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Western Religion
From the first centuries of Islam to well into the Middle Ages, Jews and Christians produced hundreds of manuscripts containing portions of the Bible in Arabic. Until recently, however, these translations remained largely neglected by Biblical scholars and historians. In telling the story of the Bible in Arabic, this book casts light on a crucial transition in the cultural and religious life of Jews and Christians in Arabic-speaking lands.
In pre-Islamic times, Jewish and Christian scriptures circulated orally in the Arabic-speaking milieu. After the rise of Islam--and the Qur'an's appearance as a scripture in its own right--Jews and Christians translated the Hebrew Bible and the Greek New Testament into Arabic for their own use and as a response to the Qur'an's retelling of Biblical narratives. From the ninth century onward, a steady stream of Jewish and Christian translations of the Hebrew Bible and New Testament crossed communal borders to influence the Islamic world.The Bible in Arabic offers a new frame of reference for the pivotal place of Arabic Bible translations in the religious and cultural interactions between Jews, Christians, and Muslims.
One of the World's Foremost Bible Experts Offers a Groundbreaking Presentation of the Five Books of Moses
In The Bible with Sources Revealed, Richard Elliott Friedman offers a new, visual presentation of the Five Books of Moses -- Genesis, Exodus, Leviticus, Numbers, and Deuteronomy -- unlocking the complex and fascinating tapestry of their origins. Different colors and type styles allow readers to easily identify each of the distinct sources, showcasing Friedman's highly acclaimed and dynamic translation.
As essential to the canon as the Bible and the plays of Shakespeare, The Book of Common Prayer has been in daily use for centuries. Originally produced for the Church of England in the sixteenth century by Thomas Cranmer, who was burned at the stake upon the accession to the throne of the ardently Catholic Queen Mary, it contains the entire liturgy as first presented in English-as well as some of the oldest phrases to be used by modern English speakers. H ere are daily prayers, scripture readings, psalm recitals, and the services marking such religious milestones as baptism, confirmation, and marriage, all from the 1662 edition, whose influence can be seen in the work of some of the greatest writers in English literature, from Donne and Swift to Austen and the Brontës.
This beautiful deluxe edition includes a new introduction by The New Yorker's book critic James Wood, discussing how The Book of Common Prayer has influenced the English language and literature. Its small trim size allows for easy portability as a daily devotional.A revolutionary look at Martin Luther, the Reformation, and the birth of publishing, on the eve of the Reformation's 500th anniversary
When Martin Luther posted his "theses" on the door of the Wittenberg church in 1517, protesting corrupt practices, he was virtually unknown. Within months, his ideas spread across Germany, then all of Europe; within years, their author was not just famous, but infamous, responsible for catalyzing the violent wave of religious reform that would come to be known as the Protestant Reformation and engulfing Europe in decades of bloody war. Luther came of age with the printing press, and the path to glory of neither one was obvious to the casual observer of the time. Printing was, and is, a risky business--the questions were how to know how much to print and how to get there before the competition. Pettegree illustrates Luther's great gifts not simply as a theologian, but as a communicator, indeed, as the world's first mass-media figure, its first brand. He recognized in printing the power of pamphlets, written in the colloquial German of everyday people, to win the battle of ideas. But that wasn't enough--not just words, but the medium itself was the message. Fatefully, Luther had a partner in the form of artist and businessman Lucas Cranach, who together with Wittenberg's printers created the distinctive look of Luther's pamphlets. Together, Luther and Cranach created a product that spread like wildfire--it was both incredibly successful and widely imitated. Soon Germany was overwhelmed by a blizzard of pamphlets, with Wittenberg at its heart; the Reformation itself would blaze on for more than a hundred years. Publishing in advance of the Reformation's 500th anniversary, Brand Luther fuses the history of religion, of printing, and of capitalism--the literal marketplace of ideas--into one enthralling story, revolutionizing our understanding of one of the pivotal figures and eras in human history.In The Screwtape Letters, C.S. Lewis s famous devil derides the Christian year as The Same Old Thing. To combat this, Walter Hooper has drawn from Lewis s vast bibliography, accumulating short meditations that correspond to each day of the Christian calendar. Hooper has chosen passages that emphasize Lewis illuminatingly matter-of-fact approach to religion, with each entry focused on themes such as Nearness to God, Heaven and Sexuality, or Two Kinds of Good and Bad. In addition to providing food for thought, these bite-sized excerpts facilitate a yearlong journey towards achieving the joy that Lewis wrote is the serious business of heaven.
"The point about reading C. S. Lewis is that he makes you sure, whatever you believe, that religion accepted or rejected means something extremely serious, demanding the entire energy of the mind." Harper s
"A potent anthology." Los Angeles Times"
"I didn't think he'd do it. I really didn't think he would. I thought he'd say, whoa, hold on, wait a minute. We made a deal, remember, the land, the blessing, the nation, the descendants as numerous as the sands on the shore and the stars in the sky."
So begins James Goodman's original and urgent encounter with one of the most compelling and resonant stories ever told--God's command to Abraham to sacrifice his son Isaac. A mere nineteen lines in the book of Genesis, it rests at the heart of the history, literature, theology, and sacred rituals of Judaism, Christianity, and Islam. For more than two millennia, people throughout the world have grappled with the troubling questions about sacrifice, authority, obedience, and faith to which the story gives rise. Writing from the vantage of "a reader, a son, a Jew, a father, a skeptic, a historian, a lover of stories, and a writer," Goodman gives us an enthralling narrative history that moves from its biblical origins to its place in the cultures and faiths of our time. He introduces us to the commentary of Second Temple sages, rabbis and priests of the late antiquity, and early Islamic exegetes (some of whom imagined that Ishmael was the nearly sacrificed son). He examines Syriac hymns (in which Sarah stars), Hebrew chronicles of the First Crusade (in which Isaac often dies), and medieval English mystery plays. He looks at the art of Europe's golden age, the philosophy of Kant and Kierkegaard, and the panoply of twentieth-century interpretation, sacred and profane, including the work of Bob Dylan, Elie Wiesel, and A. B. Yehoshua. In illuminating how so many others have understood this story, Goodman tells a gripping and provocative story of his own.Carmina Burana, literally "Songs from Beuern," is named after the village where the manuscript was found. The songbook consists of nearly 250 poems, on subjects ranging from sex and gambling to crusades and corruption. Compiled in the thirteenth century in South Tyrol, a German-speaking region of Italy, it is the largest surviving collection of secular Medieval Latin verse and provides insights into the vibrant social, spiritual, and intellectual life of the Middle Ages. The multilingual codex includes works by leading Latin poets such as the Archpoet, Walter of Châtillon, and the canonist Peter of Blois, as well as stanzas by German lyric poets. More than half these poems are preserved nowhere else.
A selection from Carmina Burana first appeared in Victorian England in 1884 under the provocative title Wine, Women and Song. The title Carmina Burana remains fixed in the popular imagination today, conjured vividly by Carl Orff's famous cantata--no Medieval Latin lyrics are better known throughout the world. This new presentation of the medieval classic in its entirety makes the anthology accessible in two volumes to Latin lovers and English readers alike.Carmina Burana, literally "Songs from Beuern," is named after the village where the manuscript was found. The songbook consists of nearly 250 poems, on subjects ranging from sex and gambling to crusades and corruption. Compiled in the thirteenth century in South Tyrol, a German-speaking region of Italy, it is the largest surviving collection of secular Medieval Latin verse and provides insights into the vibrant social, spiritual, and intellectual life of the Middle Ages. The multilingual codex includes works by leading Latin poets such as the Archpoet, Walter of Châtillon, and the canonist Peter of Blois, as well as stanzas by German lyric poets. More than half these poems are preserved nowhere else.
A selection from Carmina Burana first appeared in Victorian England in 1884 under the provocative title Wine, Women and Song. The title Carmina Burana remains fixed in the popular imagination today, conjured vividly by Carl Orff's famous cantata--no Medieval Latin lyrics are better known throughout the world. This new presentation of the medieval classic in its entirety makes the anthology accessible in two volumes to Latin lovers and English readers alike.Moving from the Paleolithic age to the present, Karen Armstrong details the great lengths to which humankind has gone in order to experience a sacred reality that it called by many names, such as God, Brahman, Nirvana, Allah, or Dao. Focusing especially on Christianity but including Judaism, Islam, Buddhism, Hinduism, and Chinese spiritualities, Armstrong examines the diminished impulse toward religion in our own time, when a significant number of people either want nothing to do with God or question the efficacy of faith. Why has God become unbelievable? Why is it that atheists and theists alike now think and speak about God in a way that veers so profoundly from the thinking of our ancestors? Answering these questions with the same depth of knowledge and profound insight that have marked all her acclaimed books, Armstrong makes clear how the changing face of the world has necessarily changed the importance of religion at both the societal and the individual level. Yet she cautions us that religion was never supposed to provide answers that lie within the competence of human reason; that, she says, is the role of logos. The task of religion is "to help us live creatively, peacefully, and even joyously with realities for which there are no easy explanations." She emphasizes, too, that religion will not work automatically. It is, she says, a practical discipline: its insights are derived not from abstract speculation but from "dedicated intellectual endeavor" and a "compassionate lifestyle that enables us to break out of the prism of selfhood."
In a lively and engaging narrative, Greeley discusses the central themes of Catholic culture: Sacrament, Salvation, Community, Festival, Structure, Erotic Desire, and the Mother Love of God. Ranging widely from Bernini to Scorsese, Greeley distills these themes from the high arts of Catholic culture and asks: Do these values really influence people's lives? Using international survey data, he shows the counterintuitive ways in which Catholics are defined. He goes on to root these behaviors in the Catholic imagination.
As he identifies and explores the fertile terrain of Catholic culture, Greeley illustrates the enduring power of particular stories, images, and orientations in shaping Catholics' lived experience. He challenges a host of assumptions about who Catholics are and makes a strong case for the vitality of the culture today. The Catholic imagination is sustained and passed on in relationships, the home, and the community, Greeley shows. Absorbing, compassionate, and deeply informed, this book provides an entirely new perspective on the nature and role of religion in daily life for Catholics and non-Catholics alike.