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Religion
Moving from the Paleolithic age to the present, Karen Armstrong details the great lengths to which humankind has gone in order to experience a sacred reality that it called by many names, such as God, Brahman, Nirvana, Allah, or Dao. Focusing especially on Christianity but including Judaism, Islam, Buddhism, Hinduism, and Chinese spiritualities, Armstrong examines the diminished impulse toward religion in our own time, when a significant number of people either want nothing to do with God or question the efficacy of faith. Why has God become unbelievable? Why is it that atheists and theists alike now think and speak about God in a way that veers so profoundly from the thinking of our ancestors? Answering these questions with the same depth of knowledge and profound insight that have marked all her acclaimed books, Armstrong makes clear how the changing face of the world has necessarily changed the importance of religion at both the societal and the individual level. Yet she cautions us that religion was never supposed to provide answers that lie within the competence of human reason; that, she says, is the role of logos. The task of religion is "to help us live creatively, peacefully, and even joyously with realities for which there are no easy explanations." She emphasizes, too, that religion will not work automatically. It is, she says, a practical discipline: its insights are derived not from abstract speculation but from "dedicated intellectual endeavor" and a "compassionate lifestyle that enables us to break out of the prism of selfhood."
A collection of radical political fairy tales--some in English for the first time--from one of the great female practitioners of the genre
Hermynia Zur Mühlen (1883-1951), one of the twentieth century's great political writers, was not seemingly destined for a revolutionary, unconventional literary career. Born in Vienna to an aristocratic Catholic family, Zur Mühlen married an Estonian count. But she rebelled, leaving her upper-class life to be with the Hungarian writer and Communist Stefan Klein, and supporting herself through translations and publications. Altogether, Zur Mühlen wrote thirty novels, mysteries, and story collections, and translated around 150 works, including those of Upton Sinclair, John Galsworthy, and Edna Ferber. A wonderful new addition to the Oddly Modern Fairy Tales series, The Castle of Truth and Other Revolutionary Tales presents English readers with a selection of Zur Mühlen's best political fairy tales, some translated from German for the first time. In contrast to the classical tales of the Brothers Grimm and Hans Christian Andersen, Zur Mühlen's candid, forthright stories focus on social justice and the plight of the working class, with innovative plots intended to raise the political consciousness of readers young and old. For example, in "The Glasses," readers are encouraged to rip off the glasses that deceive them, while in "The Carriage Horse," horses organize a union to resist their working and living conditions. In "The Broom," a young worker learns how to sweep away injustice. With an informative introduction by Jack Zipes and period illustrations by George Grosz, John Heartfield, Heinrich Vogeler, and Karl Holtz, The Castle of Truth and Other Revolutionary Tales revives the legacy of a notable female artist whose literary and political work remains relevant in our own time.In a lively and engaging narrative, Greeley discusses the central themes of Catholic culture: Sacrament, Salvation, Community, Festival, Structure, Erotic Desire, and the Mother Love of God. Ranging widely from Bernini to Scorsese, Greeley distills these themes from the high arts of Catholic culture and asks: Do these values really influence people's lives? Using international survey data, he shows the counterintuitive ways in which Catholics are defined. He goes on to root these behaviors in the Catholic imagination.
As he identifies and explores the fertile terrain of Catholic culture, Greeley illustrates the enduring power of particular stories, images, and orientations in shaping Catholics' lived experience. He challenges a host of assumptions about who Catholics are and makes a strong case for the vitality of the culture today. The Catholic imagination is sustained and passed on in relationships, the home, and the community, Greeley shows. Absorbing, compassionate, and deeply informed, this book provides an entirely new perspective on the nature and role of religion in daily life for Catholics and non-Catholics alike.
A mystical classic now easier to understand Very few spiritual classics from centuries past offer real guidance for entering into the darkness and light of Christian mysticism. Notoriously difficult to understand, this contemporary English translation of one of the most popular texts from the late Middle Ages is different: It offers an accessible invitation to the reader to enter into an engagement with God, through this "cloud of unknowing." Mystical concepts are explained in everyday language. Written by an anonymous fourteenth-century author, The Cloud of Unknowing was originally prepared for cloistered monks. Yet it has found centuries of readers from all walks of life. Each brief chapter offers the spiritual seeker a way to enter into the life of prayer and appeals to the reader's common sense in beginning steps on the path to knowing a God beyond all knowing. A foreword by bestselling author, Robert Benson, special to this edition, helps to put this classic text within reach of everyday Christians.
Durrant's study approaches Sima Qian's work from a literary perspective and demonstrates the relationship between Sima's narrative of the past and his narrative of his own life. That life was a fascinating and complex one. Enjoined by his father to complete a comprehensive history of China, Sima Qian subsequently offended the great Emperor Wu and was sentenced to castration. Rather than take the noble path of suicide, he suffered this traumatic punishment and lived on to fulfill his father's injunction--but not without emotional scars, scars that influenced his portrayal of the Chinese past. In fact, the great Han historian's account of the Chinese past, this study argues, is as much his story as it is history.
Edited by Joan Watts & Anne Watts
Minimum System Requirements:
Windows: Windows 95 only, IBM or IBM-compatible 386 or higher; 8 MB of RAM; super VGA graphics; soundcard (optional); CD-ROM drive.
Macintosh: Macintosh 68030 or higher; 8 MB of RAM; CD-ROM drive.
Comic Sagas and Tales from Iceland brings together the very finest Icelandic stories from the thirteenth to fifteenth centuries, a time of civil unrest and social upheaval. With feuding families and moments of grotesque violence, the sagas see such classic mythological figures as murdered fathers, disguised beggars, corrupt chieftains, and avenging sons who do battle with axes, words, and cunning. The tales, meanwhile, follow heroes and comical fools through dreams, voyages, and religious conversions in medieval Iceland and beyond. Shaped by Iceland's oral culture and its people's conversion to Christianity, these stories are works of ironic humor and stylistic innovation. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Gathered on the centenary and in the same city of Chicago where the first Parliament took place, the 1993 Parliament of the World's Religions was the largest interfaith gathering ever held. Representatives from minority, ethnic, and tribal religions took the podium as equals alongside representatives from the world's largest religious traditions. The Community of Religions is an essential record of this historic event, containing major addresses and reflections as well as numerous short evocations of the spirit of the Parliament.