Freshman Seminar, Second Semester

Euripides II contains the plays "Andromache," translated by Deborah Roberts; "Hecuba," translated by William Arrowsmith; "The Suppliant Women," translated by Frank William Jones; and "Electra," translated by Emily Townsend Vermeule. Many years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. The updated third editions of these classic works were designed to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles's satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

Thucydides called his account of two decades of war between Athens and Sparta "possession for all time, " and indeed it is the first and still most famous work in the Western historical tradition. Considered essential reading for generals, statesmen, and liberally educated citizens for more than 2,000 years, "The Peloponnesian War" is a mine of military, moral, political, and philosophical wisdom.

The Nicomachean Ethics is one of Aristotle's most widely read and influential works. Ideas central to ethics--that happiness is the end of human endeavor, that moral virtue is formed through action and habituation, and that good action requires prudence--found their most powerful proponent in the person medieval scholars simply called "the Philosopher." Drawing on their intimate knowledge of Aristotle's thought, Robert C. Bartlett and Susan D. Collins have produced here an English-language translation of the Ethics that is as remarkably faithful to the original as it is graceful in its rendering.

Aristotle is well known for the precision with which he chooses his words, and in this elegant translation his work has found its ideal match. Bartlett and Collins provide copious notes and a glossary providing context and further explanation for students, as well as an introduction and a substantial interpretive essay that sketch central arguments of the work and the seminal place of Aristotle's Ethics in his political philosophy as a whole.

The Nicomachean Ethics has engaged the serious interest of readers across centuries and civilizations--of peoples ancient, medieval, and modern; pagan, Christian, Muslim, and Jewish--and this new edition will take its place as the standard English-language translation.

An excellent new translation and commentary. It will serve newcomers as an informative, accessible introduction to the Nicomachean Ethics and to many issues in Aristotle's philosophy, but also has much to offer advanced scholars. The commentary is noteworthy for its frequent citations of relevant passages from other works in Aristotle's corpus, which often shed new light on the texts. Reeve's translation is meticulous: it hits the virtuous mean--accurate and technical, yet readable--between translation's vicious extremes of faithlessness and indigestibility.--Jessica Moss, New York University

Focus Philosophical Library's edition of Aristotle's Nicomachean Ethics is a lucid and useful translation of one of Aristotle's major works for the student of undergraduate philosophy, as well as for the general reader interested in the major works of western civilization. This edition includes notes and a glossary, intending to provide the reader with some sense of the terms and the concepts as they were understood by Aristotle's immediate audience.
Focus Philosophical Library books are distinguished by their commitment to faithful, clear, and consistent translations of texts and the rich world part and parcel of those texts.

This text is a translation of Lucretius' poem which adheres faithfully to the text, yet with poetic force, accuracy, and humanitas and includes introduction, notes, and a glossary of philosophical terms cross-referenced to use throughout the poem.

"The greatest historian that ever lived." Such was Macaulay's assessment of Thucydides (c. 460-400 BC) and his history of the Peloponnesian War, the momentous struggle between Athens and Sparta that lasted for twenty-seven years from 431 to 404 BC, involved virtually the whole of the Greek world, and ended in the fall of Athens. A participant in the war himself, Thucydides brings to his history an awesome intellect, brilliant narrative, and penetrating analysis of the nature of power, as it affects both states and individuals. Of the prose writers of the ancient world, Thucydides has had more lasting influence on western thought than all but Plato and Aristotle. This new edition combines a masterly new translation by Martin Hammond with comprehensive supporting material, including summaries of individual Books; textual notes; a comprehensive analytical index; an appendix on weights, measures and distances, money, and calendars; ten maps; an up-to-date bibliography; and an illuminating introduction by P.J. Rhodes.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Phaedrus is widely recognized as one of Plato's most profound and beautiful works. It takes the form of a dialogue between Socrates and Phaedrus and its ostensible subject is love, especially homoerotic love. Socrates reveals it to be a kind of divine madness that can allow our souls to grow wings and soar to their greatest heights. Then the conversation changes direction and turns to a discussion of rhetoric, which must be based on truth passionately sought, thus allying it to philosophy. The dialogue closes by denigrating the value of the written word in any context, compared to the living teaching of a Socratic philosopher.

The shifts of topic and register have given rise to doubts about the unity of the dialogue, doubts which are addressed in the introduction to this volume. Full explanatory notes also elucidate issues throughout the dialogue that might puzzle a modern reader.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

With a masterful sense of the place of rhetoric in both thought and practice and an ear attuned to the clarity, natural simplicity, and charm of Plato's Greek prose, James H. Nichols, Jr., offers a precise yet unusually readable translation of one of the great Platonic dialogues on rhetoric. Featuring some of Plato's most soaringly lyrical passages, the Phaedrus investigates the soul's erotic longing and its relationship to the whole cosmos, as well as inquiring into the nature of rhetoric and the problem of writing.Nichols's attention to dramatic detail brings this dialogue to life. Plato's striking variety in conversational address (names and various terms of relative warmth and coolness) is carefully reproduced, as is alteration in tone and implication even in the short responses. The translation renders references to the gods accurately and non-monotheistically for the first time, and includes a fascinating variety of oaths and invocations. Nichols believes that Plato's thought on rhetoric has been largely misunderstood, and he uses his translation as an opportunity to reconstruct the classical position on right relations between thought and public activity.

The Physics is a foundational work of western philosophy, and the crucial one for understanding Aristotle's views on matter, form, essence, causation, movement, space, and time. This richly annotated, scrupulously accurate, and consistent translation makes it available to a contemporary English reader as no other does--in part because it fits together seamlessly with other closely associated works in the New Hackett Aristotle series, such as the Metaphysics, De Anima, and forthcoming De Caelo and On Coming to Be and Passing Away. Eventually the series will include all of Aristotle's works.

Sequentially numbered endnotes provide the information most needed at each juncture, while a detailed Index of Terms indicates places where focused discussion of key notions occurs. An illuminating general Introduction describes the book that lies ahead, explaining what sort of work it is and what sorts of evidence it relies on.

This is a new translation, with introduction, commentary, and an explanatory glossary.

"Sachs's translation and commentary rescue Aristotle's text from the rigid, pedantic, and misleading versions that have until now obscured his thought. Thanks to Sachs's superb guidance, the Physics comes alive as a profound dialectical inquiry whose insights into the enduring questions about nature, cause, change, time, and the 'infinite' are still pertinent today. Using such guided studies in class has been exhilarating both for myself and my students." --Leon R. Kass, The Committee on Social Thought, University of Chicago

Aristotle's Physics is the only complete and coherent book we have from the ancient world in which a thinker of the first rank seeks to say something about nature as a whole. For centuries, Aristotle's inquiry into the causes and conditions of motion and rest dominated science and philosophy. To understand the intellectual assumptions of a powerful world view-and the roots of the Scientific Revolution-reading Aristotle is critical. Yet existing translations of Aristotle's Physics have made it difficult to understand either Aristotle's originality or the lasting value of his work.

In this volume in the Masterworks of Discovery series, Joe Sachs provides a new plain-spoken English translation of all of Aristotle's classic treatise and accompanies it with a long interpretive introduction, a running explication of the text, and a helpful glossary. He succeeds brilliantly in fulfilling the aim of this innovative series: to give the general reader the tools to read and understand a masterwork of scientific discovery.

Aristotle's much-translated On Poetics is the earliest and arguably the best treatment that we possess of tragedy as a literary form. Seth Benardete and Michael Davis have translated it anew with a view to rendering Aristotle's text into English as precisely as possible. A literal translation has long been needed, for in order to excavate the argument of On Poetics one has to attend not simply to what is said on the surface but also to the various puzzles, questions, and peculiarities that emerge only on the level of how Aristotle says what he says and thereby leads one to revise and deepen one's initial understanding of the intent of the argument. As On Poetics is about how tragedy ought to be composed, it should not be surprising that it turns out to be a rather artful piece of literature in its own right.

Benardete and Davis supplement their edition of On Poetics with extensive notes and appendices. They explain nuances of the original that elude translation, and they provide translations of passages found elsewhere in Aristotle's works as well as in those of other ancient authors that prove useful in thinking through the argument of On Poetics both in terms of its treatment of tragedy and in terms of its broader concerns. By following the connections Aristotle plots between On Poetics and his other works, readers will be in a position to appreciate the centrality of this little book for his thought on the whole.

In an introduction that sketches the overall interpretation of On Poetics presented in his The Poetry of Philosophy (St. Augustine's Press, 1999), Davis argues that, while On Poetics is certainly about tragedy, it has a further concern extending beyond poetry to the very structure of the human soul in its relation to what is, and that Aristotle reveals in the form of his argument the true character of human action.

In this, the fullest attempt in English at a sustained interpretation of Aristotle's Poetics this century, Stephen Halliwell demonstrates that the Poetics, despite its laconic brevity, contains a coherent statement of a challenging theory of poetic art, as well as hints towards a theory of mimetic art in general. He assesses this theory against the background of earlier Greek views on poetry and art, particularly Plato's; and goes further than many previous authors in setting Aristotle's ideas in the wider context of his philosophical system. The core of the book is a fresh appraisal of Aristotle's view of tragic drama, in which Halliwell contends that at the heart of the Poetics lies a philosophical urge to work out a secularized understanding of Greek tragedy.