The main texts used in the St. John's Program. They are sorted by class, and then by subject.
Photocopies, manuals, and lab materials are available for students and faculty only. If you are not enrolled in a class and attempt to purchase these materials, they will be cancelled and the funds will be returned to your credit card.
Banner Message
Please note: We are working on getting our inventory accurately represented on our site while we are in our temporary location. There might be items that appear online that are not currently accesible to us to ship to you. If you order these items, you will be refunded and the rest of your order will ship. Feel free to contact us with any questions.
Program Books
For centuries, Stoicism was virtually the unofficial religion of the Roman world The stress on endurance, self-restraint, and power of the will to withstand calamity can often seem coldhearted. It is Epictetus, a lame former slave exiled by Emperor Domitian, who offers by far the most precise and humane version of Stoic ideals. The Discourses, assembled by his pupil Arrian, catch him in action, publicly setting out his views on ethical dilemmas. Committed to communicating with the broadest possible audience, Epictetus uses humor, imagery conversations and homely comparisons to put his message across. The results are perfect universal justice and calm indifference in the face of pain. The most comprehensive edition available with an introduction, notes, selected criticism, glossary, and chronology of Epictetus' life and times.
'About things that are within our power and those that are not.' Epictetus' Discourses have been the most widely read and influential of all writings of Stoic philosophy, from antiquity onwards. They set out the core ethical principles of Stoicism in a form designed to help people put them into practice and to use them as a basis for leading a good human life. Epictetus was a teacher, and a freed slave, whose discourses have a vivid informality, animated by anecdotes and dialogue. Forceful, direct, and challenging, their central message is that the basis of happiness is up to us, and that we all have the capacity, through sustained reflection and hard work, of achieving this goal. They still speak eloquently to modern readers seeking meaning in their own lives. This is the only complete modern translation of the Discourses, together with the Handbook or manual of key themes, and surviving fragments. Robin Hard's accurate and accessible translation is accompanied by Christopher Gill's full introduction and comprehensive notes. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
The authoritative translations of The Inferno, The Purgatorio, and The Paradiso--together in one volume. Belonging in the immortal company of the great works of literature, Dante Alighieri's poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise--the sphere of universal harmony and eternal salvation. Now, for the first time, John Ciardi's brilliant and authoritative translations of Dante's three soaring canticles--The Inferno, The Purgatorio, and The Paradiso--have been gathered together in a single volume. Crystallizing the power and beauty inherent in the great poet's immortal conception of the aspiring soul, The Divine Comedy is a dazzling work of sublime truth and mystical intensity.
This is the complete orchestral and vocal score of Mozart's Don Giovanni, considered by many to be the greatest opera ever written. This edition contains all the music Mozart wrote for Don Giovanni, both for the original version performed in Prague (1787) and the alterations―Don Ottavio's aria "Dalla sua pace," Elvira's aria (and its transposition to D Major) "Mi tradì quell'alma ingrata," Zerlina and Leporello's duet "Per queste tue manine," the cut in the finale ― made for the first Viennese performance six months later, as well as the concert ending of the overture.
The editors, Georg Schünemann and Kurt Soldan, worked directly from Mozart's autograph manuscript and from early copies made under Mozart's supervision, correcting many errors that had persisted since Mozart's time. An extensive commentary lists all vague or controversial elements the editors encountered in the score. In addition the complete Italian libretto and stage directions by Lorenzo Da Ponte and a German translation of the vocal text by Georg Schünemann have also been included.
Do not confuse this with a piano rendering; it is the full orchestral score. In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to the music. In no other manner can the listener or student keep full awareness of the many elements that make up this opera.
The editors, Georg Schünemann and Kurt Soldan, worked directly from Mozart's autograph manuscript and from early copies made under Mozart's supervision, correcting many errors that had persisted since Mozart's time. An extensive commentary lists all vague or controversial elements the editors encountered in the score. In addition the complete Italian libretto and stage directions by Lorenzo Da Ponte and a German translation of the vocal text by Georg Schünemann have also been included.
Do not confuse this with a piano rendering; it is the full orchestral score. In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to the music. In no other manner can the listener or student keep full awareness of the many elements that make up this opera.
Edith Grossman's definitive English translation of the Spanish masterpiece, in an expanded P.S. edition and with an introduction by Harold Bloom
"A major literary achievement."--Carlos Fuentes, New York Times Book Review
Widely regarded as one of the funniest and most tragic books ever written, Don Quixote chronicles the adventures of the self-created knight-errant Don Quixote of La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. You haven't experienced Don Quixote in English until you've read this masterful translation.
This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
"Dubliners" was completed in 1905, but a series of British and Irish publishers and printers found it offensive and immoral, and it was suppressed. The book finally came out in London in 1914, just as Joyce's "Portrait of the Artist as a Young Man" began to appear in the journal "Egoist" under the auspices of Ezra Pound. The first three stories in "Dubliners" might be incidents from a draft of "Portrait of the Artist," and many of the characters who figure in "Ulysses" have their first appearance here, but this is not a book of interest only because of its relationship to Joyce's life and mature work. It is one of the greatest story collections in the English language--an unflinching, brilliant, often tragic portrait of early twentieth-century Dublin. The book, which begins and ends with a death, moves from "stories of my childhood" through tales of public life. Its larger purpose, Joyce said, was as a moral history of Ireland.
The publication of James Joyce's Dubliners in 1914 was the result of ten years battling with publishers, resisting their demands to remove swear words, real place names and much else. Although only twenty-four when he signed his first publishing contract for the book, Joyce already knew its worth: to alter it in any way would "retard the course of civilization in Ireland." Joyce's aim was to tell the truth-- to create a work of art that would reflect life in Ireland at the turn of the last century and by rejecting euphemism, to reveal to the Irish their unromantic reality, which would lead to the spiritual liberation of the country. Each of the fifteen stories offers glimpses into the lives of ordinary Dubliners-- a death, an encounter, an opportunity not taken, a memory rekindled - and collectively they paint a portrait of a nation.
This edition is introduced and annotated by Jeri Johnson, who gives a witty and informative insight into the context, meanings, and reception of Joyce's work. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
This edition is introduced and annotated by Jeri Johnson, who gives a witty and informative insight into the context, meanings, and reception of Joyce's work. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
HarperCollins is proud to present its range of best-loved, essential classics.
'There was no doubt about it: if you wanted to succeed you had to go away. You could do nothing in Dublin.'
From a child coming to terms with the death of a priest to a young woman torn between leading an uneventful life in Dublin and fleeing Ireland with her lover, these fifteen stories bring to life the day-to-day existence of ordinary Dubliners in the early years of the twentieth century. With brutal realism, Joyce lays bare the struggles and desires of the Irish middle classes in a compelling and unique exploration of human experience.
Completed in 1905, Dubliners was published nine years later, thanks to the author's persistence. It was the first of Joyce's novels to portray his home city, and is a seminal work by one of the most influential authors of the modern era.
"Dubliners" was completed in 1905, but a series of British and Irish publishers and printers found it offensive and immoral, and it was suppressed. The book finally came out in London in 1914, just as Joyce's "Portrait of the Artist as a Young Man" began to appear in the journal "Egoist" under the auspices of Ezra Pound. The first three stories in "Dubliners" might be incidents from a draft of "Portrait of the Artist," and many of the characters who figure in "Ulysses" have their first appearance here, but this is not a book of interest only because of its relationship to Joyce's life and mature work. It is one of the greatest story collections in the English language--an unflinching, brilliant, often tragic portrait of early twentieth-century Dublin. The book, which begins and ends with a death, moves from "stories of my childhood" through tales of public life. Its larger purpose, Joyce said, was as a moral history of Ireland.
Twenty discourses from the Pali Canon--including those most essential to the study and teaching of early Buddhism--are provided in fresh translations, accompanied by introductions that highlight the main themes and set the ideas presented in the context of wider philosophical and religious issues. Taken together, these fascinating works give an account of Buddhist teachings directly from the earliest primary sources.
In his General Introduction, John J. Holder discusses the structure and language of the Pali Canon--its importance within the Buddhist tradition and the historical context in which it developed--and gives an overview of the basic doctrines of early Buddhism.
With stylistic brilliance and historical imagination, the first five books of Livy's monumental history of Rome record events from the foundation of Rome through the history of the seven kings, the establishment of the Republic and its internal struggles, up to Rome's recovery after the fierce Gallic invasion of the fourth century B.C. Livy vividly depicts the great characters, legends, and tales, including the story of Romulus and Remus. Reprinting Robert Ogilvie's lucid 1971 introduction, this highly regarded edition now boasts a new preface, examining the text in light of recent Livy scholarship, informative maps, bibliography, and an index. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This is the definitive edition of one of the very greatest classics of all time -- the full Euclid, not an abridgement. Using the text established by Heiberg, Sir Thomas Heath encompasses almost 2,500 years of mathematical and historical study upon Euclid.
This unabridged republication of the original enlarged edition contains the complete English text of all 13 books of the Elements, plus a critical apparatus that analyzes each definition, postulate, and proposition in great detail. It covers textual and linguistic matters; mathematical analyses of Euclid's ideas; classical, medieval, Renaissance, modern commentators; refutations, supports, extrapolations, reinterpretations, and historical notes, all given with extensive quotes.
"The textbook that shall really replace Euclid has not yet been written and probably never will be." -- Encyclopaedia Britannica.
Volume 1. 151-page Introduction: life and other works of Euclid; Greek and Islamic commentators; surviving mss., scholia, translations; bases of Euclid's thought. Books I and II of the Elements, straight lines, angles, intersection of lines, triangles, parallelograms, etc.
Volume 2. Books III-IX: Circles, tangents, segments, figures described around and within circles, rations, proportions, magnitudes, polygons, prime numbers, products, plane and solid numbers, series of rations, etc.
Volume 3. Books X to XIII: planes, solid angles, etc.; method of exhaustion in similar polygons within circles, pyramids, cones, cylinders, spheres, etc. Appendix: Books XIV, XV, sometimes ascribed to Euclid.
This unabridged republication of the original enlarged edition contains the complete English text of all 13 books of the Elements, plus a critical apparatus that analyzes each definition, postulate, and proposition in great detail. It covers textual and linguistic matters; mathematical analyses of Euclid's ideas; classical, medieval, Renaissance, modern commentators; refutations, supports, extrapolations, reinterpretations, and historical notes, all given with extensive quotes.
"The textbook that shall really replace Euclid has not yet been written and probably never will be." -- Encyclopaedia Britannica.
Volume 1. 151-page Introduction: life and other works of Euclid; Greek and Islamic commentators; surviving mss., scholia, translations; bases of Euclid's thought. Books I and II of the Elements, straight lines, angles, intersection of lines, triangles, parallelograms, etc.
Volume 2. Books III-IX: Circles, tangents, segments, figures described around and within circles, rations, proportions, magnitudes, polygons, prime numbers, products, plane and solid numbers, series of rations, etc.
Volume 3. Books X to XIII: planes, solid angles, etc.; method of exhaustion in similar polygons within circles, pyramids, cones, cylinders, spheres, etc. Appendix: Books XIV, XV, sometimes ascribed to Euclid.
This is the definitive edition of one of the very greatest classics of all time--the full Euclid, not an abridgement. Utilizing the text established by Heiberg, Sir Thomas Heath encompasses almost 2500 years of mathematical and historical study upon Euclid.
This unabridged republication of the original enlarged edition contains the complete English text of all 13 books of the Elements, plus a critical apparatus which analyzes each definition, postulate, and proposition in great detail. It covers textual and linguistic matters; mathematical anayses of Euclid's ideas; classical, medieval, Renaissance, modern commentators; refutations, supports, extrapolations, reinterpretations, and historical notes, all given with extensive quotes.
"The textbook that shall really replace Euclid has not yet been written and probably never will be," Encyclopaedia Britannica.
This unabridged republication of the original enlarged edition contains the complete English text of all 13 books of the Elements, plus a critical apparatus which analyzes each definition, postulate, and proposition in great detail. It covers textual and linguistic matters; mathematical anayses of Euclid's ideas; classical, medieval, Renaissance, modern commentators; refutations, supports, extrapolations, reinterpretations, and historical notes, all given with extensive quotes.
"The textbook that shall really replace Euclid has not yet been written and probably never will be," Encyclopaedia Britannica.
A stunning work of scholarship, the Norton Critical Edition of The English Bible, King James Version, is the most accessible edition available. These acclaimed volumes bring together succinct introductions to each biblical work, explanatory annotations, and contextual and critical materials. Archaic words are explained, textual problems are lucidly discussed, and stylistic features of the original texts are highlighted.
For the Old Testament, Herbert Marks gives readers without Hebrew an entry into the complexities of biblical literature, reconstructing its original contexts, tracing its evolution, and pointing out productive strategies for reading. For the New Testament and the Apocrypha, Gerald Hammond and Austin M. Busch provide historical and cultural background while illuminating the complexity of the original texts. Both volumes include timelines, chronologies, diagrams, and color maps.
For the Old Testament, Herbert Marks gives readers without Hebrew an entry into the complexities of biblical literature, reconstructing its original contexts, tracing its evolution, and pointing out productive strategies for reading. For the New Testament and the Apocrypha, Gerald Hammond and Austin M. Busch provide historical and cultural background while illuminating the complexity of the original texts. Both volumes include timelines, chronologies, diagrams, and color maps.
David Hume's Enquiry concerning Human Understanding is the definitive statement of the greatest philosopher in the English language. His arguments in support of reasoning from experience, and against the "sophistry and illusion"of religiously inspired philosophical fantasies, caused controversy in the eighteenth century and are strikingly relevant today, when faith and science continue to clash.
The Enquiry considers the origin and processes of human thought, reaching the stark conclusion that we can have no ultimate understanding of the physical world, or indeed our own minds. In either sphere we must depend on instinctive learning from experience, recognizing our animal nature and the limits of reason. Hume's calm and open-minded skepticism thus aims to provide a new basis for science, liberating us from the "superstition" of false metaphysics and religion. His Enquiry remains one of the best introductions to the study of philosophy, and his edition places it in its historical and philosophical context. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Enquiry considers the origin and processes of human thought, reaching the stark conclusion that we can have no ultimate understanding of the physical world, or indeed our own minds. In either sphere we must depend on instinctive learning from experience, recognizing our animal nature and the limits of reason. Hume's calm and open-minded skepticism thus aims to provide a new basis for science, liberating us from the "superstition" of false metaphysics and religion. His Enquiry remains one of the best introductions to the study of philosophy, and his edition places it in its historical and philosophical context. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
This 1748 treatise by David Hume offers an accessible account of his unprecedented and challenging notions about the limitations of the human mind. It expounds the most influential theory of causality in modern times -- one that prompted Kant to create an entirely new school of thought. Highly controversial in the 18th century, this work remains provocative in its discussions of the appeal of skepticism, the logical coexistence of free will and determinism, and the deficiencies of religious doctrine.
A landmark of Enlightenment thought, Hume's An Enquiry Concerning Human Understanding is accompanied here by two shorter works that shed light on it: A Letter from a Gentleman to His Friend in Edinburgh, Hume's response to those accusing him of atheism, of advocating extreme skepticism, and of undermining the foundations of morality; and his Abstract of A Treatise of Human Nature, which anticipates discussions developed in the Enquiry.
In his concise Introduction, Eric Steinberg explores the conditions that led Hume to write the Enquiry and the work's important relationship to Book I of Hume's A Treatise of Human Nature.
A splendid edition. Schneewind's illuminating introduction succinctly situates the Enquiry in its historical context, clarifying its relationship to Calvinism, to Newtonian science, and to earlier moral philosophers, and providing a persuasive account of Hume's ethical naturalism. --Martha C. Nussbaum, Brown University
Two of the most important Buddhist tracts from Japan A Penguin Classic Both of these works on life's fleeting pleasures are by Buddhist monks from medieval Japan, but each represents a different worldview. In Essays in Idleness, his lively and sometimes ribald collection of anecdotes, advice, and observations, Kenko displays his fascination with earthly matters. In the short memoir Hojoki, or The Ten Foot Square Hut, however, Chomei recounts his decision to withdraw from worldly affairs and live as a hermit. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Written sometime between 1330 and 1332, the Essays in Idleness, with their timeless relevance and charm, hardly mirror the turbulent times in which they were born. Despite the struggle between the Emperor Go-Daigo and the usurping Hojo family that rocked Japan during these years, the Buddhist priest Kenko found himself "with nothing better to do, jotting down at random whatever nonsensical thoughts have entered my head." The resulting essays, none of them more than a few pages in length and some consisting of but two or three sentences, treat a great variety of subjects in a congenial, anecdotal style. Kenko clung to tradition, Buddhism, and the pleasures of solitude, and the themes he treats are all suffused with an unspoken acceptance of Buddhist beliefs. Above all, Kenko gives voice to a distinctively Japanese aesthetic principle: that beauty is bound to perishability.
This volume contains the two most important essays on the logical foundations of the number system by the famous German mathematician J. W. R. Dedekind. The first presents Dedekind's theory of the irrational number-the Dedekind cut idea-perhaps the most famous of several such theories created in the 19th century to give a precise meaning to irrational numbers, which had been used on an intuitive basis since Greek times. This paper provided a purely arithmetic and perfectly rigorous foundation for the irrational numbers and thereby a rigorous meaning of continuity in analysis.
The second essay is an attempt to give a logical basis for transfinite numbers and properties of the natural numbers. It examines the notion of natural numbers, the distinction between finite and transfinite (infinite) whole numbers, and the logical validity of the type of proof called mathematical or complete induction.
The contents of these essays belong to the foundations of mathematics and will be welcomed by those who are prepared to look into the somewhat subtle meanings of the elements of our number system. As a major work of an important mathematician, the book deserves a place in the personal library of every practicing mathematician and every teacher and historian of mathematics. Authorized translations by Vooster V. Beman.
"The Essential Plotinus is a lifesaver. For many years my students in Greek and Roman Religion have depended on it to understand the transition from antiquity to the Middle Ages. The translation is crisp and clear, and the excerpts are just right for an introduction to Plotionus's many-layered view of the world and humankind's place in it." --F. E. Romer, University of Arizona
The classic Heath translation, in a completely new layout with plenty of space and generous margins. An affordable but sturdy student and teacher sewn softcover edition in one volume, with minimal notes and a new index/glossary.
Euripides I contains the plays "Alcestis," translated by Richmond Lattimore; "Medea," translated by Oliver Taplin; "The Children of Heracles," translated by Mark Griffith; and "Hippolytus," translated by David Grene. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles's satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
Euripides II contains the plays "Andromache," translated by Deborah Roberts; "Hecuba," translated by William Arrowsmith; "The Suppliant Women," translated by Frank William Jones; and "Electra," translated by Emily Townsend Vermeule. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles's satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
Euripides IV contains the plays "Helen," translated by Richmond Lattimore; "The Phoenician Women," translated by Elizabeth Wyckoff; and "Orestes," translated by William Arrowsmith. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles's satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
Euripides V includes the plays "The Bacchae," translated by William Arrowsmith; "Iphigenia in Aulis," translated by Charles R. Walker; "The Cyclops," translated by William Arrowsmith; and "Rhesus," translated by Richmond Lattimore. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles's satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
A guidebook to Faraday's Experimental Researches in Electricity. It guides the reader through Faraday's work, displaying Faraday's experimental virtuosity and keen theoretical insight.