Graphic Novels

A New York Times Bestseller
Selected as a 2017 ALA/YALSA Great Graphic Novel for Teens: Nonfiction

Award winning authors Jim Ottaviani and Leland Purvis present a historically accurate graphic novel biography of English mathematician and scientist Alan Turing in The Imitation Game.

English mathematician and scientist Alan Turing (1912-1954) is credited with many of the foundational principles of contemporary computer science. The Imitation Game presents a historically accurate graphic novel biography of Turing's life, including his groundbreaking work on the fundamentals of cryptography and artificial intelligence. His code breaking efforts led to the cracking of the German Enigma during World War II, work that saved countless lives and accelerated the Allied defeat of the Nazis. While Turing's achievements remain relevant decades after his death, the story of his life in post-war Europe continues to fascinate audiences today.

Award-winning duo Jim Ottaviani (the #1 New York Times bestselling author of Feynman and Primates) and artist Leland Purvis (an Eisner and Ignatz Award nominee and occasional reviewer for the Comics Journal) present a factually detailed account of Turing's life and groundbreaking research--as an unconventional genius who was arrested, tried, convicted, and punished for being openly gay, and whose innovative work still fuels the computing and communication systems that define our modern world. Computer science buffs, comics fans, and history aficionados will be captivated by this riveting and tragic story of one of the 20th century's most unsung heroes.

With its sweeping digressions into the past and reflections on the nature of memory, Proust's oceanic novel In Search of Lost Time looms over twentieth-century literature as one of the greatest, yet most endlessly challenging, literary experiences. Influencing writers like Virginia Woolf and James Joyce, and even anticipating Albert Einstein in its philosophical explorations of space and time, In Search of Lost Time is a monumental achievement and reading it is a rite of passage for any serious lover of literature.

Now, in what renowned translator Arthur Goldhammer says might be "likened to a piano reduction of an orchestral score," the French illustrator Stéphane Heuet re-presents Proust in graphic form for anyone who has always dreamed of reading him but was put off by the sheer magnitude of the undertaking. This New York Times best-selling graphic adaptation reveals the fundamental architecture of Proust's work while displaying a remarkable fidelity to his language as well as the novel's themes of time, art, and the elusiveness of memory. As Goldhammer writes in his introduction, "The reader new to Proust must attend closely, even in this compressed rendering, to the novel's circling rhythms and abrupt cross-cuts between different places and times. But this necessary attentiveness is abetted and facilitated by the compactness of the graphic format."

In this first volume, Swann's Way, the narrator Marcel, an aspiring writer, recalls his childhood when--in a now-immortal moment in literature--the taste of a madeleine cake dipped in tea unleashes a torrent of memories about his family's country home in the town of Combray. Here, Heuet and Goldhammer use Proust's own famously rich and labyrinthine sentences and discerning observations to render Combray like never before. From the water lilies of the Vivonne to the steeple and stained glass of the town church, Proust's language provides the blueprint for Heuet's illustrations. Heuet and Goldhammer also capture Proust's humor, wit, and sometimes scathing portrayals of Combray's many memorable inhabitants, like the lovelorn Charles Swann and the object of his affection and torment, Odette de Crécy; Swann's daughter, Gilberte; local aristocrat the Duchesse de Guermantes; the narrator's uncle Adolphe; and the hypochondriac Aunt Léonie.

Including a Proust family tree, a glossary of terms, and a map of Paris, this graphic adaptation is a surprising and useful companion piece to Proust's masterpiece for both the initiated and those seeking an introduction.

Long fascinated with the work of Franz Kafka, Peter Kuper began illustrating his stories in 1988. Initially drawn to the master's dark humor, Kuper adapted the stories over the years to plumb their deeper truths. Kuper's style deliberately evokes Lynd Ward and Frans Masereel, contemporaries of Kafka whose wordless novels captured much of the same claustrophobia and mania as Kafka's tales. Working from new translations of the classic texts, Kuper has reimagined these iconic stories for the twenty-first century, using setting and perspective to comment on contemporary issues like civil rights and homelessness.

Longtime lovers of Kafka will appreciate Kuper's innovative interpretations, while Kafka novices will discover a haunting introduction to some of the great writer's most beguiling stories, including "A Hunger Artist," "In The Penal Colony," and "The Burrow." Kafkaesque stands somewhere between adaptation and wholly original creation, going beyond a simple illustration of Kafka's words to become a stunning work of art.

Through Anne Simon's irreverent illustrative comics style and Corinne Maier's witty, researched writing, readers can join the fight against capitalism with Karl Marx, meet the father of psychoanalysis Sigmund Freud, and discover the fundamentals of physics with Albert Einstein. Explore complex scientific, psychological and political ideas in a wryly intelligent graphic novel format!

"Maus I" was the first half of the tale of survival of the author's parents, charting their desperate progress from pre-war Poland Auschwitz. Here is the continuation, in which the father survives the camp and is at last reunited with his wife.

Furie's cheerful, anthropomorphic comics character, Pepe the Frog, became a meme that was appropriated by hate groups (as seen in the documentary Feels Good Man, which premiered at the Sundance Film Festival.) Furie's recent paintings reflect this experience. This is a showcase for an unsettling menagerie; creatures seem to be hiding their true intentions. Furie is plumbing darker depths in these works, despite the paintings' inviting colors and friendly cartoon iconography.

Before Joe Sacco crafted his two major works of cartoon journalism, Palestine and Safe Area Gorazde, he created a number of shorter pieces, ranging from one-page gags to 30-page graphic novelettes. This massive book finally collects the entirety of Sacco's earlier journalistic and autobiographical work, plus a sizable serving of his satirical strips, many of them never before collected in book form.

The centerpieces in Notes from a Defeatist are a triptych of war stories: When Good Bombs Happen to Bad People, a history of aerial bombing that specifically targets civilian populations; More Women, More Children, More Quickly, in which Sacco relates his mother's harrowing experiences during World War II in Malta; and, most personally (and closest to Sacco's later work), How I Loved the War, Sacco's impassioned but sardonic reflection on the Gulf War, the surrounding propaganda and media circus, and his own ambivalent feelings as both a spectator and commentator: The book derives its title from this sequence, which has acquired a painful new relevance in the past half-year. Notes from a Defeatist also includes a roadie's-eye view of an American punk band's eventful European tour, a reminiscence of an awful season spent in his native Malta, and much more. Notes from a Defeatist is a fantastic primer to Sacco's work.

Sacco's previous two books, Safe Area Gorazde and Palestine, have earned international acclaim and accolades from such sources as Edward W. Said, Christopher Hitchens, Time, The New York Times Book Review, and The Washington Post.

The most important myth in Ancient Egypt is faithfully retold in glorious color! Horus, son of Isis, vows bloody revenge on his Uncle Set for the murder and usurpation of his Pharaoh father. Based on elements from various versions of the famous Osiris myth, Hamish Steele has resurrected this fantastic story in all its symbolic and humorous glory.
Pantheon contains: incest, decapitation, suspicious salad, fighting hippos, flying cows, a boat race, resurrections, lots of scorpions and a golden willy.

In Persepolis, heralded by the Los Angeles Times as "one of the freshest and most original memoirs of our day," Marjane Satrapi dazzled us with her heartrending memoir-in-comic-strips about growing up in Iran during the Islamic Revolution. Here is the continuation of her fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.

Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.

As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up--here compounded by Marjane's status as an outsider both abroad and at home--it is raw, honest, and incredibly illuminating.

Frank is a unique, visionary comic, exquisitely drawn and so fully realized that adults and children alike find themselves drawn deeply into Woodring's hallucinatory mindscape. The stories, almost entirely wordless, unravel like a good puzzle, rewarding re-reading, providing an experience as immersive as that first love affair, that first samadhi, or that first breath. Simply put, the world of Frank must be experienced to be understood.

Frank is an 11-year-old generic anthropomorph who lives in a force-laden landscape called the Unifactor. He is curious but not smart, naive but not noble, and his most outstanding character trait is his ineducability. Along with Pupshaw, Frank's semi-subservient housedog-like godling, the two traipse across their surreal landscape, occasionally encountering Manhog, the bloated bladder of sin with a heart of radiance who exists to thwart their prosperity. And then there's the platonic Jerry Chickens, and the lachrymose Lucky, as well as Frank's Real Pa and Faux Pa, each a part of one of the great cartoon achievements of the 20th century.

For all its mystery, the world of Frank is a simple, delightful, mesmerizing example of world-building at its most fanciful, surely to delight parents and children alike.

From the New York Times best-selling author of Bone comes a stark gritty sci-fi series about a dimension-jumping art thief -- a man unplugged from the world who races through space and time searching for his next big score -- and trying to escape his past.

Award-winning cartoonist Jeff Smith explores a world of violence and corruption, mixing murder, passion, and folklore with cutting-edge physics.

Bert Williams--a Black man forced to perform in blackface who challenged the stereotypes of minstrelsy. Eva Tanguay--an entertainer with the signature song "I Don't Care" who flouted the rules of propriety to redefine womanhood for the modern age. Julian Eltinge--a female impersonator who entranced and unnerved audiences by embodying the feminine ideal Tanguay rejected. At the turn of the twentieth century, they became three of the most provocative and popular performers in vaudeville, the form in which American mass entertainment first took shape.

A Revolution in Three Acts explores how these vaudeville stars defied the standards of their time to change how their audiences thought about what it meant to be American, to be Black, to be a woman or a man. The writer David Hajdu and the artist John Carey collaborate in this work of graphic nonfiction, crafting powerful portrayals of Williams, Tanguay, and Eltinge to show how they transformed American culture. Hand-drawn images give vivid visual form to the lives and work of the book's subjects and their world.

This book is at once a deft telling of three intricately entwined stories, a lush evocation of a performance milieu with unabashed entertainment value, and an eye-opening account of a key moment in American cultural history with striking parallels to present-day questions of race, gender, and sexual identity.

Praised by The New York Times, Brill's Content and Publishers Weekly, Safe Area Gorazde is the long-awaited and highly sought after 240-page look at war in the former Yugoslavia. Sacco (the critically-acclaimed author of Palestine) spent five months in Bosnia in 1996, immersing himself in the human side of life during wartime, researching stories that are rarely found in conventional news coverage. The book focuses on the Muslim-held enclave of Gorazde, which was besieged by Bosnian Serbs during the war. Sacco lived for a month in Gorazde, entering before the Muslims trapped inside had access to the outside world, electricity or running water. Safe Area Gorazde is Sacco's magnum opus and with it he is poised too become one of America's most noted journalists. The book features an introduction by Christopher Hitchens, political columnist for The Nation and Vanity Fair.