Social Justice

What happened to feminism in the twenty-first century? This question feels increasingly urgent in a moment of cultural and legislative backlash, when widespread uncertainty about the movement's power, focus, and currency threatens decades of progress.

Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and "riot grrrl" feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Mining the darker side of nostalgia, Gilbert trains her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. What she recounts is harrowing, from the leering gaze of the paparazzi to the gleeful cruelty of early reality TV and a burgeoning internet culture vicious toward women in the spotlight and damaging for those who weren't. Gilbert tracks many of the period's dominant themes back to the rise of internet porn, which gained widespread influence as it began to pervade our collective consciousness.

The result is a devastating portrait of a time when a distinctly American blend of excess, materialism, and power worship collided with the culture's reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and continues to shape our world today.

Finalist, 2025 Scholarly Writing Award, Saskatchewan Book Awards

The French philosopher-mystic-activist Simone Weil (1909-1943) has drawn both passionate admiration and scornful dismissal since her early death and the posthumous publication of her writings. She has also provoked an extraordinary range of literary writing focused on not only her ideas but also her person: novels, nonfiction, and especially poetry. Given the challenges of Weil's ethic of self-emptying attention, what accounts for her appeal, especially among women writers?

This book tells the story of some of Weil's most dedicated--and at points surprising--literary conversation partners, exploring why writers with varied political and religious commitments have found her thought and life so resonant. Cynthia R. Wallace considers authors who have devoted decades of attention to Weil, such as Adrienne Rich, Annie Dillard, and Mary Gordon, and who have written poetic sequences or book-length verse biographies of Weil, including Maggie Helwig, Stephanie Strickland, Kate Daniels, Sarah Klassen, Anne Carson, and Lorri Neilsen Glenn. She illuminates how writing to, of, and in the tradition of Weil has helped these writers grapple with the linked harms and possibilities of religious belief, self-giving attention, and the kind of moral seriousness required by the ethical and political crises of late modernity. The first book to trace Weil's influence on Anglophone literature, The Literary Afterlives of Simone Weil provides new ways to understand Weil's legacy and why her provocative wisdom continues to challenge and inspire writers and readers.

How a new "woke" elite uses the language of social justice to gain more power and status--without helping the marginalized and disadvantaged

Society has never been more egalitarian--in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. In We Have Never Been Woke, Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite--the symbolic capitalists. In education, media, nonprofits, and beyond, members of this elite work primarily with words, ideas, images, and data, and are very likely to identify as allies of antiracist, feminist, LGBTQ, and other progressive causes. Their dominant ideology is "wokeness" and, while their commitment to equality is sincere, they actively benefit from and perpetuate the inequalities they decry. Indeed, their egalitarian credentials help them gain more power and status, often at the expense of the marginalized and disadvantaged.

We Have Never Been Woke details how the language of social justice is increasingly used to justify this elite--and to portray the losers in the knowledge economy as deserving their lot because they think or say the "wrong" things about race, gender, and sexuality. Al-Gharbi's point is not to accuse symbolic capitalists of hypocrisy or cynicism. Rather, he examines how their genuine beliefs prevent them from recognizing how they contribute to social problems--or how their actions regularly provoke backlash against the social justice causes they champion.

A powerful critique, We Have Never Been Woke reveals that only by challenging this elite's self-serving narratives can we hope to address social and economic inequality effectively.