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Fiction
Burmese Days focuses on a handful of Englishmen who meet at the European Club to drink whisky and to alleviate the acute and unspoken loneliness of life in 1920s Burma--where Orwell himself served as an imperial policeman--during the waning days of British imperialism.
One of the men, James Flory, a timber merchant, has grown soft, clearly comprehending the futility of England's rule. However, he lacks the fortitude to stand up for his Indian friend, Dr. Veraswami, for admittance into the whites-only club. Without membership and the accompanying prestige that would protect the doctor, the condemning and ill-founded attack by a bitter magistrate might bring an end to everything he has accomplished. Complicating matters, Flory falls unexpectedly in love with a newly arrived English girl, Elizabeth Lackersteen. Can he find the strength to do right not only by his friend, but also by his conscience?
In "The Butterfly Man", a small-time, self-effacing magician is hired to join a circus -- not on account of his negligible conjuring skills, but because of the exotic butterflies that peel away from him when his emotions are excited.
The night watchman in "The Beauty Who Had Seen It All", a man of base, amoral inclinations, discovers the power of invisibility --and seduces a beautiful woman with jaded tastes.
"The High Season" tells of an aloof, cantankerous poet whose devotees remain protective of him even at a distance, guarding him at a local cafe where he drinks endless cups of coffee and becomes a fixture -- literally.
The acclaimed translation of the most important modern Greek poet
C. P. Cavafy (1863-1933) is the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature. Edmund Keeley and Philip Sherrard's celebrated English translation of Cavafy's collected poems captures the poet's mixture of formal and idiomatic language, the immediacy of his frank treatment of homoeroticism, his brilliant re-creation of history, and his astute political ironies. This English-only volume is a classic of modern poetry.Now a Major Motion Picture from Director Luca Guadagnino, Starring Armie Hammer and Timothée Chalamet, and Written by Three-Time Oscar(TM) Nominee James Ivory
The Basis of the Oscar-Winning Best Adapted Screenplay A New York Times BestsellerA USA Today Bestseller
A Los Angeles Times Bestseller
A Vulture Book Club Pick An Instant Classic and One of the Great Love Stories of Our Time Andre Aciman's Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliffside mansion on the Italian Riviera. Each is unprepared for the consequences of their attraction, when, during the restless summer weeks, unrelenting currents of obsession, fascination, and desire intensify their passion and test the charged ground between them. Recklessly, the two verge toward the one thing both fear they may never truly find again: total intimacy. It is an instant classic and one of the great love stories of our time. Winner of the Lambda Literary Award for Fiction A New York Times Notable Book of the Year - A Publishers Weekly and The Washington Post Best Book of the Year - A New York Magazine "Future Canon" Selection - A Chicago Tribune and Seattle Times (Michael Upchurch's) Favorite Favorite Book of the Year
2017 Foreword INDIES Book of the Year Awards Gold Winner
2018 Levis Reading Prize Winner
2017 Julie Suk Award Winner
A 2017 Nautilus Silver Award Winner
2017 Florida Book Award Gold Winner
A 2018 First Horizon Award Winner
Winner of the 2017 John C. Zacharis First Book Award
A 2018 Montaigne Medal Finalist
A 2017 NPR Best Book of the Year
A 2017 Library Journal Best Book of the Year
A 2017 Entropy Magazine Best Book of the Year
A 2017 The Coil Best Book of the Year
A 2017 Interview Best Book of the Year
Addiction. Recovery. Repeat. Akbar blazes the poetry scene with this introspective, powerful, and passionate debut. This highly-anticipated debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.from "Stop Me If You've Heard This One Before"
Sometimes you just have to leave
whatever's real to you, you have to clomp
through fields and kick the caps off
all the toadstools. Sometimes
you have to march all the way to Galilee
or the literal foot of God himself before you realize
you've already passed the place where
you were supposed to die. I can no longer remember
the being afraid, only that it came to an end.
Paris is firing all its ammunition into the August night. Against a vast backdrop of water and stone, on both sides of a river awash with history, freedom's barricades are once again being erected. Once again justice must be redeemed with men's blood.
Albert Camus (1913-1960) wrote these words in August 1944, as Paris was being liberated from German occupation. Although best known for his novels including The Stranger and The Plague, it was his vivid descriptions of the horrors of the occupation and his passionate defense of freedom that in fact launched his public fame. Now, for the first time in English, Camus at 'Combat' presents all of Camus' World War II resistance and early postwar writings published in Combat, the resistance newspaper where he served as editor-in-chief and editorial writer between 1944 and 1947. These 165 articles and editorials show how Camus' thinking evolved from support of a revolutionary transformation of postwar society to a wariness of the radical left alongside his longstanding strident opposition to the reactionary right. These are poignant depictions of issues ranging from the liberation, deportation, justice for collaborators, the return of POWs, and food and housing shortages, to the postwar role of international institutions, colonial injustices, and the situation of a free press in democracies. The ideas that shaped the vision of this Nobel-prize winning novelist and essayist are on abundant display. More than half a century after the publication of these writings, they have lost none of their force. They still speak to us about freedom, justice, truth, and democracy.At a time of environmental crises, poetry can reawaken us to the beauty and fragility of our natural world
Poems vivifying nature have gripped people for centuries. From Biblical times to the present day, poetry has continuously drawn us to the natural world. In this thought-provoking book, John Felstiner explores the rich legacy of poems that take nature as their subject, and he demonstrates their force and beauty. In our own time of environmental crises, he contends, poetry has a unique capacity to restore our attention to our environment in its imperiled state. And, as we take heed, we may well become better stewards of the earth.In forty brief and lucid chapters, Felstiner presents those voices that have most strongly spoken to and for the natural world. Poets--from the Romantics through Whitman and Dickinson to Elizabeth Bishop and Gary Snyder--have helped us envision such details as ocean winds eroding and rebuilding dunes in the same breath, wild deer freezing in our presence, and a person carving initials on a still-living stranded whale.
Sixty color and black-and-white images, many seen for the first time, bear out visually the environmental imagination this book discovers--a poetic legacy more vital now than ever.
"First, I'll tell about the robbery our parents committed. Then the murders, which happened later."
So begins Canada, the unforgettable story of a boy attempting to find grace, written by the only writer in history to win both the Pulitzer Prize and Pen/Faulkner Award for a single novel.
This is the story of Dell Parsons, whose parents rob a bank and fracture his life into a before and an after, crossing the threshold that cannot be uncrossed. After his parents' arrest and imprisonment, Del and Berner, his twin sister, face a blank future of foster care and social services visits. Berner, willful and burning with anger, runs away - orphaning Del completely.
In the midst of his abandonment, a family friend intervenes, spiriting Del across the Montana/Saskatchewan border. There, in a dilapidated town floating in the sea of the Canadian prairie, he's taken in by Arthur Remlinger - an enigmatic, charismatic man whose own past exists on the other side of a similarly uncrossable border.
Undone by the calamity of his parents' robbery, Del struggles under the vastness of the prairie sky and the stark, unforgiving landscape to realign his sense of self and his perception of the parents he thought he knew, even as he moves on an inexorable collision course with the slow-simmering violence trembling just beneath Arthur Remlinger's cool reserve.
A resonant and luminous masterwork of haunting and spectacular vision, CANADA is an elemental novel of boundaries traversed, innocence lost, and of the mysterious and powerful bonds of family. Told in spare, elegant prose but rich with emotional clarity, lyrical precision, and an acute sense of the grandeur of living, it is a masterpiece from one of the greatest American writers alive.
A bilingual volume that reveals an intriguing world of courtly love and satire in medieval Portugal and Spain
The rich tradition of troubadour poetry in western Iberia had all but vanished from history until the discovery of several ancient cancioneiros, or songbooks, in the nineteenth century. These compendiums revealed close to 1,700 songs, or cantigas, composed by around 150 troubadours from Galicia, Portugal, and Castile in the thirteenth and early fourteenth centuries. In Cantigas, award-winning translator Richard Zenith presents a delightful selection of 124 of these poems in English versions that preserve the musical quality of the originals, which are featured on facing pages. By turns romantic, spiritual, ironic, misogynist, and feminist, these lyrics paint a vibrant picture of their time and place, surprising us with attitudes and behaviors that are both alien and familiar. The book includes the three major kinds of cantigas. While cantigas de amor (love poems in the voice of men) were largely inspired by the troubadour poetry of southern France, cantigas de amigo (love poems voiced by women) derived from a unique native oral tradition in which the narrator pines after her beloved, sings his praises, or mocks him. In turn, cantigas de escárnio are satiric, and sometimes outrageously obscene, lyrics whose targets include aristocrats, corrupt clergy, promiscuous women, and homosexuals. Complete with an illuminating introduction on the history of the cantigas, their poetic characteristics, and the men who composed and performed them, this engaging volume is filled with exuberant and unexpected poems.Each house on Pepys Road, an ordinary street in London, has seen its fair share of first steps and last breaths, and plenty of laughter in between. But each of the street's residents--a rich banker and his shopaholic wife, a soccer prodigy from Senegal, Pakistani shop owners, a dying old woman and her graffiti-artist son--is receiving a menacing postcard with a simple message: We Want What You Have. Who is behind this? What do they really want? In Capital, John Lanchester (an elegant and wonderfully witty writer--New York Times) delivers a warm and compassionate novel that captures the anxieties of our time--property values going up, fortunes going down, a potential terrorist around every corner--with an unforgettable cast of characters.
Then a mysterious stranger enters to clarify the job: he increases the pay, and tells Alatriste that, instead, he must murder the two travelers. When the attack unfolds, Alatriste realizes that these aren't ordinary travelers, and what happens next is only the first in a riveting series of twists and turns, with implications that will reverberate throughout the courts of Europe...






























