Fiction

Winner of the National Book Critics Circle Award for Fiction and a finalist for the National Book Award

"Brilliantly done . . . grand, intimate, and joyous." --New York Times Book Review

From the PEN/Hemingway Award-winning author of the critically acclaimed short story collection, Brief Encounters with Che Guevara, comes Billy Lynn's Long Halftime Walk ("The Catch-22 of the Iraq War" --Karl Marlantes).

Three minutes and forty-three seconds of intensive warfare with Iraqi insurgents--caught on tape by an embedded Fox News crew--has transformed the eight surviving men of Bravo Squad into America's most sought-after heroes. Now they're on a media-intensive nationwide tour to reinvigorate public support for the war. On this rainy Thanksgiving Day, the Bravos are in Texas Stadium, slated to be part of the halftime show.

Among the Bravos is nineteen-year-old Specialist Billy Lynn. Surrounded by patriots sporting flag pins on their lapels and support our troops bumper stickers, he is thrust into the company of the team's owner and his coterie of wealthy colleagues; a born-again cheerleader; a veteran Hollywood producer; and supersized players eager for a vicarious taste of war. Over the course of this day, Billy will drink and brawl, yearn for home and mourn those missing, face a heart-wrenching decision and discover pure love and a bitter wisdom far beyond his years.

Poignant, riotously funny, and exquisitely heartbreaking, Billy Lynn's Long Halftime Walk is a searing and powerful novel that has cemented Ben Fountain's reputation as one of the finest writers of his generation.

Bitters is an extended quarrel with God, driven by the desire to recover what is banished to the marginal and apocryphal. In her third collection Seiferle claims whatever originates in the earth as an emissary of the divine, whether it is a starving boy in a supermarket or the maggots thriving in the skin of a cat.

Seraphim

Even houseflies must have their angels.
Principalities, at knee or elbow, the voice
of God caught within an ear, at such a pitch,
it makes the skull hum. And if I swat them,
can they blame me? Like all good messengers,
they're just testing whether we are still alive.
By such means, the priest taught me, "God creates.
All the living and the dead, just a nursery
for his hatching." So when I found a trinity
of maggots in the abdominal wall
of a living kitten, though I had to pinch
them out, I could not blame them--Shadrach,
Meshach, Abednego, pale witnesses
of a homesick God, caught in the furnace
of the flesh, hoping to sprout wings.

Against the background and harsh light of the desert Southwest or withing the darkness of European history and religion, Seiferle has created a new kind of beauty: tragic, wise, open to every possibility. And just as the liquor of the title are colorful, earthy draughts of distilled spirits with an ancient medicinal history, so too are they a fitting metaphor for these darkly humorous and curative poems.

Rebecca Seiferle's The Music We Dance To was nominated for the Pulitzer prize and poems from the volume are included in The Best American Poetry 2000. Her first book, The Ripped-Out Seam won the Bogin Memorial, the Writers' Exchange, and the Writers' Union Poetry Prize. Her translation of Cesar Vallejo's Trilce won the 1992 PenWest Translation Award. She lives in Farmington, NM.

Finalist for the 2017 Lambda Literary Award for Bisexual Nonfiction

A lyrical memoir-in-essays by an award-winning Chicana writer: "the real power of Black Dove comes when it speaks to what mothers face raising black and brown children all across this nation." (Los Angeles Review of Books)

Growing up as the intellectually spirited daughter of a Mexican Indian immigrant family during the 1970s, Castillo defied convention as a writer and a feminist. A generation later, her mother's crooning mariachi lyrics resonate once again. Castillo--now an established Chicana novelist, playwright, and scholar--witnesses her own son's spiraling adulthood and eventual incarceration. Standing in the stifling courtroom, Castillo describes a scene that could be any mother's worst nightmare. But in a country of glaring and stacked statistics, it is a nightmare especially reserved for mothers like her: the inner-city mothers, the single mothers, the mothers of brown sons.

Black Dove: Mamá, Mi'jo, and Me looks at what it means to be a single, brown, feminist parent in a world of mass incarceration, racial profiling, and police brutality. Through startling humor and love, Castillo weaves intergenerational stories traveling from Mexico City to Chicago. And in doing so, she narrates some of America's most heated political debates and urgent social injustices through the oft-neglected lens of motherhood and family.

Named a Best Book of 2019 by The Wall Street Journal, TIME, NPR, GQ, Vogue, and The Washington Post

"A fantasy world as well-realized as anything Tolkien made." --Neil Gaiman

"Gripping, action-packed....The literary equivalent of a Marvel Comics universe." --Michiko Kakutani, The New York Times

The epic novel from the Man Booker Prize-winning author of A Brief History of Seven Killings

In the stunning first novel in Marlon James's Dark Star trilogy, myth, fantasy, and history come together to explore what happens when a mercenary is hired to find a missing child.

Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. The band is a hodgepodge, full of unusual characters with secrets of their own, including a shape-shifting man-animal known as Leopard.

As Tracker follows the boy's scent--from one ancient city to another; into dense forests and across deep rivers--he and the band are set upon by creatures intent on destroying them. As he struggles to survive, Tracker starts to wonder: Who, really, is this boy? Why has he been missing for so long? Why do so many people want to keep Tracker from finding him? And perhaps the most important questions of all: Who is telling the truth, and who is lying?

Drawing from African history and mythology and his own rich imagination, Marlon James has written a novel unlike anything that's come before it: a saga of breathtaking adventure that's also an ambitious, involving read. Defying categorization and full of unforgettable characters, Black Leopard, Red Wolf is both surprising and profound as it explores the fundamentals of truth, the limits of power, and our need to understand them both.

"Darkness is not empty," writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity--and witness the humanity of others--in a time of darkness. One of the most celebrated essayists of his generation, Cole here plays variations on the essay form, modeling ways to attend to experience--not just to take in but to think critically about what we sense and what we don't.

Wide-ranging but thematically unified, the essays address ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole's writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about blackness and its numerous connotations. As he describes the carbon-copy process in his epilogue: "Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white sheet. Black transported the meaning."

The timeless novel that chronicles a reckless romance in the wilderness, from Edward Abbey, one of America's foremost defenders of the natural environment.

Black Sun is a bittersweet love story involving an iconoclastic forest ranger and a freckle-faced "American princess" half his age. Like Lady Chatterley's lover, he initiates her into the rites of sex and the stark, secret harmonies of his wilderness kingdom. She, in turn, awakens in him the pleasure of love. Then she mysteriously disappears, plunging him into desolation.

Black Sun is a singular novel in Abbey's repertoire, a romantic story of a solitary man's passion for the outdoors and for a woman who is his wilderness muse.

"Like most honest novels, Black Sun is partly autobiographical, mostly invention, and entirely true. The voice that speaks in this book is the passionate voice of the forest," Abbey writes, "the madness of desire, and the joy of love, and the anguish of final loss."

An International Bestseller - "This is a shattering work by a literary master."--Boston Globe

A city is hit by an epidemic of "white blindness" which spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and raping women. There is one eyewitness to this nightmare who guides seven strangers--among them a boy with no mother, a girl with dark glasses, a dog of tears--through the barren streets, and the procession becomes as uncanny as the surroundings are harrowing. A magnificent parable of loss and disorientation, Blindness has swept the reading public with its powerful portrayal of our worst appetites and weaknesses--and humanity's ultimately exhilarating spirit.

"This is a an important book, one that is unafraid to face all of the horror of the century."--Washington Post

A New York Times Notable Book of the Year
A Los Angeles Times Best Book of the Year

Three plays that solidified Athol Fugard's indelible mark on theatre.

The brothers of Blood Knot--one dark-skinned, one light--betray their dreams of a better future with the impossible wish of passing for white. In Hello and Goodbye, a poor white brother and sister churn through their once-promising past to comprehend their bleak present. Boesman and Lena, a black husband and wife, trudge through a severe and unforgiving landscape, discovering strength and recovering devotion through an encounter with a mysterious old African.

These three Port Elizabeth plays, which established South African playwright Athol Fugard's international reputation over 60 years ago, examine with passion and grace close family relationships strained almost unendurably by the harshest of economic and political conditions.

This is the collection that true fans of horror fiction must have: sixteen of H.P. Lovecraft's most horrifying visions, including:

The Call of Cthulu: The first story in the infamous Cthulhu mythos--a creature spawned in the stars brings a menace of unimaginable evil to threaten all mankind.
The Dunwich Horror: An evil man's desire to perform an unspeakable ritual leads him in search of the fabled text of The Necronomicon.
The Colour Out of Space: A horror from the skies--far worse than any nuclear fallout--transforms a man into a monster.
The Shadow Over Innsmouth: Rising from the depths of the sea, an unspeakable horror engulfs a quiet New England town.

Plus twelve more terrifying tales!

This family history centered around three women from three generations spans the Civil War through the Jazz Age. Fans of Sallie Bingham's work will especially appreciate her parents Mary and Barry's romance that unfolds in letters and finally results in marriage. Bingham beautifully demonstrates an inheritance of emotion, morality, ideology, and most lasting of all, irreverence.

Sallie Bingham has published four short story collections, four novels, a memoir, and several plays. Bingham was a director of the National Book Critics Circle, and founded the Kentucky Foundation for Women and the Sallie Bingham Archive for Women's Papers and Culture at Duke University.

"Blue Hour is an elusive book, because it is ever in pursuit of what the German poet Novalis called 'the [lost] presence beyond appearance.' The longest poem, 'On Earth, ' is a transcription of mind passing from life into death, in the form of an abecedary, modeled on ancient gnostic hymns. Other poems in the book, especially 'Nocturne' and 'Blue Hour, ' are lyric recoveries of the act of remembering, though the objects of memory seem to us vivid and irretrievable, the rage to summon and cling at once fierce and distracted.

-- Robert Boyers