Mythology

The nurturing Earth Goddess, the Great Mother worshipped at the dawn of civilization--historical fact or consoling fiction?

While Goddess mythologies proliferate and the public devours books by artists, psychotherapists, and enthusiastic amateurs, it is remarkable that those in the field of prehistory have remained largely silent. Did Goddess worship really exist? What actually remains from the earliest cultures, and what can it tell us? What can we learn about the early stages of human religion from the study of prehistoric carvings, pictures, pottery, figurines, and temples?
In Ancient Goddesses, historians and archaeologists write accessibly about this intriguing and controversial topic for the first time. Considering a number of significant early civilizations--Predynastic and Early Dynastic Egypt; "Old Europe;" Early North West Europe; "Celtic" civilization; the Prehistoric Aegean; Malta; the Ancient Near East; Old Testament Israel; Çatalhöyük; and Archaic Greece--these experts review the most recent evidence so that readers can make up their own minds.
Contributors include Ruth Tringham and Margaret Conkey, University of California, Berkeley; Lynn Meskell, New College, Oxford; Fekri Hassan, University College, London; Karel van der Toorn, University of Amsterdam; Joan Westenholz, Bible Lands Museum, Jerusalem; Elizabeth Shee Twohig, University College, Cork; Caroline Malone, New Hall, Cambridge; Mary Voyatzis, University of Arizona; and Miranda Green, University of Wales College.

Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the beginning of the twenty-first century, Nobel laureate Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface. Drawn to what he has called the "four-squareness of the utterance" in Beowulf and its immense emotional credibility, Heaney gives these epic qualities new and convincing reality for the contemporary reader.

A beautifully designed hardcover box set containing four classic myths and legends composed or translated by J.R.R. Tolkien -- Sir Gawain and the Green Knight, The Legend of Sigurd and Gudrún, The Fall of Arthur, and Beowulf.

The fifth set in a series of affordable hardcover box sets celebrating the literary achievement of Christopher Tolkien, featuring double-sided dust jackets. Set 5 contains Sir Gawain and the Green Knight, The Legend of Sigurd and Gudrún, The Fall of Arthur, and Beowulf: A Translation and Commentary.

Sir Gawain and the Green Knight and Pearl are two poems by an unknown author written in about 1400. Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; Pearl is apparently an elegy on the death of a child but, like Gawain, it is also a sophisticated and moving debate on much less tangible matters. Sir Orfeo is a slighter romance, belonging to an earlier and different tradition. It was a special favourite of Tolkien's. The three translations are here uniquely accompanied with the complete text of Tolkien's acclaimed 1953 W.P. Ker Memorial Lecture that he delivered on Sir Gawain.

The Legend of Sigurd and Gudrún tells the epic story of the Norse hero, Sigurd, the dragon-slayer, during a time of gods, betrayal and fierce battles; the revenge of his wife, Gudrún; and the Fall of the Nibelungs. Told in verse composed by J.R.R. Tolkien derived from the ancient poetry of the Poetic Edda and the prose Völsunga Saga, this masterful fusion of myth and poetry is accompanied by notes and commentary by Christopher Tolkien.

The Fall of Arthur tells the extraordinary story of the final days of England's legendary hero, King Arthur. It is the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, and may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre. The long narrative poem is accompanied by significant if tantalising notes, in which can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion.

The translation of Beowulf by J.R.R. Tolkien was completed in 1926: he returned to it later but seems never to have considered its publication. This edition is twofold, for the translation is here paired with an illuminating written commentary on the poem by the translator himself, prepared for a series of lectures given at Oxford in the 1930s. From these lectures there arises a sense of the immediacy and clarity of his vision. It is as if Tolkien entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel's terrible hand set under the roof of Heorot.

These are accompanied by Sellic spell, a "marvellous tale" written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the "historical legends" of the Northern kingdoms.

Published together for the first time, these four books--all edited by the author's son and literary executor--collect a fascinating period of Christopher Tolkien's forty-year career devoted to presenting his father J.R.R. Tolkien's scholarly writings on the myths and legends of northern Europe, a unique accomplishment that celebrates the academic brilliance and storytelling genius of one of the twentieth century's finest literary pioneers.

So begins the title story in this collection of fifty Sicilian folk and fairy tales edited and translated by noted folklore scholar Jack Zipes. But while some of the stories may sound as if they've been told time and again--such as variations on Cinderella and Puss in Boots--many will enchant English-language readers and storytellers for the first time. From "The Pot of Basil" to "The Talking Belly," "The Little Mouse with the Stinky Tail" to "Peppi, Who Wandered out into the World," the stories in Catarina the Wise range from simple tales of getting a new dress or something good to eat to fantastical plots for outwitting domineering husbands, rescuing impoverished fathers, or attracting wealthy suitors (frequently the Prince of Portugal). Many feature strong, clever women (usually daughters who become queen). Many are funny; many are wise. Some are very, very strange.

As Zipes relates, the true story of their origins is as extraordinary as the tales themselves. Born to a poor family of sailors in Palermo, Giuseppe Pitrè would go on to serve with Garibaldi, become a traveling country doctor, and gather one of the most colossal collections of folk and fairy tales of the nineteenth century. But while his work as a folklorist rivaled that of the Brothers Grimm, Pitrè remains a relative unknown. Catarina the Wise highlights some of the most delectable stories at the heart of his collection. Featuring new, original illustrations, this book is a beautiful, charming treasure for any fan of story, storytelling, and heroines and heroes living happily ever after--sometimes.

This is a concise and entertaining guide to the complex tradition of Chinese mythology. While many around the world are familiar with some aspects of Chinese myth--through Chinese New Year festivities or the classic adventures of the Monkey King in Journey to the West--not everyone understands the richness of Chinese mythology, influenced by Daoism, Buddhism, and Confucianism.

Offering more than an overview of Chinese mythology, The Chinese Myths not only retells the ancient stories but also considers their place within the patterns of Chinese religions, culture, and history. Expert Tao Tao Liu introduces us to an intriguing cast of gods, goddesses, dragons, and monks, including the ancient hero Yi the Archer, who shot suns out of the sky to save humanity from a drought; Guanyin, the goddess of mercy and compassion, to whom there are temples dedicated all over East Asia; and Madame White Snake, a water snake spirit in the guise of a mysterious widow, her story adapted into countless films and operas. This illustrated volume is for anyone interested in China or mythology, as knowing China's myths allows readers to understand and appreciate its culture in a new light.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

- Includes more than 40 myths, stories, and histories from the Lucumí tradition

- Reassembles the oral fragments from the African diaspora into coherent stories

- Demonstrates that the African peoples, specifically the Yoruba, had deep philosophies and metaphysics involving nature and the natural world

Since ancient times the Yoruba of West Africa created sacred stories--patakís--to make sense of the world around them. Upon arrival in the New World, the Yoruba religion began to incorporate elements from Catholic and Native traditions, evolving into Santería, and new patakís were born, adding to the many chapters already found in the odu of the diloggun--the sacred oral teachings and divination system of the Yoruba, or Lucumí, faith. Comparable to the myths of ancient Greece and Rome and rich with jewels of wisdom like the I Ching, these Santería stories are as vast as the Hindu Vedas and as culturally significant as the parables in the Torah, Talmud, and Christian Bible.

Diloggun Tales of the Natural World presents more than 40 patakís that shed light upon the worldview of Santería. Each story in this collection, reassembled from the oral tradition of the African diaspora, is centered on a spiritual principle in nature: the waxing and waning of the moon, solar and lunar eclipses, the phenomenon of shooting stars, the separation of sky and earth, and the origins of the animals and birds who play key roles in Santería symbology. Revealing the metaphysics, theology, and philosophy of the Yoruba people, this volume shows these stories to be as powerful and relevant today as they were to the ancient Yoruba who once safeguarded them.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Two centuries ago, Jacob and Wilhelm Grimm published their first volume of fairy tales. Since then, such stories as "Cinderella," "Snow White," "Rapunzel," and "Hansel and Gretel" have become deeply woven into the Western imagination. Now Philip Pullman, the New York Times bestselling author of the His Dark Materials trilogy, makes us fall in love all over again with the immortal tales of the Brothers Grimm.

Here are Pullman's fifty favorites--a wide-ranging selection that includes the most popular stories as well as lesser-known treasures like "The Three Snake Leaves," "Godfather Death," and "The Girl with No Hands"--alongside his personal commentaries on each story's sources, variations, and everlasting appeal. Suffused with romance and villainy, danger and wit, Pullman's beguiling retellings will cast a spell on readers of all ages.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur, king of Britain, may well be regarded as his finest and most skillful achievement in the use of Old English alliterative meter, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur's expedition overseas into distant heathen lands, of Guinevere's flight from Camelot, of the great sea battle on Arthur's return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle.

"Sophus Helle's new translation . . . [is] a thrilling, enchanting, desperate thing to read."--Nina MacLaughlin, Boston Globe

"Looks to be the last word on this Babylonian masterpiece."--Michael Dirda, Washington Post

Gilgamesh is a Babylonian story about love between men, loss and grief, the confrontation with death; the destruction of nature; insomnia and restlessness, finding peace in one's community, the voice of women, the folly of gods, heroes, and monsters--and more. Translating directly from the Akkadian, Sophus Helle offers a literary translation that reproduces the original epic's poetic effects, including its succinct clarity and enchanting cadence. Millennia after its composition, Gilgamesh continues to speak to us in myriad ways.