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In 1955, with this short story collection, Flannery O'Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O'Connor's unique view of life--infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation.
These classic stories--including "The Life You Save May Be Your Own," "Good Country People," "The Displaced Person," and seven other acclaimed tales--are sure to inspire a new generation of Flannery O'Connor lovers, and remind existing readers why she remains a master of the short story.
Herman Melville towers among American writers not only for his powerful novels, but also for the stirring novellas and short stories that flowed from his pen. Two of the most admired of these -- Bartleby and Benito Cereno -- first appeared as magazine pieces and were then published in 1856 as part of a collection of short stories entitled The Piazza Tales.
Bartleby (also known as Bartleby the Scrivener) is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal.
Benito Cereno, considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable.
Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.
Bartleby (also known as Bartleby the Scrivener) is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal.
Benito Cereno, considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable.
Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.
The finest single-volume anthology of the great philosopher's work, with a new introduction by leading scholar Taylor Carman.
"Powerful and original . . . Being and Time changed the course of philosophy." -- Richard Rorty, New York Times Book Review
Basic Writings is the finest single-volume anthology of the work of Martin Heidegger, widely considered one of the most influential modern philosophers. Its selections offer a full range of the influential author's writings--including The Origin of the Work of Art, the introduction to Being and Time, What Is Metaphysics?, Letter on Humanism, The Question Concerning Technology, The Way to Language, and The End of Philosophy. Featuring a foreword by Heidegger scholar Taylor Carman, this essential collection provides readers with a concise introduction to the groundbreaking philosophy of this brilliant and essential thinker.
A master of the american short story Included in this rich collection are: The Piazza, Bartleby the Scrivener, Benito Cereno, The Lightning-Rod Man, The Encantadas, The Bell-Tower, and The Town-Ho's Story.
A new, definitive edition of Herman Melville's virtuosic short stories--American classics wrought with scorching fury, grim humor, and profound beauty
Though best-known for his epic masterpiece Moby-Dick, Herman Melville also left a body of short stories arguably unmatched in American fiction. In the sorrowful tragedy of Billy Budd, Sailor; the controlled rage of Benito Cereno; and the tantalizing enigma of Bartleby, the Scrivener; Melville reveals himself as a singular storyteller of tremendous range and compelling power. In these stories, Melville cuts to the heart of race, class, capitalism, and globalism in America, deftly navigating political and social issues that resonate as clearly in our time as they did in Melville's. Also including The Piazza Tales in full, this collection demonstrates why Melville stands not only among the greatest writers of the nineteenth century, but also as one of our greatest contemporaries. This Penguin Classics edition features the Reading Text of Billy Budd, Sailor, as edited from a genetic study of the manuscript by Harrison Hayford and Merton M. Sealts, Jr., and the authoritative Northwestern-Newberry text of The Piazza Tales. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Though best-known for his epic masterpiece Moby-Dick, Herman Melville also left a body of short stories arguably unmatched in American fiction. In the sorrowful tragedy of Billy Budd, Sailor; the controlled rage of Benito Cereno; and the tantalizing enigma of Bartleby, the Scrivener; Melville reveals himself as a singular storyteller of tremendous range and compelling power. In these stories, Melville cuts to the heart of race, class, capitalism, and globalism in America, deftly navigating political and social issues that resonate as clearly in our time as they did in Melville's. Also including The Piazza Tales in full, this collection demonstrates why Melville stands not only among the greatest writers of the nineteenth century, but also as one of our greatest contemporaries. This Penguin Classics edition features the Reading Text of Billy Budd, Sailor, as edited from a genetic study of the manuscript by Harrison Hayford and Merton M. Sealts, Jr., and the authoritative Northwestern-Newberry text of The Piazza Tales. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Brothers Karamazov ("Bratya Karamazovy") by Fyodor Dostoevsky in Russian.
Winner of the Pen/Book-of-the-Month Club Translation Prize
The Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the "wicked and sentimental" Fyodor Pavlovich Karamazov and his three sons--the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture. This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbalinventiveness of Dostoevsky's prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky's last and greatest novel.
"Contexts" presents a wealth of background and source materials relating to The Brothers Karamazov, to Dostoevsky's own experiences, to current events, and to observations on a changing society. Included are the correspondence of influential literary and social critic Vissarion Grigorievich Belinksy and the author's letters spanning three decades as well as a selection from Dostoevsky's Diary of a Writer in which readers may trace the origins of this novel.
"Criticism" offers a wide range of scholarly commentary on The Brothers Karamazov from American, Russian, and European authors, eleven of them new to the Second Edition and two of them appearing in English for the first time. Contributors include Ralph Matlaw, Valentina Vetlovskaia, Seamas O'Driscoll, William Mills Todd, Vladimir Kantor, Edward Wasiolek, Nathan Rosen, Roger B. Anderson, Robin Feuer Miller, Horst-Jürgen Gerigk, Vladimir Golstein, Robert L. Belknap, Ulrich Schmid, and Gary Saul Morson.
A Chronology of Dostoevsky's life and work and a Selected Bibliography are also included.
"Criticism" offers a wide range of scholarly commentary on The Brothers Karamazov from American, Russian, and European authors, eleven of them new to the Second Edition and two of them appearing in English for the first time. Contributors include Ralph Matlaw, Valentina Vetlovskaia, Seamas O'Driscoll, William Mills Todd, Vladimir Kantor, Edward Wasiolek, Nathan Rosen, Roger B. Anderson, Robin Feuer Miller, Horst-Jürgen Gerigk, Vladimir Golstein, Robert L. Belknap, Ulrich Schmid, and Gary Saul Morson.
A Chronology of Dostoevsky's life and work and a Selected Bibliography are also included.
Dostoevsky's last and greatest novel, The Karamazov Brothers (1880), is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons - the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha - are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disastrous consequences of rationalism. The novel is also richly comic: the Russian Orthodox Church, the legal system, and even the author's most cherished causes and beliefs are presented with a note of irreverence, so that orthodoxy and radicalism, sanity and madness, love and hatred, right and wrong are no longer mutually exclusive. Rebecca West considered it 'the allegory for the world's maturity', but with children to the fore. This new translation does full justice to Dostoevsky's genius, particularly in the use of the spoken word, which ranges over every mode of human expression.
In her short lifetime, Flannery O'Connor became one of the most distinctive American writers of the twentieth century. By birth a native of Georgia and a Roman Catholic, O'Connor depicts, in all its comic and horrendous incongruity, the limits of worldly wisdom and the mysteries of divine grace in the "Christ-haunted" Protestant South. This Library of America collection, the most comprehensive ever published, contains all of her novels and short-story collections, as well as nine other stories, eight of her most important essays, and a selection of 259 witty, spirited, and revealing letters, twenty-one published here for the first time. Her fiction brilliantly explores the human obsession with seemingly banal things. It might be a new hat or clean hogs or, for Hazel Motes, hero of Wise Blood (1952), an automobile. "Nobody with a good car needs to be justified," Hazel assures himself while using its hood for a pulpit to preach his "Church Without Christ." As in O'Connor's subsequent work, the characters in this novel are driven to violence, even murder, and their strong vernacular endows them with the discomforting reality of next-door neighbors. "In order to recognize a freak," she remarks in one of her essays, "you have to have a conception of the whole man." In the title story of her first, dazzling collection of stories, A Good Man Is Hard to Find (1955), the old grandmother discovers the comic irrelevance of good manners when she and her family meet up with the sinister Misfit, who claims there is "no pleasure but meanness." The terror of urban dislocation in "The Artificial Nigger," the bizarre baptism in "The River," or one-legged Hulga Hopewell's encounter with a Bible salesman in "Good Country People"--these startling events give readers the uneasy sense of mysteries about to be revealed. Her second novel, The Violent Bear It Away (1960), casts the shadow of the Old Testament across a landscape of backwoods shacks, modern towns, and empty highways. Caught between the prophetic fury of his great-uncle and the unrelenting rationalism of his uncle, fourteen-year-old Francis Tarwater undergoes a terrifying trial of faith when he is commanded to baptize his idiot cousin. The nine stories in Everything That Rises Must Converge (1965) show O'Connor's powers at their height. The title story is a terrifying, heart-rending drama of familial and racial misunderstanding. "Revelation" and "The Enduring Chill" probe further into conflicts between parental figures and recalcitrant offspring, where as much tension is generated from quiet conversation as from the physical violence of gangsters and fanatics. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
This omnibus collection includes all of the author's early poetry as well as the Four Quartets, Old Possum's Book of Practical Cats, and the plays Murder in the Cathedral, The Family Reunion, and The Cocktail Party.
Winner of the National Book Award
The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, The Geranium, in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, Judgement Day--sent to her publisher shortly before her death--is a brilliantly rewritten and transfigured version of The Geranium. Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.
Alexis de Tocqueville (1805-59) came to America in 1831 to see what a great republic was like. What struck him most was the country's equality of conditions, its democracy. The book he wrote on his return to France, Democracy in America, is both the best ever written on democracy and the best ever written on America. It remains the most often quoted book about the United States, not only because it has something to interest and please everyone, but also because it has something to teach everyone. When it was published in 2000, Harvey Mansfield and Delba Winthrop's new translation of Democracy in America--only the third since the original two-volume work was published in 1835 and 1840--was lauded in all quarters as the finest and most definitive edition of Tocqueville's classic thus far. Mansfield and Winthrop have restored the nuances of Tocqueville's language, with the expressed goal to convey Tocqueville's thought as he held it rather than to restate it in comparable terms of today. The result is a translation with minimal interpretation, but with impeccable annotations of unfamiliar references and a masterful introduction placing the work and its author in the broader contexts of political philosophy and statesmanship.
It is accompanied by detailed explanatory annotations and an introduction addressing Democracy in America's canonic and iconic place in American life. "Backgrounds" includes seven letters offering Tocqueville's impressions of his nine-and-a-half month journey through the United States. Nine contemporary reviews, both American and European, trace Democracy in America's varied initial reception. Thirteen "Interpretations" gauge Tocqueville's influence on American political thought and on democracy's legacy. Contributors include David Riesman, Max Lerner, Robert Nisbet, James T. Schleifer, Catherine Zuckert, Sheldon S. Wolin, Edward C. Banfield, Daniel T. Rodgers, Arthur Schlesinger Jr., Sean Wilentz, Henry Steele Commager, James T. Kloppenberg, and Tamara M. Teale.
Introduction by John Banville
James Joyce was the singular figure of modernism, and to this day his grand vision looms large over contemporary literature and the entire Western canon. His stylistic innovations were revolutionary, yet nowhere is Joyce more accessible than in this volume of short stories, a brilliant collection that celebrates, critiques, and immortalizes the place that Joyce knew better than anyone else: Dublin. From the young boy encountering death in the opening story, "The Sisters," to the middle-aged protagonist of its haunting finale, "The Dead," considered one of the greatest short stories of all time, Dubliners is a vivid portrait of the city in all its glory and hardship, and a seminal work that redefined the short form. Featuring a new Introduction by acclaimed novelist John Banville, this edition is not only a breathless portal into Joyce's "dear dirty Dublin" but a vital literary treasure from one of the great masters of all time.
"Contexts" offers a rich collection of materials that bring the stories and the Irish capital to life for twenty-first century readers, including photographs, newspaper articles and advertising, early versions of two of the stories, and a satirical poem by Joyce about his publication woes. "Criticism" brings together eight illuminating essays on the most frequently taught stories inDubliners "Araby," "Eveline," "After the Race," "The Boarding House," "Counterpoints," "A Painful Case," and "The Dead." Contributors include David G. Wright, Heyward Ehrlich, Margot Norris, James Fairhall, Fritz Senn, Morris Beja, Roberta Jackson, and Vincent J. Cheng."
"Dubliners" was completed in 1905, but a series of British and Irish publishers and printers found it offensive and immoral, and it was suppressed. The book finally came out in London in 1914, just as Joyce's "Portrait of the Artist as a Young Man" began to appear in the journal "Egoist" under the auspices of Ezra Pound. The first three stories in "Dubliners" might be incidents from a draft of "Portrait of the Artist," and many of the characters who figure in "Ulysses" have their first appearance here, but this is not a book of interest only because of its relationship to Joyce's life and mature work. It is one of the greatest story collections in the English language--an unflinching, brilliant, often tragic portrait of early twentieth-century Dublin. The book, which begins and ends with a death, moves from "stories of my childhood" through tales of public life. Its larger purpose, Joyce said, was as a moral history of Ireland.
Dubliners is a landmark in modern literature, and one of the twentieth century's finest collections of short stories. In its remarkable portrait of a city and its people, it dramatises ordinary life in the modern world. Together, the stories form one interwoven tapestry which provides a rich and subtle picture of the struggles of men and women to rise above the constraints of their everyday lives.
HarperCollins is proud to present its new range of best-loved, essential classics.
'One by one they were all becoming shades. Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age.'
Revealing the truths and realities about Irish society in the early 20th century, Joyce's Dubliners challenged the prevailing image of Dublin at the time. A group portrait made up of 15 short stories about the inhabitants of Joyce's native city, he offers a subtle critique of his own town, imbuing the text with an underlying tone of tragedy. Through his various characters he displays the complicated relationships, hardships and mundane details of everyday life and the desire for escape - a yearning that so closely mirrored his own experiences.
A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters, " written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose, " The Fire Next Time stands as a classic of our literature.
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work
Four Quartets is a rich composition that expands the spiritual vision introduced in "The Waste Land." Here, in four linked poems ("Burnt Norton," "East Coker," "The Dry Salvages," and "Little Gidding"), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
For someone who claimed he had been educated by littles -- a little now and a little then -- Abraham Lincoln displayed a remarkable facility in his use of the written word. The simple yet memorable eloquence of his speeches, proclamations and personal correspondence is recorded here in a representative collection of 16 documents.
This volume contains, complete and unabridged, the Address Before the Young Men's Lyceum of Springfield, Illinois (1838), which emphasized a theme Lincoln was to return to repeatedly, namely, the capacity of a people to govern themselves; the House Divided speech at the Republican State Convention in Illinois (1858); the First Inaugural Address (1861), in which he appealed to the people of an already divided union for sectional harmony; the Gettysburg Address (1863), a speech delivered at ceremonies dedicating a part of the Gettysburg battlefield as a cemetery; the Letter to Mrs. Bixby (1864), expressing Lincoln's regrets over the wartime deaths of her five sons; the Second Inaugural Address (March 1865), urging a post-war nation to bind up its wounds and show charity for all; and his Last Public Address (April 11, 1865). New notes place the speeches and other documents in their respective historical contexts.
An invaluable reference for history students, this important volume will also fascinate admirers of Abraham Lincoln, Americana enthusiasts, Civil War buffs and any lover of the finely crafted phrase.
This volume contains, complete and unabridged, the Address Before the Young Men's Lyceum of Springfield, Illinois (1838), which emphasized a theme Lincoln was to return to repeatedly, namely, the capacity of a people to govern themselves; the House Divided speech at the Republican State Convention in Illinois (1858); the First Inaugural Address (1861), in which he appealed to the people of an already divided union for sectional harmony; the Gettysburg Address (1863), a speech delivered at ceremonies dedicating a part of the Gettysburg battlefield as a cemetery; the Letter to Mrs. Bixby (1864), expressing Lincoln's regrets over the wartime deaths of her five sons; the Second Inaugural Address (March 1865), urging a post-war nation to bind up its wounds and show charity for all; and his Last Public Address (April 11, 1865). New notes place the speeches and other documents in their respective historical contexts.
An invaluable reference for history students, this important volume will also fascinate admirers of Abraham Lincoln, Americana enthusiasts, Civil War buffs and any lover of the finely crafted phrase.
In these lectures, which he gave in 1915-16 and 1916-17 at the University of Vienna, Freud gradually brings his audience into the ambiance of psychoanalytic ideas. He begins with the subject of slips of various kinds, continues with the topic of dreams, and concludes with the more difficult subject matter of the neuroses. The lectures were a success when he delivered them and an even greater success in print.
George Eliot's Victorian masterpiece: a magnificent portrait of a provincial town and its inhabitants George Eliot's novel, Middlemarch: A Study of Provincial Life, explores a fictional nineteenth-century Midlands town in the midst of modern changes. The proposed Reform Bill promises political change; the building of railroads alters both the physical and cultural landscape; new scientific approaches to medicine incite public division; and scandal lurks behind respectability. The quiet drama of ordinary lives and flawed choices are played out in the complexly portrayed central characters of the novel--the idealistic Dorothea Brooke; the ambitious Dr. Lydgate; the spendthrift Fred Vincy; and the steadfast Mary Garth. The appearance of two outsiders further disrupts the town's equilibrium--Will Ladislaw, the spirited nephew of Dorothea's husband, the Rev. Edward Casaubon, and the sinister John Raffles, who threatens to expose the hidden past of one of the town's elite. Middlemarch displays George Eliot's clear-eyed yet humane understanding of characters caught up in the mysterious unfolding of self-knowledge. This Penguin Classics edition uses the second edition of 1874 and features an introduction and notes by Eliot-biographer Rosemary Ashton. In her introduction, Ashton discusses themes of social change in Middlemarch, and examines the novel as an imaginative embodiment of Eliot's humanist beliefs. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
For this new edition, the text has been reset in a larger typeface for ease of reading.
Backgrounds helps readers understand Eliot's ideas on life and art with generous selections from her letters, journals, essays, and other fictional works.
Contemporary Reviews records the impressions of Sidney Colvin, Henry James, Joseph Jacobs, and Leslie Stephen.
Recent Criticism collects eleven essays-seven of them new to this edition-which center on the novel's major themes. Contributors include Mark Schorer, Jerome Beaty, Cherry Wilhelm, Robert Heilman, Lee R. Edwards, Alan Mintz, T. R. Wright, Matthew Rich, Alan Shelston, and Claudia Moscovici.
A Chronology and Selected Bibliography are included.
Backgrounds helps readers understand Eliot's ideas on life and art with generous selections from her letters, journals, essays, and other fictional works.
Contemporary Reviews records the impressions of Sidney Colvin, Henry James, Joseph Jacobs, and Leslie Stephen.
Recent Criticism collects eleven essays-seven of them new to this edition-which center on the novel's major themes. Contributors include Mark Schorer, Jerome Beaty, Cherry Wilhelm, Robert Heilman, Lee R. Edwards, Alan Mintz, T. R. Wright, Matthew Rich, Alan Shelston, and Claudia Moscovici.
A Chronology and Selected Bibliography are included.
"Moments like this are buds on the tree of life. Flowers of darkness they are."
In this vivid portrait of a single day in a woman's life, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of preparation for a party while in her mind she is something much more than a perfect society hostess. As she readies her house for friends and neighbors, she is flooded with remembrances of the past--the passionate loves of her carefree youth, her practical choice of husband, and the approach and retreat of war. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old. From the introspective Clarissa, to the lover who never fully recovered from her rejection, to a war-ravaged stranger in the park, the characters and scope of Mrs. Dalloway reshape our sense of ordinary life making it one of the most "moving, revolutionary artworks of the twentieth century" (Michael Cunningham).
Simone de Beauvoir's essential masterwork is a powerful analysis of the Western notion of "woman," and a revolutionary exploration of inequality and otherness. Unabridged in English for the first time, this long-awaited edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir's pioneering and impressive text remains as pertinent today as when it was first published, and will continue to provoke and inspire generations of men and women to come.
?Few books make history and fewer still become foundational texts for the movements and struggles of an entire people. The Souls of Black Folk occupies this rare position.?
--Manning Marable W.E.B. DuBois was the foremost black intellectual of his time. The Souls of Black Folk (1903), his most influential work, is a collection of fourteen beautifully written essays, by turns lyrical, historical, and autobiographical. Here, Du Bois records the cruelties of racism, celebrates the strength and pride of black America, and explores the paradoxical ?double-consciousness? of African-American life. ?The problem of the twentieth century is the problem of the color-line, ? he writes, prophesying the struggle for freedom that became his life's work. Library of America Paperback Classics feature authoritative texts drawn from the acclaimed Library of America series and introduced by today's most distinguished scholars and writers. Each book features a detailed chronology of the author's life and career, and essay on the choice of the text, and notes. The contents of this Paperback Classic are drawn from W.E.B. Du Bois: Writings, volume number 34 in the Library of America series; that volume also includes The Suppression of the African Slave-Trade, Dusk of Dawn, articles from The Crisis, and selected essays.
--Manning Marable W.E.B. DuBois was the foremost black intellectual of his time. The Souls of Black Folk (1903), his most influential work, is a collection of fourteen beautifully written essays, by turns lyrical, historical, and autobiographical. Here, Du Bois records the cruelties of racism, celebrates the strength and pride of black America, and explores the paradoxical ?double-consciousness? of African-American life. ?The problem of the twentieth century is the problem of the color-line, ? he writes, prophesying the struggle for freedom that became his life's work. Library of America Paperback Classics feature authoritative texts drawn from the acclaimed Library of America series and introduced by today's most distinguished scholars and writers. Each book features a detailed chronology of the author's life and career, and essay on the choice of the text, and notes. The contents of this Paperback Classic are drawn from W.E.B. Du Bois: Writings, volume number 34 in the Library of America series; that volume also includes The Suppression of the African Slave-Trade, Dusk of Dawn, articles from The Crisis, and selected essays.
Selected by the Modern Library as one of the 100 best nonfiction books of all time When first published in 1903, W.E.B. Du Bois's The Souls of Black Folk struck like a thunderclap, quickly establishing itself as a work that wholly redefined the history of the black experience in America, introducing the now famous "problem of the color line." In decades since, its stature has only grown, and today it ranks as one of the most influential and resonant works in the history of American thought. This centennial edition contains a landmark Introduction by historian David Levering Lewis that brilliantly demonstrates how The Souls of Black Folk remains indispensable not only to an understanding of the history of race and democracy in America but to considerations of the future of racial and cultural comity in the twenty-first century.