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The beloved classic story about a young prince's travels through space--a profound tale about loneliness and loss, and love and friendship--in French.
A pilot crashes in the Sahara Desert and encounters a strange young boy who calls himself the Little Prince. The Little Prince has traveled there from his home on a lonely, distant asteroid with a single rose. The story that follows is a beautiful and at times heartbreaking meditation on human nature.
The Little Prince is one of the best-selling and most translated books of all time, universally cherished by children and adults alike. In this French edition, the artwork has been restored to match in detail and in color Saint-Exupéry's original artwork.
The "Little Clay Cart" is, for Sanskrit theatre, atypically romantic, funny, and thrilling. This most human of Sanskrit plays is Shakespearian in its skilful drawing of characters and in the plot's direct clarity. One of the earliest Sanskrit dramas, "Little Clay Cart" was created in South India, perhaps in the seventh century CE. Set in the city of Ujjain, so secular and universal is the story that it can be situated in any society, and it has, including in Bollywood film and by the BBC. Charu-datta, a bankrupt married merchant, is extramaritally involved with a wealthy courtesan, Vasánta-sena. The king's vile brother-in-law, unable to win Vasánta-sena's love, strangles her, and accuses Charu-datta. The court decides the case hastily, condemning Charu-datta to death. Fortunately, our heroine rises from the dead to save her beloved, and all applaud their love. At this climax, the regime changes, and the rebel-turned-king makes Charu-datta lord of an adjacent city.
Pietro Bembo (1470-1547), scholar and critic, was one of the most admired Latinists of his day. After some years at the court of Urbino, where he exchanged Platonic love letters with Lucrezia Borgia, he moved to Rome and served as secretary to Leo X (1513-1520). Later he retired to Padua and a life of letters. He was made a cardinal in 1539. The poems in this volume come from all periods of his life and reflect both his erudition and his wide-ranging friendships. This verse edition is the first time they have been translated into English.
This volume also includes the prose dialogue Etna, an account of Bembo's ascent of Mt. Etna in Sicily during his student days, translated by Betty Radice.
The Book of Viráta details the Pándavas' 13th year in exile, when they live disguised in King Viráta's court. They suffer the humiliation of becoming servants; a topic explored both through comedy and pathos. Having maintained their disguise until the very end of the year, then their troubles really begin. Bhima is forced to come to Dráupadi's rescue when King Viráta's general, Kíchaka, sets his sights on her. Duryódhana and the Tri-gartas decide to invade the defeated Viráta's kingdom, unaware the Pándavas are hidden there. In the ensuing battles the Pándavas play a crucial role, save Viráta and reveal their true identities. The book ends in celebration, with the Pándavas ready to return from exile and reclaim their kingdom. However, the battles in "Viráta" foreshadow the war to come, proving it will not be easy.
Co-published by New York University Press and the JJC Foundation
For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org
"Bhishma," the sixth book of the eighteen-book epic The Maha-bhárata, narrates the first ten days of the great war between the Káuravas and the Pándavas. This first volume covers four days from the beginning of the great battle and includes the famous "Bhágavad-gita ("The Song of the Lord"), presented here within its original epic context. In this "bible" of Indian civilization the charioteer Krishna empowers his disciple Árjuna to resolve his personal dilemma: whether to follow his righteous duty as a warrior and slay his opponent relatives in the just battle, or to abstain from fighting and renounce the warrior code to which he is born.
Volume Two of Drona begins in the aftermath of tragedy. As evening falls, Arjuna journeys wearily back to camp and is greeted by the ashen faces of his brothers. Before they speak, he guesses the worst. And the worst is right: his son Abhimanyu is dead. Arjuna is inconsolable. Insensible with rage, he vows to take revenge on the boy's killers. He swears that if they are not dead before another day passes, he will set himself alight. The world seems to shudder at his words.
"The Book of Karna" relates the events of the two dramatic days after the defeat of the great warriors and generals Bhishma and Drona, in which Karna, great hero and the eldest Pándava, leads the Káurava army into combat. This first volume of "Karna" depicts mighty battles in gory detail, sets the scene for Karna's tragic death, and includes a remarkable verbal duel between Karna and his reluctant charioteer Shalya, the king of the Madras, as they hurl abuse at each other before entering the fray.
Co-published by New York University Press and the JJC Foundation
For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org
In India's great epic Maha-bhárata, the eighth book, "Karna,"; recounts the events that occurred during the mighty hero Karna's two days as general of the Káurava army. This second volume resumes on the war's seventeenth and penultimate day. This will be a momentous day for the Bhárata clans and especially for a number of their most distinguished heroes, with some of the epic's most telegraphed events reaching their climax. Not only will the epic's most anticipated duel between its greatest champions Árjuna and Karna be played out to its cruel and tragic end, but one of the more gruesome episodes in the epic will also take place with Duhshásana meeting the fate that has long awaited him since his brazen mistreatment of Dráupadi in the assembly hall.
Co-published by New York University Press and the JJC Foundation
For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org
The Book of Shalya recounts in gory detail the final destruction of the Káurava army and the defeat of its leader, Dur-yódhana. In this first volume heroic duels and martial speeches abound as Shalya, the king of the Madras, is made general of the Káurava army, only to be slaughtered in his turn.
The Book of Shalya recounts in gory detail the final destruction of the Káurava army and the defeat of its leader, Duryódhana. In this first volume heroic duels and martial speeches abound as Shalya, the king of the Madras, is made general of the Káurava army, only to be slaughtered in his turn.
Co-published by New York University Press and the JJC Foundation
For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org
In one of the most famous passages in Maha-bhárata, Dur-yódhana, the heroic but flawed king of the Káuravas, meets his end when he is dishonorably defeated in battle by his arch-enemy, Bhima. Framing a fascinating account of the sacred sites along the river Sarásvati, the duel poignantly portrays the downfall of a once great hero in the face of a new order governed by Krishna, in which the warrior code is brushed aside in order to ensure the predestined triumph of the Pándavas.
Co-published by New York University Press and the JJC Foundation
For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org
Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogs his every feeling and sensation. His thoughts culminate in a pervasive, overpowering feeling of nausea which spreads at the bottom of the viscous puddle, at the bottom of our time the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain.
Winner of the 1964 Nobel Prize in Literature (though he declined to accept it), Jean-Paul Sartre, philosopher, critic, novelist, and dramatist, holds a position of singular eminence in the world of French letters. La Naus e, his first and best novel, is a landmark in Existential fiction and a key work of the twentieth century.
Jacopo Zabarella's two treatises On Methods and On Regressus (1578) are among the most important Renaissance discussions of how scientific knowledge should be acquired, arranged, and transmitted. They belong to a lively debate about the order in which sciences should be taught and the method to be followed in scientific demonstration that roiled the Late Renaissance world for decades. In these famous works Zabarella rejected the views of Ramists and modern Galenists in favor of the pure doctrine of Aristotle, freed from misunderstandings foisted upon it by medieval interpreters. The influence of these works on Galileo's scientific method and Descartes' famous Discourse on Method (1637) has long been debated. They are here translated into English for the first time, along with a new Latin text based on the corrected 1586 edition.
Volume 1 contains On Methods, Books I-II. Volume 2 contains On Methods, Books III-IV, and On Regressus.
Jacopo Zabarella's two treatises On Methods and On Regressus (1578) are among the most important Renaissance discussions of how scientific knowledge should be acquired, arranged, and transmitted. They belong to a lively debate about the order in which sciences should be taught and the method to be followed in scientific demonstration that roiled the Late Renaissance world for decades. In these famous works Zabarella rejected the views of Ramists and modern Galenists in favor of the pure doctrine of Aristotle, freed from misunderstandings foisted upon it by medieval interpreters. The influence of these works on Galileo's scientific method and Descartes' famous Discourse on Method (1637) has long been debated. They are here translated into English for the first time, along with a new Latin text based on the corrected 1586 edition.
Volume 1 contains On Methods, Books I-II. Volume 2 contains On Methods, Books III-IV, and On Regressus.
Amalar of Metz's On the Liturgy (the Liber officialis, or De ecclesiastico officio) was one of the most widely read and circulated texts of the Carolingian era. The fruit of lifelong reflection and study in the wake of liturgical reform in the early ninth century, Amalar's commentary inaugurated the Western medieval tradition of allegorical liturgical exegesis and has bequeathed a wealth of information about the contents and conduct of the early medieval Mass and Office. In 158 chapters divided into four books, On the Liturgy addresses the entire phenomenon of Christian worship, from liturgical prayers to clerical vestments to the bodily gestures of the celebrants. For Amalar, this liturgical diversity aimed, above all, to commemorate the life of Christ, to provide the Christian faithful with moral instruction, and to recall Old Testament precursors of Christian rites. To uncover these layers of meaning, Amalar employed interpretive techniques and ideas that he had inherited from the patristic tradition of biblical exegesis--a novel approach that proved both deeply popular and, among his contemporaries, highly controversial.
This volume adapts the text of Jean Michel Hanssens's monumental 1948 edition of Amalar's treatise and provides the first complete translation into a modern language.
Amalar of Metz's On the Liturgy (the Liber officialis, or De ecclesiastico officio) was one of the most widely read and circulated texts of the Carolingian era. The fruit of lifelong reflection and study in the wake of liturgical reform in the early ninth century, Amalar's commentary inaugurated the Western medieval tradition of allegorical liturgical exegesis and has bequeathed a wealth of information about the contents and conduct of the early medieval Mass and Office. In 158 chapters divided into four books, On the Liturgy addresses the entire phenomenon of Christian worship, from liturgical prayers to clerical vestments to the bodily gestures of the celebrants. For Amalar, this liturgical diversity aimed, above all, to commemorate the life of Christ, to provide the Christian faithful with moral instruction, and to recall Old Testament precursors of Christian rites. To uncover these layers of meaning, Amalar employed interpretive techniques and ideas that he had inherited from the patristic tradition of biblical exegesis--a novel approach that proved both deeply popular and, among his contemporaries, highly controversial.
This volume adapts the text of Jean Michel Hanssens's monumental 1948 edition of Amalar's treatise and provides the first complete translation into a modern language.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
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The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato.
A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.
The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato.
A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.
The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato.
A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.
The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato. A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.
This is the fifth of a projected six volumes.