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Nature
Archetypal wild man Edward Abbey and proper, dedicated Wallace Stegner left their footprints all over the western landscape. Now, award-winning nature writer David Gessner follows the ghosts of these two remarkable writer-environmentalists from Stegner's birthplace in Saskatchewan to the site of Abbey's pilgrimages to Arches National Park in Utah, braiding their stories and asking how they speak to the lives of all those who care about the West.
These two great westerners had very different ideas about what it meant to love the land and try to care for it, and they did so in distinctly different styles. Boozy, lustful, and irascible, Abbey was best known as the author of the novel The Monkey Wrench Gang (and also of the classic nature memoir Desert Solitaire), famous for spawning the idea of guerrilla actions--known to admirers as "monkeywrenching" and to law enforcement as domestic terrorism--to disrupt commercial exploitation of western lands. By contrast, Stegner, a buttoned-down, disciplined, faithful family man and devoted professor of creative writing, dedicated himself to working through the system to protect western sites such as Dinosaur National Monument in Colorado.
In a region beset by droughts and fires, by fracking and drilling, and by an ever-growing population that seems to be in the process of loving the West to death, Gessner asks: how might these two farseeing environmental thinkers have responded to the crisis?
Gessner takes us on an inspiring, entertaining journey as he renews his own commitment to cultivating a meaningful relationship with the wild, confronting American overconsumption, and fighting environmental injustice--all while reawakening the thrill of the words of his two great heroes.
An Inconvenient Truth--Gore's groundbreaking, battle cry of a follow-up to the bestselling Earth in the Balance--is being published to tie in with a documentary film of the same name. Both the book and film were inspired by a series of multimedia presentations on global warming that Gore created and delivers to groups around the world. With this book, Gore, who is one of our environmental heroes--and a leading expert--brings together leading-edge research from top scientists around the world; photographs, charts, and other illustrations; and personal anecdotes and observations to document the fast pace and wide scope of global warming. He presents, with alarming clarity and conclusiveness--and with humor, too--that the fact of global warming is not in question and that its consequences for the world we live in will be disastrous if left unchecked. This riveting new book--written in an accessible, entertaining style--will open the eyes of even the most skeptical.
From the acclaimed author of Theft "A lyrical exploration of the timeless themes of nature, mortality, love, and family" in the American West (Kristen Iverson, author of Full Body Burden).
"Radical, before it meant a person who advocates strong political reform, meant getting to the root of things, the origin. It comes from the Latin radix, radicis, meaning radish, a root vegetable." --BK Loren
These meditative essays range in subject from a transcendental encounter with a pack of coyotes to the irony of a neighbor's claim that nature "has gone out of vogue"; from a mother's slow deterioration from Parkinson's disease to the unexpected way the Loma Prieta earthquake eroded the author's depression by offering her a sense of her small place in our wild and worthwhile world.
Award-winning writer and naturalist BK Loren takes an empathetic and gentle approach to the intricacies of human relationships and the nature of consciousness. Fear of death and time, cooperation born of clashing viewpoints, the beauty of tradition even when it's destructive, a love of language, a sense of loss amid the fast-paced materialistic world--through each of these subjects and more, Loren peels back the layers of her own life, revealing what it means to be a human being in these often inhumane times.
Elena Passarello is an actor, a writer, and recipient of a 2015 Whiting Fellowship in nonfiction. Her first collection with Sarabande Books, Let Me Clear My Throat, won the gold medal for nonfiction at the 2013 Independent Publisher Awards. She lives in Corvallis, Oregon.
The Pulitzer Prize-winning view of the continent, across the fortieth parallel and down through 4.6 billion years
Twenty years ago, when John McPhee began his journeys back and forth across the United States, he planned to describe a cross section of North America at about the fortieth parallel and, in the process, come to an understanding not only of the science but of the style of the geologists he traveled with. The structure of the book never changed, but its breadth caused him to complete it in stages, under the overall title Annals of the Former World. Like the terrain it covers, Annals of the Former World tells a multilayered tale, and the reader may choose one of many paths through it. As clearly and succinctly written as it is profoundly informed, this is our finest popular survey of geology and a masterpiece of modern nonfiction. Annals of the Former World is the winner of the 1999 Pulitzer Prize for Nonfiction.2013 Orion Book Award Winner
2013 Sigurd F. Olson Nature Writing Award Winner
Ours is not a stable planet. It is prone to sudden, violent natural disasters and extremes of climate. In this exhilarating exploration of our globe, Craig Childs goes to where the apocalypse can be seen now. From the driest deserts of Chile, through the genetic wasteland of central Iowa, to the site of the drowned land bridge of the Bering Sea, he uncovers cataclysms that tell us what could be next: forthcoming ice ages, super volcanoes, and the conclusion of planetary life cycles. Childs delivers a sensual feast in his descriptions of the natural world, and undeniable science that reveals both the earth's strengths and frailties. Bearing witness to the planet's sweeping and perilous changes, he shows how we can alter the future, and how the world will live on, though humans may not survive to see it.
David Abram's first book, The Spell of the Sensuous has become a classic of environmental literature. Now he returns with a startling exploration of our human entanglement with the rest of nature.
As the climate veers toward catastrophe, the innumerable losses cascading through the biosphere make vividly evident the need for a metamorphosis in our relation to the living land. For too long we've ignored the wild intelligence of our bodies, taking our primary truths from technologies that hold the living world at a distance. Abram's writing subverts this distance, drawing readers ever closer to their animal senses in order to explore, from within, the elemental kinship between the human body and the breathing Earth. The shape-shifting of ravens, the erotic nature of gravity, the eloquence of thunder, the pleasures of being edible: all have their place in this book.For some people, even prison cannot shut out the natural world.
A teacher and family man incarcerated in Arizona State Prison--the result of a transgression that would cost him a dozen years of his life--Ken Lamberton can see beyond his desert walls. In essays that focus on the natural history of the region and on his own personal experiences with desert places, the author of the Burroughs Medal-winning book Wilderness and Razor Wire takes readers along as he revisits the Southwest he knew when he was free, and as he makes an inner journey toward self-awareness. Whether considering the seemingly eternal cacti or the desolate beauty of the Pinacate, he draws on sharp powers of observation to re-create what lies beyond his six-by-eight cell and to contemplate the thoughts that haunt his mind as tenaciously as the kissing bugs that haunt his sleep.
Ranging from prehistoric ruins on the Colorado Plateau to the shores of the Sea of Cortez, these writings were begun before Wilderness and Razor Wire and serve as a prequel to it. They seamlessly interweave natural and personal history as Lamberton explores caves, canyons, and dry ponds, evoking the mysteries and rhythms of desert life that elude even the most careful observers. He offers new ways of thinking about how we relate to the natural world, and about the links between those relationships and the ones we forge with other people. With the assurance of a gifted writer, he seeks to make sense of his own place in life, crafting words to come to terms with an insanity of his own making, to look inside himself and understand his passions and flaws.
Whether considering rattlesnakes of the hellish summer desert or the fellow inmates of his own personal hell, Lamberton finds meaningful connections--to his crime and his place, to the people who remained in his life and those who didn't. But what he reveals in Beyond Desert Walls ultimately arises from language itself: a deep, and perhaps even frightening, understanding of a singular human nature.
Why birds are smarter than we think
Birds have not been known for their high IQs, which is why a person of questionable intelligence is sometimes called a birdbrain. Yet in the past two decades, the study of avian intelligence has witnessed dramatic advances. From a time when birds were seen as simple instinct machines responding only to stimuli in their external worlds, we now know that some birds have complex internal worlds as well. This beautifully illustrated book provides an engaging exploration of the avian mind, revealing how science is exploding one of the most widespread myths about our feathered friends--and changing the way we think about intelligence in other animals as well. Bird Brain looks at the structures and functions of the avian brain, and describes the extraordinary behaviors that different types of avian intelligence give rise to. It offers insights into crows, jays, magpies, and other corvids--the "masterminds" of the avian world--as well as parrots and some less-studied species from around the world. This lively and accessible book shows how birds have sophisticated brains with abilities previously thought to be uniquely human, such as mental time travel, self-recognition, empathy, problem solving, imagination, and insight. Written by a leading expert and featuring a foreword by Frans de Waal, renowned for his work on animal intelligence, Bird Brain shines critical new light on the mental lives of birds.Birds of Prey of the West and its companion volume, Birds of Prey of the East, are the most comprehensive and authoritative field guides to North American birds of prey ever published. Written and lavishly illustrated with stunning, lifelike paintings by leading field-guide illustrator, photographer, and author Brian Wheeler, the guides depict an enormous range of variations of age, sex, color, and plumage, and feature a significant amount of plumage data that has never been published before. The painted figures illustrate plumage and species comparisons in a classic field-guide layout. Each species is shown in the same posture and from the same viewpoint, which further assists comparisons. Facing-page text includes quick-reference identification points and brief natural history accounts that incorporate the latest information. The range maps are exceptionally accurate and much larger than those in other guides. They plot the most up-to-date distribution information for each species and include the location of cities for more accurate reference. Finally, the guides feature color habitat photographs next to the maps. The result sets a new standard for guides to North America's birds of prey.
The finest, most lavishly illustrated photographic guide to the birds of western North America
Combining informative and accessible text, up-to-date maps, and--above all--stunning color photographs, this is the best and most lavishly illustrated photographic guide to the birds of western North America. All of the images have been carefully selected to convey both the sheer beauty and the key identification features of each bird, and many of the photos are larger than those found in other guides. Wherever possible, a variety of plumages are pictured, providing visual coverage and usefulness matching any artwork-illustrated field guide. And many of the images are state-of-the-art digital photographs by Brian Small, one of North America's finest bird photographers. These pictures, many seen here for the first time, reproduce a previously unimaginable level of detail. Finally, the ranges of nearly all species are shown on maps from the Cornell Laboratory of Ornithology, the authority on North American birding. New and experienced birders alike will find this guide indispensable: the clear layout will help novices easily identify the birds they see, while the superb photographs will help seasoned birders confirm identifications.What draws us to the beauty of a peacock, the flight of an eagle, or the song of a nightingale? Why are birds so significant in our lives and our sense of the world? And what do our ways of thinking about and experiencing birds tell us about ourselves? Birdscapes is a unique meditation on the variety of human responses to birds, from antiquity to today, and from casual observers to the globe-trotting twitchers who sometimes risk life, limb, and marriages simply to add new species to their life lists.
Drawing extensively on literature, history, philosophy, and science, Jeremy Mynott puts his own experiences as a birdwatcher in a rich cultural context. His sources range from the familiar--Thoreau, Keats, Darwin, and Audubon--to the unexpected--Benjamin Franklin, Giacomo Puccini, Oscar Wilde, and Monty Python. Just as unusual are the extensive illustrations, which explore our perceptions and representations of birds through images such as national emblems, women's hats, professional sports logos, and a Christmas biscuit tin, as well as classics of bird art. Each chapter takes up a new theme--from rarity, beauty, and sound to conservation, naming, and symbolism--and is set in a new place, as Mynott travels from his home patch in Suffolk, England, to his away patch in New York City's Central Park, as well as to Russia, Australia, and Greece.
Conversational, playful, and witty, Birdscapes gently leads us to reflect on large questions about our relation to birds and the natural world. It encourages birders to see their pursuits in a broader human context--and it shows nonbirders what they may be missing.
A Washington Post Bestseller
Named a "Best Essay Collection of the Decade" by Literary Hub As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on "a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise" (Elizabeth Gilbert). Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings--asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass--offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.
A personal exploration of wildness, territory, and the elusive nature of our lives
In this concise, richly contemplative book, Gary Thorp records his singularquest to see a mountain lion, or cougar--the "cat of one color"-- in the wild hills and mountains of northern California, where he lives. Using the traditional form of Japanese writing known as nikki bungaku (literary diary), Thorp recounts his meditations and adventures, from taking a one-day class on tracking animals, to visiting a mountain lion in the zoo, to his numerous forays into the hills during the day and night. The pursuit of one thing invariably leads him to discover many others: The tracks of a solitary mountain lion, for example, evoke a marvelous world of photographic imagery, literary events, dancing foxes, ocean voyages, and blind poets, all gathered together just beyond the limits of human vision. Thorp explores what it means to seek something you might not find and ponders the difference between seeing only darkness and being blind, offering as well bright glimpses into the Zen tradition. Combining an elusive and challenging pursuit with a centuries-old way of uncovering life's ultimate answers, Caught in Fading Light will give readers a new way of seeing, and will captivate nature lovers and Zen practitioners alike.
The Firmament of Time (1960), a lyrical and meditative tour de force, looks back at the many ways in which the sciences have been shaped by the changing cultures in which they developed. Examining the role of metaphor in scientific thought, anticipations of scientific discoveries in the works of poets and novelists, and the "unconscious conformity" of scientific theory to prevailing orthodoxies, Eiseley argues provocatively for the ongoing relevance to scientific progress of dreams, the imagination, and the irrational. In his wide-ranging collection The Unexpected Universe (1969), Eiseley turns to the theme of the voyage of discovery: accounts of the mythical and historic journeys of Odysseus, Captain Cook, and Darwin frame his own more modest wanderings in the environs of Philadelphia. Sometimes he travels no farther than the local dump: and yet, like Homer's hero or these great explorers, he continually finds a universe "not only queerer than we suppose, but queerer than we can suppose." As an added feature, this volume presents a selection of Eiseley's uncollected prose, including early autobiographical sketches, vivid and haunting entries from his private notebooks, and his 1957 lecture "Neanderthal Man and the Dawn of Human Paleontology." A companion volume presents The Invisible Pyramid (1970), The Night Country (1971), and the essays gathered after his death in The Star Thrower (1978). LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
One of The Economist's Best Books of the Year
From the bestselling author of Oracle Bones and River Town comes the final book in his award-winning trilogy on the human side of the economic revolution in China.
Peter Hessler, whom the Wall Street Journal calls one of the Western world's most thoughtful writers on modern China, deftly illuminates the vast, shifting landscape of a traditionally rural nation that, having once built walls against foreigners, is now building roads and factory towns that look to the outside world.
In the mode of her bestseller A Natural History of the Senses, Diane Ackerman celebrates the sensory pleasures of her garden through the seasons. Whether she is deadheading flowers or glorying in the profusion of roses, offering sugar water to a hummingbird or studying the slug, she welcomes the unexpected drama and extravagance as well as the sanctuary her garden offers.
Written in sensuous, lyrical prose, Cultivating Delight is a hymn to nature and to the pleasure we take in it.
--San Francisco Chronicle For centuries, blood feeders have inhabited our nightmares and horror stories, as well as the shadowy realms of scientific knowledge. In Dark Banquet, zoologist Bill Schutt takes us on a fascinating voyage into the world of some of nature's strangest creatures-the sanguivores. Using a sharp eye and mordant wit, Schutt makes a remarkably persuasive case that blood feeders, from bats to bedbugs, are as deserving of our curiosity as warmer and fuzzier species are-and that many of them are even worthy of conservation. Enlightening and alarming, Dark Banquet peers into a part of the natural world to which we are, through our blood, inextricably linked. "Dark Banquet is an amazing account of all those creatures that most of us consider really creepy! But author Bill Schutt doesn't, and actually embraces these critters and their bloodthirsty lifestyles. It's great to see such wonderful animal research in a reader-friendly form. After finishing the book, you'll have a lot to discuss at your next dinner party!"
--Jack Hanna, director emeritus, Columbus Zoo, and host of television's Emmy Award--winning series Into the Wild "[A] passionate defense of bloodsuckers from the leech to the candiru."
--Discover
At the crossroads of philosophy and science, the sometimes-dry topics of evolution and ecology come alive in this new collection of essays--many never before anthologized. Learn how technology may be a sort of second nature, how the systemic human fungus Candida albicans can lead to cravings for carrot cake and beer, how the presence of life may be why there's water on Earth, and many other fascinating facts.
The essay "Metametazoa" presents perspectives on biology in a philosophical context, demonstrating how the intellectual librarian, pornographer, and political agitator Georges Bataille was influenced by Russian mineralogist Vladimir Vernadsky and how this led to his notion of the absence of meaning in the face of the sun--which later influenced Jacques Derrida, thereby establishing a causal chain of influence from the hard sciences to topics as abstract as deconstruction and post-modernism.
In "Spirochetes Awake" the bizarre connection between syphilis and genius in the life of Friedrich Nietzsche is traced. The astonishing similarities of the Acquired-Immune-Deficiency-Syndrome symptoms with those of chronic spirochete infection, it is argued, contrast sharply with the lack of evidence that "HIV is the cause of AIDS." Throughout these readings we are dazzled by the intimacy and necessity of relationships between us and our other planetmates. In our ignorance as "civilized" people we dismiss, disdain, and deny our kinship with the only productive life forms that sustain this living planet.
--PACIFIC STANDARD "Abbey's self-claimed country, Irvine says, is at risk for exactly the reasons he said it would be: greed, gasoline, and a gaping well of apathy. Preserving wilderness is even more important now than it was half a century ago, but the stakes aren't as simple as he set them out to be. Desert Cabal has riled up some Abbey fans, but that's exactly what makes it an important read."
--OUTSIDE "A lyrical and raw conversation between Irvine and Abbey that is part tribute, part memoir, and part polemic. It'll get you thinking about the state of the desert, the fate of the wilderness movement and the actions we all need to take to save the places we love (including leaving them alone)."
--ADVENTURE JOURNAL "With humor, wisdom and a sense of urgency, Irvine uses Desert Solitaire as a jumping off point to assess the current state of the world, to expose the very human error of the literary heroes on dusty pedestals, and to reinsert many of us back into the narrative... No matter your feelings about Edward Abbey, Irvine's Desert Cabal adds necessary depth to the dialogue. Many of us have been waiting years for that."
--ALBUQUERQUE ALIBI "While Irvine shares the love Abbey, who died in 1989, had for Utah's public lands, she contends some views and sentiments from his time need to be challenged. She points out privileges Abbey enjoyed as a white male; she questions his use of 'Abbey's country.' From Abbey's first morning in the desert to his tale of a snake that guarded his campsite, Irvine questions and compares their experiences, including their failed marriages."
--THE SALT LAKE TRIBUNE "The Abbey whom Irvine is talking to is neither the author himself nor a corpse; he's a literary ghost, one that has been living inside herself ever since she fell for his writing."
--CATALYST "Fierce and clear--Irvine's book effectively confronts the ritual of veneration and brings the reader closer to appreciating Abbey's work in a more constructive, relevant and productive frame than what has been allowed in the last five decades."
--THE UTAH REVIEW "This iconoclastic inner discussion with her predecessor, Abbey, is fascinating--wherein Irvine challenges Abbey to consider his myopic, privileged perspective without failing in her deference for his attempt to raise consciousness of an entire generation prior."
--SLUG MAGAZINE "At once intimate and expansive...a reminder that individuals, even titans like Abbey, can only do so much to save the 'best places.' It really does take a village (or cabal)."
--TELLURIDE INSIDE AND OUT "A lyrical, raw and vulnerable conversation."
--TELLURIDE DAILY PLANET "The news Irvine breaks graveside is that the world, and specifically 'Abbey's country, ' has changed... and there's no telling where [Abbey's] sentiments would place him in a landscape that now includes Standing Rock and Black Lives Matter, a generation of female activists and the #MeToo movement."
--SANTA FE REPORTER "Irvine gradually builds to a ringing conclusion, stating simply and clearly that wilderness lovers 'need intimacy with people every bit as much as with place' and that 'going it alone is a failure of contribution and compassion.'"
--PUBLISHERS WEEKLY "While an admirer of Abbey, Irvine illuminates his dated attitudes as she writes a love letter to the Utah desert. This brief series of essays will be enjoyed by those who treasure the desert, environmental activists, and fans of Desert Solitaire."
--LIBRARY JOURNAL "A grief-stricken, heart-hopeful, soul song to the American Desert, a wail, a keening, a rant, a scolding, a tumult, a prayer, an aria, and a call to action. Amy Irvine implores us to trade in our solitude for solidarity, to recognize ourselves in each other and in the places we love, so that we might come together to save them. In this time of all out war being waged on America's Public Lands, I'm glad she's on my side."
--PAM HOUSTON, author of Contents May Have Shifted "Amy Irvine is Ed Abbey's underworld, her roots reaching into the dark, hidden water. In a powerful, dreamlike series of essays, she lays Desert Solitaire bare, looking back at the man who wrote the book and the desert left behind. This stream of consciousness, this conversation, this broadside is an alternate version of Abbey's country. It is another voice in the wilderness."
--CRAIG CHILDS, author of Atlas of a Lost World and Apocalyptic Planet
"Ed Abbey's rise to sainthood has been a bit awkward: here is an earth hero who guzzles gas in search of his personal Eden, a champion of the underdog who snubs Mexican and Native people, an anarchist rabble-rouser who utters not a peep about his perch atop the patriarchy. Finally someone--and it could be no better iconoclast than Amy Irvine--wrassles him off the pedestal back down to the red dirt where he belongs. Half riot, half tribute, this is a roadmap through a crisis that neither Abbey nor any of us imagined."
--MARK SUNDEEN, author of The Man Who Quit Money and The Unsettlers "If you've ever talked back to the canonical tomes of the environmental movement, this is a book for you. Here are the women, the people, the children, and the intimate dangers those old books so frequently erased. Here is a new and necessary ethic that might help us more openly love the land and the many living beings who share it. I found myself nodding--Yes! Yes! Thank you!--on nearly every page of Desert Cabal."
--CAMILLE T. DUNGY, author of Guidebook to Relative Strangers: Journeys into Race, Motherhood and History and editor of Black Nature: Four Centuries of African American Nature Poetry
* Strategies for comfort, safety, and survival in extreme conditions
* Selecting gear and equipment for this special environment Like any desert aficionado, Bruce Grubbs is obsessed with water: how much to bring, how to carry it, how to conserve it, and how to find it in the backcountry. But desert exploration involves much more. Grubbs provides the knowledge and skills you need to move through this landscape with confidence. In addition to hiking and mountain biking advice, Grubbs tells how to prepare your vehicle for remote desert roads and how to avoid getting stuck in sand or busting a tire. He discusses navigating in the desert, "dry camping" skills, and techniques for minimum impact on this starkly beautiful but fragile environment. There are tips for dealing with desert heat -- and cold -- and other challenges (sharp spiny plants and venomous snakes are easy to avoid with a little preparation and know-how). But just in case, Grubbs troubleshoots the worst-case scenarios. Throughout, he gives an understanding of desert climate and seasons, and the unique plants and creatures at home in it.