Mythology

Creates a colourful and vibrant guide to the secret art. In this title, the author elucidates the mysterious language and polyvalent symbolism from a variety of perspectives practical, spiritual, elemental and historical and explains how the true alchemist differs from the modern chemist and the false practitioner.

The nurturing Earth Goddess, the Great Mother worshipped at the dawn of civilizationhistorical fact or consoling fiction?

While Goddess mythologies proliferate and the public devours books by artists, psychotherapists, and enthusiastic amateurs, it is remarkable that those in the field of prehistory have remained largely silent. Did Goddess worship really exist? What actually remains from the earliest cultures, and what can it tell us? What can we learn about the early stages of human religion from the study of prehistoric carvings, pictures, pottery, figurines, and temples?
In "Ancient Goddesses," historians and archaeologists write accessibly about this intriguing and controversial topic for the first time. Considering a number of significant early civilizationsPredynastic and Early Dynastic Egypt; Old Europe; Early North West Europe; Celtic civilization; the Prehistoric Aegean; Malta; the Ancient Near East; Old Testament Israel; Catalhoyuk; and Archaic Greecethese experts review the most recent evidence so that readers can make up their own minds.
Contributors include Ruth Tringham and Margaret Conkey, University of California, Berkeley; Lynn Meskell, New College, Oxford; Fekri Hassan, University College, London; Karel van der Toorn, University of Amsterdam; Joan Westenholz, Bible Lands Museum, Jerusalem; Elizabeth Shee Twohig, University College, Cork; Caroline Malone, New Hall, Cambridge; Mary Voyatzis, University of Arizona; and Miranda Green, University of Wales College."

The Annotated Classic Fairy Tales is a remarkable treasure trove, a work that celebrates the best-loved tales of childhood and presents them through the vision of Maria Tatar, a leading authority in the field of folklore and children's literature. Into the woods with Little Red Riding Hood, up the beanstalk with Jack, and down through the depths of the ocean with the Little Mermaid, this volume takes us through many of the familiar paths of our folkloric heritage. Gathering together twenty-five of our most cherished fairy tales, including enduring classics like Beauty and the Beast, Jack and the Beanstalk,, and Bluebead, Tatar expertly guides readers through the stories, exploring their historical origins, their cultural complexities, and their psychological effects. Offering new translations of the non-English stories by the likes of Hans Christian Andersen, Brothers Grimm, or Charles Perrault, Tatar captures the rhythms of oral storytelling and, with an extraordinary collection of over 300 often rare, mostly four-color paintings and drawings by celebrated illustrators such as Gustave Doré, George Cruikshank, and Maxfield Parrish, she expands our literary and visual sensibilities. As Tatar shows, few of us are aware of how profoundly fairy tales have influenced our culture. Disseminated across a wide variety of historical and contemporary media ranging from opera and drama to cinema and advertising, they constitute a vital part of our storytelling capital. What has kept them alive over the centuries is exactly what keeps life pulsing with vitality and variety: anxieties, fears, desires, romance, passion, and love. Up close and personal, fairy tales tell us about the quest for romance and riches, for power and privilege, and, most importantly, they show us a way out of the woods back to the safety and security of home. Challenging the notion that fairy tales should be read for their moral values and used to make good citizens of little children, Tatar demonstrates throughout how fairy tales can be seen as models for navigating reality, helping children to develop the wit and courage needed to survive in a world ruled by adults. This volume seeks to reclaim this powerful cultural legacy, presenting the stories that we all think we know while at the same time providing the historical contexts that unlock the mysteries of the tales. The Annotated Classic Fairy Tales is a volume that will rank as one of the finest fairy tale collections in many decades, a provocative and original work to be treasured by students, parents, and children.

The spread of the Arthurian legend during the course of the twelfth century is one of the most remarkable phenomena in literary history. Arthurian Chronicles looks at two unsung but deserving poets who contributed to the diffusion of the legend, Wace who preceded the more famous Chretien de Troyes, and Layamon, who followed him.

Wace was of an inquiring turn of mind, with, for his day, a scholarly and sceptical approach to lais, marvellous tales, and fables. `Not all lies, nor all true, all foolishness, nor all sense. So much have the story-tellers told, and so much have the makers of fables fabled to embellish their stories, that they have made all seem fable, ' he writes. He was the first to mention the famous Round Table.

In Layamon's Brut, Arthur, hero and emperor, makes his first appearance in English vernacular literature. It is Layamon who tells of the elves that attended on the infant Arthur and endowed him with gifts and qualities; he also launched Arthur after his last battle to Argante in Avallon, to be healed of his wounds.

In this English language prose translation of the Wace and Layamon Arthurian poems, the folk-tale ferocity of Arthur is made as exciting to the readers as to the poets who contributed so much to Arthur's legend.

Originally published by J.M. Dent & Sons,1962.

Noted occult historian A. E. Waite created this meticulously researched survey in order to unite and interpret the scattered and often-inaccessible details of magical traditions. Part I contains essential passages from prominent magical texts dating from the fourteenth, fifteenth, and sixteenth centuries; Part II analyzes these texts from a modern perspective.
A century after its debut, Waite's work remains among the best sources of information on occult subjects related to the study of the supernatural. Although the author does not condone the practice of black magic, he defends occult practitioners and praises the disciplines of astrology and alchemy. Modern readers will find this book an extraordinarily complete tour of the history of magic, replete with details of casting spells, conjuring spirits, and other occult practices.

Book of Fables is a bilingual edition of Sefer Mesholim, an important collection of fables that was published in Yiddish in 1695. Occupying a significant and interesting place in Yiddish literary history, Sefer Mesholim provides valuable insight regarding the development of Yiddish language and literature and offers an unusual perspective on the cultural and social life of contemporary European Jewry. Now, almost three hundred years after its original publication, Eli Katz has translated the thirty-four fables of Sefer Mesholim, derived principally from the Aesopic canon, and from both medieval Hebrew and German sources. The fables themselves were first adapted for a Yiddish reading audience in 1597 in Verona, Italy, and in the adaptation acquired a distinctively Ashkenazic Jewish flavor with much local Italian-Jewish vocabulary and coloration.

The first English publication of Sami folktales from Scandinavia collected and illustrated in the early twentieth century

Although versions of tales about wizards and magical reindeer from northern Scandinavia are found in European folk and fairytale collections, stories told by the indigenous Nordic Sami themselves are rare in English translation. The stories in By the Fire, collected by the Danish artist and ethnographer Emilie Demant Hatt (1873-1958) during her travels in the early twentieth century among the nomadic Sami in Swedish Sápmi, are the exception--and a matchless pleasure, granting entry to a fascinating world of wonder and peril, of nature imbued with spirits, and strangers to be outwitted with gumption and craft.

Between 1907 and 1916 Demant Hatt recorded tales of magic animals, otherworldly girls who marry Sami men, and cannibalistic ogres or Stallos. Many of her storytellers were women, and the memorable tales included in this collection tell of plucky girls and women who outfox their attackers (whether Russian bandits, mysterious Dog-Turks, or Swedish farmers) and save their people. Here as well are tales of ghosts and pestilent spirits, murdered babies who come back to haunt their parents, and legends in which the Sami are both persecuted by their enemies and cleverly resistant. By the Fire, first published in Danish in 1922, features Demant Hatt's original linoleum prints, incorporating and transforming her visual memories of Sápmi in a style influenced by the northern European Expressionists after World War I.

With Demant Hatt's field notes and commentary and translator Barbara Sjoholm's Afterword (accompanied by photographs), this first English publication of By the Fire is at once a significant contribution to the canon of world literature, a unique glimpse into Sami culture, and a testament to the enduring art of storytelling.

Well, gentlemen, here's a tale that people have told time and again . . . .

So begins the title story in this collection of fifty Sicilian folk and fairy tales edited and translated by noted folklore scholar Jack Zipes. But while some of the stories may sound as if they've been told time and again--such as variations on Cinderella and Puss in Boots--many will enchant English-language readers and storytellers for the first time. From "The Pot of Basil" to "The Talking Belly," "The Little Mouse with the Stinky Tail" to "Peppi, Who Wandered out into the World," the stories in Catarina the Wise range from simple tales of getting a new dress or something good to eat to fantastical plots for outwitting domineering husbands, rescuing impoverished fathers, or attracting wealthy suitors (frequently the Prince of Portugal). Many feature strong, clever women (usually daughters who become queen). Many are funny; many are wise. Some are very, very strange.

As Zipes relates, the true story of their origins is as extraordinary as the tales themselves. Born to a poor family of sailors in Palermo, Giuseppe Pitrè would go on to serve with Garibaldi, become a traveling country doctor, and gather one of the most colossal collections of folk and fairy tales of the nineteenth century. But while his work as a folklorist rivaled that of the Brothers Grimm, Pitrè remains a relative unknown. Catarina the Wise highlights some of the most delectable stories at the heart of his collection. Featuring new, original illustrations, this book is a beautiful, charming treasure for any fan of story, storytelling, and heroines and heroes living happily ever after--sometimes.

Celtic Myths explores every aspect of Irish and Welsh myths in this appealing and authoritative guide. Besides vividly retelling the tales, Miranda Aldhouse-Green brings her expertise in the archaeology of the Iron Age and particularly shamanism to bear on the mythical world she describes, with evidence as diverse as the Gundestrup Cauldron and the famous bog bodies.

Starting with a discussion of how myths are transmitted and by whom, Aldhouse-Green continues with an account of Irish and Welsh myths, their key actors and motifs, and themes such as heroes, animals, women, environment, and the Otherworld. The book concludes with a look at the influence of monastic chroniclers on the tales, which they preserved and adapted.

Boxed features, quotes from primary texts and contemporary sources, two-color illustrations, photographs, and drawings all come together to create a comprehensive guide for anyone interested in Celtic history or the history of myth as well as anyone who simply loves a good story.

Each region of India is a land in its own right, with diverse languages, customs, and cultural traditions. Yet shared social systems, firmly grounded in Hindu religious beliefs, provide the cohesive force that unites over a billion people of different backgrounds. This dictionary provides an unrivaled insight to all aspects of Hindu life with illustrated entries that elucidate the history of Hinduism, its mythology, art, architecture, religion, laws, and folklore. Maps and entries on the major cities and places of pilgrimage in India, as well as a concise chronology and a list of principal dynasties, provide a clear overview of the geography, history, languages, and vibrant religious and cultural traditions of Hinduism. This volume will serve as a lively and essential guide for those preparing a visit to India, for Indians living in the West, for students, or for anyone interested in the subcontinent. 243 illustrations.

Sacred myths from Santería centered on nature and the natural world

- Includes more than 40 myths, stories, and histories from the Lucumí tradition

- Reassembles the oral fragments from the African diaspora into coherent stories

- Demonstrates that the African peoples, specifically the Yoruba, had deep philosophies and metaphysics involving nature and the natural world

Since ancient times the Yoruba of West Africa created sacred stories--patakís--to make sense of the world around them. Upon arrival in the New World, the Yoruba religion began to incorporate elements from Catholic and Native traditions, evolving into Santería, and new patakís were born, adding to the many chapters already found in the odu of the diloggun--the sacred oral teachings and divination system of the Yoruba, or Lucumí, faith. Comparable to the myths of ancient Greece and Rome and rich with jewels of wisdom like the I Ching, these Santería stories are as vast as the Hindu Vedas and as culturally significant as the parables in the Torah, Talmud, and Christian Bible.

Diloggun Tales of the Natural World presents more than 40 patakís that shed light upon the worldview of Santería. Each story in this collection, reassembled from the oral tradition of the African diaspora, is centered on a spiritual principle in nature: the waxing and waning of the moon, solar and lunar eclipses, the phenomenon of shooting stars, the separation of sky and earth, and the origins of the animals and birds who play key roles in Santería symbology. Revealing the metaphysics, theology, and philosophy of the Yoruba people, this volume shows these stories to be as powerful and relevant today as they were to the ancient Yoruba who once safeguarded them.

"Criticism" provides interpretive essays by William Moran, Thorkild Jacobsen, and Rivkah Harris and concludes with a modern poetic response to the Gilgamesh epic by Hillary Major.

A Glossary of Proper Names and a Selected Bibliography are also included.

A new verse rendering of the great epic of ancient Mesopotamia, one of the oldest works in Western Literature. Ferry makes Gilgamesh available in the kind of energetic and readable translation that Robert Fitzgerald and Richard Lattimore have provided for.

*National Bestseller*

The acclaimed retelling of the world's best-loved fairy tales by the #1

New York Times bestselling author of The Golden Compass and The Book of Dust--now in paperback, and with 3 new tales!

Two centuries ago, Jacob and Wilhelm Grimm published their first volume of fairy tales. Since then, such stories as "Cinderella," "Snow White," "Rapunzel," and "Hansel and Gretel" have become deeply woven into the Western imagination. Now Philip Pullman, the New York Times bestselling author of the His Dark Materials trilogy, makes us fall in love all over again with the immortal tales of the Brothers Grimm.

Here are Pullman's fifty favorites--a wide-ranging selection that includes the most popular stories as well as lesser-known treasures like "The Three Snake Leaves," "Godfather Death," and "The Girl with No Hands"--alongside his personal commentaries on each story's sources, variations, and everlasting appeal. Suffused with romance and villainy, danger and wit, Pullman's beguiling retellings will cast a spell on readers of all ages.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur, king of Britain, may well be regarded as his finest and most skillful achievement in the use of Old English alliterative meter, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur's expedition overseas into distant heathen lands, of Guinevere's flight from Camelot, of the great sea battle on Arthur's return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle.Unhappily, The Fall of Arthur was one of several long narrative poems that Tolkien abandoned. He evidently began it in the 1930s, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him, You simply must finish it! But in vain: he abandoned it at some unknown date, though there is evidence that it may have been in 1937, the year of publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that he hoped to finish a long poem on The Fall of Arthur, but that day never came.Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem's structure is revealed, together with narrative synopses and significant tantalizing notes. In these notes can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written.

An enchanting collection that introduces the author and activist Naomi Mitchison to a new generation of readers

The Fourth Pig, originally published in 1936, is a wide-ranging collection of fairy tales, poems, and ballads that reflect the hopes and forebodings of their era but also resonate with those of today. From a retelling of "Hansel and Gretel" to the experimental title story, a dark departure from "The Three Little Pigs," this book is a testament to the talents of Naomi Mitchison (1897-1999), who was an irrepressible phenomenon--a prominent Scottish political activist as well as a prolific author. Mitchison's work, exemplified by the tales in this superb new edition, is stamped with her characteristic sharp wit, magical invention, and vivid political and social consciousness. Marina Warner, the celebrated scholar of myths and fairy tales and writer of fiction, provides an insightful introduction to Mitchison as a remarkable writer and personality.

A vast bounty of tales recounting mystical experiences among the rabbis can be found in the Talmud, the Zohar, Jewish folktales, and Hasidic lore. Now, in Gabriel's Palace, scholar Howard Schwartz has collected the greatest of these stories, sacred and secular, in a marvelously readable anthology.
Gabriel's Palace offers a treasury of 150 pithy and powerful tales, involving experiences of union with the divine, out-of-body travel, encounters with angels and demons, possession by spirits holy and pernicious, and more. Schwartz provides an informative introduction placing these remarkable tales firmly in the context of centuries of post-biblical Jewish tradition. The body of the text presents spellbinding tales from the Talmud, Zohar, the Hasidic masters, and an enormous range of other sources. Here are stories of Shimon bar Yohai, reputed to be the author of the Zohar; Isaac Luria, known as the Ari, who was the central figure among the Safed mystics of the 16th century; Israel ben Eliezer, known as Baal Shem Tov, who founded Hasidism; Elimelech of Lizensk, possessor of legendary mystical powers; and Nachman of Bratslav, the great storyteller whose wandering spirit is said to protect his followers to this day. Together, these tales paint a vivid picture of "a world of signs and symbols, where everything that took place had meaning, a world of mythic proportions....A world in which the spirits of the dead were no longer invisible, nor the angels," where the master and his disciples labor to repair the world so that the footsteps of the Messiah might be heard.
Drawn from rabbinic, kabbalistic, folk, and Hasidic sources, these collected tales form a rich genre all their own. In Gabriel's Palace, the powerful tradition of Jewish mysticism comes to life in clear, contemporary English.

These sagas recount fierce feuds in which honour is fought for, sacrifice is demanded, and blood is shed. The fate of the characters at the centre of each saga, however, is very different. Gisli is a traditional Viking-age hero who is determined to exact revenge at any cost and whose death is tragic when it comes. In contrast his nephew, Snorri, represents a new generation and acts to strengthen the new social order. Taken together these sagas reveal the richness and variety of the saga tradition.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The fascinating untold story of how the ancients imagined robots and other forms of artificial life--and even invented real automated machines

The first robot to walk the earth was a bronze giant called Talos. This wondrous machine was created not by MIT Robotics Lab, but by Hephaestus, the Greek god of invention. More than 2,500 years ago, Greek mythology was exploring ideas about creating artificial life--and grappling with still-unresolved ethical concerns about biotechne, life through craft. In this compelling, richly illustrated book, Adrienne Mayor tells the fascinating story of how ancient Greek, Roman, Indian, and Chinese myths envisioned artificial life, automata, self-moving devices, and human enhancements--and how these visions relate to and reflect the ancient invention of real animated machines. Revealing how science has always been driven by imagination, and how some of today's most advanced tech innovations were foreshadowed in ancient myth, Gods and Robots is a gripping new story of mythology for the age of AI.

In this compelling new book, accompanying the PBS television series of the same name, historian Michael Wood, whose renowned adventures have taken him to many remote and exciting places around the globe, now goes in search of four powerful legends: Shangri-La, the Golden Fleece, the Queen of Sheba, and the Holy Grail. Gorgeously illustrated by Steve Razzetti, with full-color photographs of some of the most beautiful landscapes and cities on earth, In Search of Myths and Heroes is a series of real journeys to real places and an encounter with the living descendants of the ancient cultures that produced the four legends. From the mountains of Tibet to the coasts of Ethiopia and Yemen to the city of Jerusalem and the far west of Ireland, Wood brings us along as he separates fact from fiction and discovers why these famous stories still captivate us.

Michael Wood's In Search of Myths & Heroes explores four remarkable legends that have endured from ancient eras to modern times.

Shangri-la: The Paradise Myth

From Babylonia to ancient Tibet to Frank Capra's movie Lost Horizon--the story of an earthly paradise has been immortalized through the ages. But was there a real Shangri-la?

Jason & the Golden Fleece: The Hero's Quest

Possibly the oldest story in world literature and one still told today--from Gilgamesh to Star Wars--Jason's quest is that of a young man who must venture into the unknown to complete an impossible task. It is a story of bravery, treachery, and love, but what price must our hero pay for achieving his "mission impossible"?

The Queen of Sheba: The Woman of Power

The tale of Sheba, told for more than two and half millennia in Arabia, the Near East, Africa, and Europe, is the story of a woman who is a founder of nations, a fantasy lover, the personification of wisdom, adored and demonized in equal measure. Is this the fate of powerful women even today?

Arthur: The Once & Future King

Arthur, said to have ruled in a golden age, had his power broken by human weakness and greed. His story, the myth of the king who will one day return, is echoed in nearly every culture in the world. But who was Arthur and why do we need to believe in him and his future reign?



Copub: BBC

A fresh retelling of the ancient texts about Ishtar, the world's first goddess. Illustrated with visual artifacts of the period. "A great masterpiece of universal literature."--Mircea Eliade

Once upon a time, there lived a humble juggler, Barnaby by name, who was skillful but suffered every winter from poverty. A devotee of the Virgin, he had few failings apart from enjoying drink a little too much. One day he met a monk, who persuaded him to enter a monastery. All the brethren had exceptional skills to exercise on behalf of Mary, but the juggler felt he had nothing worthy to offer. Finally, he had the notion to juggle copper balls and knives before the altar of the Virgin in the chapel. The others caught him in the act and deemed his behavior madness, but after seeing the Mother of God descend to soothe him, they realized that he was blessed.

Writers, illustrators, and musicians from the Middle Ages to the present have loved this simple, medieval tale. In 1890, Anatole France (1844-1924) adapted the original poem as the short story "Le jongleur de Notre-Dame." Dumbarton Oaks is pleased to bring this version back into print for the enjoyment of modern audiences, featuring a translation by Jan M. Ziolkowski and Art Deco illustrations by Maurice Lalau (1881-1961), faithfully reproduced from a 1924 printing.

In this classic work, often described as The History of the Rise, Decline, and Fall of the Love Affair, Denis de Rougemont explores the psychology of love from the legend of Tristan and Isolde to Hollywood. At the heart of his ever-relevant inquiry is the inescapable conflict in the West between marriage and passion--the first associated with social and religious responsiblity and the second with anarchic, unappeasable love as celebrated by the troubadours of medieval Provence. These early poets, according to de Rougemont, spoke the words of an Eros-centered theology, and it was through this heresy that a European vocabulary of mysticism flourished and that Western literature took on a new direction.

Bringing together historical, religious, philosophical, and cultural dimensions, the author traces the evolution of Western romantic love from its literary beginnings as an awe-inspiring secret to its commercialization in the cinema. He seeks to restore the myth of love to its original integrity and concludes with a philosophical perspective on modern marriage.