complete Works of Montaigne in the 1957 edition. The New York Times said, It is a matter for rejoicing that we now have available a new translation that offers definite advantages over even the best of its predecessors, and The New Republic stated that this edition gives a more adequate idea of Montaigne's manner, his straight and unpretentious style, than any of the half-dozen previous English translations.
In his Essays Montaigne warns us from the outset that he has set himself no goal but a domestic and private one; yet he is one author whose modernity and universality have been acclaimed by each age since he wrote. Probing into his emotions, attitudes, and behavior, Montaigne reveals to us much about ourselves.
As new editions of the Essays were published during his lifetime, Montaigne interpolated many new passages--often of considerable length. This volume indicates the strata of composition, so that the reader may follow the development of Montaigne's thought over the years. The detailed index provides a convenient means of locating the many famous passages that occur throughout the work.
After the publication of her short story "The Lottery" in the New Yorker in 1948 received an unprecedented amount of attention, Shirley Jackson was quickly established as a master horror storyteller. This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the "The Possibility of Evil" and "The Summer People." In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There's something sinister in suburbia. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A Best Book of the Year: San Francisco Chronicle, NPR, Minneapolis Star Tribune
Here is a selection of Munro's most accomplished and powerfully affecting short fiction from the last two decades, a companion volume to A Wilderness Station: Selected Stories, 1968-1994. These stories encompass the fullness of human experience, from the wild exhilaration of first love (in "Passion") to the punishing consequences of leaving home ("Runaway") or ending a marriage ("The Children Stay"). And in stories that Munro has described as "closer to the truth than usual"--"Dear Life," "Working for a Living," and "Home"--we glimpse the author's own life.Subtly honed with her hallmark precision, grace, and compassion, these stories illuminate the quotidian yet astonishing particularities in the lives of men and women, parents and children, friends and lovers as they discover sex, fall in love, part, quarrel, suffer defeat, set off into the unknown, or find a way to be in the world.
Having done the longest day in literature with his monumental Ulysses, James Joyce set himself even greater challenges for his next book -- the night.
A nocturnal state...That is what I want to convey: what goes on in a dream, during a dream. The work, which would exhaust two decades of his life and the odd resources of some sixty languages, culminated in the 1939 publication of Joyce's final and most revolutionary masterpiece, Finnegans Wake.
A story with no real beginning or end (it ends in the middle of a sentence and begins in the middle of the same sentence), this book of Doublends Jined is as remarkable for its prose as for its circular structure. Written in a fantantic dream language, forged from polyglot puns and portmanteau words, the Wake features some of Joyce's most brilliant inventive work. Sixty years after its original publication, it remains, in Anthony Burgess's words, a great comic vision, one of the few books of the world that can make us laugh aloud on nearly every page.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.Containing some of the most melodic passages in modern poetry, "Four Quartets" blends the religious, the philosophical and the personal themes that preoccupied Eliot. The four parts, "Burnt Norton, East Coker, The Dry Salvages" and "Little Gidding," are interconnected both by theme and by symbol. A poem of war, of Christianity, of literature and of history, "Four Quartets" speaks for a whole generation and is an enduring masterpiece.
Rosamond Kent Sprague's translations of the Laches and Charmides are highly regarded, and relied on, for their lucidity and philosophical acuity. This edition includes notes by Sprague and an updated bibliography.
One of the functions of humor, according to Bergson, is to help us retain our humanity during an age of mechanization. Like other philosophers, novelists, poets, and humorists of his era, Bergson was concerned with the duality of man and machine. His belief in life as a vital impulse, indefinable by reason alone, informs his perception of comedy as the relief we experience upon distancing ourselves from the mechanistic and materialistic. A situation is always comic, Bergson notes, if it participates simultaneously in two series of events which are absolutely independent of each other, and if it can be interpreted in two quite different meanings. The philosopher's thought-provoking insights (e.g., It seems that laughter needs an echo. Our laughter is always the laughter of a group.) keep this work ever-relevant as a thesis on the principles of humor.
Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Plato's immediate audience.
"Moments like this are buds on the tree of life. Flowers of darkness they are."
In this vivid portrait of a single day in a woman's life, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of preparation for a party while in her mind she is something much more than a perfect society hostess. As she readies her house for friends and neighbors, she is flooded with remembrances of the past--the passionate loves of her carefree youth, her practical choice of husband, and the approach and retreat of war. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old. From the introspective Clarissa, to the lover who never fully recovered from her rejection, to a war-ravaged stranger in the park, the characters and scope of Mrs. Dalloway reshape our sense of ordinary life making it one of the most "moving, revolutionary artworks of the twentieth century" (Michael Cunningham).Now an HBO series: the first volume in the New York Times-bestselling "enduring masterpiece" about a lifelong friendship between two women from Naples (The Atlantic).
Beginning in the 1950s in a poor but vibrant neighborhood on the outskirts of Naples, Elena Ferrante's four-volume story spans almost sixty years, as its main characters, the fiery and unforgettable Lila and the bookish narrator, Elena, become women, wives, mothers, and leaders, all the while maintaining a complex and at times conflicted friendship. This first novel in the series follows Lila and Elena from their fateful meeting as ten-year-olds through their school years and adolescence.
Through the lives of these two women, Ferrante tells the story of a neighborhood, a city, and a country as it is transformed in ways that, in turn, also transform the relationship between two women.
"An intoxicatingly furious portrait of enmeshed friends." --Entertainment Weekly
"Spectacular." --Maureen Corrigan, NPR's Fresh Air
"Captivating." --The New Yorker
- Traditional and modern methods of food production and their influences on food quality
- The great diversity of methods by which people in different places and times have prepared the same ingredients
- Tips for selecting the best ingredients and preparing them successfully
- The particular substances that give foods their flavors, and that give us pleasure
- Our evolving knowledge of the health benefits and risks of foods On Food and Cooking is an invaluable and monumental compendium of basic information about ingredients, cooking methods, and the pleasures of eating. It will delight and fascinate anyone who has ever cooked, savored, or wondered about food.
Fate and the gods decree that each generation will repeat the crimes and endure the suffering of their forebears. When Agamemnon is murdered by his wife, Clytemnestra, their son Orestes must avenge his father's death. Only Orestes' appeal to the goddess Athena saves him from his mother's Furies,
breaking the bloody chain; together gods and humans inaugurate a way of just conduct that will ensure stable families and a strong community. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert
introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. The Oresteia is majestic as theater and as literature, and this new translation seeks to preserve both these qualities. The introduction and notes emphasize the relationship between the scenes, ideas, and language that distinguishes this unique work.
Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Plato's immediate audience.
This volume contains new translations of two dialogues of Plato, the Protagoras and the Meno, together with explanatory notes and substantial interpretive essays. Robert C. Bartlett's translations are as literal as is compatible with sound English style and take into account important textual variations. Because the interpretive essays both sketch the general outlines of the dialogues and take up specific theoretical or philosophic difficulties, they will be of interest not only to those reading the dialogues for the first time but also to those already familiar with them.The Protagoras and the Meno are linked by the attention each pays to the idea of virtue: the latter dialogue focuses on the fundamental Socratic question, What is virtue?; the former on the specific virtue of courage, especially in its relation to wisdom. An appendix contains a short extract from Xenophon's Anabasis of Cyrus that vividly portrays the figure of Meno.
Life and Letters includes a rich selection of Chekhov's letters, some in English for the first time, some with previously redacted passages restored, as well as Aileen Kelly's portrait of Chekhov.
"Criticism" explores the wide range of approaches and interpretations in two sections. "Approaches" juxtaposes five different perspectives on how to read Chekhov, represented by Peter Bitsilli, Alexander Chudakov, Robert Louis Jackson, Vladimir Kataev, and Radislav Lapushin. "Interpretations" contains ten divergent readings of stories in this edition. Case studies include Michael Finke on "At Sea"; Cathy Popkin on "[A Nervous] Breakdown"; Julie de Sherbinin on "Peasant Women"; Liza Knapp on "Ward No. 6"; Robert Louis Jackson on "Rothschild's Fiddle" and "The Student"; Wolf Schmid on "The Student"; John Freedman on "Man in a Case," "Gooseberries," and "About Love"; Caryl Emerson on "A Calamity," "Anna on the Neck," "About Love," and "The Lady with the Little Dog"; and Rufus Mathewson on "The Lady with the Little Dog" and "The Beauties."
A Chronology and Selected Bibliography are included, as is a postscript on the translators and their work. A special section, "Comparison Translations," gives passages from selected stories in multiple translations.
A novel in the bestselling quartet about two very different women and their complex friendship: "Everyone should read anything with Ferrante's name on it" (The Boston Globe).
The follow-up to My Brilliant Friend, The Story of a New Name continues the epic New York Times-bestselling literary quartet that has inspired an HBO series, and returns us to the world of Lila and Elena, who grew up together in post-WWII Naples, Italy.
In The Story of a New Name, Lila has recently married and made her entrée into the family business; Elena, meanwhile, continues her studies and her exploration of the world beyond the neighborhood that she so often finds stifling. Marriage appears to have imprisoned Lila, and the pressure to excel is at times too much for Elena. Yet the two young women share a complex and evolving bond that is central to their emotional lives and a source of strength in the face of life's challenges. In these Neapolitan Novels, Elena Ferrante, "one of the great novelists of our time" (The New York Times), gives us a poignant and universal story about friendship and belonging, a meditation on love and jealousy, freedom and commitment--at once a masterfully plotted page-turner and an intense, generous-hearted family saga.
"Imagine if Jane Austen got angry and you'll have some idea of how explosive these works are." --The Australian
"Brilliant . . . captivating and insightful . . . the richness of her storytelling is likely to please fans of Sara Gruen and Silvia Avallone." --Booklist (starred review)