The collection of books for Sophomore year.
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Sophomore Year
A powerful and poignant translation of Vergil's epic poem, newly equipped with introduction and notes "Ruden set the bar for Aeneid translations in 2008, and has raised it now with this revision. I am confident it will be a long time before a translator exceeds the standard that she has set."--A. M. Juster, Athenaeum Review This is a substantial revision of Sarah Ruden's celebrated 2008 translation of Vergil's Aeneid, which was acclaimed by Garry Wills as "the first translation since Dryden's that can be read as a great English poem in itself." Ruden's line-for-line translation in iambic pentameter is an astonishing feat, unique among modern translations. Her revisions to the translation render the poetry more spare and muscular than her previous version and capture even more closely the essence of Vergil's poem, which pits national destiny against the fates of individuals, and which resonates deeply in our own time. This distinguished translation, now equipped with introduction, notes, and glossary by leading Vergil scholar Susanna Braund, allows modern readers to experience for themselves the timeless power of Vergil's masterpiece. Praise for the First Edition: "Fast, clean, and clear, sometimes terribly clever, and often strikingly beautiful. . . . Many human achievements deserve our praise, and this excellent translation is certainly one of them."--Richard Garner, The New Criterion "Toning down the magniloquence, Sarah Ruden gives us an Aeneid more intimate in tone and soberer in measure than we are used to--a gift for which many will be grateful."--J. M. Coetzee "An intimate rendering of great emotional force and purity. . . . The immediacy, beauty, and timelessness of the original Latin masterpiece lift off these pages with gem-like originality."--Choice
From the award-winning translator of The Iliad and The Odyssey comes a brilliant new translation of Virgil's great epic Fleeing the ashes of Troy, Aeneas, Achilles' mighty foe in the Iliad, begins an incredible journey to fulfill his destiny as the founder of Rome. His voyage will take him through stormy seas, entangle him in a tragic love affair, and lure him into the world of the dead itself--all the way tormented by the vengeful Juno, Queen of the Gods. Ultimately, he reaches the promised land of Italy where, after bloody battles and with high hopes, he founds what will become the Roman empire. An unsparing portrait of a man caught between love, duty, and fate, the Aeneid redefines passion, nobility, and courage for our times. Robert Fagles, whose acclaimed translations of Homer's Iliad and Odyssey were welcomed as major publishing events, brings the Aeneid to a new generation of readers, retaining all of the gravitas and humanity of the original Latin as well as its powerful blend of poetry and myth. Featuring an illuminating introduction to Virgil's world by esteemed scholar Bernard Knox, this volume lends a vibrant new voice to one of the seminal literary achievements of the ancient world. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Aeneas flees the ashes of Troy to found the city of Rome and change forever the course of the Western world--as literature as well. Virgil's Aeneid is as eternal as Rome itself, a sweeping epic of arms and heroism--the searching portrait of a man caught between love and duty, human feeling and the force of fate--that has influenced writers for over 2,000 years. Filled with drama, passion, and the universal pathos that only a masterpiece can express. The Aeneid is a book for all the time and all people.
Sophocles' Ajax is one of the most disturbing and powerful
surviving ancient tragedies. But it is also difficult to understand and
interpret. What are we to make of its protagonist's extremism? Does Ajax
deserve the isolation and divine punishment he experiences? Why is his
state of mind so difficult to determine? Dr Hesk offers answers to these
and many other questions by drawing together the very latest critical
work on the play and introducing the reader to key frames for its
interpretation, including Sophoclean heroism, language and form; Homeric
intertextuality and Athens' 'masculinist' culture, and the
twentieth-century reception of Ajax.
Here is a lively new translation of Cornelius Tacitus' timeless history of three of Rome's most memorable emperors. Tacitus, who condemns the depravity of these rulers, which he saw as proof of the corrupting force of absolute power, writes caustically of the brutal and lecherous Tiberius, the weak and cuckolded Claudius, and "the artist" Nero. In particular, his gripping account of the bloody reigns of Tiberius and Nero brims with plots, murder, poisoning, suicide, uprisings, death, and destruction. The Annals also provides a vivid account of the violent suppression of the revolt led by Boudicca in Britain, the great fire of Rome under Nero, and the subsequent bloody persecution of the Christians. J. C. Yardley's translation is vivid without sacrificing accuracy, and is based on the recent Latin Heubner text, with variations noted in an appendix. Anthony A. Barrett's introduction and notes provide invaluable historical and cultural context. This superb edition also includes maps, a glossary of Roman terms and place names, and a full index of names and places. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
A.J. Woodman's translation combines accuracy and Tacitean invention, masterfully conveying Tacitus' distinctive and powerful manner of expression, and reflecting the best of current scholarship. An introductory essay discusses Tacitus' career, the period about which he wrote, the nature of historical writing in the Roman world, and the principles of translation which have shaped this rendering. No other translation captures more successfully the flavor, nuance, and power of Tacitus' greatest work.
This edition includes extensive notes; suggestions for further reading; appendices explaining political and military terms, and geographical and topographical names; imperial family trees; maps; and an index.
The current printing of the 2004 edition includes corrections and revisions made in 2008.
The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
William Shakespeare's As You Like It, the incredible story about love, rebellion, and generosity, now presented by the Folger Shakespeare Library with valuable new tools for educators and dynamic new covers. Readers and audiences have long greeted As You Like It with delight. Its characters are brilliant conversationalists, including the princesses Rosalind and Celia and their Fool, Touchstone. Soon after Rosalind and Orlando meet and fall in love, the princesses and Touchstone go into exile in the Forest of Arden, where they find new conversational partners. Duke Frederick, younger brother to Duke Senior, has overthrown his brother and forced him to live homeless in the forest with his courtiers, including the cynical Jaques. Orlando, whose older brother Oliver plotted his death, has fled there, too. The authoritative edition of As You Like It from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -The exact text of the printed book for easy cross-reference -Hundreds of hypertext links for instant navigation -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently linked to the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading -An essay by a leading Shakespeare expert
This wisely funny comedy, which contains some of Shakespeare's loveliest poetry, contrasts a country's world of envy and rivalry with a forest's world of compassion and harmony. In the Forest of Arden, the banished young heroine, Rosalind, disguised as a gentleman farmer, encounters an extraordinary assemblage of characters, including a fool, a malcontent traveler, her own banished father, and the banished young man she loves. Romantic happiness triumphs, even as we laugh at the excesses of love, at the ways of court and countryside, indeed, at everything, in this masterpiece of comic writing,
Second edition, completely revised, of the only English translation of Kepler's 1609 masterpiece. A work of astonishing originality, Astronomia Nova stands, with Copernicus's De Revolutionibus and Newton's Principia as one of the founding texts of the scientific revolution. Kepler revolutionized astronomy by insisting that it be based upon physics rather than ideal geometrical models.
Johannes Kepler wrote Astronomia Nova (1609) in a singleminded drive to sweep away the ancient and medieval clutter of spheres and orbs and to establish a new truth in astronomy, based on physical causality. Thus a good part of the book is given over to a nontechnical discussion of how planets can be made to move through space by physical forces. This is the theme of the readings in the present module. The selection includes Kepler's Introduction as well as a selection of chapters that develop the physics of planetary motion. In these ground-breaking chapters, the true Kepler emerges, not as a speculative mystic or a number-crunching drudge, but as a first-rate scientific thinker with a wonderfully engaging narrative style.
Robert D. Sacks has rendered the bold and vivid poetic imagery of the Hebrew original in English prose that is equally bold and equally vivid--while remaining solidly grounded in the nuances of meaning and diversity of resonances present in the Hebrew text. The result is a translation often startling in its power and insight, opening the way to a deeper undertanding of this profound and unsettling book. Numerous notes provide enlightening but unobtrusive explanation of many of the translator's choices. In a separate chapter-by-chapter commentary, Sacks offers sustained original reflection on the several characters, their intentions, and their core beliefs.
Lively, absorbing, often outrageously funny, Chaucer's "The Canterbury Tales" is a work of genius, an undisputed classic that has held a special appeal for each generation of readers. "The Canterbury Tales" gather twenty-nine of literature's most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble plowman. A graceful modren translation facing each page of the text allows the contemporary reader to enjoy the fast pace of these selections from "The Canterbury Tales" with the poetry of the Middle English original always at first hand.
One of the greatest and most ambitious works in English literature, in the original Middle English The Canterbury Tales depicts a storytelling competition between pilgrims drawn from all ranks of society. The tales are as various as the pilgrims themselves, encompassing comedy, pathos, tragedy, and cynicism. The Miller and the Reeve express their mutual antagonism in a pair of comic stories combining sex and trickery; in "The Shipman's Tale," a wife sells her favors to a monk. Others draw on courtly romance and fantasy: the Knight tells of rivals competing for the love of the same woman, and the Squire describes a princess who can speak to birds. In these twenty-four tales, Chaucer displays a dazzling range of literary styles and conjures up a wonderfully vivid picture of medieval life. This is a freshly established Middle English text with standardized spelling and punctuation and on-page glossing. It Features an introduction by Jill Mann, a chronology of Chaucer's life and works, detailed explanatory notes, suggestions for further reading, a full glossary, and a bibliography. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Lively, absorbing, often outrageously funny, Chaucer's "The Canterbury Tales" is a work of genius, an undisputed classic that has held a special appeal for each generation of readers. "The Canterbury Tales" gather twenty-nine of literature's most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble plowman. A graceful modren translation facing each page of the text allows the contemporary reader to enjoy the fast pace of these selections from "The Canterbury Tales" with the poetry of the Middle English original always at first hand.
This new translation of Montaigne's immortal Essays received great acclaim when it was first published in The Complete Works of Montaigne in the 1957 edition. The New York Times said, "It is a matter for rejoicing that we now have available a new translation that offers definite advantages over even the best of its predecessors," and The New Republic stated that this edition gives "a more adequate idea of Montaigne's manner, his straight and unpretentious style, than any of the half-dozen previous English translations."
In his Essays Montaigne warns us from the outset that he has set himself "no goal but a domestic and private one"; yet he is one author whose modernity and universality have been acclaimed by each age since he wrote. Probing into his emotions, attitudes, and behavior, Montaigne reveals to us much about ourselves.
As new editions of the Essays were published during his lifetime, Montaigne interpolated many new passages-often of considerable length. This volume indicates the strata of composition, so that the reader may follow the development of Montaigne's thought over the years. The detailed index provides a convenient means of locating the many famous passages that occur throughout the work.
In 1572 Montaigne retired from public life and began the reading and writing which were to develop into "assays" of his thoughts and opinions. Nobody in Western civilization had ever tried to do what Montaigne set out to do. In a vivid, contemporary style he surprises us with entertaining quotations; he moves swiftly from thought to thought, often digressing from an idea only to return to it triumphantly, having caught up with it elsewhere, and in so doing leads the reader along the criss-cross paths of a journey of discovery. Montaigne set out to discover himself. What he discovered instead was the human race.
In his own day the dominant personality of the Western Church, Augustine of Hippo today stands as perhaps the greatest thinker of Christian antiquity, and his Confessions is one of the great works of Western literature. In this intensely personal narrative, Augustine relates his rare ascent from a humble Algerian farm to the edge of the corridors of power at the imperial court in Milan, his struggle against the domination of his sexual nature, his renunciation of secular ambition and marriage, and the recovery of the faith his mother Monica had taught him during his childhood. Now, Henry Chadwick, an eminent scholar of early Christianity, has given us the first new English translation in thirty years of this classic spiritual journey. Chadwick renders the details of Augustine's conversion in clear, modern English. We witness the future saint's fascination with astrology and with the Manichees, and then follow him through scepticism and disillusion with pagan myths until he finally reaches Christian faith. There are brilliant philosophical musings about Platonism and the nature of God, and touching portraits of Augustine's beloved mother, of St. Ambrose of Milan, and of other early Christians like Victorinus, who gave up a distinguished career as a rhetorician to adopt the orthodox faith. Augustine's concerns are often strikingly contemporary, yet his work contains many references and allusions that are easily understood only with background information about the ancient social and intellectual setting. To make The Confessions accessible to contemporary readers, Chadwick provides the most complete and informative notes of any recent translation, and includes an introduction to establish the context. The religious and philosophical value of The Confessions is unquestionable--now modern readers will have easier access to St. Augustine's deeply personal meditations. Chadwick's lucid translation and helpful introduction clear the way for a new experience of this classic. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
Garry Wills is an exceptionally gifted translator and one of our best writers on religion today. His bestselling translations of individual chapters of Saint Augustine's Confessions have received widespread and glowing reviews. Now for the first time, Wills's translation of the entire work is being published as a Penguin Classics Deluxe Edition. Removed by time and place but not by spiritual relevance, Augustine's Confessions continues to influence contemporary religion, language, and thought. Reading with fresh, keen eyes, Wills brings his superb gifts of analysis and insight to this ambitious translation of the entire book.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A single volume that replaces the previous two-volume edition, Conics Books I-III and Conics Book IV, both by Apollonius of Perga.
This edition contains Donald Cress's completely revised translation of the Meditations (from the corrected Latin edition) and recent corrections to Discourse on Method, bringing this version even closer to Descartes's original, while maintaining the clear and accessible style of a classic teaching edition.
Is it possible to be certain of anything? If so, how? The father of modern philosophy and the founder of rational method in philosophical thought, René Descartes (1596-1650) sought the answers to these questions and in doing so, addressed the most important of methods of thinking and understanding truth. In Discourse on Method, he applies a scientific approach to philosophy that comprises four principles: to accept only what reason recognizes as "clear and distinct"; to analyze complex ideas by dividing them into smaller elements; to reconstruct the ideas; and to make accurate and complete enumerations of the data. His Meditations proceed according to this method, exploring the mind/body distinction, the nature of truth and error, the existence of God, and the essence of material things.
This is an English translation of Descartes' seminal discourse, with an original essay by Richard Kennington. This text is designed to provide the student with a close translation, notes, and a glossary of key terms, facilitating access to ideas as they originally were presented and helping to make the translator's work transparent.
Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Decartes' immediate audience.
The Focus Philosophical Library publishes clear, faithful editions enabling access for modern students to the essential ideas and wisdom of the world's greatest thinkers.
By far the most widely used translation in North American college classrooms, Donald A. Cress's translation from the French of the Adam and Tannery critical edition is prized for its accuracy, elegance, and economy. The translation featured in the Third Edition has been thoroughly revised from the 1979 First Edition and includes page references to the critical edition for ease of comparison.
For centuries, Stoicism was virtually the unofficial religion of the Roman world The stress on endurance, self-restraint, and power of the will to withstand calamity can often seem coldhearted. It is Epictetus, a lame former slave exiled by Emperor Domitian, who offers by far the most precise and humane version of Stoic ideals. The Discourses, assembled by his pupil Arrian, catch him in action, publicly setting out his views on ethical dilemmas. Committed to communicating with the broadest possible audience, Epictetus uses humor, imagery conversations and homely comparisons to put his message across. The results are perfect universal justice and calm indifference in the face of pain. The most comprehensive edition available with an introduction, notes, selected criticism, glossary, and chronology of Epictetus' life and times.
'About things that are within our power and those that are not.' Epictetus' Discourses have been the most widely read and influential of all writings of Stoic philosophy, from antiquity onwards. They set out the core ethical principles of Stoicism in a form designed to help people put them into practice and to use them as a basis for leading a good human life. Epictetus was a teacher, and a freed slave, whose discourses have a vivid informality, animated by anecdotes and dialogue. Forceful, direct, and challenging, their central message is that the basis of happiness is up to us, and that we all have the capacity, through sustained reflection and hard work, of achieving this goal. They still speak eloquently to modern readers seeking meaning in their own lives. This is the only complete modern translation of the Discourses, together with the Handbook or manual of key themes, and surviving fragments. Robin Hard's accurate and accessible translation is accompanied by Christopher Gill's full introduction and comprehensive notes. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
The authoritative translations of The Inferno, The Purgatorio, and The Paradiso--together in one volume. Belonging in the immortal company of the great works of literature, Dante Alighieri's poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise--the sphere of universal harmony and eternal salvation. Now, for the first time, John Ciardi's brilliant and authoritative translations of Dante's three soaring canticles--The Inferno, The Purgatorio, and The Paradiso--have been gathered together in a single volume. Crystallizing the power and beauty inherent in the great poet's immortal conception of the aspiring soul, The Divine Comedy is a dazzling work of sublime truth and mystical intensity.
This is the complete orchestral and vocal score of Mozart's Don Giovanni, considered by many to be the greatest opera ever written. This edition contains all the music Mozart wrote for Don Giovanni, both for the original version performed in Prague (1787) and the alterations―Don Ottavio's aria "Dalla sua pace," Elvira's aria (and its transposition to D Major) "Mi tradì quell'alma ingrata," Zerlina and Leporello's duet "Per queste tue manine," the cut in the finale ― made for the first Viennese performance six months later, as well as the concert ending of the overture.
The editors, Georg Schünemann and Kurt Soldan, worked directly from Mozart's autograph manuscript and from early copies made under Mozart's supervision, correcting many errors that had persisted since Mozart's time. An extensive commentary lists all vague or controversial elements the editors encountered in the score. In addition the complete Italian libretto and stage directions by Lorenzo Da Ponte and a German translation of the vocal text by Georg Schünemann have also been included.
Do not confuse this with a piano rendering; it is the full orchestral score. In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to the music. In no other manner can the listener or student keep full awareness of the many elements that make up this opera.
The editors, Georg Schünemann and Kurt Soldan, worked directly from Mozart's autograph manuscript and from early copies made under Mozart's supervision, correcting many errors that had persisted since Mozart's time. An extensive commentary lists all vague or controversial elements the editors encountered in the score. In addition the complete Italian libretto and stage directions by Lorenzo Da Ponte and a German translation of the vocal text by Georg Schünemann have also been included.
Do not confuse this with a piano rendering; it is the full orchestral score. In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to the music. In no other manner can the listener or student keep full awareness of the many elements that make up this opera.