Language

"Academic English" focuses on enhancing undergraduate students' English language proficiency in the university context. It is intended for students who are in their first year at university. It aims to help students bridge the gap between secondary school study and study at an English-medium university. Students are introduced to the skills needed to understand and produce common undergraduate academic texts such as reports, essays and tutorial discussions. This will help them to participate more effectively in their first-year university studies in English, thereby enriching their first-year experience.

How language evolved has been called the hardest problem in science. In Adam's Tongue, Derek Bickerton--long a leading authority in this field--shows how and why previous attempts to solve that problem have fallen short. Taking cues from topics as diverse as the foraging strategies of ants, the distribution of large prehistoric herbivores, and the construction of ecological niches, Bickerton produces a dazzling new alternative to the conventional wisdom.

Language is unique to humans, but it isn't the only thing that sets us apart from other species--our cognitive powers are qualitatively different. So could there be two separate discontinuities between humans and the rest of nature? No, says Bickerton; he shows how the mere possession of symbolic units--words--automatically opened a new and different cognitive universe, one that yielded novel innovations ranging from barbed arrowheads to the Apollo spacecraft.

Written in Bickerton's lucid and irreverent style, this book is the first to thoroughly integrate the story of how language evolved with the story of how humans evolved. Sure to be controversial, it will make indispensable reading both for experts in the field and for every reader who has ever wondered how a species as remarkable as ours could have come into existence.'

Ancient Athens' most successful tragedian.

Sophocles (497/6-406 BC), with Aeschylus and Euripides, was one of the three great tragic poets of Athens, and is considered one of the world's greatest poets. The subjects of his plays were drawn from mythology and legend. Each play contains at least one heroic figure, a character whose strength, courage, or intelligence exceeds the human norm--but who also has more than ordinary pride and self-assurance. These qualities combine to lead to a tragic end.

Hugh Lloyd-Jones gives us, in two volumes, a new translation of the seven surviving plays. Volume I contains Oedipus Tyrannus (which tells the famous Oedipus story), Ajax (a heroic tragedy of wounded self-esteem), and Electra (the story of siblings who seek revenge on their mother and her lover for killing their father). Volume II contains Oedipus at Colonus (the climax of the fallen hero's life), Antigone (a conflict between public authority and an individual woman's conscience), The Women of Trachis (a fatal attempt by Heracles' wife to regain her husband's love), and Philoctetes (Odysseus' intrigue to bring an unwilling hero to the Trojan War).

Of his other plays, only fragments remain; but from these much can be learned about Sophocles' language and dramatic art. The major fragments--ranging in length from two lines to a very substantial portion of the satyr play The Searchers--are collected in Volume III of this edition. In prefatory notes Lloyd-Jones provides frameworks for the fragments of known plays.

Anyone studying literary or classical Arabic beyond the elementary or tourist level will need this book. No other English-language grammar of the Arabic language is as thorough as this classic reference. The work was originally published in German in 1844-45 by Karl Paul Caspari, a theologian and orientalist. In 1859 English scholar W. Wright published this masterly translation of Caspari's work, with numerous additions and corrections.
Unlike many more recent grammars, this work contains few inaccuracies or errors. Moreover, although it is a reference grammar, it cites many examples of sentences, phrases, and figures of speech found in classical Arabic prose and poetry. Originally published in two volumes, it has been republished here in one volume; however, the original arrangement has been retained. Thus, Volume One covers orthography and orthoëpy, and parts of speech (including extensive coverage of verbs and nouns, numerals and the particles). Volume Two deals with syntax, including the component parts of a sentence, the sentence in general, and different kinds of sentences. A final section discusses prosody. Three indexes assist students in finding words, constructions, and grammatical categories.
This third edition incorporates a number of helpful revisions, additions and corrections made to the second edition by W. Robertson Smith and M. J. de Goeje. The result is an unmatched resource for English-speaking students wishing to master the intricacies of Arabic.

Aristotle (384-322 BC), the great Greek thinker, researcher, and educator, ranks among the most important and influential figures in the history of philosophy, theology, and science. He joined Plato's Academy in Athens in 367 and remained there for twenty years. After spending three years at the Asian court of a former pupil, Hermeias, he was appointed by Philip of Macedon in 343/2 to become tutor of his teenaged son, Alexander. After Philip's death in 336, Aristotle became head of his own school, the Lyceum at Athens, whose followers were known as the Peripatetics. Because of anti-Macedonian feeling in Athens after Alexander's death in 323, he withdrew to Chalcis in Euboea, where he died in 322.

Aristotle wrote voluminously on a broad range of subjects analytical, practical, and theoretical. Rhetoric, probably composed while he was still a member of Plato's Academy, is the first systematic approach to persuasive public speaking based in dialectic, on which he had recently written the first manual.

This edition of Aristotle's Rhetoric, which replaces the original Loeb edition by John Henry Freese, supplies a Greek text based on that of Rudolf Kassel, a fresh translation, and ample annotation fully current with modern scholarship.

How do humans acquire, at a very early age and from fragmentary and haphazard data, the complex patterns of their native language? This is the logical problem of language acquisition, and it is the question that directs the search for an innate universal grammar. As Time Goes By extends the search by proposing a theory of natural-language tense that will be responsive to the problem of language acquisition.

The clearly written discussion proceeds step-by-step from simple observations and principles to far-reaching conclusions involving complex data carefully selected and persuasively presented. Throughout, Hornstein focuses on the logical problem of language acquisition, highlighting the importance of explanatory adequacy and the role of syntactic representations in determining intricate properties of semantic interpretation.

Government of state and self.

Aristotle, great Greek philosopher, researcher, reasoner, and writer, born at Stagirus in 384 BC, was the son of a physician. He studied under Plato at Athens and taught there (367-347); subsequently he spent three years at the court of a former pupil in Asia Minor. After some time at Mitylene, in 343-342 he was appointed by King Philip of Macedon to be tutor of his teen-aged son Alexander. After Philip's death in 336, Aristotle became head of his own school (of "Peripatetics"), the Lyceum at Athens. Because of anti-Macedonian feeling there after Alexander's death in 323, he withdrew to Chalcis in Euboea, where he died in 322.

Nearly all the works Aristotle prepared for publication are lost; the priceless ones extant are lecture-materials, notes, and memoranda (some are spurious). They can be categorized as follows:

I Practical: Nicomachean Ethics; Great Ethics (Magna Moralia); Eudemian Ethics; Politics; Economics (on the good of the family); On Virtues and Vices.
II Logical: Categories; Analytics (Prior and Posterior); Interpretation; Refutations used by Sophists; Topica.
III Physical: Twenty-six works (some suspect) including astronomy, generation and destruction, the senses, memory, sleep, dreams, life, facts about animals, etc.
IV Metaphysics: on being as being.
V Art: Rhetoric and Poetics.
VI Other works including the Constitution of Athens; more works also of doubtful authorship.
VII Fragments of various works such as dialogues on philosophy and literature; and of treatises on rhetoric, politics, and metaphysics.

The Loeb Classical Library(R) edition of Aristotle is in twenty-three volumes.

Pagans' advocate.

A professing pagan in an aggressively Christian empire, a friend of the emperor Julian and acquaintance of St. Basil, a potent spokesman for private and political causes--Libanius can tell us much about the tumultuous world of the fourth century.

Born in Antioch to a wealthy family steeped in the culture and religious traditions of Hellenism, Libanius rose to fame as a teacher of the classics in a period of rapid social change. In his lifetime Libanius was an acknowledged master of the art of letter writing. Today his letters--about 1550 of which survive--offer an enthralling self-portrait of this combative pagan publicist and a vivid picture of the culture and political intrigues of the eastern empire. A. F. Norman selects one eighth of the extant letters, which come from two periods in Libanius' life, AD 355-365 and 388-393, letters written to Julian, churchmen, civil officials, scholars, and his many influential friends. The Letters are complemented, in this two-volume edition, by Libanius' Autobiography (Oration 1), a revealing narrative that begins as a scholar's account and ends as an old man's private journal.

Also available in the Loeb Classical Library is a two-volume edition of Libanius' Orations.

Three plays by ancient Greece's third great tragedian.

One of antiquity's greatest poets, Euripides has been prized in every age for the pathos, terror, and intellectual probing of his dramatic creations. The new Loeb Classical Library edition of his plays is in six volumes.

In Bacchae, one of the great masterpieces of the tragic genre, Euripides tells the story of king Pentheus' resistance to the worship of Dionysus and his horrific punishment by the god: dismemberment at the hands of Theban women. Iphigenia at Aulis, also in Volume VI, recounts the sacrifice of Agamemnon's daughter to Artemis, the price exacted by the goddess for favorable sailing winds. Rhesus dramatizes a pivotal incident in the Trojan War. This play is probably not by Euripides; but it does give a sample of what tragedy was like after the great fifth-century playwrights.

Every book has a story of its own, a path leading from the initial idea that sparked it to its emergence into the world in published form. No two books follow quite the same path, but all are shaped by a similar array of market forces and writing craft concerns as well as by a cast of characters stretching beyond the author.
Behind the Book explores how eleven contemporary first-time authors, in genres ranging from post-apocalyptic fiction to young adult fantasy to travel memoir, navigated these pathways with their debut works. Based on extensive interviews with the authors, it covers the process of writing and publishing a book from beginning to end, including idea generation, developing a process, building a support network, revising the manuscript, finding the right approach to publication, building awareness, and ultimately moving on to the next project. It also includes insights from editors, agents, publishers, and others who helped to bring these projects to life.
Unlike other books on writing craft, Behind the Book looks at the larger picture of how an author's work and choices can affect the outcome of a project. The authors profiled in each story open up about their challenges, mistakes, and successes. While their paths to publication may be unique, together they offer important lessons that authors of all types can apply to their own writing journeys.

Mary Norris has spent more than three decades working in The New Yorker's renowned copy department, helping to maintain its celebrated high standards. In Between You & Me, she brings her vast experience with grammar and usage, her good cheer and irreverence, and her finely sharpened pencils to help the rest of us in a boisterous language book as full of life as it is of practical advice.

The Renaissance recovery of ancient biographical writers such as Plutarch, Suetonius, and Jerome led to a wave of imitations by Renaissance authors from Petrarch to Machiavelli. The orator, diplomat, and statesman Giannozzo Manetti (1396-1459), an expert in Greek and Hebrew as well as Latin, was among the leading humanist biographers of the Renaissance.

This collection brings together his famous biographies of Dante, Petrarch, and Boccaccio, which helped establish the canon of Italian literature, as well as his parallel lives of Socrates and Seneca, which remained the standard biographical sources for those philosophers throughout the early modern period. It also includes extended excerpts from two works, On Famous Men of Great Age and Against the Jews and the Gentiles, which contain biographical entries on a range of Italian literary figures from Brunetto Latini and Guido Cavalcanti to Coluccio Salutati and Leonardo Bruni.

The master of Old Comedy.

Aristophanes of Athens, one of the world's greatest comic dramatists, has been admired since antiquity for his iridescent wit and beguiling fantasy, exuberant language, and brilliant satire of the social, intellectual, and political life of Athens at its height. The Loeb Classical Library edition of his plays is in four volumes.

The Introduction to the edition is in Volume I. Also in the first volume is Acharnians, in which a small landowner, tired of the Peloponnesian War, magically arranges a personal peace treaty; and Knights, perhaps the most biting satire of a political figure (Cleon) ever written.

Three plays are in Volume II. Socrates' "Thinkery" is at the center of Clouds, which spoofs untraditional techniques for educating young men. Wasps satirizes Athenian enthusiasm for jury service. In Peace, a rollicking attack on war-makers, the hero travels to heaven on a dung beetle to discuss the issues with Zeus.

The enterprising protagonists of Birds create a utopian counter-Athens ruled by birds. Also in Volume III is Lysistrata, in which our first comic heroine organizes a conjugal strike of young wives until their husbands end the war between Athens and Sparta. Women again take center stage in Women at the Thesmophoria, this time to punish Euripides for portraying them as wicked.

Frogs, in Volume IV, features a contest between the traditional Aeschylus and the modern Euripides, yielding both sparkling comedy and insight on ancient literary taste. In Assemblywomen Athenian women plot to save Athens from male misgovernance--with raucously comical results. Here too is Wealth, whose gentle humor and straightforward morality made it the most popular of Aristophanes' plays from classical times to the Renaissance.