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LA Literature
dignity reminiscent of the original. The text immediately engrosses students with its tight and balanced rhythms, while the incantatory repetitions evoke a continuous stream of sound that offers as good an impression of Homer's Greek as one could hope to attain without learning the language. Accessible, poetic, and accurate, Powell's translation is an excellent fit for today's students. With swift, transparent language that rings both ancient and modern, it exposes them to all of the rage, pleasure, pathos, and humor that are Homer's Iliad. Both the translation and the introduction are
informed by the best recent scholarship. FEATURES * Uses well-modulated verse and accurate English that is contemporary but never without dignity * Powell's introduction sets the poem in its philological, mythological, and historical contexts * Features unique on-page notes, facilitating students' engagement with the poem * Embedded illustrations accompanied by extensive captions provide Greek and Roman visual sources for key passages in each of the poem's twenty-four books * Eight maps (the most of any available translation) provide geographic context for the poem's many place names * Audio recordings (read by Powell) of fifteen important passages are available at www.oup.com/us/powell and indicated in the text margin by an icon
George Chapman's translations of Homer are the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language."
This volume presents the original (1611) text of Chapman's translation of the Iliad, making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction and a glossary. Garry Wills contributes a preface, in which he explains how Chapman tapped into the poetic consonance between the semi-divine heroism of the Iliad's warriors and the cosmological symbols of Renaissance humanism.
Anger be now your song, immortal one,
Akhilleus' anger, doomed and ruinous,
that caused the Akhaians loss on bitter loss
and crowded brave souls into the undergloom,
leaving so many dead men-carrion
for dogs and birds; and the will of Zeus was done.
-Lines 1-6
"Sing, goddess, the anger of Peleus' son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation--the gold standard for generations of students and general readers.
This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century--while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses--with their memorably phrased heroic epithets and remarkable fidelity to the Greek--remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book. The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived--and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.
--Daniel Mendelsohn, The New York Times Book Review
With her virtuoso translation, classicist and bestselling author Caroline Alexander brings to life Homer's timeless epic of the Trojan War
Composed around 730 B.C., Homer's Iliad recounts the events of a few momentous weeks in the protracted ten-year war between the invading Achaeans, or Greeks, and the Trojans in their besieged city of Ilion. From the explosive confrontation between Achilles, the greatest warrior at Troy, and Agamemnon, the inept leader of the Greeks, through to its tragic conclusion, The Iliad explores the abiding, blighting facts of war.
Soldier and civilian, victor and vanquished, hero and coward, men, women, young, old--The Iliad evokes in poignant, searing detail the fate of every life ravaged by the Trojan War. And, as told by Homer, this ancient tale of a particular Bronze Age conflict becomes a sublime and sweeping evocation of the destruction of war throughout the ages.
Carved close to the original Greek, acclaimed classicist Caroline Alexander's new translation is swift and lean, with the driving cadence of its source--a translation epic in scale and yet devastating in its precision and power.
"Criticism"provides thirteen major critical interpretations and three provocative adaptations and responses to King Lear. Critical interpretation is provided by Samuel Johnson, Charles Lamb, Peter Brook, Michael Warren, Lynda E. Boose, Janet Adelman, and R. A. Foakes, among others. The adaptations and responses are by Nahum Tate, John Keats, and Edward Bond.
A Selected Bibliography is also included.
-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play's famous lines and phrases
-An introduction to reading Shakespeare's language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library's vast holdings of rare books
-An annotated guide to further reading Essay by Susan Snyder The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
Composed at the rosy-fingered dawn of world literature almost three millennia ago, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty and power; about marriage and family; about travelers, hospitality, and the yearning for home.
This fresh, authoritative translation captures the beauty of this ancient poem as well as the drama of its narrative. Its characters are unforgettable, none more so than the "complicated" hero himself, a man of many disguises, many tricks, and many moods, who emerges in this version as a more fully rounded human being than ever before.
Written in iambic pentameter verse and a vivid, contemporary idiom, Emily Wilson's Odyssey sings with a voice that echoes Homer's music; matching the number of lines in the Greek original, the poem sails along at Homer's swift, smooth pace.
A fascinating, informative introduction explores the Bronze Age milieu that produced the epic, the poem's major themes, the controversies about its origins, and the unparalleled scope of its impact and influence. Maps drawn especially for this volume, a pronunciation glossary, and extensive notes and summaries of each book make this is an Odyssey that will be treasured by a new generation of readers.
Joe Sachs's translation brings the reader quickly and deeply into The Odyssey.--Nickolas Pappas
This new translation powerfully presents The Odyssey with a modern clarity that suits the vigorous narrative of Odysseus's perilous ten-year voyage home to Ithaca. Joe Sachs, whose translations are known for being faithful to the original Greek, brings new layers of depth, understanding, and interest to the epic.
I have never met a translation of The Odyssey I didn't like. Thus Joe Sachs invites us to partake in his new rendering of Homer's epic.
The poem appears in as many guises as Odysseus himself...There is so much power and grace in Homer's poetry that a reader responsive to a few partial strands of it can find in them a wholly satisfying experience and every translator whose work I have read has detected and magnified something in the original that I had not found by other means...Any newly encountered translation of a poem is an opportunity to participate in a fresh reading through a new pair of eyes, and while those readings cannot all be taken in at one view, each one adds something to the sight that occupies the foreground at any moment. It is not because a new translation is needed that I now offer this one, but because every new translation is a contribution that enhances the self-revelation of a poem of boundless variety...The friction of one translation against another can be the quickest way for a path to light up for a reader's own entry into the work. And this invitation to use the available translations not as rivals but in partnership gives license to any single translator to sacrifice part of the meaning and weight of any word or phrase to capture more effectively whatever seems to matter most in it...There comes a point when your best recourse is to rely on no one's judgment but your own, to confront the intelligence, imagination, and heart we know as Homer on your own, and to join the fun.--from the Introduction by Joe Sachs
The transparent, natural language of Joe Sachs's translation brings the reader quickly and deeply into The Odyssey. Behind that language, both intimate and clear, we sense his sure feel for The Odyssey's people and places. And as much as the scenes of the poem vary, and the language with them, we detect the idea of The Odyssey that Sachs articulates in his valuable afterword: that Homer can begin his story in the middle of things because we are always in the midst of The Odyssey's action no matter where we start reading--because the poem's sub-ject is the discovery of what is essentially human, a discovery that humans are always, wonderingly, in the middle of.--Nickolas Pappas, Professor of Philosophy at City College and the Graduate Center, CUNY
Joe Sachs's translation of Aristotle's Poetics is to me the most vibrant version of a well-thumbed text that is still the screenwriter's bible. So I am not surprised that he brings the same freshness to the world's greatest long-voyage-home-to-a-lost-love story. This Odyssey is exciting reading for the general reader and essential reading for teachers and students who can now 'hear' how Homer's epic might have been heard by listeners in times past. Let's hope Joe Sachs is now working on the Iliad.--Eoghan Harris, Irish National Film School (Dun Laoghaire Institute)
Joe Sachs taught for thirty years in the Great Books program at St. John's College in Annapolis, Maryland. He has translated numerous works by Aristotle and Plato.
Homer's great epic The Odyssey--one of Western literature's most enduring and important works--translated by Richmond Lattimore
A classic for the ages, The Odyssey recounts Odysseus' journey home after the Trojan War--and the obstacles he faces along the way to reclaim his throne, kingdom, and family in Ithaca.
During his absence, his steadfast and clever wife, Penelope, and now teenaged son, Telemachus, have lived under the constant threat of ruthless suitors, all desperate to court Penelope and claim the throne. As the suitors plot Telemachus' murder, the gods debate Odysseus' fate. With help from the goddess Athena, the scattered family bides their time as Odysseus battles his way through storm and shipwreck, the cave of the Cyclops, the isle of witch-goddess Circe, the deadly Sirens' song, a trek through the Underworld, and the omnipresent wrath of the scorned god Poseidon.
An American poet and classicist, Richmond Lattimore's translation of The Odyssey is widely considered among the best available in the English language. Lattimore breathes modern life into Homer's epic, bringing this classic work of heroes, monsters, vengeful gods, treachery, and redemption to life for modern readers.
Richard Janko's acclaimed translation of Aristotle's Poetics is accompanied by the most comprehensive commentary available in English that does not presume knowledge of the original Greek. Two other unique features are Janko's translations with notes of both the Tractatus Coislinianus, which is argued to be a summary of the lost second book of the Poetics, and fragments of Aristotle's dialogue On Poets, including recently discovered texts about catharsis, which appear in English for the first time.
The timeless Theban tragedies of Sophocles--Oedipus the Tyrant, Oedipus at Colonus, and Antigone--have fascinated and moved audiences and readers across the ages with their haunting plots and their unforgettable heroes and heroines. Now, following the best texts faithfully, and translating the key moral, religious, and political terminology of the plays accurately and consistently, Peter J. Ahrensdorf and Thomas L. Pangle allow contemporary readers to study the most literally exact reproductions of precisely what Sophocles wrote, rendered in readily comprehensible English.These translations enable readers to engage the Theban plays of Sophocles in their full, authentic complexity, and to study with precision the plays' profound and enduring human questions. In the preface, notes to the plays, and introductions, Ahrensdorf and Pangle supply critical historical, mythic, and linguistic background information, and highlight the moral, religious, political, philosophic, and psychological questions at the heart of each of the plays. Even readers unfamiliar with Greek drama will find what they need to experience, reflect on, and enjoy these towering works of classical literature.
