Mythology

A paperback edition of Campbell's major study of the mythology of the world's high civilizations over five millennia. It includes nearly 450 illustrations. The text is the same as that of the 1974 edition.

Mythologist Joseph Campbell was a masterful storyteller, able to weave tales from every corner of the world into compelling, even spellbinding, narratives. His interest in comparative mythology began in childhood, when the young Joe Campbell was taken to see Buffalo Bill's Wild West Show at Madison Square Garden. He started writing articles on Native American mythology in high school, and the parallels between age-old myths and the mythic themes in literature and dreams became a lifelong preoccupation. Campbell's best-known work is The Hero with a Thousand Faces (1949), which became a New York Times paperback best-seller for Princeton in 1988 after Campbell's star turn on the Bill Moyers television program The Power of Myth.

During his early years as a professor of comparative religion at Sarah Lawrence College, Campbell made the acquaintance of Indologist Heinrich Zimmer, a kindred spirit who introduced him to Paul and Mary Mellon, the founders of Bollingen Series. They chose Campbell's The Mythic Image as the culmination of the series, giving it the closing position--number one hundred. A lavishly illustrated and beautifully produced study of the mythology of the world's high civilizations, The Mythic Image received a front-cover review in the New York Times Book Review upon publication. Through the medium of visual art, the book explores the relation of dreams to myth and demonstrates the important differences between oriental and occidental interpretations of dreams and life.

Sacred cows, wily serpents, fearsome lions, elegant swans, busy bees, and sly foxes--all are caricatures of the creatures themselves, yet they reflect not only how different cultures see the natural world around them but also how such cultures make use of their native animals. In this fun and thought-provoking book, historian and animal enthusiast Boria Sax argues for a classification of animals that goes beyond the biological to encompass a more meaningful distinction: tradition. From ants and elephants to tigers and tortoises, The Mythical Zoo weaves together a crosscultural tapestry encompassing mythology, history, art, science, philosophy, and literature. The result is a beautifully illustrated, masterfully composed love letter to the animal kingdom.

The sagas of the ancient Narts are to the Caucasus what Greek mythology is to Western civilization. This book presents, for the first time in the West, a wide selection of these fascinating myths preserved among four related peoples whose ancient cultures today survive by a thread. In ninety-two straightforward tales populated by extraordinary characters and exploits, by giants who humble haughty Narts, by horses and sorceresses, Nart Sagas from the Caucasus brings these cultures to life in a powerful epos.

In these colorful tales, women, not least the beautiful temptress Satanaya, the mother of all Narts, are not only fertility figures but also pillars of authority and wisdom. In one variation on a recurring theme, a shepherd, overcome with passion on observing Satanaya bathing alone, shoots a "bolt of lust" that strikes a rock--a rock that gives birth to the Achilles-like Sawseruquo, or Sosruquo. With steely skin but tender knees, Sawseruquo is a man the Narts come to love and hate.

Despite a tragic history, the Circassians, Abazas, Abkhaz, and Ubykhs have retained the Nart sagas as a living tradition. The memory of their elaborate warrior culture, so richly expressed by these tales, helped them resist Tsarist imperialism in the nineteenth century, Stalinist suppression in the twentieth, and has bolstered their ongoing cultural journey into the post-Soviet future.

Because these peoples were at the crossroads of Eurasia for millennia, their myths exhibit striking parallels with the lore of ancient India, classical Greece, and pagan Scandinavia. The Nart sagas may also have formed a crucial component of the Arthurian cycle. Notes after each tale reveal these parallels; an appendix offers extensive linguistic commentary. With this book, no longer will the analysis of ancient Eurasian myth be possible without a close look at the Nart sagas. And no longer will the lover of myth be satisfied without the pleasure of having read them.

Excerpts from the Nart sagas

"The Narts were a tribe of heroes. They were huge, tall people, and their horses were also exuberant Alyps or Durduls. They were wealthy, and they also had a state. That is how the Narts lived their lives. . . ."

"The Narts were courageous, energetic, bold, and good-hearted. Thus they lived until God sent down a small swallow. . . ."

"The Narts were very cruel to one another. They were envious of one another. They disputed among themselves over who was the most courageous. But most of all they hated Sosruquo. . . . A rock gave birth to him. He is the son of a rock, illegally born a mere shepherd's son. . . ."

In a new introduction, folklorist Adrienne Mayor reflects on these tales both in terms of the fascinating warrior culture they depict and the influence they had on Greco-Roman mythology.

Open-access edition: DOI 10.6069/9780295745701

The Nuosu people, who were once overlords of vast tracts of farmland and forest in the uplands of southern Sichuan and neighboring provinces, are the largest division of the Yi ethnic group in southwest China. Their creation epic plots the origins of the cosmos, the sky and earth, and the living beings of land and water. This translation is a rare example in English of Indigenous ethnic literature from China.

Transmitted in oral and written forms for centuries among the Nuosu, The Book of Origins is performed by bimo priests and other tradition-bearers. Poetic in form, the narrative provides insights into how a clan- and caste-based society organizes itself, dictates ethics, relates to other ethnic groups, and adapts to a harsh environment. A comprehensive introduction to the translation describes the land and people, summarizes the work's themes, and discusses the significance of The Book of Origins for the understanding of folk epics, ethnoecology, and ethnic relations.

Malidoma, whose name means "be friends with the stranger/enemy, " was born under the shadow of French colonial rule in Upper Volta, West Africa. When he was four years old, he was taken by a Jesuit priest and imprisoned in a seminary built for training a new generation of "black" Catholic priests. In spite of his isolation from his tribe and his village, Malidoma stubbornly refused to forget where he had come from and who he was. Finally, fifteen years later, Malidoma fled the seminary and walked 125 miles through the dense jungle back to his own people, the Dagara. Once he was home, however, many there regarded him as a "white black, " to be looked on with suspicion because he had been contaminated by the "sickness" of the colonial world. Malidoma was a man of two worlds, at home in neither. His only hope of reconnection with his people was to undergo the harrowing Dagara monthlong initiation in the wilderness, which he describes in fascinating detail. Malidoma emerged from this supernatural ritual a newly integrated individual, rejoined to his ancestral past and his cultural present. For more than a century, anthropologists and ethnologists have attempted to penetrate the worldview of indigenous peoples. Now a true son of Africa has come forth, with the permission of his tribal elders, to tell us with stunning candor about their way of life. Today Malidoma flys the jetways writing on his laptop computer, seeking to share the ancient wisdom of the Dagara with the rest of the world and bring an understanding of another way of life to his village. His book is a courageous testament to the hope that humanity can learn to live in a global village and see the "stranger" as a friend.

The original vision of Grimms' tales in English for the first time

When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö.

From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.

A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.

This annual volume collects the most innovative articles published each year in the area of myth and ritual studies. Contributors to this book include: Marion Woodman, Clarissa Pinkola Estes, Sam Keen and Robert Bly.

The action of the saga takes place at the end of the tenth century, at about the time Scandinavia was converting from worship of Norse gods to Christianity. A masterpiece of medieval literature, the story focuses on two families -- that of Hoskuld, a prominent farmer with several sons, and that of Gudrun, the most beautiful woman ever born in Iceland.

The adventures of Samak, a trickster-warrior hero of Persia's thousand-year-old oral storytelling tradition, are beloved in Iran. Samak is an ayyar, a warrior who comes from the common people and embodies the ideals of loyalty, selflessness, and honor--a figure that recalls samurai, ronin, and knights yet is distinctive to Persian legend. His exploits--set against an epic background of palace intrigue, battlefield heroics, and star-crossed romance between a noble prince and princess--are as deeply rooted in Persian culture as are the stories of Robin Hood and King Arthur in the West. However, this majestic tale has remained little known outside Iran.

Translated from the original Persian by Freydoon Rassouli and adapted by Prince of Persia creator Jordan Mechner, this timeless masterwork can now be enjoyed by English-speaking readers. A thrilling and suspenseful saga, Samak the Ayyar also offers a vivid portrait of Persia a thousand years ago. Within an epic quest narrative teeming with action and supernatural forces, it sheds light on the lives of ordinary people and their social worlds. This is the first complete English-language version of a treasure of world culture. The translation is grounded in the twelfth-century Persian text while paying homage to the dynamic culture of storytelling from which it arose.

Our foremost theorist of myth, fairytales, and folktales explores the magical realm of the imagination where carpets fly, objects speak, dreams reveal hidden truths, and genies grant prophetic wishes. Stranger Magic examines the wondrous tales of the Arabian Nights, their profound impact on the West, and the progressive exoticization of magic since the eighteenth century, when the first European translations appeared.

The Nights seized European readers' imaginations during the siècle des Lumières, inspiring imitations, spoofs, turqueries, extravaganzas, pantomimes, and mauresque tastes in dress and furniture. Writers from Voltaire to Goethe to Borges, filmmakers from Raoul Walsh on, and countless authors of children's books have adapted its stories. What gives these tales their enduring power to bring pleasure to readers and audiences? Their appeal, Marina Warner suggests, lies in how the stories' magic stimulates the creative activity of the imagination. Their popularity during the Enlightenment was no accident: dreams, projections, and fantasies are essential to making the leap beyond the frontiers of accepted knowledge into new scientific and literary spheres. The magical tradition, so long disavowed by Western rationality, underlies modernity's most characteristic developments, including the charmed states of brand-name luxury goods, paper money, and psychoanalytic dream interpretation.

In Warner's hands, the Nights reveal the underappreciated cultural exchanges between East and West, Islam and Christianity, and cast light on the magical underpinnings of contemporary experience, where mythical principles, as distinct from religious belief, enjoy growing acceptance. These tales meet the need for enchantment, in the safe guise of oriental costume.

On the shrouded corpse hung a tablet of green topaz with the inscription: 'I am Shaddad the Great. I conquered a thousand cities; a thousand white elephants were collected for me; I lived for a thousand years and my kingdom covered both east and west, but when death came to me nothing of all that I had gathered was of any avail. You who see me take heed: for Time is not to be trusted.'

Dating from at least a millennium ago, these are the earliest known Arabic short stories, surviving in a single, ragged manuscript in a library in Istanbul. Some found their way into The Arabian Nights but most have never been read in English before. Tales of the Marvellous and News of the Strange has monsters, lost princes, jewels beyond price, a princess turned into a gazelle, sword-wielding statues and shocking reversals of fortune.

An enchanting retelling of nineteen fairy tales, introduced by popular fantasy writer Philip Pullman

Originally published in 1927, Told Again is an enchanting collection of elegant fairy tales, showcasing the formidable talents of Walter de la Mare, one of the most celebrated writers of children's literature during the first half of the twentieth century. His abundant literary gifts can be savored once more in this beautiful new edition. Nineteen adapted classics, including "Rapunzel," "Little Red Riding-Hood," "Rumplestiltskin," and "The Sleeping Beauty," are made new by de la Mare's poetic insights and graceful prose, making these tales appropriate for younger readers. With marvelous black and white illustrations by A. H. Watson, this volume also presents a splendid introduction by Philip Pullman, the contemporary master of fantasy literature.

The bestselling saga of Eirik the Red, Leif the Lucky, and the first American explorers

The all-time bestselling of the sagas in Penguin Classics, The Vinland Sagas are published here in a vibrant new translation. Consisting of The Saga of the Greenlanders and Eirik the Red's Saga, they chronicle the adventures of Eirik the Red and his son, Leif Eirikson, who explored North America 500 years before Columbus. Famous for being the first-ever descriptions of North America, and written down in the early thirteenth century, they recount the Icelandic settlement of Greenland by Eirik the Red, the chance discovery by seafaring adventurers of a mysterious new land, and Eirik's son Leif the Lucky's perilous voyages to explore it.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Scandinavia's best-loved children's classic, from the first female writer to win the Nobel Prize in Literature

A Penguin Classic

Nils Holgersson is a naughty boy who tortures animals and never listens to his parents--until one day he wakes up as an elf. Deeply puzzled by his new status, he climbs on a gander's back and flies away with him, joining a flock of wild geese. As he is carried around Sweden, Nils learns everything about birds, animals, his country and good behavior. Incredibly charming and poignant, The Wonderful Adventure of Nils Holgersson is a timeless classic loved by generations of children around the world.