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Religion
The Diamond Sutra, or the Perfection of Wisdom, which cuts like a thunderbolt, is one of the cornerstone texts of Mahayana Buddhism and provides a summary of the core concepts of the Buddha. The Heart Sutra, perhaps the most important of all Buddhist texts, sets out to formulate the very heart, or essence of perfect wisdom and is studied with special reverence in Zen monasteries and the Tibetan Buddhist lamaseries. Edward Conze, who was until his death in 1979 a powerful force for introducing Buddhism and its sacred texts to the West, has provided these translated key texts with an extensive commentary for the easiest possible appreciation phrase by phrase. For this new edition, Judith Simmer-Brown, a well-known American scholar of Buddhism, has contributed a lively, context-setting introduction. In the annals of spirituality, certain books stand out both for their historical importance and for their continued relevance. The Vintage Spiritual Classics series offers the greatest of these works in authoritative new editions, with specially commissioned essays by noted contemporary commentators. Filled with eloquence and fresh insight, encouragement and solace, Vintage Spiritual Classics are incomparable resources for all readers who seek a more substantive understanding of mankind's relation to the divine.
In The Screwtape Letters, C.S. Lewis s famous devil derides the Christian year as The Same Old Thing. To combat this, Walter Hooper has drawn from Lewis s vast bibliography, accumulating short meditations that correspond to each day of the Christian calendar. Hooper has chosen passages that emphasize Lewis illuminatingly matter-of-fact approach to religion, with each entry focused on themes such as Nearness to God, Heaven and Sexuality, or Two Kinds of Good and Bad. In addition to providing food for thought, these bite-sized excerpts facilitate a yearlong journey towards achieving the joy that Lewis wrote is the serious business of heaven.
"The point about reading C. S. Lewis is that he makes you sure, whatever you believe, that religion accepted or rejected means something extremely serious, demanding the entire energy of the mind." Harper s
"A potent anthology." Los Angeles Times"
"I didn't think he'd do it. I really didn't think he would. I thought he'd say, whoa, hold on, wait a minute. We made a deal, remember, the land, the blessing, the nation, the descendants as numerous as the sands on the shore and the stars in the sky."
So begins James Goodman's original and urgent encounter with one of the most compelling and resonant stories ever told--God's command to Abraham to sacrifice his son Isaac. A mere nineteen lines in the book of Genesis, it rests at the heart of the history, literature, theology, and sacred rituals of Judaism, Christianity, and Islam. For more than two millennia, people throughout the world have grappled with the troubling questions about sacrifice, authority, obedience, and faith to which the story gives rise. Writing from the vantage of "a reader, a son, a Jew, a father, a skeptic, a historian, a lover of stories, and a writer," Goodman gives us an enthralling narrative history that moves from its biblical origins to its place in the cultures and faiths of our time. He introduces us to the commentary of Second Temple sages, rabbis and priests of the late antiquity, and early Islamic exegetes (some of whom imagined that Ishmael was the nearly sacrificed son). He examines Syriac hymns (in which Sarah stars), Hebrew chronicles of the First Crusade (in which Isaac often dies), and medieval English mystery plays. He looks at the art of Europe's golden age, the philosophy of Kant and Kierkegaard, and the panoply of twentieth-century interpretation, sacred and profane, including the work of Bob Dylan, Elie Wiesel, and A. B. Yehoshua. In illuminating how so many others have understood this story, Goodman tells a gripping and provocative story of his own.Carmina Burana, literally "Songs from Beuern," is named after the village where the manuscript was found. The songbook consists of nearly 250 poems, on subjects ranging from sex and gambling to crusades and corruption. Compiled in the thirteenth century in South Tyrol, a German-speaking region of Italy, it is the largest surviving collection of secular Medieval Latin verse and provides insights into the vibrant social, spiritual, and intellectual life of the Middle Ages. The multilingual codex includes works by leading Latin poets such as the Archpoet, Walter of Châtillon, and the canonist Peter of Blois, as well as stanzas by German lyric poets. More than half these poems are preserved nowhere else.
A selection from Carmina Burana first appeared in Victorian England in 1884 under the provocative title Wine, Women and Song. The title Carmina Burana remains fixed in the popular imagination today, conjured vividly by Carl Orff's famous cantata--no Medieval Latin lyrics are better known throughout the world. This new presentation of the medieval classic in its entirety makes the anthology accessible in two volumes to Latin lovers and English readers alike.Moving from the Paleolithic age to the present, Karen Armstrong details the great lengths to which humankind has gone in order to experience a sacred reality that it called by many names, such as God, Brahman, Nirvana, Allah, or Dao. Focusing especially on Christianity but including Judaism, Islam, Buddhism, Hinduism, and Chinese spiritualities, Armstrong examines the diminished impulse toward religion in our own time, when a significant number of people either want nothing to do with God or question the efficacy of faith. Why has God become unbelievable? Why is it that atheists and theists alike now think and speak about God in a way that veers so profoundly from the thinking of our ancestors? Answering these questions with the same depth of knowledge and profound insight that have marked all her acclaimed books, Armstrong makes clear how the changing face of the world has necessarily changed the importance of religion at both the societal and the individual level. Yet she cautions us that religion was never supposed to provide answers that lie within the competence of human reason; that, she says, is the role of logos. The task of religion is "to help us live creatively, peacefully, and even joyously with realities for which there are no easy explanations." She emphasizes, too, that religion will not work automatically. It is, she says, a practical discipline: its insights are derived not from abstract speculation but from "dedicated intellectual endeavor" and a "compassionate lifestyle that enables us to break out of the prism of selfhood."
A collection of radical political fairy tales--some in English for the first time--from one of the great female practitioners of the genre
Hermynia Zur Mühlen (1883-1951), one of the twentieth century's great political writers, was not seemingly destined for a revolutionary, unconventional literary career. Born in Vienna to an aristocratic Catholic family, Zur Mühlen married an Estonian count. But she rebelled, leaving her upper-class life to be with the Hungarian writer and Communist Stefan Klein, and supporting herself through translations and publications. Altogether, Zur Mühlen wrote thirty novels, mysteries, and story collections, and translated around 150 works, including those of Upton Sinclair, John Galsworthy, and Edna Ferber. A wonderful new addition to the Oddly Modern Fairy Tales series, The Castle of Truth and Other Revolutionary Tales presents English readers with a selection of Zur Mühlen's best political fairy tales, some translated from German for the first time. In contrast to the classical tales of the Brothers Grimm and Hans Christian Andersen, Zur Mühlen's candid, forthright stories focus on social justice and the plight of the working class, with innovative plots intended to raise the political consciousness of readers young and old. For example, in "The Glasses," readers are encouraged to rip off the glasses that deceive them, while in "The Carriage Horse," horses organize a union to resist their working and living conditions. In "The Broom," a young worker learns how to sweep away injustice. With an informative introduction by Jack Zipes and period illustrations by George Grosz, John Heartfield, Heinrich Vogeler, and Karl Holtz, The Castle of Truth and Other Revolutionary Tales revives the legacy of a notable female artist whose literary and political work remains relevant in our own time.In a lively and engaging narrative, Greeley discusses the central themes of Catholic culture: Sacrament, Salvation, Community, Festival, Structure, Erotic Desire, and the Mother Love of God. Ranging widely from Bernini to Scorsese, Greeley distills these themes from the high arts of Catholic culture and asks: Do these values really influence people's lives? Using international survey data, he shows the counterintuitive ways in which Catholics are defined. He goes on to root these behaviors in the Catholic imagination.
As he identifies and explores the fertile terrain of Catholic culture, Greeley illustrates the enduring power of particular stories, images, and orientations in shaping Catholics' lived experience. He challenges a host of assumptions about who Catholics are and makes a strong case for the vitality of the culture today. The Catholic imagination is sustained and passed on in relationships, the home, and the community, Greeley shows. Absorbing, compassionate, and deeply informed, this book provides an entirely new perspective on the nature and role of religion in daily life for Catholics and non-Catholics alike.
Explores the narratives and dialogues of the Upanisads and shows that these literary elements are central to an understanding of Upanishadic philosophy.
This groundbreaking book is an elegant exploration of the Upanisads, often considered the fountainhead of the rich, varied philosophical tradition in India. The Upaniṣads, in addition to their philosophical content, have a number of sections that contain narratives and dialogues-a literary dimension largely ignored by the Indian philosophical tradition, as well as by modern scholars. Brian Black draws attention to these literary elements and demonstrates that they are fundamental to understanding the philosophical claims of the text.
Focusing on the Upanisadic notion of the self (ātman), the book is organized into four main sections that feature a lesson taught by a brahmin teacher to a brahmin student, debates between brahmins, discussions between brahmins and kings, and conversations between brahmins and women. These dialogical situations feature dramatic elements that bring attention to both the participants and the social contexts of Upanisadic philosophy, characterizing philosophy as something achieved through discussion and debate. In addition to making a number of innovative arguments, the author also guides the reader through these profound and engaging texts, offering ways of reading the Upaniṣads that make them more understandable and accessible.
This is a concise and entertaining guide to the complex tradition of Chinese mythology. While many around the world are familiar with some aspects of Chinese myth--through Chinese New Year festivities or the classic adventures of the Monkey King in Journey to the West--not everyone understands the richness of Chinese mythology, influenced by Daoism, Buddhism, and Confucianism.
Offering more than an overview of Chinese mythology, The Chinese Myths not only retells the ancient stories but also considers their place within the patterns of Chinese religions, culture, and history. Expert Tao Tao Liu introduces us to an intriguing cast of gods, goddesses, dragons, and monks, including the ancient hero Yi the Archer, who shot suns out of the sky to save humanity from a drought; Guanyin, the goddess of mercy and compassion, to whom there are temples dedicated all over East Asia; and Madame White Snake, a water snake spirit in the guise of a mysterious widow, her story adapted into countless films and operas. This illustrated volume is for anyone interested in China or mythology, as knowing China's myths allows readers to understand and appreciate its culture in a new light.
Whether you wish to explore the world that gave rise to ancient mythology or research a specific piece of the whole, this handbook is the best introduction available to an extraordinary cast of characters (gods, nymphs, satyrs, monsters, heroes) and the natural and supernatural stages upon which their fates are played out. Features
- A detailed timeline serves as a convenient "episode guide" chronicling events described in classical mythology
- A comprehensive A-Z section offers a quick way to identify the gods, mortals, events, and objects that are key to specific myths and legends
A groundbreaking reinterpretation of early Judaism, during the millennium before the study of the Bible took center stage
Early Judaism is often described as the religion of the book par excellence--a movement built around the study of the Bible and steeped in a culture of sacred bookishness that evolved from an unrelenting focus on a canonical text. But in The Closed Book, Rebecca Scharbach Wollenberg argues that Jews didn't truly embrace the biblical text until nearly a thousand years after the Bible was first canonized. She tells the story of the intervening centuries during which even rabbis seldom opened a Bible and many rabbinic authorities remained deeply ambivalent about the biblical text as a source of sacred knowledge. Wollenberg shows that, in place of the biblical text, early Jewish thinkers embraced a form of biblical revelation that has now largely disappeared from practice. Somewhere between the fixed transcripts of the biblical Written Torah and the fluid traditions of the rabbinic Oral Torah, a third category of revelation was imagined by these rabbinic thinkers. In this "third Torah," memorized spoken formulas of the biblical tradition came to be envisioned as a distinct version of the biblical revelation. And it was believed that this living tradition of recitation passed down by human mouths, unbound by the limitations of written text, provided a fuller and more authentic witness to the scriptural revelation at Sinai. In this way, early rabbinic authorities were able to leverage the idea of biblical revelation while quarantining the biblical text itself from communal life. The result is a revealing reinterpretation of "the people of the book" before they became people of the book.





























