Sophomore Year

Reunited with his beloved Beatrice in the Purgatorio, in the Paradiso the poet-narrator journeys with her through the heavenly spheres and comes to know "the state of blessed souls after death." As with the previous volumes, the original Italian and its English translation appear on facing pages. Readers will be drawn to Durling's precise and vivid prose, which captures Dante's extraordinary range of expression--from the high style of divine revelation to colloquial speech, lyrical interludes, and scornful diatribes against corrupt clergy.

This edition boasts several unique features. Durling's introduction explores the chief interpretive issues surrounding the Paradiso, including the nature of its allegories, the status in the poem of Dante's human body, and his relation to the mystical tradition. The notes at the end of each canto provide detailed commentary on historical, theological, and literary allusions, and unravel the obscurity and difficulties of Dante's ambitious style . An unusual feature is the inclusion of the text, translation, and commentary on one of Dante's chief models, the famous cosmological poem by Boethius that ends the third book of his Consolation of Philosophy. A substantial section of Additional Notes discusses myths, symbols, and themes that figure in all three cantiche of Dante's masterpiece. Finally, the volume includes a set of indexes that is unique in American editions, including Proper Names Discussed in the Notes (with thorough subheadings concerning related themes), Passages Cited in the Notes, and Words Discussed in the Notes, as well as an Index of Proper Names in the text and translation. Like the previous volumes, this final volume includes a rich series of illustrations by Robert Turner.

"The English Dante of choice."--Hugh Kenner.

"Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths."--Robert Fagles, Princeton University.

"Tough and supple, tender and violent . . . vigorous, vernacular . . . Mandelbaum's Dante will stand high among modern translations."-- "The Christian Science Monitor"

Continuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Paradiso. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.

The present translation, originally published in 1683 in conjunction with a life of Plutarch by John Dryden, was revised in 1864 by the poet and scholar Arthur Hugh Clough, whose notes and preface are also included in this edition.

The first modern treatise of political philosophy, The Prince is one of the world's most influential and widely read books. Machiavelli reveals nothing less than the secrets of power: how to gain it, how to wield it, and how to keep it. Ruthless, cunning, and amoral, The Prince is a controversial analysis of manipulation and an essential guide for anyone interested in conquest, self-defense, or observation of dominance and control. The Introduction by noted Italian Renaissance scholar Albert Russell Ascoli provides a perfect opening to Peter Constantine's illuminating new translation of this seminal work.

"Constantine elegantly captures in English the pith of Machiavelli's brilliant Italian prose."--Edward Muir, Clarence L. Ver Steeg Professor in the Arts and Sciences, Northwestern University

The Prince has long been required reading for those interested in politics and power, and it has long since become one of the world's most significant books.

With an Afterword by Regina Barreca

Thomas Williams' edition offers an Introduction well suited for use in an introductory philosophy course, as well as his own preeminent translation of the text.

"The English Dante of choice."--Hugh Kenner.

"Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths."--Robert Fagles, Princeton University.

"Tough and supple, tender and violent . . . vigorous, vernacular . . . Mandelbaum's Dante will stand high among modern translations."-- "The Christian Science Monitor"

A new translation by Anthony Esolen
Illustrations by Gustave Doré

Written in the fourteenth century by Italian poet and philosopher Dante Alighieri, The Divine Comedy is arguably the greatest epic poem of all time--presenting Dante's brilliant vision of the three realms of Christian afterlife: Inferno, Purgatory, and Paradise. In this second and perhaps most imaginative part of his masterwork, Dante struggles up the terraces of Mount Purgatory, still guided by Virgil, in a continuation of his difficult ascent to purity. Anthony Esolen's acclaimed translation of Inferno, Princeton professor James Richardson said, "follows Dante through all his spectacular range, commanding where he is commanding, wrestling, as he does, with the density and darkness in language and in the soul. It is living writing." This edition of Purgatory includes an appendix of key sources and extensive endnotes--an invaluable guide for both general readers and students.

Beginning with Dante's liberation from Hell, Purgatory relates his ascent, accompanied by Virgil, of the Mount of Purgatory - a mountain of nine levels, formed from rock forced upwards when God threw Satan into depths of the earth. As he travels through the first seven levels, Dante observes the sinners who are waiting for their release into Paradise, and through these encounters he is himself transformed into a stronger and better man. For it is only when he has learned from each of these levels that he can ascend to the gateway to Heaven: the Garden of Eden. The second part of one of the greatest epic poems, Purgatory is an enthralling Christian allegory of sin, redemption and ultimate enlightenment.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.