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Fiction
Author Barbara Kingsolver and her family abandoned the industrial-food pipeline to live a rural life--vowing that, for one year, they'd only buy food raised in their own neighborhood, grow it themselves, or learn to live without it. Part memoir, part journalistic investigation, Animal, Vegetable, Miracle is an enthralling narrative that will open your eyes in a hundred new ways to an old truth: You are what you eat.
It is the moment every twenty-something must confront: the time to grow up. Adulthood looms, with all its numbing tranquility and stifling complacency. The end of prolonged adolescence is near.
Laura and Tyler are two women whose twenties have been a blur of overstayed parties, a fondness for drugs that has shifted from cautious experimentation to catholic indulgence, and hangovers that don't relent until Monday morning. They've been best friends, partners in excess, for the last ten years. But things are changing: Laura is engaged to Jim, a classical pianist who has long since given up the carousing lifestyle. He disapproves of Tyler's reckless ways and of what he percieves to be her bad influence on Laura. Jim pulls Laura toward adulthood and responsibility, toward what society says she should be, but Tyler isn't ready to let her go. But what does Laura want for herself? And how can she choose between Tyler and Jim, between one life she loves and another she's supposed to love? Raw, uproarious, and deeply affecting, Animals speaks to an entire generation caught between late-adolescence and adulthood wondering what exactly they'll have to give up in order to grow up."The rarest (and highest) of literary classes consist of that small group of authors who are absolutely inimitable . . . One of the half-dozen living American authors who belongs in this class is Wendell Berry." --Los Angeles Times "Berry is a philosopher, poet, novelist, and an essayist in the tradition of Emerson and Thoreau . . . like Thoreau, he marches to a different drummer, a drummer we would do well to be aware of, if not to march to." --San Francisco Chronicle
Winner of the 2010 Heartland Prize, Anthill follows the thrilling adventures of a modern-day Huck Finn, enthralled with the "strange, beautiful, and elegant" world of his native Nokobee County. But as developers begin to threaten the endangered marshlands around which he lives, the book's hero decides to take decisive action. Edward O. Wilson--the world's greatest living biologist--elegantly balances glimpses of science with the gripping saga of a boy determined to save the world from its most savage ecological predator: man himself.
From Appalachia to South Korea and back, this stunning and relentless collection explores themes of home and displacement.
"There is not a wasted word in these thirteen taut and thrilling stories of grief, exile, and devotion." -Silas House, author of Southernmost
A Korean woman in rural Kentucky clings to the love found in her new marriage as the mountain above her washes away.
A dutiful daughter struggles to help her father navigate their shared grief-and the sudden release of dangerous, exotic animals.
A new father driven by his pride confronts Japanese soldiers in a harrowing raid on his home.
In his debut collection, Michael Croley takes us from the Appalachian regions of rural Kentucky and Ohio to a village in South Korea in thirteen engaging stories in which characters find themselves, wherever they are, in states of displacement. In these settings, Croley guides his characters to some semblance of home, where they circle each other's pain, struggle to find belonging, and make sense of the mistakes and bad breaks that have brought them there. Croley uses his absorbing prose to uncover his characters' hidden disquiet and to bring us a remarkable and unique collection that expands the scope of modern American literature.
"I know the same day made me free, which was the last day for him who made the proverb true--One must be born either a Pharaoh or a fool." Best known as a philosopher and tragedian, in Apocolocyntosis Seneca also produced one of classical literature's greatest satires. Depicting a posthumous trial in which the recently deceased Emperor Claudius makes the case for his elevation to the company of the gods, this short work brilliantly skewers the pretensions and corruptions of power.
Eris Gems make available in the form of beautifully produced saddle-stitched booklets a series of outstanding short works of fiction and non-fiction.Martim, fleeing from a murder he believes he committed, plunges into the dark nocturnal jungle: stumbling along, in a state of both fear and wonder, eventually he comes to a remote, quiet ranch and finds work with the two women who own it. The women are tranquil enough before his arrival, but are affected by his radical mystery. Soaked through with Martim's inner night (his soul is in the darkness where everything is created), the novel vibrates with his perpetual searching state of vigil. Often he feels close to an epiphany: "for the first time he was present in the moment in which whatever is happening is happening." Yet such flashes flicker out, so he's ever on the watch for "life to take on the dimensions of a destiny."
In an interview, Lispector once said: "I am Martim." As she puts it in The Apple in the Dark: "All I've got is hunger. And that unstable way of grasping an apple in the dark--without letting it fall."
The heroic deeds and words of a warrior poet of northern Arabia
An epic hero and a poet, the semi-legendary Shāyiʿ al-Amsaḥ was a prominent ancestor of the Shammar tribal confederation that stretches across the Great Nafūd desert in the northern Arabian Peninsula. Shāyiʿ's corpus of extant poems are preserved in narratives about his chivalrous exploits transmitted orally for centuries. In this volume, Marcel Kurpershoek vividly translates the deeds and verses of this compelling poet, based on recordings of late-twentieth century reciters, a testament to Shāyiʿ's prominence as an embodiment of Bedouin virtue, courage, wiliness, and generosity. Born with one eye, Shāyiʿ presents himself as unattractive and unassuming, only to reveal a hero's strength, sagacity, and wiliness. In a number of stories, he is shown hiding his identity, whether in disguise as an impoverished Bedouin or on a camel deliberately made to look mangy and weak. In the oral culture of the Bedouin, the epic cycle of Shāyiʿ al-Amsaḥ delights and instructs listeners through its unmasking of false appearances and its revelation of the hero's true character. Translated into English for the first time, these engaging tales and poems tell of dangerous desert travel, warlike exploits, chivalrous conduct and its opposite, feats of hospitality that defy belief, and convey nuggets of wisdom from the Bedouin manual of survival, making this collection a colorful compendium of the manners and customs of the tribes of northern Arabia. A bilingual Arabic-English edition.An intrepid voyage out to the frontiers of the latest thinking about love, language, and family
Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. It binds an account of Nelson's relationship with her partner and a journey to and through a pregnancy to a rigorous exploration of sexuality, gender, and "family." An insistence on radical individual freedom and the value of caretaking becomes the rallying cry for this thoughtful, unabashed, uncompromising book."Sylvia Plath's last poems have impressed themselves on many readers with the force of myth. They are among the handful of writings by which future generations will seek to know us and give us a name." -- The Critical Quarterly
Sylvia Plath's celebrated collection.
When Sylvia Plath died, she not only left behind a prolific oeuvre but also her unpublished literary masterpiece, Ariel. Ted Hughes helped bring the collection to life in 1966, and its publication garnered worldwide acclaim. This collection showcases the beloved poet's brilliant, provoking, and always moving poems, including "Ariel," "The Applicant," "Lady Lazarus," and "Edge", and once again shows why readers have fallen in love with her work over generations.
"The best novel concerning the American pop music culture of the sixties I've ever read."--Stephen King
From #1 New York Times bestselling author George R. R. Martin comes the ultimate novel of revolution, rock 'n' roll, and apocalyptic murder--a stunning work of fiction that portrays not just the end of an era, but the end of the world as we know it.Onetime underground journalist Sandy Blair has come a long way from his radical roots in the '60s--until something unexpectedly draws him back: the bizarre and brutal murder of a rock promoter who made millions with a band called the Nazgûl. Now, as Sandy sets out to investigate the crime, he finds himself drawn back into his own past--a magical mystery tour of the pent-up passions of his generation. For a new messiah has resurrected the Nazgûl and the mad new rhythm may be more than anyone bargained for--a requiem of demonism, mind control, and death, whose apocalyptic tune only Sandy may be able to change in time . . . before everyone follows the beat. "The wilder aspects of the '60s . . . roar back to life in this hallucinatory story by a master of chilling suspense."--Publishers Weekly
"What a story, full of nostalgia and endless excitement. . . . It's taut, tense, and moves like lightning."--Tony Hillerman "Daring . . . a knowing, wistful appraisal of . . . a crucial American generation."--Chicago Sun-Times
"Moving . . . comic . . . eerie . . . really and truly a walk down memory lane."--The Washington Post
Armand is a diplomat rising through the ranks of the Norwegian foreign office, but he's caught between his public duty to support foreign wars in the Middle East and his private disdain for Western intervention. He hides behind knowing, ironic statements, which no one grasps and which change nothing. Armand's son joins the Norwegian SAS to fight in the Middle East, despite being specifically warned against such a move by his father, and this leads to catastrophic, heartbreaking consequences.
Told exclusively in footnotes to an unwritten book, this is Solstad's radically unconventional novel about how we experience the passing of time: how it fragments, drifts, quickens, and how single moments can define a life.






























