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Graduate Institute
"God is our home but many of us have strayed from our native land.
The venerable authors of these Spiritual Classics are expert guides--
may we follow their directions home." --Archbishop Desmond Tutu Writing in the last years of the fourth century a.d., Saint Augustine of Hippo created what is at once the first true autobiography in Western literature and among the most sophisticated yet accessible theological arguments in the history of Christianity. With extraordinary candor and psychological acumen, Augustine recounts his passage from a life of sensuality, Manichaean superstition, and empty careerism to a genuine spiritual awakening, and he articulates views on marriage, morality, and faith that have shaped our discourse ever since. The Confessions allows us to appreciate both the startling modernity of Augustine's insights and the imperishable poetry of his voice. With a new Preface by MacArthur Fellow Patricia Hampl,
author of Virgin Time and A Romantic Education. In the annals of spirituality, certain books stand out both for their historical importance and for their continued relevance. The Vintage Spiritual Classics series offers the greatest of these works in authoritative new editions, with specially commissioned essays by noted contemporary commentators. Filled with eloquence and fresh insight, encouragement and solace, Vintage Spiritual Classics are incomparable resources for all readers who seek a more substantive understanding of mankind's relation to the divine.
The venerable authors of these Spiritual Classics are expert guides--
may we follow their directions home." --Archbishop Desmond Tutu Writing in the last years of the fourth century a.d., Saint Augustine of Hippo created what is at once the first true autobiography in Western literature and among the most sophisticated yet accessible theological arguments in the history of Christianity. With extraordinary candor and psychological acumen, Augustine recounts his passage from a life of sensuality, Manichaean superstition, and empty careerism to a genuine spiritual awakening, and he articulates views on marriage, morality, and faith that have shaped our discourse ever since. The Confessions allows us to appreciate both the startling modernity of Augustine's insights and the imperishable poetry of his voice. With a new Preface by MacArthur Fellow Patricia Hampl,
author of Virgin Time and A Romantic Education. In the annals of spirituality, certain books stand out both for their historical importance and for their continued relevance. The Vintage Spiritual Classics series offers the greatest of these works in authoritative new editions, with specially commissioned essays by noted contemporary commentators. Filled with eloquence and fresh insight, encouragement and solace, Vintage Spiritual Classics are incomparable resources for all readers who seek a more substantive understanding of mankind's relation to the divine.
Augustine's fourth-century spiritual autobiography not only is a major document in the history of Christianity, a classic of Roman Africa, and the unchallenged model through the ages for the autobiographical record of the journey to self-knowledge, it also marks a vital moment in the history of Western culture.
As Augustine explains how, when, and why he became the man he is, he probes the great themes that others were to explore after himCfaith, time, truth, identity, and self-understanding--with a richness of detail unmatched in ancient literature. Dense with vivid portrayals of friends, family, colleagues, and enemies, The Confessions chronicles the passage from a life of sensuality and superstition to a genuine spiritual awakening--in a powerful narrative of one man's inner education that continues to shape the way we think and act today. (Book Jacket Status: Not Jacketed)
In his own day the dominant personality of the Western Church, Augustine of Hippo today stands as perhaps the greatest thinker of Christian antiquity, and his Confessions is one of the great works of Western literature. In this intensely personal narrative, Augustine relates his rare ascent from a humble Algerian farm to the edge of the corridors of power at the imperial court in Milan, his struggle against the domination of his sexual nature, his renunciation of secular ambition and marriage, and the recovery of the faith his mother Monica had taught him during his childhood. Now, Henry Chadwick, an eminent scholar of early Christianity, has given us the first new English translation in thirty years of this classic spiritual journey. Chadwick renders the details of Augustine's conversion in clear, modern English. We witness the future saint's fascination with astrology and with the Manichees, and then follow him through scepticism and disillusion with pagan myths until he finally reaches Christian faith. There are brilliant philosophical musings about Platonism and the nature of God, and touching portraits of Augustine's beloved mother, of St. Ambrose of Milan, and of other early Christians like Victorinus, who gave up a distinguished career as a rhetorician to adopt the orthodox faith. Augustine's concerns are often strikingly contemporary, yet his work contains many references and allusions that are easily understood only with background information about the ancient social and intellectual setting. To make The Confessions accessible to contemporary readers, Chadwick provides the most complete and informative notes of any recent translation, and includes an introduction to establish the context. The religious and philosophical value of The Confessions is unquestionable--now modern readers will have easier access to St. Augustine's deeply personal meditations. Chadwick's lucid translation and helpful introduction clear the way for a new experience of this classic. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
No modern, well-versed literature lover can call her education complete without having read Augustine's Confessions. One of the most original works of world literature, it is the first autobiography ever written, influencing writers from Montaigne to Rousseau, Virginia Woolf to Gertrude Stein--and most recently informing Stephen Greenblatt's provocative thesis about one of our foundational mythologies in The Rise and Fall of Adam and Eve. It is here that we learn how one of the greatest saints in Christendom overcame a wild and reckless past, complete with a rambunctious posse of friends, an overly doting mother, and an affair that produced a "bastard" child. Yet English translators have long emphasized the ecclesiastical virtues of Augustine's masterpiece, often at the expense of its passion and literary vigor. Restoring the lyricism of Augustine's original language, Peter Constantine offers a masterful and elegant rendering of Confessions in what will be a classic for decades to come.
One of the great works of Western literature, from perhaps the most important thinker of Christian antiquity, in a revolutionary new translation by one of today's leading classicists Sarah Ruden's fresh, dynamic translation of Confessions brings us closer to Augustine's intent than any previous version. It puts a glaring spotlight on the life of one individual to show how all lives have meaning that is universal and eternal. In this intensely personal narrative, Augustine tells the story of his sinful youth and his conversion to Christianity. He describes his ascent from a humble farm in North Africa to a prestigious post in the Roman Imperial capital of Milan, his struggle against his own overpowering sexuality, his renunciation of secular ambition and marriage, and the recovery of the faith his mother had taught him during his earliest years. Augustine's concerns are often strikingly contemporary, and the confessional mode he invented can be seen everywhere in writing today. Grounded in her command of Latin as it was written and spoken in the ancient world, Sarah Ruden's translation is a bold departure from its predecessors--and the most historically accurate translation ever. Stylistically beautiful, with no concessions made to suit later theology and ritual, Ruden's rendition will give readers a startling and illuminating new perspective on one of the central texts of Christianity. Praise for Confessions "[Ruden] has clearly thought deeply about what Augustine was trying to say."--The Wall Street Journal "A translation of [Augustine's] masterwork that does justice both to him and to his God . . . Repeated small acts of attention to the humble, human roots of Augustine's imagery of his relations to God enable Ruden to convey a living sense of the Being before Whom we find him transfixed in prayer: 'Silent, long-suffering and with so much mercy in your heart.'"--The New York Review of Books "Delightfully readable . . . In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew. . . . Approaching her subject with deep religious and historical knowledge, [Ruden] chooses to translate Augustine as a performative, engaging storyteller rather than a systematic theologian."--Publishers Weekly (starred review) "Ruden's translation makes Augustine's ancient text accessible to a new generation of readers with a real taste of the original Latin."--Library Journal "[Ruden's] record as a translator of ancient texts . . . clearly establishes her considerable talent."--Christianity Today
Like the first Hackett edition of the Augustine's Confessions, the second edition features F. J. Sheed's remarkable translation of this classic spiritual autobiography with an Introduction by noted historian of late antiquity Peter Brown. New to this edition are a wealth of notes on literary, philosophical, biblical, historical, and liturgical topics by Michael P. Foley, an Editor's Preface, a map, a timeline, paragraph numbers in the text, a glossary, and a thorough index. The text itself has been completely reset, with textual and explanatory notes placed at the foot of the page for easy reference.
"Republication of David Lowenthal's elegant translation of Montesquieu's neglected study of the Romans--an indispensable source for understanding the philosopher's treatment of Rome in The Spirit of the Laws--makes the book available to a new generation of English-language readers. Lowenthal's perceptive introduction and useful notes also deserve the attention of those who can read Montesquieu in the original French." --James W. Muller, University of Alaska, Anchorage
The Crisis of European Sciences and Transcendental Phenomenology, Husserl's last great work, is important both for its content and for the influence it has had on other philosophers. In this book, which remained unfinished at his death, Husserl attempts to forge a union between phenomenology and existentialism. Husserl provides not only a history of philosophy but a philosophy of history. As he says in Part I, "The genuine spiritual struggles of European humanity as such take the form of struggles between the philosophies, that is, between the skeptical philosophies--or nonphilosophies, which retain the word but not the task--and the actual and still vital philosophies. But the vitality of the latter consists in the fact that they are struggling for their true and genuine meaning and thus for the meaning of a genuine humanity."
This elegant new translation at last restores the poetry to one of the greatest and most influential poems in the Western tradition. De Rerum Natura is Lucretius's majestic elaboration of Greek Epicurean physics and psychology in an epic that unfolds over the course of six books. This sumptuous account of a secular cosmos argues that the soul is mortal, that pleasure is the object of life, and that humanity has free will, among other ideas. Renowned author, translator, and poet David R. Slavitt has captured Lucretius's elegance as well as his philosophical profundity in this highly readable translation of a poem that is crucial to the history of ancient thought.
Alexis de Tocqueville (1805-59) came to America in 1831 to see what a great republic was like. What struck him most was the country's equality of conditions, its democracy. The book he wrote on his return to France, Democracy in America, is both the best ever written on democracy and the best ever written on America. It remains the most often quoted book about the United States, not only because it has something to interest and please everyone, but also because it has something to teach everyone. When it was published in 2000, Harvey Mansfield and Delba Winthrop's new translation of Democracy in America--only the third since the original two-volume work was published in 1835 and 1840--was lauded in all quarters as the finest and most definitive edition of Tocqueville's classic thus far. Mansfield and Winthrop have restored the nuances of Tocqueville's language, with the expressed goal to convey Tocqueville's thought as he held it rather than to restate it in comparable terms of today. The result is a translation with minimal interpretation, but with impeccable annotations of unfamiliar references and a masterful introduction placing the work and its author in the broader contexts of political philosophy and statesmanship.