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Senior Seminar, Second Semester
An essential collection of classic stories that established Flannery O'Connor's reputation as an American master of fiction--now with a new introduction by New York Times bestselling author Lauren Groff In 1955, with the title story and others in this critical edition, Flannery O'Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a tradition of moral fiction that would become synonymous with her name, these stories show O'Connor's unique view of life--infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation. These classic works of darkly humorous fiction--including "The Life You Save May Be Your Own," "Good Country People," and "The Displaced Person," among others, are sure to inspire future generations of fans and remind existing readers why she remains a master of the short story.
"Bartleby" (also known as "Bartleby the Scrivener") is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal.
"Benito Cereno," considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable.
Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.
"One of the most profound thinkers of the 20th century." -- New York Times
The finest single-volume anthology of the great philosopher's work, with a new introduction by leading Heidegger scholar Taylor Carman
Basic Writings is the finest single-volume anthology of the work of Martin Heidegger, widely considered one of the most important modern philosophers. Its selections offer a full range of the influential author's writings--including "The Origin of the Work of Art," the introduction to Being and Time, "What Is Metaphysics?," "Letter on Humanism," "The Question Concerning Technology," "The Way to Language," and "The End of Philosophy." This essential collection provides readers with a concise introduction to the groundbreaking philosophy of this brilliant and essential thinker.
Though best-known for his epic masterpiece Moby-Dick, Herman Melville also left a body of short stories arguably unmatched in American fiction. In the sorrowful tragedy of Billy Budd, Sailor; the controlled rage of Benito Cereno; and the tantalizing enigma of Bartleby, the Scrivener; Melville reveals himself as a singular storyteller of tremendous range and compelling power. In these stories, Melville cuts to the heart of race, class, capitalism, and globalism in America, deftly navigating political and social issues that resonate as clearly in our time as they did in Melville's. Also including The Piazza Tales in full, this collection demonstrates why Melville stands not only among the greatest writers of the nineteenth century, but also as one of our greatest contemporaries. This Penguin Classics edition features the Reading Text of Billy Budd, Sailor, as edited from a genetic study of the manuscript by Harrison Hayford and Merton M. Sealts, Jr., and the authoritative Northwestern-Newberry text of The Piazza Tales. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Winner of the Pen/Book-of-the-Month Club Translation Prize
The award-winning translation of Fyodor Dostoevsky's classic novel of psychological realism.
"Contexts" presents a wealth of background and source materials relating to The Brothers Karamazov, to Dostoevsky's own experiences, to current events, and to observations on a changing society. Included are the correspondence of influential literary and social critic Vissarion Grigorievich Belinksy and the author's letters spanning three decades as well as a selection from Dostoevsky's Diary of a Writer in which readers may trace the origins of this novel.
"Criticism" offers a wide range of scholarly commentary on The Brothers Karamazov from American, Russian, and European authors, eleven of them new to the Second Edition and two of them appearing in English for the first time. Contributors include Ralph Matlaw, Valentina Vetlovskaia, Seamas O'Driscoll, William Mills Todd, Vladimir Kantor, Edward Wasiolek, Nathan Rosen, Roger B. Anderson, Robin Feuer Miller, Horst-Jürgen Gerigk, Vladimir Golstein, Robert L. Belknap, Ulrich Schmid, and Gary Saul Morson.
A Chronology of Dostoevsky's life and work and a Selected Bibliography are also included.
Dostoevsky's final, greatest novel, The Brothers Karamazov, paints a complex and richly detailed portrait of a family tormented by its extraordinarily cruel patriarch, Fyodor Pavlovich, whose callous decisions slowly decimate the lives of his sons--the eponymous brothers Karamazov--and lead to his violent murder. In the aftermath of the killing, the brothers contend with dilemmas of honor, faith, and reason as the community closes in on the murderer in their midst. Acclaimed translator Michael R. Katz renders this masterpiece's nuanced and evocative storytelling in a vibrant, signature prose style that captures all the power of Dostoevsky's original--the clever humor, the rich emotion, the passion and the turmoil--and that will captivate and unsettle a new generation of readers.
Introduction by John Banville
James Joyce was the singular figure of modernism, and to this day his grand vision looms large over contemporary literature and the entire Western canon. His stylistic innovations were revolutionary, yet nowhere is Joyce more accessible than in this volume of short stories, a brilliant collection that celebrates, critiques, and immortalizes the place that Joyce knew better than anyone else: Dublin. From the young boy encountering death in the opening story, "The Sisters," to the middle-aged protagonist of its haunting finale, "The Dead," considered one of the greatest short stories of all time, Dubliners is a vivid portrait of the city in all its glory and hardship, and a seminal work that redefined the short form. Featuring a new Introduction by acclaimed novelist John Banville, this edition is not only a breathless portal into Joyce's "dear dirty Dublin" but a vital literary treasure from one of the great masters of all time.
This volume contains, complete and unabridged, the Address Before the Young Men's Lyceum of Springfield, Illinois (1838), which emphasized a theme Lincoln was to return to repeatedly, namely, the capacity of a people to govern themselves; the "House Divided" speech at the Republican State Convention in Illinois (1858); the First Inaugural Address (1861), in which he appealed to the people of an already divided union for sectional harmony; the Gettysburg Address (1863), a speech delivered at ceremonies dedicating a part of the Gettysburg battlefield as a cemetery; the Letter to Mrs. Bixby (1864), expressing Lincoln's regrets over the wartime deaths of her five sons; the Second Inaugural Address (March 1865), urging a post-war nation to "bind up its wounds" and show "charity for all"; and his Last Public Address (April 11, 1865). New notes place the speeches and other documents in their respective historical contexts.
An invaluable reference for history students, this important volume will also fascinate admirers of Abraham Lincoln, Americana enthusiasts, Civil War buffs and any lover of the finely crafted phrase.
Mrs. Dalloway chronicles a June day in the life of Clarissa Dalloway-a day that is taken up with running minor errands in preparation for a party and that is punctuated, toward the end, by the death of a young man she has never met. In giving an apparently ordinary day such immense resonance and significance-infusing it with the elemental conflict between death and life-Virginia Woolf triumphantly discovers her distinctive style as a novelist. Originally published in 1925, Mrs. Dalloway is Woolf's first complete rendering of what she described as the "luminous envelope" of consciousness: a dazzling display of the mind's inside as it plays over the brilliant surface and darker depths of reality. This edition uses the text of the original British publication of Mrs. Dalloway, which includes changes Woolf made that never appeared in the first or subsequent American editions.
The authorized, original edition of Virginia Woolf's masterpiece and one of the most "moving, revolutionary artworks of the twentieth century" (Michael Cunningham), with a foreword by Maureen Howard.
In this vivid portrait of a single day in a woman's life, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of preparation for a party while in her mind she is something much more than a perfect society hostess. As she readies her house in post-WWI London for friends and neighbors, she is flooded with remembrances of the past--the passionate loves of her carefree youth, her practical choice of husband, and the approach and retreat of war. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.
From the introspective Clarissa, to the lover who never fully recovered from her rejection, to a war-ravaged stranger in the park, the characters and scope of Mrs. Dalloway--a landmark of psychological fiction--reshape our sense of ordinary life and reshaped English literature as we know it.
"Perhaps her masterpiece...Exquisite and superbly constructed...Required like most writers to choose between the surface and the depths as the basis of her operations, she chooses the surface and then burrows in as far as she can." -E. M. Forster






























