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Fiction
When we meet Frank Bascombe in The Sportswriter, his unguarded voice instantly wins us over and pulls us into a life that has been irrevocably changed--by the loss of a marriage, a career, a child. We then follow Frank, ever laconic and observant, through Independence Day and The Lay of the Land, witnessing his fortune's rise and his family's fragmentation. With finely honed prose and an eye that captures the most subtle nuances of the human condition--all its pathos and beauty and strangeness--Ford transforms this ordinary man's life into a riveting, moving parable of life in America today.
A wonderful new translation of the poetry of Basho-Zen monk, poet of nature, and master of the haiku form.
2005 CHOICE Outstanding Academic Title
Basho's Haiku offers the most comprehensive translation yet of the poetry of Japanese writer Matsuo Bashō (1644-1694), who is credited with perfecting and popularizing the haiku form of poetry. One of the most widely read Japanese writers, both within his own country and worldwide, Bashō is especially beloved by those who appreciate nature and those who practice Zen Buddhism. Born into the samurai class, Bashō rejected that world after the death of his master and became a wandering poet and teacher. During his travels across Japan, he became a lay Zen monk and studied history and classical poetry. His poems contained a mystical quality and expressed universal themes through simple images from the natural world.
David Landis Barnhill's brilliant book strives for literal translations of Bashō's work, arranged chronologically in order to show Bashō's development as a writer. Avoiding wordy and explanatory translations, Barnhill captures the brevity and vitality of the original Japanese, letting the images suggest the depth of meaning involved. Barnhill also presents an overview of haiku poetry and analyzes the significance of nature in this literary form, while suggesting the importance of Bashō to contemporary American literature and environmental thought.
From National Book Award in Fiction finalist Andrew Krivak comes a gorgeous fable of Earth's last two human inhabitants, and a girl's journey home
In an Edenic future, a girl and her father live close to the land in the shadow of a lone mountain. They possess a few remnants of civilization: some books, a pane of glass, a set of flint and steel, a comb. The father teaches the girl how to fish and hunt, the secrets of the seasons and the stars. He is preparing her for an adulthood in harmony with nature, for they are the last of humankind. But when the girl finds herself alone in an unknown landscape, it is a bear that will lead her back home through a vast wilderness that offers the greatest lessons of all, if she can only learn to listen.
A cautionary tale of human fragility, of love and loss, The Bear is a stunning tribute to the beauty of nature's dominion.
In this collection of essays, talks, and reviews, Major Jackson revels in the work of poetry not only to limn and assess the intellectual and spiritual dimensions of poets, but to amplify the controversies and inner conflicts that define our age: political unrest, climate crises, the fallout from bewildering traumas, and the social function of the art of poetry itself. Accessible and critically minded, Jackson returns to the poem as an unparalleled source of linguistic pleasure that structures a multilayered "lyric self." In his interviews, Jackson illustrates poetry's distinct ability to mediate the inexplicable while foregrounding the possibilities of human song.
Collected over several decades, these essays find Jackson praising mythmaking in Frank Bidart and Ai's poetry, expressing bafflement at the silence of white-identified poets in the cause of social and racial justice, unearthing the politics behind Gwendolyn Brooks's Pulitzer Prize, and marveling at the "hallucinatory speed of thought" in a diverse range of poets including Mei-mei Berssenbrugge, Brenda Hillman, Afaa Michael Weaver, Forrest Gander, and Terrance Hayes. This collection passionately surveys the radical shifts of the art and notes poetry as a necessity for a modern sensibility.
Beauty Is a Wound astonishes from its opening line: One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years.... Drawing on local sources--folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope--and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.
An incandescent collection from one of American poetry's most distinctive and essential voices
The Beauty opens with a series of dappled, ranging "My" poems--"My Skeleton," "My Corkboard," "My Species," "My Weather"--in which Hirshfield uses materials both familiar and unexpected to explore the magnitude, singularity, and permeability of our shared existence. Of her memory, she writes, "Like the small soaps and shampoos / a traveler brings home / then won't use, / you, memory, / almost weightless / this morning inside me." With a pen faithful to the actual yet dipped at times in the ink of the surreal, Hirshfield cuts, as always, directly to the heart of human experience. Her robust affirmation of choice even amid inevitability and her contemplation of our moral, societal, and biological intertwinings sustain poems that tune and retune the keys of a life. For Hirshfield, "Zero Plus Anything Is a World." Her recipes for that world ("add salt to hunger," "add time to trees") offer an altered understanding of our lives' losses and additions, and of the small and larger beauties we so often miss.
Because She Never Asked is a story reminiscent of that reached by the travelers in Patricia Highsmith's Stranger on a Train. The author first writes a piece for the artist Sophie Calle to live out: a young, aspiring, French artist travels to Lisbon and the Azores in pursuit of an older artist whose work she's in love with. The second part of the story tells what happens between the author and Calle. She eludes, him; he becomes blocked, and suffers physical collapse.
"Something strange happened along the way," Vila-Matas wrote. "Normally, writers try to pass a work of fiction off as being real. But in Because She Never Asked, the opposite occurred: in order to give meaning to the story of my life, I found that I needed to present it as fiction."
By the age of thirty, the young woman who was born Aurore Dupin in 1804 in a Paris garret had become the internationally renowned George Sand. In English, her novels were outselling even Victor Hugo. Her enormous and radical corpus would grow to include seventy novels, travel writing, plays, autobiography, and political writing. But despite this prodigious talent, Sand was simultaneously a figure of scandal. Cigar-smoking, cross-dressing, and promiscuous, she seemed to break all the rules society set for women.
Was her iconoclasm simply an act of courage, a declaration of absolute autonomy? Or did her sexual and emotional relationships with the leading figures of her day--from Fryderyk Chopin to Gustave Flaubert, and Alfred de Musset to Eugène Delacroix--form part of her dialogue with the world around her: a dialogue that's intrinsic to writing itself? To what extent do we invent ourselves? And what can we learn, from Sand's life and art, about how writers in particular invent themselves, and are reinvented by the society around them?
This year marks the 150th anniversary of Sand's death, and Becoming George is a fitting celebration of her literary genius--as well as the first new biography in nearly twenty-five years. Award-winning poet and biographer Fiona Sampson rehabilitates an artistic and intellectual giant who still speaks to us today. Brilliantly prescient--about ecology, politics, society, gender--George Sand was truly a figure ahead of her time.
A major new collection from the winner of the 2019 Frost Medal for distinguished lifetime achievement in poetry
Before Our Eyes gathers more than thirty new poems by Eleanor Wilner, along with representative selections from her seven previous books, to present a major overview of her distinguished body of work. A poet who engages with history in lyrical language, Wilner creates worlds that reflect on and illuminate the actual one, drawing on the power of communal myth and memory to transform them into agents of change. In these poems, well-known figures step out of old texts to alter their stories and new figures arise out of the local air--a girl with a fury of bees in her hair, homesick statues that step down from their pedestals, a bat cave whose altar bears a judgment on our worship of war, and a frog whose spring wakening invites our own. In the process, ancient myths are naturalized while nature is newly mythologized in the service of life. Before Our Eyes features widely anthologized works such as "Sarah's Choice" and "Reading the Bible Backwards." In the new poems, Wilner records the bewildering public shocks of the current moment, when civic life is under threat, when language itself is attacked, and when poetry's lens of collective imagination becomes a way to resist falsity, to seek meaning, and to really see what is before our eyes.
A bestseller in 1924, this vivid piece of outlaw history has inexplicably faded from the public consciousness. Jim Tully takes us across the seamy underbelly of pre-WWI America on freight trains, and inside hobo jungles and brothels while narrowly averting railroad bulls (cops) and wardens of order.
Written with unflinching honesty and insight, Beggars of Life follows Tully from his first ride at age thirteen, choosing life on the road over a deadening job, through his teenage years of learning the ropes of the rails and -living one meal to the next.
Tully's direct, confrontational approach helped shape the hard-boiled school of writing, and later immeasurably influenced the noir genre. Beggars of Life was the first in Tully's five-volume memoir, dubbed the "Underworld Edition," recalling his transformation from road-kid to novelist, journalist, Hollywood columnist, chain maker, boxer, circus handyman, and tree surgeon.
Jim Tully (1891-1947) was a best-selling novelist and popular Hollywood journalist in the 1920s and '30s. Known as "Cincinnati Red" during his years as a road-kid, he counted prizefighter and publicist of Charlie Chaplin among his many jobs. He is considered (with Dashiel Hammett) one of the inventors of the hard-boiled style of American writing.
In Oakland, California on March 24, 2015 a fire destroyed the AK Press warehouse along with several other businesses. Please consider visiting the AK Press website to learn more about the fundraiser to help them and their neighbors.
A New York Times Notable Book of the Year
A Publishers Weekly Best Fiction Book of 2020
Most Anticipated Books of 2020 - Vogue, Medium, LitHub
Honoree for the 2021 Society of Midland Authors Prize
Finalist for the 2021 Ohioana Book Award in fiction
A Massachusetts Book Awards "Must Read Book"
The rise of a scoundrel. The anatomy of a world. In Bel-Ami, Guy de Maupassant delivers a razor-sharp portrait of a man who climbs the social ladder not by virtue, talent, or labor--but by charm, seduction, and sheer opportunism. Georges Duroy begins with nothing: a handsome face, a military past, and the hunger to rise. What follows is a calculated ascent through the bedrooms and salons of Paris, each conquest a rung in his climb toward wealth and power.
First published in 1885, Bel-Ami is a novel of astonishing modernity--merciless in its view of ambition, cynical in its rendering of the press, and unflinching in its depiction of how privilege is acquired and maintained. Maupassant, the great stylist of the Third Republic, writes with a cold eye and a glittering blade. His Paris is a world of surface and strategy, where love is leverage and morality optional.
--bell hooks bell hooks was a prolific, trailblazing author, feminist, social activist, cultural critic, and professor. Born Gloria Jean Watkins, bell used her pen name to center attention on her ideas and to honor her courageous great-grandmother, Bell Blair Hooks. hooks's unflinching dedication to her work carved deep grooves for the feminist and anti-racist movements. In this collection of 7 interviews, stretching from early in her career until her last interview, she discusses feminism, the complexity of rap music and masculinity, her relationship to Buddhism, the "politic of domination," sexuality, and love and the importance of communication across cultural borders. Whether she was sparking controversy on campuses or facing criticism from contemporaries, hooks relentlessly challenged herself and those around her, inserted herself into the tensions of the cultural moment, and anchored herself with love.
This memorable, heartbreaking story opens in Addis Ababa, Ethiopia, 1974, on the eve of a revolution. Yonas kneels in his mother's prayer room, pleading to his god for an end to the violence that has wracked his family and country. His father, Hailu, a prominent doctor, has been ordered to report to jail after helping a victim of state-sanctioned torture to die. And Dawit, Hailu's youngest son, has joined an underground resistance movement--a choice that will lead to more upheaval and bloodshed across a ravaged Ethiopia.
Beneath the Lion's Gaze tells a gripping story of family, of the bonds of love and friendship set in a time and place that has rarely been explored in fiction. It is a story about the lengths human beings will go in pursuit of freedom and the human price of a national revolution. Emotionally gripping, poetic, and indelibly tragic, Beneath The Lion's Gaze is a transcendent and powerful debut.
