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Eastern Classics
This edition goes beyond others that largely leave readers to their own devices in understanding this cryptic work, by providing an entrée into the text that parallels the traditional Chinese way of approaching it: alongside Slingerland's exquisite rendering of the work are his translations of a selection of classic Chinese commentaries that shed light on difficult passages, provide historical and cultural context, and invite the reader to ponder a range of interpretations. The ideal student edition, this volume also includes a general introduction, notes, multiple appendices--including a glossary of technical terms, references to modern Western scholarship that point the way for further study, and an annotated bibliography.
Confucius is one of the most humane, rational, and lucid of moral teachers, concerned not with arcane metaphysics but with practical issues of life and conduct. What is virtue? What sort of life is most conducive to happiness? How should the state be ruled? What is the proper relationship between human beings and their environment?
In this classic translation of The Analects by Arthur Waley, the questions Confucius addressed two and a half millennia ago remain as relevant as ever.
The present edition of the wisdom of Confucius is certainly the best edition ever prepared in the West. The results of many years of study in China by the great Sinologist James Legge, it contains the entire Chinese text of the Analects (or sayings) of Confucius in large, readable characters, and beneath this Legge's full translation, which has been accepted as the definitive, standard English version. The book also includes The Great Learning and The Doctrine of the Mean.
In addition to the texts and translation, a wealth of helpful material is offered to the reader: countless notes embodying textual studies, commentators' opinions, interpretation of individual characters, disputed meanings, and similar material. More than 125 pages of introduction cover the Chinese classics, the history of the texts in this volume, and the life and influence of Confucius. Most useful, too, is a complete dictionary of all the Chinese characters in the book, with meanings, grammatical comments, place locations, and similar data. Subject and name indexes enable you to find material easily.
Trenchant, sophisticated, and cynical, Han Feizi has been read in every age and is still of interest today when people are more than ever concerned with the nature and use of power. Han Feizi (280?-233 B.C.), a prince of Han, was a representative of the Fa-chia, or Legalist, school of philosophy and produced the final and most readable exposition of its theories. His handbook for the ruler deals with the problems of strengthening and preserving the state, the way of the ruler, the use of power, and punishment and favor. Ironically, the ruler most influenced by Han Feizi, the king of Qin, eventually sent Han Feizi to prison, where he later committed suicide.
The Diamond Sutra, composed in India in the fourth century CE, is one of the most treasured works of Buddhist literature and is the oldest existing printed book in the world. It is known as the Diamond Sutra because its teachings are said to be like diamonds that cut away all dualistic thought, releasing one from the attachment to objects and bringing one to the further shore of enlightenment. The format of this important sutra is presented as a conversation between the Buddha and one of his disciples. The Sutra of Hui-neng, also known as the Platform Sutra, contains the autobiography of a pivotal figure in Zen history and some of the most profound passages of Zen literature. Hui-neng (638-713) was the sixth patriarch of Zen in China but is often regarded as the true father of the Zen tradition. He was a poor, illiterate woodcutter who is said to have attained enlightenment upon hearing a recitation of the Diamond Sutra. Together, these two scriptures present the central teaching of the Zen Buddhist tradition and are essential reading for all students of Buddhism.
Twenty discourses from the Pali Canon--including those most essential to the study and teaching of early Buddhism--are provided in fresh translations, accompanied by introductions that highlight the main themes and set the ideas presented in the context of wider philosophical and religious issues. Taken together, these fascinating works give an account of Buddhist teachings directly from the earliest primary sources.
In his General Introduction, John J. Holder discusses the structure and language of the Pali Canon--its importance within the Buddhist tradition and the historical context in which it developed--and gives an overview of the basic doctrines of early Buddhism.
penetrating metaphysical and epistemological treatises. His greatest philosophical work, the Mūlamadhyamikakārikā--read and studied by philosophers in all major Buddhist schools of Tibet, China, Japan, and Korea--is one of the most influential works in the history of Indian philosophy. Now, in The
Fundamental Wisdom of the Middle Way, Jay L. Garfield provides a clear and eminently readable translation of Nāgārjuna's seminal work, offering those with little or no prior knowledge of Buddhist philosophy a view into the profound logic of the Mūlamadhyamikakārikā.
Garfield presents a superb translation of the Tibetan text of Mūlamadhyamikakārikā in its entirety, and a commentary reflecting the Tibetan tradition through which Nāgārjuna's philosophical influence has largely been transmitted. Illuminating the systematic character of Nāgārjuna's reasoning,
Garfield shows how Nāgārjuna develops his doctrine that all phenomena are empty of inherent existence, that is, than nothing exists substantially or independently. Despite lacking any essence, he argues, phenomena nonetheless exist conventionally, and that indeed conventional existence and ultimate
emptiness are in fact the same thing. This represents the radical understanding of the Buddhist doctrine of the two truths, or two levels of reality. He offers a verse-by-verse commentary that explains Nāgārjuna's positions and arguments in the language of Western metaphysics and epistemology, and
connects Nāgārjuna's concerns to those of Western philosophers such as Sextus, Hume, and Wittgenstein.
An accessible translation of the foundational text for all Mahāyāna Buddhism, The Fundamental Wisdom of the Middle Way offers insight to all those interested in the nature of reality.
This is one of the most important works in Indian literature and a source of religious inspiration in both medieval and contemporary Vaishnavism.
An essential source for the study of events in early China, a guide to the moral philosophy of the gentlemen of Han, and a splendid work of literature which may be read for the pleasure of its style and the power of its narrative. . . . This work makes Shi ji and its scholarship accessible to any reader of English, and it is a model for any work in this field and style. --Bulletin of the School of Oriental and African Studies
Through such work as this, the scholarly and literary community of the West will learn more of the splendor and romance of early China, and may better appreciate the lessons in humanity presented by its great historian. --Bulletin of the School of Oriental and African Studies
Nienhauser's new translation is scrupulously scholarly . . . the design of this series is nearly flawless . . . the translation itself is very precise. --Chinese Literature: Essays, Articles, Reviews
This project will result in the first complete translation (in nine volumes) of the Shih chi (The Grand Scribe's Records), one of the most important narratives in traditional China. Ssu-ma Ch'ien (145-ca. 86 BC), who compiled the work, is known as the Herodotus of China.
In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, The Great Image Has No Form explores the "nonobject"--a notion exemplified by paintings that do not seek to represent observable surroundings.
François Jullien argues that this nonobjectifying approach stems from the painters' deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted.
This book presents the major teachings of Mahāyāna Buddhism in a precise, dramatic, and even humorous form. For two millennia this sūtra, called the "jewel of the Mahāyāna Sūtras," has enjoyed immense popularity among Mahāyāna Buddhists in India, central and southeast Asia, Japan, and especially China, where its incidents were the basis for a style in art and literature prevalent during several centuries.
Robert Thurman's translation makes available, in relatively nontechnical English, the Tibetan version of this key Buddhist scripture, previously known to the English-speaking world only through translations from Chinese texts. The Tibetan version is generally conceded to be more faithful to the original Sanskrit than are the Chinese texts. The Tibetan version also is clearer, richer, and more precise in its philosophical and psychological expression. The books of the sūtra are accompanied by an introduction by Dr. Thurman and by three glossaries: Sanskrit terms, numerical categories, and technical terms.
