The collection of books for Sophomore year.
Photocopies, manuals, and lab materials are available for students and faculty only. If you are not enrolled in a class and attempt to purchase these materials, they will be cancelled and the funds will be returned to your credit card.
Banner Message
Please note: Due to the renovations happening to the Pritzker building, the bookstore is in a temporary location without full access to the inventory. There might be items that appear online that are not currently accesible to us to ship to you. If you order these items, you will be refunded and the rest of your order will ship. Feel free to contact us with any questions.
Sophomore Year
A powerful and poignant translation of Vergil's epic poem, newly equipped with introduction and notes "Ruden set the bar for Aeneid translations in 2008, and has raised it now with this revision. I am confident it will be a long time before a translator exceeds the standard that she has set."--A. M. Juster, Athenaeum Review This is a substantial revision of Sarah Ruden's celebrated 2008 translation of Vergil's Aeneid, which was acclaimed by Garry Wills as "the first translation since Dryden's that can be read as a great English poem in itself." Ruden's line-for-line translation in iambic pentameter is an astonishing feat, unique among modern translations. Her revisions to the translation render the poetry more spare and muscular than her previous version and capture even more closely the essence of Vergil's poem, which pits national destiny against the fates of individuals, and which resonates deeply in our own time. This distinguished translation, now equipped with introduction, notes, and glossary by leading Vergil scholar Susanna Braund, allows modern readers to experience for themselves the timeless power of Vergil's masterpiece.
From the award-winning translator of The Iliad and The Odyssey comes a brilliant new translation of Virgil's great epic Fleeing the ashes of Troy, Aeneas, Achilles' mighty foe in the Iliad, begins an incredible journey to fulfill his destiny as the founder of Rome. His voyage will take him through stormy seas, entangle him in a tragic love affair, and lure him into the world of the dead itself--all the way tormented by the vengeful Juno, Queen of the Gods. Ultimately, he reaches the promised land of Italy where, after bloody battles and with high hopes, he founds what will become the Roman empire. An unsparing portrait of a man caught between love, duty, and fate, the Aeneid redefines passion, nobility, and courage for our times. Robert Fagles, whose acclaimed translations of Homer's Iliad and Odyssey were welcomed as major publishing events, brings the Aeneid to a new generation of readers, retaining all of the gravitas and humanity of the original Latin as well as its powerful blend of poetry and myth. Featuring an illuminating introduction to Virgil's world by esteemed scholar Bernard Knox, this volume lends a vibrant new voice to one of the seminal literary achievements of the ancient world.
"Fitzgerald's [translation] is so decisively the best modern Aeneid that it is unthinkable that anyone will want to use any other version for a long time to come." --New York Review of Books Virgil's great epic transforms the Homeric tradition into a triumphal statement of the Roman civilizing mission--translated by Robert Fitzgerald.
Aeneas flees the ashes of Troy to found the city of Rome and change forever the course of the Western world--as literature as well. Virgil's Aeneid is as eternal as Rome itself, a sweeping epic of arms and heroism--the searching portrait of a man caught between love and duty, human feeling and the force of fate--that has influenced writers for over 2,000 years. Filled with drama, passion, and the universal pathos that only a masterpiece can express. The Aeneid is a book for all the time and all people.
This volume represents the most ambitious project of distinguished poet David Ferry's life: a complete translation of Virgil's Aeneid. Ferry has long been known as the foremost contemporary translator of Latin poetry, and his translations of Virgil's Eclogues and Georgics have become standards. He brings to the Aeneid the same genius, rendering Virgil's formal, metrical lines into an English that is familiar, all while surrendering none of the poem's original feel of the ancient world. In Ferry's hands, the Aeneid becomes once more a lively, dramatic poem of daring and adventure, of love and loss, devotion and death. The paperback and e-book editions include a new introduction by Richard F. Thomas, along with a new glossary of names that makes the book even more accessible for students and for general readers coming to the Aeneid for the first time who may need help acclimating to Virgil's world.
Sophocles' Ajax is one of the most disturbing and powerful
surviving ancient tragedies. But it is also difficult to understand and
interpret. What are we to make of its protagonist's extremism? Does Ajax
deserve the isolation and divine punishment he experiences? Why is his
state of mind so difficult to determine? Dr Hesk offers answers to these
and many other questions by drawing together the very latest critical
work on the play and introducing the reader to key frames for its
interpretation, including Sophoclean heroism, language and form; Homeric
intertextuality and Athens' 'masculinist' culture, and the
twentieth-century reception of Ajax.
His last work, regarded by many as the greatest work of contemporary scholarship, Tacitus' The Annals of Imperial Rome recount with depth and insight the history of the Roman Empire during the first century A.D. This Penguin Classics edition is translated with an introduction by Michael Grant. Tacitus' Annals of Imperial Rome recount the major historical events from the years shortly before the death of Augustus up to the death of Nero in AD 68. With clarity and vivid intensity he describes the reign of terror under the corrupt Tiberius, the great fire of Rome during the time of Nero, and the wars, poisonings, scandals, conspiracies and murders that were part of imperial life. Despite his claim that the Annals were written objectively, Tacitus' account is sharply critical of the emperors' excesses and fearful for the future of Imperial Rome, while also filled with a longing for its past glories. Michael Grant's translation vividly captures the emotional patriotism of Tacitus' moral tone, offset by a lucid understanding that Rome is doomed, and conveys with cinematic vigour the lives of the great Emperors who laid the foundations of modern Europe. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Here is a lively new translation of Cornelius Tacitus' timeless history of three of Rome's most memorable emperors. Tacitus, who condemns the depravity of these rulers, which he saw as proof of the corrupting force of absolute power, writes caustically of the brutal and lecherous Tiberius, the weak and cuckolded Claudius, and "the artist" Nero. In particular, his gripping account of the bloody reigns of Tiberius and Nero brims with plots, murder, poisoning, suicide, uprisings, death, and destruction. The Annals also provides a vivid account of the violent suppression of the revolt led by Boudicca in Britain, the great fire of Rome under Nero, and the subsequent bloody persecution of the Christians. J. C. Yardley's translation is vivid without sacrificing accuracy, and is based on the recent Latin Heubner text, with variations noted in an appendix. Anthony A. Barrett's introduction and notes provide invaluable historical and cultural context. This superb edition also includes maps, a glossary of Roman terms and place names, and a full index of names and places. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
A compelling new translation of a vital account of Roman history With clarity and vivid intensity, Tacitus's Annals recounts the pivotal events in Roman history from the years shortly before the death of Augustus to the death of Nero in 68 AD, including the reign of terror under the corrupt Tiberius, the great fire of Rome during the time of Nero, and the wars, poisonings, scandals, conspiracies, and murders that were part of imperial life. Despite Tacitus's claim that they were written objectively, the Annals is sharply critical of the emperors' excesses and fearful for the future of imperial Rome, while also filled with a longing for its past glories. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberredemonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania
The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
William Shakespeare's As You Like It, the incredible story about love, rebellion, and generosity, now presented by the Folger Shakespeare Library with valuable new tools for educators and dynamic new covers. Readers and audiences have long greeted As You Like It with delight. Its characters are brilliant conversationalists, including the princesses Rosalind and Celia and their Fool, Touchstone. Soon after Rosalind and Orlando meet and fall in love, the princesses and Touchstone go into exile in the Forest of Arden, where they find new conversational partners. Duke Frederick, younger brother to Duke Senior, has overthrown his brother and forced him to live homeless in the forest with his courtiers, including the cynical Jaques. Orlando, whose older brother Oliver plotted his death, has fled there, too. The authoritative edition of As You Like It from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -The exact text of the printed book for easy cross-reference
-Hundreds of hypertext links for instant navigation
-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently linked to the text of the play
-Scene-by-scene plot summaries
-A key to the play's famous lines and phrases
-An introduction to reading Shakespeare's language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library's vast holdings of rare books
-An annotated guide to further reading
-An essay by a leading Shakespeare expert
-Hundreds of hypertext links for instant navigation
-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently linked to the text of the play
-Scene-by-scene plot summaries
-A key to the play's famous lines and phrases
-An introduction to reading Shakespeare's language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library's vast holdings of rare books
-An annotated guide to further reading
-An essay by a leading Shakespeare expert
This wisely funny comedy, which contains some of Shakespeare's loveliest poetry, contrasts a country's world of envy and rivalry with a forest's world of compassion and harmony. In the Forest of Arden, the banished young heroine, Rosalind, disguised as a gentleman farmer, encounters an extraordinary assemblage of characters, including a fool, a malcontent traveler, her own banished father, and the banished young man she loves. Romantic happiness triumphs, even as we laugh at the excesses of love, at the ways of court and countryside, indeed, at everything, in this masterpiece of comic writing,
Johannes Kepler wrote Astronomia Nova (1609) in a singleminded drive to sweep away the ancient and medieval clutter of spheres and orbs and to establish a new truth in astronomy, based on physical causality. Thus a good part of the book is given over to a nontechnical discussion of how planets can be made to move through space by physical forces. This is the theme of the readings in the present module. The selection includes Kepler's Introduction as well as a selection of chapters that develop the physics of planetary motion. In these ground-breaking chapters, the true Kepler emerges, not as a speculative mystic or a number-crunching drudge, but as a first-rate scientific thinker with a wonderfully engaging narrative style.
Robert D. Sacks has rendered the bold and vivid poetic imagery of the Hebrew original in English prose that is equally bold and equally
vivid--while remaining solidly grounded in the nuances of meaning and
diversity of resonances present in the Hebrew text.
The result is a translation often startling in its power and insight, opening
the way to a deeper undertanding of this profound and unsettling book.
Numerous notes provide enlightening but unobtrusive explanation of many
of the translator's choices. In a separate chapter-by-chapter commentary,
Sacks offers sustained original reflection on the several characters, their
intentions, and their core beliefs.
vivid--while remaining solidly grounded in the nuances of meaning and
diversity of resonances present in the Hebrew text.
The result is a translation often startling in its power and insight, opening
the way to a deeper undertanding of this profound and unsettling book.
Numerous notes provide enlightening but unobtrusive explanation of many
of the translator's choices. In a separate chapter-by-chapter commentary,
Sacks offers sustained original reflection on the several characters, their
intentions, and their core beliefs.
A cornerstone of the scriptural canon, the Book of Psalms has been a source of solace and joy for countless readers over millennia. This timeless poetry is beautifully wrought by a scholar whose translation of the Five Books of Moses was hailed as a "godsend" by Seamus Heaney and a "masterpiece" by Robert Fagles. Alter's The Book of Psalms captures the simplicity, the physicality, and the coiled rhythmic power of the Hebrew, restoring the remarkable eloquence of these ancient poems. His learned and insightful commentary illuminates the obscurities of the text.
Lively, absorbing, often outrageously funny, Chaucer's "The Canterbury Tales" is a work of genius, an undisputed classic that has held a special appeal for each generation of readers. "The Canterbury Tales" gather twenty-nine of literature's most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble plowman. A graceful modren translation facing each page of the text allows the contemporary reader to enjoy the fast pace of these selections from "The Canterbury Tales" with the poetry of the Middle English original always at first hand.
One of the greatest and most ambitious works in English literature, in the original Middle English The Canterbury Tales depicts a storytelling competition between pilgrims drawn from all ranks of society. The tales are as various as the pilgrims themselves, encompassing comedy, pathos, tragedy, and cynicism. The Miller and the Reeve express their mutual antagonism in a pair of comic stories combining sex and trickery; in "The Shipman's Tale," a wife sells her favors to a monk. Others draw on courtly romance and fantasy: the Knight tells of rivals competing for the love of the same woman, and the Squire describes a princess who can speak to birds. In these twenty-four tales, Chaucer displays a dazzling range of literary styles and conjures up a wonderfully vivid picture of medieval life. This is a freshly established Middle English text with standardized spelling and punctuation and on-page glossing. It Features an introduction by Jill Mann, a chronology of Chaucer's life and works, detailed explanatory notes, suggestions for further reading, a full glossary, and a bibliography. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Lively, absorbing, often outrageously funny, Chaucer's "The Canterbury Tales" is a work of genius, an undisputed classic that has held a special appeal for each generation of readers. "The Canterbury Tales" gather twenty-nine of literature's most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble plowman. A graceful modren translation facing each page of the text allows the contemporary reader to enjoy the fast pace of these selections from "The Canterbury Tales" with the poetry of the Middle English original always at first hand.
In 1572 Montaigne retired from public life and began the reading and writing which were to develop into "assays" of his thoughts and opinions. Nobody in Western civilization had ever tried to do what Montaigne set out to do. In a vivid, contemporary style he surprises us with entertaining quotations; he moves swiftly from thought to thought, often digressing from an idea only to return to it triumphantly, having caught up with it elsewhere, and in so doing leads the reader along the criss-cross paths of a journey of discovery. Montaigne set out to discover himself. What he discovered instead was the human race.
A stunning collector's hardcover edition of Michel de Montaigne, the father of the essay. Translated by Donald M. Frame with an Introduction by Stuart Hampshire. Humanist, skeptic, acute observer of himself and others, Michel de Montaigne (1533-92) was the first to use the term "essay" to refer to the form he pioneered, and he has remained one of its most famous practitioners. He reflected on the great themes of existence in his wise and engaging writings, his subjects ranging from proper conversation and good reading, to the raising of children and the endurance of pain, from solitude, destiny, time, and custom, to truth, consciousness, and death. Having stood the test of time, his essays continue to influence writers nearly five hundred years later. Also included in this complete edition of his works are Montaigne's letters and his travel journal, fascinating records of the experiences and contemplations that would shape and infuse his essays. Montaigne speaks to us always in a personal voice in which his virtues of tolerance, moderation, and understanding are dazzlingly manifest. Donald M. Frame's masterful translation is widely acknowledged to be the classic English version. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman's Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
"God is our home but many of us have strayed from our native land.
The venerable authors of these Spiritual Classics are expert guides--
may we follow their directions home." --Archbishop Desmond Tutu Writing in the last years of the fourth century a.d., Saint Augustine of Hippo created what is at once the first true autobiography in Western literature and among the most sophisticated yet accessible theological arguments in the history of Christianity. With extraordinary candor and psychological acumen, Augustine recounts his passage from a life of sensuality, Manichaean superstition, and empty careerism to a genuine spiritual awakening, and he articulates views on marriage, morality, and faith that have shaped our discourse ever since. The Confessions allows us to appreciate both the startling modernity of Augustine's insights and the imperishable poetry of his voice. With a new Preface by MacArthur Fellow Patricia Hampl,
author of Virgin Time and A Romantic Education. In the annals of spirituality, certain books stand out both for their historical importance and for their continued relevance. The Vintage Spiritual Classics series offers the greatest of these works in authoritative new editions, with specially commissioned essays by noted contemporary commentators. Filled with eloquence and fresh insight, encouragement and solace, Vintage Spiritual Classics are incomparable resources for all readers who seek a more substantive understanding of mankind's relation to the divine.
The venerable authors of these Spiritual Classics are expert guides--
may we follow their directions home." --Archbishop Desmond Tutu Writing in the last years of the fourth century a.d., Saint Augustine of Hippo created what is at once the first true autobiography in Western literature and among the most sophisticated yet accessible theological arguments in the history of Christianity. With extraordinary candor and psychological acumen, Augustine recounts his passage from a life of sensuality, Manichaean superstition, and empty careerism to a genuine spiritual awakening, and he articulates views on marriage, morality, and faith that have shaped our discourse ever since. The Confessions allows us to appreciate both the startling modernity of Augustine's insights and the imperishable poetry of his voice. With a new Preface by MacArthur Fellow Patricia Hampl,
author of Virgin Time and A Romantic Education. In the annals of spirituality, certain books stand out both for their historical importance and for their continued relevance. The Vintage Spiritual Classics series offers the greatest of these works in authoritative new editions, with specially commissioned essays by noted contemporary commentators. Filled with eloquence and fresh insight, encouragement and solace, Vintage Spiritual Classics are incomparable resources for all readers who seek a more substantive understanding of mankind's relation to the divine.
In his own day the dominant personality of the Western Church, Augustine of Hippo today stands as perhaps the greatest thinker of Christian antiquity, and his Confessions is one of the great works of Western literature. In this intensely personal narrative, Augustine relates his rare ascent from a humble Algerian farm to the edge of the corridors of power at the imperial court in Milan, his struggle against the domination of his sexual nature, his renunciation of secular ambition and marriage, and the recovery of the faith his mother Monica had taught him during his childhood. Now, Henry Chadwick, an eminent scholar of early Christianity, has given us the first new English translation in thirty years of this classic spiritual journey. Chadwick renders the details of Augustine's conversion in clear, modern English. We witness the future saint's fascination with astrology and with the Manichees, and then follow him through scepticism and disillusion with pagan myths until he finally reaches Christian faith. There are brilliant philosophical musings about Platonism and the nature of God, and touching portraits of Augustine's beloved mother, of St. Ambrose of Milan, and of other early Christians like Victorinus, who gave up a distinguished career as a rhetorician to adopt the orthodox faith. Augustine's concerns are often strikingly contemporary, yet his work contains many references and allusions that are easily understood only with background information about the ancient social and intellectual setting. To make The Confessions accessible to contemporary readers, Chadwick provides the most complete and informative notes of any recent translation, and includes an introduction to establish the context. The religious and philosophical value of The Confessions is unquestionable--now modern readers will have easier access to St. Augustine's deeply personal meditations. Chadwick's lucid translation and helpful introduction clear the way for a new experience of this classic. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
No modern, well-versed literature lover can call her education complete without having read Augustine's Confessions. One of the most original works of world literature, it is the first autobiography ever written, influencing writers from Montaigne to Rousseau, Virginia Woolf to Gertrude Stein--and most recently informing Stephen Greenblatt's provocative thesis about one of our foundational mythologies in The Rise and Fall of Adam and Eve. It is here that we learn how one of the greatest saints in Christendom overcame a wild and reckless past, complete with a rambunctious posse of friends, an overly doting mother, and an affair that produced a "bastard" child. Yet English translators have long emphasized the ecclesiastical virtues of Augustine's masterpiece, often at the expense of its passion and literary vigor. Restoring the lyricism of Augustine's original language, Peter Constantine offers a masterful and elegant rendering of Confessions in what will be a classic for decades to come.
One of the great works of Western literature, from perhaps the most important thinker of Christian antiquity, in a revolutionary new translation by one of today's leading classicists Sarah Ruden's fresh, dynamic translation of Confessions brings us closer to Augustine's intent than any previous version. It puts a glaring spotlight on the life of one individual to show how all lives have meaning that is universal and eternal. In this intensely personal narrative, Augustine tells the story of his sinful youth and his conversion to Christianity. He describes his ascent from a humble farm in North Africa to a prestigious post in the Roman Imperial capital of Milan, his struggle against his own overpowering sexuality, his renunciation of secular ambition and marriage, and the recovery of the faith his mother had taught him during his earliest years. Augustine's concerns are often strikingly contemporary, and the confessional mode he invented can be seen everywhere in writing today. Grounded in her command of Latin as it was written and spoken in the ancient world, Sarah Ruden's translation is a bold departure from its predecessors--and the most historically accurate translation ever. Stylistically beautiful, with no concessions made to suit later theology and ritual, Ruden's rendition will give readers a startling and illuminating new perspective on one of the central texts of Christianity. Praise for Confessions "[Ruden] has clearly thought deeply about what Augustine was trying to say."--The Wall Street Journal "A translation of [Augustine's] masterwork that does justice both to him and to his God . . . Repeated small acts of attention to the humble, human roots of Augustine's imagery of his relations to God enable Ruden to convey a living sense of the Being before Whom we find him transfixed in prayer: 'Silent, long-suffering and with so much mercy in your heart.'"--The New York Review of Books "Delightfully readable . . . In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew. . . . Approaching her subject with deep religious and historical knowledge, [Ruden] chooses to translate Augustine as a performative, engaging storyteller rather than a systematic theologian."--Publishers Weekly (starred review) "Ruden's translation makes Augustine's ancient text accessible to a new generation of readers with a real taste of the original Latin."--Library Journal "[Ruden's] record as a translator of ancient texts . . . clearly establishes her considerable talent."--Christianity Today
"Williams's masterful translation satisfies (at last!) a long-standing need. There are lots of good translations of Augustine's great work, but until now we have been forced to choose between those that strive to replicate in English something of the majesty and beauty of Augustine's Latin style and those that opt instead to convey the careful precision of his philosophical terminology and argumentation. Finally, Williams has succeeded in capturing both sides of Augustine's mind in a richly evocative, impeccably reliable, elegantly readable presentation of one of the most impressive achievements in Western thought--Augustine's Confessions."
--Scott MacDonald, Professor of Philosophy and Norma K. Regan Professor in Christian Studies, Cornell University
--Scott MacDonald, Professor of Philosophy and Norma K. Regan Professor in Christian Studies, Cornell University
Garry Wills is an exceptionally gifted translator and one of our best writers on religion today. His bestselling translations of individual chapters of Saint Augustine's Confessions have received widespread and glowing reviews. Now for the first time, Wills's translation of the entire work is being published as a Penguin Classics Deluxe Edition. Removed by time and place but not by spiritual relevance, Augustine's Confessions continues to influence contemporary religion, language, and thought. Reading with fresh, keen eyes, Wills brings his superb gifts of analysis and insight to this ambitious translation of the entire book.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A single volume that replaces the previous two-volume edition, Conics Books I-III and Conics Book IV, both by Apollonius of Perga.