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Philosophy
At the onset of modernity in the sixteenth century, literature and history were wrenched apart. Wlad Godzich, one of the animators of the turn toward literary theory, seeks to restore historical consciousness to criticism after a period of painful depression. In this sweeping study, he considers the emergence of the modern state, the institutions and disciplines of culture and learning, as well as the history of philosophy, the history of historiography, and literary history itself. He offers a powerful account of semiotics; an important critical perspective on narratology; a profound discussion of deconstruction; and many brief, practical demonstrations of why Kant, Hegel, and Heidegger remain essential resources for contemporary critical thought.
The culture of literacy is on the wane, Godzich argues. Throughout the modern period, language has been the institution that provided the condition of possibility for all other institutions, from university to church to state. But the pervasive crisis of meaning we now experience is the result of a shift in the modes of production of knowledge. The culture of literacy has been faced with transformations it cannot accommodate, and the existing organization of knowledge has been challenged. By wedding literature to a reflective practice of history, Godzich leads us toward a critique of political reason, and a profound sense of how postmodernity can overcome by deftly sidestepping the modern. This book will bring to a wider audience the work of a writer who is recognized as one of the most commanding figures of his generation for range, learning, and capacity for innovation.Everyone's a cynic, yet few will admit it. Today's cynics excuse themselves half-heartedly--"I hate to be a cynic, but...--before making their pronouncements. Narrowly opportunistic, always on the take, contemporary cynicism has nothing positive to contribute. The Cynicism of the ancient Greeks, however, was very different. This Cynicism was a marginal philosophy practiced by a small band of eccentrics. Bold and shameless, it was committed to transforming the values on which civilization depends. In this volume of the MIT Press Essential Knowledge series, Ansgar Allen charts the long history of cynicism, from the "fearless speech" of Greek Cynics in the fourth century BCE to the contemporary cynic's lack of social and political convictions.
Allen describes ancient Cynicism as an improvised philosophy and a way of life disposed to scandalize contemporaries, subjecting their cultural commitments to derision. He chronicles the subsequent "purification" of Cynicism by the Stoics; Renaissance and Enlightenment appropriations of Cynicism, drawing on the writings of Shakespeare, Rabelais, Rousseau, de Sade, and others; and the transition from Cynicism (the philosophy) to cynicism (the modern attitude), exploring contemporary cynicism from the perspectives of its leftist, liberal, and conservative critics. Finally, he considers the possibility of a radical cynicism that admits and affirms the danger it poses to contemporary society.
In The Death Algorithm and Other Digital Dilemmas, Roberto Simanowski wonders if we are on the brink of a society that views social, political, and ethical challenges as technological problems that can be fixed with the right algorithm, the best data, or the fastest computer. For example, the "death algorithm " is programmed into a driverless car to decide, in an emergency, whether to plow into a group of pedestrians, a mother and child, or a brick wall. Can such life-and-death decisions no longer be left to the individual human?
In these incisive essays, Simanowski asks us to consider what it means to be living in a time when the president of the United States declares the mainstream media to be an enemy of the people--while Facebook transforms the people into the enemy of mainstream media. Simanowski describes smartphone zombies (or "smombies") who remove themselves from the physical world to the parallel universe of social media networks; calls on Adorno to help parse Trump's tweeting; considers transmedia cannibalism, as written text is transformed into a postliterate object; compares the economic and social effects of the sharing economy to a sixteen-wheeler running over a plastic bottle on the road; and explains why philosophy mat become the most important element in the automotive and technology industries.
From the bestselling coauthor of Wittgenstein's Poker, a fascinating account of Peter Singer's controversial "drowning child" thought experiment--and how it changed the way people think about charitable giving
Imagine this: You're walking past a shallow pond and spot a toddler thrashing around in the water, in obvious danger of drowning. You look around for her parents, but nobody is there. You're the only person who can save her and you must act immediately. But as you approach the pond you remember that you're wearing your most expensive shoes. Wading into the water will ruin them--and might make you late for a meeting. Should you let the child drown? The philosopher Peter Singer published this thought experiment in 1972, arguing that allowing people in the developing world to die, when we could easily help them by giving money to charity, is as morally reprehensible as saving our shoes instead of the drowning child. Can this possibly be true? In Death in a Shallow Pond, David Edmonds tells the remarkable story of Singer and his controversial idea, tracing how it radically changed the way many think about poverty--but also how it has provoked scathing criticisms. Death in a Shallow Pond describes the experiences and world events that led Singer to make his radical case and how it moved some young philosophers to establish the Effective Altruism movement, which tries to optimize philanthropy. The book also explores the reactions of critics who argue that the Shallow Pond and Effective Altruism are unrealistic, misguided, and counterproductive, neglecting the causes of--and therefore perpetuating--poverty. Ultimately, however, Edmonds argues that the Shallow Pond retains the power to shape how we live in a world in which terrible and unnecessary suffering persists.Arriving at a critical juncture in history--especially in the United States, one of the last Christian-inspired democracies to resist abolition--The Death Penalty is both a timely response to an important ethical debate and a timeless addition to Derrida's esteemed body of work.
From the author of the #1 New York Times bestseller On Bullshit, a landmark account of Descartes, reason, and truth
In this classic work, philosopher and bestselling author Harry Frankfurt provides a compelling analysis of the question that not only lies at the heart of Descartes's Meditations, but also constitutes the central preoccupation of modern philosophy: on what basis can reason claim to provide any justification for the truth of our beliefs? Demons, Dreamers, and Madmen provides an ingenious account of Descartes's defense of reason against his own famously skeptical doubts that he might be a madman, dreaming, or, worse yet, deceived by an evil demon into believing falsely. Frankfurt's masterful and imaginative reading of Descartes's seminal work not only stands the test of time; one imagines Descartes himself nodding in agreement.Deontology brings together some of the most significant philosophical work on ethics, presenting canonical essays on core questions in moral philosophy. Edited and introduced by Stephen Darwall, these readings are essential for anyone interested in normative theory.
"[A] magnificent work . . . that will definitely shape the discussion on Derrida for years to come." --Rodolphe Gasché
What is the nature of the relationship of Jacques Derrida and deconstruction to Edmund Husserl and phenomenology? Is deconstruction a radical departure from phenomenology or does it trace its origins to the phenomenological project? In Derrida and Husserl, Leonard Lawlor illuminates Husserl's influence on the French philosophical tradition that inspired Derrida's thought. Beginning with Eugen Fink's pivotal essay on Husserl's philosophy, Lawlor carefully reconstructs the conceptual context in which Derrida developed his interpretation of Husserl. Lawlor's investigations of the work of Jean Cavaillès, Tran-Duc-Thao, and Jean Hyppolite, as well as recent texts by Derrida, reveal the depth of Derrida's relationship to Husserl's phenomenology. Along the way, Lawlor revisits and sheds light on the origin of many important Derridean concepts, such as deconstruction, the metaphysics of presence, différance, intentionality, the trace, and spectrality.
Jacques Derrida and Jürgen Habermas have long represented opposite camps in contemporary thought. Derrida, who pioneered the intellectual style of inquiry known as deconstruction, ushered in the postmodern age with his dramatic critique of reason; Habermas, on the other hand, has consistently argued in defense of reason, modernity, and the legacy of the Enlightenment. Their many differences led to a long-standing, if scattered, dialogue, evidence of which has been available in only bits and pieces. But now, for the first time, TheDerrida-Habermas Reader brings these pieces together, along with a collection of essays documenting the intellectual relationship between two of the twentieth century's preeminent thinkers.
Taken together, Derrida and Habermas's writings--combined here with contributions by other prominent philosophers and social theorists--tell the story of the two thinkers' provocative engagement with each other's ideas. Beyond exploring the conflict between Derrida's deconstruction and Habermas's communicative rationality, they show how the Derrida-Habermas encounter changed over the years, becoming more theoretically productive without ever collapsing into mutual rejection or simple compromise. Lasse Thomassen has divided the essays--including works on philosophy and literature, ethics, politics, and international law--into four parts that cover the full range of thought in which Derrida and Habermas engaged. The last of these sections fittingly includes the thinkers' jointly signed work on European solidarity and the Iraq War, highlighting the hopes they held in common despite their differences. The wide breadth of this book, along with Thomassen's lucid introductions to each section, makes The Derrida-Habermas Reader an ideal starting point for anyone interested in one of the most dynamic intellectual debates of our time.In Detour and Access, François Jullien investigates the subtlety, strategy, and production of meaning in ancient and modern Chinese aesthetic texts and political events. Moving between the rhetorical traditions of ancient Greece and China, Jullien attempts no simple comparison between these two civilizations. Rather, he uses the perspective provided by each to gain access to one culture considered all too strange -- "It's all Chinese to me" -- and to another whose strangeness has been eclipsed by the assumption of its essential familiarity and originary position in Western civilization.
In Detour and Access, Jullien rereads the major texts and authors of Chinese thought -- The Book of Songs, Confucius's Analects, Mencius, and Lao Tse. He addresses the question of oblique, indirect, and allusive meaning in order to explore how literary and political techniques of detour give access to a world of symbolization and truth not characterized by simple modes of mimetic representation and static essentialism. Working indirectly, favoring the allusive expression over the direct one, the Chinese art of meaning appears as a complex mode of indication, open to multiple perspectives and variations, infinitely adaptable to situations and contexts. Concentrating on what is not said, or what is only conveyed through other means -- such as the distancing produced by allusive poetic and political motifs -- Jullien traces the ideological and aesthetic benefits and costs of a rhetorical strategy that lacks a fixed ontological perspective and absolute truth. Illuminating in its close textual readings, provocative and sophisticated in its theoretical insights and political analyses, Detour and Access provides a necessary refinement of ways of thinking about Chinese strategies of meaning as yet unanalyzed in the Western world.For more than forty years, Gianni Vattimo, one of Europe's most important and influential philosophers, has been a leading participant in the postwar turn that has brought Nietzsche back to the center of philosophical enquiry. In this collection of his essays on the subject, which is a dialogue both with Nietzsche and with the Nietzschean tradition, Vattimo explores the German philosopher's most important works and discusses his views on the Ubermensch, time, history, truth, hermeneutics, ethics, and aesthetics. He also presents a different, more "Italian" Nietzsche, one that diverges from German and French characterizations. Many contemporary French and poststructuralist philosophers offer literary or aesthetic readings of Nietzsche's work that downplay its political import. Shaped by the revolutionary tradition of 1968, Vattimo's interpretations take Nietzsche seriously as a political philosopher and argue for and defend his relevance to projects for social and political change. He emphasizes the hermeneutic aspect of Nietzsche's philosophy, characterizing the Nietzschean project as a political hermeneutics.
Vattimo also grapples with Heidegger, a philosopher who has had a profound influence on the interpretation and understanding of Nietzsche. Vattimo examines Heidegger's philosophy through its complex relationship to Nietzsche's, and he produces a Heideggerian understanding of Nietzsche that paradoxically goes against Heidegger's own readings of Nietzsche's work. Heidegger believed Nietzsche was the ultimate metaphysician; Vattimo sees him as the founder of postmetaphysical philosophy. Throughout these essays, Vattimo draws on and quotes extensively from fragments in Nietzsche's notebooks, many of which have never before been translated into English. His writing is clear, elegant, and accessible, and, for the first time, Vattimo's own intellectual developments, shifts, and continuities can be clearly discerned. The loyal testimony and unique perspective in Dialogue with Nietzsche makes a convincing case for another orientation in Nietzsche scholarship.The first complete English translation of the Dialogues, a rediscovered companion to the Analects
Labeled a forgery and ignored for centuries, the Dialogues of Confucius was nevertheless preserved and passed down through the generations, purportedly a companion to the Analects. Recent archaeological finds and renewed analysis now suggest that the Dialogues can be accepted as authentic and that it accurately represents the thinking of Confucius on a wide array of topics. In this book, Brian Bruya and Wenwen Li offer the first complete translation of the text into English as well as a detailed introduction discussing Confucian philosophy, the history of the text, and the debates around its authenticity. This new translation shows that the Dialogues deserves a rightful place next to the Analects. In the Dialogues, as in the Analects, Confucius converses with his students and local potentates. The topics range from education to social norms to cosmology, and from cultivating individual virtues to instituting a meritocratic government. As Bruya and Li argue, the main value of the Dialogues lies in its many philosophical clarifications and elaborations. At its core, it offers a valuable resource for understanding Confucius, his interactions with his students, and his philosophy. Each chapter includes both the original Chinese text and the English translation. The introduction includes a philosophical lexicon, and a 600-entry glossary at the end of the book provides context from the time of Confucius, enabling readers to understand how Confucius viewed his place in the world."There are only four or five who maintain the dictator... not the six thousand but a hundred thousand, and even millions, cling to the tyrant by this cord to which they are tied."
Tyranny is not imposed; it is invited. La Boétie maps how power metastasizes through favors, flattery, and fear--how millions bend the knee so a few can rise. A cold, lucid anatomy of submission, and a quiet, devastating call to end it.





























