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Style & Grammar
"Academic English" focuses on enhancing undergraduate students' English language proficiency in the university context. It is intended for students who are in their first year at university. It aims to help students bridge the gap between secondary school study and study at an English-medium university. Students are introduced to the skills needed to understand and produce common undergraduate academic texts such as reports, essays and tutorial discussions. This will help them to participate more effectively in their first-year university studies in English, thereby enriching their first-year experience.
"Karr is a national treasure--that rare genius who's also a brilliant teacher. This joyful celebration of memoir packs transcendent insights with trademark hilarity. Anyone yearning to write will be inspired, and anyone passionate to live an examined life will fall in love with language and literature all over again. " -- George Saunders
Credited with sparking the current memoir explosion, Mary Karr's The Liars' Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well.
For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and "black belt sinner," providing a unique window into the mechanics and art of the form that is as irreverent, insightful, and entertaining as her own work in the genre.
Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers' experience, The Art of Memoir lays bare Karr's own process. (Plus all those inside stories about how she dealt with family and friends get told-- and the dark spaces in her own skull probed in depth.) As she breaks down the key elements of great literary memoir, she breaks open our concepts of memory and identity, and illuminates the cathartic power of reflecting on the past; anybody with an inner life or complicated history, whether writer or reader, will relate.
Joining such classics as Stephen King's On Writing and Anne Lamott's Bird by Bird, The Art of Memoir is an elegant and accessible exploration of one of today's most popular literary forms--a tour de force from an accomplished master pulling back the curtain on her craft.
The style of the Associated Press is the gold standard for news writing. With "The AP Stylebook" in hand, you can learn how to write and edit with the clarity and professionalism for which they are famous. Fully revised and updated, this new edition contains more than 3,000 A to Z entries including more than 200 new ones detailing the AP s rules on grammar, spelling, punctuation, capitalization, abbreviation, and word and numeral usage. You ll find answers to such wide-ranging questions as: . When should the names of government bodies be spelled out and when should they be abbreviated?. What are the general definitions of the major religious movements?. Which companies do the big media conglomerates own?. Who are all the members of the British Commonwealth?. How should box scores for baseball games be filed?. What constitutes fair use ?. What exactly does the Freedom of Information Act cover?With invaluable additional sections on the unique guidelines for business and sports reporting and on how you can guard against libel and copyright infringement, "The AP Stylebook" is the one reference that all writers, editors, and students cannot afford to be without."
ATTACK OF THE COPULA SPIDERS AND OTHER ESSAYS ON WRITING
BEHIND THE BOOK: ELEVEN AUTHORS ON THEIR PATH TO PUBLICATION
Behind the Book explores how eleven contemporary first-time authors, in genres ranging from post-apocalyptic fiction to young adult fantasy to travel memoir, navigated these pathways with their debut works. Based on extensive interviews with the authors, it covers the process of writing and publishing a book from beginning to end, including idea generation, developing a process, building a support network, revising the manuscript, finding the right approach to publication, building awareness, and ultimately moving on to the next project. It also includes insights from editors, agents, publishers, and others who helped to bring these projects to life.
Unlike other books on writing craft, Behind the Book looks at the larger picture of how an author's work and choices can affect the outcome of a project. The authors profiled in each story open up about their challenges, mistakes, and successes. While their paths to publication may be unique, together they offer important lessons that authors of all types can apply to their own writing journeys.
Mary Norris has spent more than three decades working in The New Yorker's renowned copy department, helping to maintain its celebrated high standards. In Between You & Me, she brings her vast experience with grammar and usage, her good cheer and irreverence, and her finely sharpened pencils to help the rest of us in a boisterous language book as full of life as it is of practical advice.
Through anecdotes about other writers' methods and habits (as well as his own) and close readings of literature from Aristotle to Zola, the essays in this collection offer "suggestions about things to do, things to think about when your writing has got you lost in the woods." In "Dogma and Anti-dogma" Casey sets out the tried-and-true advice and then comments on when to apply it and when to ignore it. In "What's Funny" he considers the range of comedy from pratfalls to elegant wit. In "In Other Words" he discusses translations and the surprising effects that translating can have on one's native language. In "Mentors" he pays tribute to those who have guided him and other writers. Throughout the fourteen essays there are notes on voice, point of view, structure, and other crucial elements. This book is an invaluable resource for aspiring writers and a revitalizing companion for seasoned ones.
"Superb writing advice... hilarious, helpful and provocative." -- "New York Times Book Review."
"A warm, generous and hilarious guide through the writer's world and its treacherous swamps." -- "Los Angeles Times."
"A gift to all of us mortals who write or ever wanted to write... sidesplittingly funny, patiently wise and alternately cranky and kind -- a reveille to get off our duffs and start writing "now," while we still can." -- "Seattle Times."
From one of America's most beloved and bestselling authors, a wonderfully useful and readable guide to the problems of the English language most commonly encountered by editors and writers.
What is the difference between "immanent" and "imminent"? What is the singular form of graffiti? What is the difference between "acute" and "chronic"? What is the former name of "Moldova"? What is the difference between a cardinal number and an ordinal number? One of the English language's most skilled writers answers these and many other questions and guides us all toward precise, mistake-free usage. Covering spelling, capitalization, plurals, hyphens, abbreviations, and foreign names and phrases, "Bryson's Dictionary for Writers and Editors" will be an indispensable companion for all who care enough about our language not to maul, misuse, or contort it.
This dictionary is an essential guide to the wonderfully disordered thing that is the English language. As Bill Bryson notes, it will provide you with "the answers to all those points of written usage that you kind of know or ought to know but can't quite remember."
CAUGHT IN THE WEB OF WORDS: James Murray and the Oxford English Dictionary
The Columbia Guide to Online Style is the standard resource for citing electronic and electronically accessed sources. It is also a critical style guide for creating documents electronically for submission for print or electronic publication.
Updated and expanded, this guide now explains how to cite technologies such as Web logs and pod casts; provides more guidance on translating the elements of Columbia Online Style (COS) citations for use with existing print-based formats (such as MLA, APA, and Chicago); and features additional guidelines for producing online and print documents based on new standards of markup language and publication technologies. This edition also includes new bibliographic styles for humanities and scientific projects; examples of footnotes and endnotes for Chicago-style papers; greater detail regarding in-text and parenthetic reference and footnote styles; an added chapter on how to locate and evaluate sources for research in the electronic age; and new examples for citing full-text or full-image articles from online library databases, along with information on how to credit the source of graphics and multimedia files. Staying ahead of rapidly evolving technologies, The Columbia Guide to Online Style continues to be a vital tool for online researchers.DIGITAL PAPER: A MANUAL FOR RESEARCH AND WRITING WITH LIBRARY AND INTERNET MATERIALS
Moss Hart once said that you never really learn how to write a play; you only learn how to write this play. Crafted with that adage in mind, The Dramatic Writer's Companion is designed to help writers explore their own ideas in order to develop the script in front of them. No ordinary guide to plotting, this handbook starts with the principle that character is key. "The character is not something added to the scene or to the story," writes author Will Dunne. "Rather, the character is the scene. The character is the story."
Having spent decades working with dramatists to refine and expand their existing plays and screenplays, Dunne effortlessly blends condensed dramatic theory with specific action steps--over sixty workshop-tested exercises that can be adapted to virtually any individual writing process and dramatic script. Dunne's in-depth method is both instinctual and intellectual, allowing writers to discover new actions for their characters and new directions for their stories.
Dunne's own experience is a crucial element of this guide. His plays have been selected by the Eugene O'Neill Theatre Center for three U.S. National Playwrights Conferences and have earned numerous honors, including a Charles MacArthur Fellowship, four Bay Area Theatre Critics Circle Awards, and two Drama-Logue Playwriting Awards. Thousands of individuals have already benefited from his workshops, and The Dramatic Writer's Companion promises to bring his remarkable creative method to an even wider audience.
ECHOING SILENCE: THOMAS MERTON ON THE VOCATION OF WRITING
When Thomas Merton entered a Trappist monastery in December 1941, he turned his back on secular life--including a very promising literary career. He sent his journals, a novel-in-progess, and copies of all his poems to his mentor, Columbia professor Mark Van Doren, for safe keeping, fully expecting to write little, if anything, ever again. It was a relatively short-lived resolution, for Merton almost immediately found himself being assigned writing tasks by his Abbot--one of which was the autobiographical essay that blossomed into his international best-seller The Seven Storey Mountain. That book made him famous overnight, and for a time he struggled with the notion that the vocation of the monk and the vocation of the writer were incompatible. Monasticism called for complete surrender to the absolute, whereas writing demanded a tactical withdrawal from experience in order to record it. He eventually came to accept his dual vocation as two sides of the same spiritual coin and used it as a source of creative tension the rest of his life.
Merton's thoughts on writing have never been compiled into a single volume until now. Robert Inchausti has mined the vast Merton literature to discover what he had to say on a whole spectrum of literary topics, including writing as a spiritual calling, the role of the Christian writer in a secular society, the joys and mysteries of poetry, and evaluations of his own literary work. Also included are fascinating glimpses of his take on a range of other writers, including Henry David Thoreau, Flannery O'Connor, Dylan Thomas, Albert Camus, James Joyce, and even Henry Miller, along with many others.
Inspired by a landmark exhibition mounted by the British Museum in 1963 to celebrate five eventful centuries of the printed word, Nicholas A. Basbanes offers a lively consideration of writings that have "made things happen" in the world, works that have both nudged the course of history and fired the imagination of countless influential people.
In his fifth work to examine a specific aspect of book culture, Basbanes also asks what we can know about such figures as John Milton, Edward Gibbon, John Locke, Isaac Newton, Samuel Taylor Coleridge, John Adams, Frederick Douglass, Abraham Lincoln, Henry James, Thomas Edison, Helen Keller--even the notorious Marquis de Sade and Adolf Hitler--by knowing what they have read. He shows how books that many of these people have consulted, in some cases annotated with their marginal notes, can offer tantalizing clues to the evolution of their character and the development of their thought.
EXPAND YOUR ENGLISH: A GUIDE TO IMPROVING YOUR ACADEMIC VOCABULARY
In The Fight for English, Crystal offers a stimulating account of the struggle between various schools of grammar to control how we write and speak. Ranging back a thousand years, to the anguished concerns of Aelfric the Grammarian, and illuminating the contributions of Samuel Johnson, Noah Webster, and many others, the book sheds light on ten centuries of warfare over spelling, punctuation, pronunciation, and much more. The author takes to task such take-no-prisoners grammarians as the well-known Lynn Truss (whose Eats, Shoots, and Leaves was a giant bestseller), arguing that we should say no to zero-tolerance prescriptive rules. Indeed, as one of the world's leading authorities on the English language, Crystal offers an original and authoritative counter-argument to the prescriptive agenda. He shows for instance that context is very important, that the dangling participle "driving in from the airport" is not wrong because the context makes the meaning clear. Moreover, even the hope for a standard system of spelling is in vain, since approximately 25 per cent of the words in a standard dictionary have more than one spelling (such as dark room and dark-room and darkroom).
Hailed in The New York Times Book Review as "fascinating and insightful, often funny," The Fight for English is a welcome breath of fresh air in the often stultifying debate over English usage.