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Senior Seminar, Second Semester
In 1955, with this short story collection, Flannery O'Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O'Connor's unique view of life--infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation.
These classic stories--including "The Life You Save May Be Your Own," "Good Country People," "The Displaced Person," and seven other acclaimed tales--are sure to inspire a new generation of Flannery O'Connor lovers, and remind existing readers why she remains a master of the short story.
Herman Melville towers among American writers not only for his powerful novels, but also for the stirring novellas and short stories that flowed from his pen. Two of the most admired of these -- Bartleby and Benito Cereno -- first appeared as magazine pieces and were then published in 1856 as part of a collection of short stories entitled The Piazza Tales.
Bartleby (also known as Bartleby the Scrivener) is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal.
Benito Cereno, considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable.
Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.
Bartleby (also known as Bartleby the Scrivener) is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal.
Benito Cereno, considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable.
Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.
"One of the most profound thinkers of the 20th century." -- New York Times
The finest single-volume anthology of the great philosopher's work, with a new introduction by leading Heidegger scholar Taylor Carman
Basic Writings is the finest single-volume anthology of the work of Martin Heidegger, widely considered one of the most important modern philosophers. Its selections offer a full range of the influential author's writings--including The Origin of the Work of Art, the introduction to Being and Time, What Is Metaphysics?, Letter on Humanism, The Question Concerning Technology, The Way to Language, and The End of Philosophy. This essential collection provides readers with a concise introduction to the groundbreaking philosophy of this brilliant and essential thinker.
A master of the american short story Included in this rich collection are: The Piazza, Bartleby the Scrivener, Benito Cereno, The Lightning-Rod Man, The Encantadas, The Bell-Tower, and The Town-Ho's Story.
A new, definitive edition of Herman Melville's virtuosic short stories--American classics wrought with scorching fury, grim humor, and profound beauty
Though best-known for his epic masterpiece Moby-Dick, Herman Melville also left a body of short stories arguably unmatched in American fiction. In the sorrowful tragedy of Billy Budd, Sailor; the controlled rage of Benito Cereno; and the tantalizing enigma of Bartleby, the Scrivener; Melville reveals himself as a singular storyteller of tremendous range and compelling power. In these stories, Melville cuts to the heart of race, class, capitalism, and globalism in America, deftly navigating political and social issues that resonate as clearly in our time as they did in Melville's. Also including The Piazza Tales in full, this collection demonstrates why Melville stands not only among the greatest writers of the nineteenth century, but also as one of our greatest contemporaries. This Penguin Classics edition features the Reading Text of Billy Budd, Sailor, as edited from a genetic study of the manuscript by Harrison Hayford and Merton M. Sealts, Jr., and the authoritative Northwestern-Newberry text of The Piazza Tales. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Though best-known for his epic masterpiece Moby-Dick, Herman Melville also left a body of short stories arguably unmatched in American fiction. In the sorrowful tragedy of Billy Budd, Sailor; the controlled rage of Benito Cereno; and the tantalizing enigma of Bartleby, the Scrivener; Melville reveals himself as a singular storyteller of tremendous range and compelling power. In these stories, Melville cuts to the heart of race, class, capitalism, and globalism in America, deftly navigating political and social issues that resonate as clearly in our time as they did in Melville's. Also including The Piazza Tales in full, this collection demonstrates why Melville stands not only among the greatest writers of the nineteenth century, but also as one of our greatest contemporaries. This Penguin Classics edition features the Reading Text of Billy Budd, Sailor, as edited from a genetic study of the manuscript by Harrison Hayford and Merton M. Sealts, Jr., and the authoritative Northwestern-Newberry text of The Piazza Tales. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Brothers Karamazov ("Bratya Karamazovy") by Fyodor Dostoevsky in Russian.
Winner of the Pen/Book-of-the-Month Club Translation Prize
The Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the "wicked and sentimental" Fyodor Pavlovich Karamazov and his three sons--the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture. This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbalinventiveness of Dostoevsky's prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky's last and greatest novel.
Dostoevsky's last and greatest novel, The Karamazov Brothers (1880), is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons - the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha - are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disastrous consequences of rationalism. The novel is also richly comic: the Russian Orthodox Church, the legal system, and even the author's most cherished causes and beliefs are presented with a note of irreverence, so that orthodoxy and radicalism, sanity and madness, love and hatred, right and wrong are no longer mutually exclusive. Rebecca West considered it 'the allegory for the world's maturity', but with children to the fore. This new translation does full justice to Dostoevsky's genius, particularly in the use of the spoken word, which ranges over every mode of human expression.
In her short lifetime, Flannery O'Connor became one of the most distinctive American writers of the twentieth century. By birth a native of Georgia and a Roman Catholic, O'Connor depicts, in all its comic and horrendous incongruity, the limits of worldly wisdom and the mysteries of divine grace in the "Christ-haunted" Protestant South. This Library of America collection, the most comprehensive ever published, contains all of her novels and short-story collections, as well as nine other stories, eight of her most important essays, and a selection of 259 witty, spirited, and revealing letters, twenty-one published here for the first time. Her fiction brilliantly explores the human obsession with seemingly banal things. It might be a new hat or clean hogs or, for Hazel Motes, hero of Wise Blood (1952), an automobile. "Nobody with a good car needs to be justified," Hazel assures himself while using its hood for a pulpit to preach his "Church Without Christ." As in O'Connor's subsequent work, the characters in this novel are driven to violence, even murder, and their strong vernacular endows them with the discomforting reality of next-door neighbors. "In order to recognize a freak," she remarks in one of her essays, "you have to have a conception of the whole man." In the title story of her first, dazzling collection of stories, A Good Man Is Hard to Find (1955), the old grandmother discovers the comic irrelevance of good manners when she and her family meet up with the sinister Misfit, who claims there is "no pleasure but meanness." The terror of urban dislocation in "The Artificial Nigger," the bizarre baptism in "The River," or one-legged Hulga Hopewell's encounter with a Bible salesman in "Good Country People"--these startling events give readers the uneasy sense of mysteries about to be revealed. Her second novel, The Violent Bear It Away (1960), casts the shadow of the Old Testament across a landscape of backwoods shacks, modern towns, and empty highways. Caught between the prophetic fury of his great-uncle and the unrelenting rationalism of his uncle, fourteen-year-old Francis Tarwater undergoes a terrifying trial of faith when he is commanded to baptize his idiot cousin. The nine stories in Everything That Rises Must Converge (1965) show O'Connor's powers at their height. The title story is a terrifying, heart-rending drama of familial and racial misunderstanding. "Revelation" and "The Enduring Chill" probe further into conflicts between parental figures and recalcitrant offspring, where as much tension is generated from quiet conversation as from the physical violence of gangsters and fanatics. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Winner of the National Book Award
The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, The Geranium, in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, Judgement Day--sent to her publisher shortly before her death--is a brilliantly rewritten and transfigured version of The Geranium. Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.