Graphic Novels

In the second Adventure Zone graphic novel (adapted from the McElroy family's wildly popular D&D podcast), we rejoin hero-adjacent sort-of-comrades-in-arms Taako, Magnus, and Merle on a wild careen through a D&D railroad murder mystery. This installment has a little of everything: a genius child detective, an axe-wielding professional wrestler, a surly wizard, cursed magical artifacts, and a pair of meat monsters.

You know, the usual things you find on a train.

Hot on the heels of The Adventure Zone: Here There Be Gerblins, the smash hit graphic novel that launched the series, The Adventure Zone: Murder on the Rockport Limited picks up the saga where volume 1 left off. Both books are based on The Adventure Zone, a tabletop RPG comedy podcast with downloads numbering in the tens of millions and an army of passionately devoted fans. With art and co-adaptation from Carey Pietsch, the McElroys are once again turning their raucous freewheeling D&D campaign into some damn fine comics.

In all that was left of humanity there was only one man who dared to think, seek, and love. He, Equality 7-2521, would place his life in jeopardy. For his knowledge was regarded as a treacherous blasphemy. He had rediscovered the lost and holy word...I.

A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still--and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story, and it will not have a happy ending.

Working in his distinctive, monochromatic linocut style, Stanley Donwood achieves with his art what words cannot convey, carving out a mesmerizing, stark parable of environmental disaster and the end of civilization.

Have you got the Guts? Kentaro Miura's Berserk has outraged, horrified, and delighted manga and anime fanatics since 1989, creating an international legion of hardcore devotees and inspiring a plethora of TV series, feature films, and video games. And now the badass champion of adult fantasy manga is presented in an oversized 7 x 10 deluxe hardcover edition, nearly 700 pages amassing the first three Berserk volumes, with following volumes to come to serve up the entire series in handsome bookshelf collections. No Guts, no glory!

Guts, the feared Black Swordsman, has saved the Band of the Hawk mercenaries from annihilation at the hands of the army of Midland, but he must now descend into the dungeons of Windham Castle to liberate Griffith, the Hawks' charismatic leader. Imprisoned and tortured for his tryst with the King of Midland's daughter, the flayed and starved Griffith may be in isolation, but he is far from alone. Unspeakable horrors dwell within the dank catacombs, where the living may truly envy the dead! Collects Berserk volumes 10-12.

Kentaro Miura's Berserk has ruled in hell for three decades, creating an international horde of disciples and inspiring anime TV series and feature films, video and card games, and a blizzard of related products. And now, the entire Berserk series is being released in handsome oversized bookshelf editions, each collecting three volumes of the original manga.

Collects Berserk Volume 10, 11, and 12.

An engaging illustrated history of feminism from antiquity through third-wave feminism, featuring Sappho, Mary Magdalene, Mary Wollstonecraft, Sojourner Truth, Simone de Beauvoir, and many others.

The history of feminism? The right to vote, Susan B. Anthony, Gloria Steinem, white pantsuits? Oh, but there's so much more. And we need to know about it, especially now. In pithy text and pithier comics, A Brief History of Feminism engages us, educates us, makes us laugh, and makes us angry. It begins with antiquity and the early days of Judeo-Christianity. (Mary Magdalene questions the maleness of Jesus's inner circle: "People will end up getting the notion you don't want women to be priests." Jesus: "Really, Mary, do you always have to be so negative?") It continues through the Middle Ages, the Early Modern period, and the Enlightenment ("Liberty, equality, fraternity!" "But fraternity means brotherhood!"). It covers the beginnings of an organized women's movement in the nineteenth century, second-wave Feminism, queer feminism, and third-wave Feminism.

Along the way, we learn about important figures: Olympe de Gouges, author of the "Declaration of the Rights of Woman and the Female Citizen" (guillotined by Robespierre); Flora Tristan, who linked the oppression of women and the oppression of the proletariat before Marx and Engels set pen to paper; and the poet Audre Lorde, who pointed to the racial obliviousness of mainstream feminism in the 1970s and 1980s. We learn about bourgeois and working-class issues, and the angry racism of some American feminists when black men got the vote before women did. We see God as a long-bearded old man emerging from a cloud (and once, as a woman with her hair in curlers). And we learn the story so far of a history that is still being written.

Even readers who lack a background in science and philosophy will learn a tremendous amount from this engaging narrative. The book elucidates DNA's relationship to health and the cause and cure of disease. It also covers the creation of new life forms, nanomachines, and perspectives on crime detection, and considers the philosophical sources of classical Darwinian theory and recent, radical changes in the understanding of evolution itself. Already these developments have profoundly affected our notions about living things. Borin Van Loon's humorous illustrations recount the contributions of Gregor Mendel, Frederick Griffith, James Watson, and Francis Crick, among other biologists, scientists, and researchers, and vividly depict the modern controversies surrounding the Human Genome Project and cloning.

The third in Corinne Maier and Anne Simon's collection of graphic novels exploring the lives of some of the most influential figures in modern history lands its spotlight upon Albert Einstein, the German-born physicist who developed the theory of relativity. He is considered the most influential physicist of the twentieth century.

You've probably heard of him, but you've never seen him like this!

Anne Simon was born in 1980 in France. She studied in the Beaux-Arts in Angoulème, and then in the École Nationale Supérieure des Arts Décoratifs in Paris, one of the most prestigious art schools in France. In 2004, she received the "New Talent" prize at the Angoulème festival, and she released her first comic book Persephone in the Underworld in 2006.

Corinne Maier was born in 1963 in Geneva. As a writer, economist, historian, and psychoanalyst, she has produced around fifteen non-fiction books on subjects like psychoanalysis, society, history, and humor. Her books are bestsellers in her native France and some (such as Hello Laziness) have been translated into several languages.

Translated into English and presented here in its entirety as a graphic novel, this version of THE EPIC OF GILGAMESH is a father/son project by scholar and translator Kent H. Dixon and his son, the comix artist Kevin Dixon, who bring a fresh take on this great work. The reader is slowed down by the artwork and visual jokes and the artist's wry hat-tippings to various masters (Crumb and Gilbert Shelton alongside Schultz and Capp, Popeye and Krazy Kat, Uderzo's Astérix and Hergé's Tintin), and then, once the reading pace has shifted into lower gear, having all these aspects complementarily drawn out, makes for an especially satisfying counterpoint to the low-key, the wise and cynical and morally sophisticated, and sometimes sublimely Olympian humor.

Octavio Paz: If you love art, do something, Fantomas!
Fantomas: I will, you can depend on it.

First published in Spanish in 1975 and previously untranslated, Fantomas versus the Multinational Vampires is Julio Cortázar's genre-jumping mash-up of his participation in the Second Russell Tribunal on human rights abuses in Latin America and his cameo appearance in issue number 201 of the Mexican comic book series Fantomas: The Elegant Menace. With his characteristic narrative inventiveness, Cortázar offers a quixotic meta-comic/novella that challenges not only the form of the novel but its political weight in contemporary cultural life.

Needing something to read on the train from Brussels (where he had attended the ineffectual tribunal meeting), our hero (Julio Cortázar) picks up the latest issue of the Fantomas comic. He grows increasingly absorbed by the comic book's tale of bibliocide (a sinister bibliophobic plot to obliterate every book from the archives of humanity), especially when he sees the character Fantomas embark upon a series of telephone conversations with literary figures, starting with "The Great Argentine Writer" himself, Julio Cortázar (and also including Octavio Paz and a tough-talking Susan Sontag). Soon, Cortázar begins to erase the thin line between real-life atrocities and fictional mayhem in an attempt to bring attention to the human rights violations taking place with impunity in the country from which he was exiled.

The burnt-red badlands of Montana's Hell Creek are a vast graveyard of the Cretaceous dinosaurs that lived 68 million years ago. Those hills were, much later, also home to the Sioux, the Crows, and the Blackfeet, the first people to encounter the dinosaur fossils exposed by the elements. What did Native Americans make of these stone skeletons, and how did they explain the teeth and claws of gargantuan animals no one had seen alive? Did they speculate about their deaths? Did they collect fossils?

Beginning in the East, with its Ice Age monsters, and ending in the West, where dinosaurs lived and died, this richly illustrated and elegantly written book examines the discoveries of enormous bones and uses of fossils for medicine, hunting magic, and spells. Well before Columbus, Native Americans observed the mysterious petrified remains of extinct creatures and sought to understand their transformation to stone. In perceptive creation stories, they visualized the remains of extinct mammoths, dinosaurs, pterosaurs, and marine creatures as Monster Bears, Giant Lizards, Thunder Birds, and Water Monsters. Their insights, some so sophisticated that they anticipate modern scientific theories, were passed down in oral histories over many centuries.

Drawing on historical sources, archaeology, traditional accounts, and extensive personal interviews, Adrienne Mayor takes us from Aztec and Inca fossil tales to the traditions of the Iroquois, Navajos, Apaches, Cheyennes, and Pawnees. Fossil Legends of the First Americans represents a major step forward in our understanding of how humans made sense of fossils before evolutionary theory developed.

In her hands, personal history becomes a work of amazing subtlety and power, written with controlled force and enlivened with humor, rich literary allusion, and heartbreaking detail.