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Graduate Institute
Aeschylus II contains "The Oresteia," translated by Richmond Lattimore, and fragments of "Proteus," translated by Mark Griffith.
Many years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. The updated third editions of these classic works were designed to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.
In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles's satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.
In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
The present selection covers all the essential features of Ptolemy's treatment of the heavens, omitting only more difficult and abstruse matters such as the moon's motion and the calculation of eclipses. In the interest of conciseness, development of planetary theories is restricted to two planets, one inferior (Venus) and one superior (Mars).
Ptolemy's text is accompanied by extensive notes and introductions that are aimed at making the book accessible to students encountering Ptolemy for the first time. This edition is designed to provide everything needed for a one-semester course, or it can be a component of a more general course on planetary theory or history of astronomy.
This edition goes beyond others that largely leave readers to their own devices in understanding this cryptic work, by providing an entrée into the text that parallels the traditional Chinese way of approaching it: alongside Slingerland's exquisite rendering of the work are his translations of a selection of classic Chinese commentaries that shed light on difficult passages, provide historical and cultural context, and invite the reader to ponder a range of interpretations. The ideal student edition, this volume also includes a general introduction, notes, multiple appendices--including a glossary of technical terms, references to modern Western scholarship that point the way for further study, and an annotated bibliography.
Offers the most comprehensive collection of Basho's prose available, beautifully translated into English.
In Bashō's Journey, David Landis Barnhill provides the definitive translation of Matsuo Bashō's literary prose, as well as a companion piece to his previous translation, Bashō's Haiku. One of the world's greatest nature writers, Bashō (1644-1694) is well known for his subtle sensitivity to the natural world, and his writings have influenced contemporary American environmental writers such as Gretel Ehrlich, John Elder, and Gary Snyder. This volume concentrates on Bashō's travel journal, literary diary (Saga Diary), and haibun. The premiere form of literary prose in medieval Japan, the travel journal described the uncertainty and occasional humor of traveling, appreciations of nature, and encounters with areas rich in cultural history. Haiku poetry often accompanied the prose. The literary diary also had a long history, with a format similar to the travel journal but with a focus on the place where the poet was living. Bashō was the first master of haibun, short poetic prose sketches that usually included haiku.
As he did in Bashō's Haiku, Barnhill arranges the work chronologically in order to show Bashō's development as a writer. These accessible translations capture the spirit of the original Japanese prose, permitting the nature images to hint at the deeper meaning in the work. Barnhill's introduction presents an overview of Bashō's prose and discusses the significance of nature in this literary form, while also noting Bashō's significance to contemporary American literature and environmental thought. Excellent notes clearly annotate the translations.
This substantially revised new edition of Rousseau: The Basic Political Writings features a brilliant new Introduction by David Wootton, a revision by Donald A. Cress of his own 1987 translation of Rousseau's most important political writings, and the addition of Cress' new translation of Rousseau's State of ?War. New footnotes, headnotes, and a chronology by David Wootton provide expert guidance to first-time readers of the texts.
This translation by Walter Kaufmann has become the standard one, for accuracy and fidelity to the eccentricities and grace of the style of the original. The translation is based on the only edition Nietzsche himself published, and all variant reading in later editions. This volume offers an inclusive index of subjects and persons, as well as a running footnote commentary on the text.
Beyond Good and Evil is Nietzsche's first sustained philosophical treatment of issues important to him. Unlike the expository prose of the essayistic period (1872-76), the stylized forays and jabs of the aphoristic period (1878-82), and the lyrical-philosophical rhetoric of the Zarathustra-period (1882-85), Beyond Good and Evil inscribes itself boldly into the history of philosophy, challenging ancient and modern notions of philosophy's achievements and insisting on a new task for "new philosophers." This is a watershed book for Nietzsche and for philosophy in the modern era. On the Genealogy of Morality applies Nietzsche's celebrated genealogical method, honed in the earlier aphoristic writings, to the problem of morality's influence on the human species. In three treatises that strikingly anticipate insights appearing much later in Freud's Civilization and Its Discontents (1930), Nietzsche provides an anthropological psychograph of our species, revealing the origins of the concepts of good and evil, the roles played by guilt and bad conscience, and the persistence of ascetic ideals. Manifesting a hopeful yet unsentimental assessment of the human condition, these books resonated throughout the 20th century and continue to exert broad appeal.
Though best-known for his epic masterpiece Moby-Dick, Herman Melville also left a body of short stories arguably unmatched in American fiction. In the sorrowful tragedy of Billy Budd, Sailor; the controlled rage of Benito Cereno; and the tantalizing enigma of Bartleby, the Scrivener; Melville reveals himself as a singular storyteller of tremendous range and compelling power. In these stories, Melville cuts to the heart of race, class, capitalism, and globalism in America, deftly navigating political and social issues that resonate as clearly in our time as they did in Melville's. Also including The Piazza Tales in full, this collection demonstrates why Melville stands not only among the greatest writers of the nineteenth century, but also as one of our greatest contemporaries. This Penguin Classics edition features the Reading Text of Billy Budd, Sailor, as edited from a genetic study of the manuscript by Harrison Hayford and Merton M. Sealts, Jr., and the authoritative Northwestern-Newberry text of The Piazza Tales. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
vivid--while remaining solidly grounded in the nuances of meaning and
diversity of resonances present in the Hebrew text.
The result is a translation often startling in its power and insight, opening
the way to a deeper undertanding of this profound and unsettling book.
Numerous notes provide enlightening but unobtrusive explanation of many
of the translator's choices. In a separate chapter-by-chapter commentary,
Sacks offers sustained original reflection on the several characters, their
intentions, and their core beliefs.
The venerable authors of these Spiritual Classics are expert guides--
may we follow their directions home." --Archbishop Desmond Tutu Writing in the last years of the fourth century a.d., Saint Augustine of Hippo created what is at once the first true autobiography in Western literature and among the most sophisticated yet accessible theological arguments in the history of Christianity. With extraordinary candor and psychological acumen, Augustine recounts his passage from a life of sensuality, Manichaean superstition, and empty careerism to a genuine spiritual awakening, and he articulates views on marriage, morality, and faith that have shaped our discourse ever since. The Confessions allows us to appreciate both the startling modernity of Augustine's insights and the imperishable poetry of his voice. With a new Preface by MacArthur Fellow Patricia Hampl,
author of Virgin Time and A Romantic Education. In the annals of spirituality, certain books stand out both for their historical importance and for their continued relevance. The Vintage Spiritual Classics series offers the greatest of these works in authoritative new editions, with specially commissioned essays by noted contemporary commentators. Filled with eloquence and fresh insight, encouragement and solace, Vintage Spiritual Classics are incomparable resources for all readers who seek a more substantive understanding of mankind's relation to the divine.






























