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Fiction
Guayasamín is one of the last crusaders of imaginismo. He is a creator of humanity in its broadest sense, of the living and historical imagination. His universe is sustaining although it threatens us like a cosmic disaster. Think before approaching his painting because it will not be easy to withdraw.--Pablo Neruda
To paint is to pray. To paint is to scream.--Oswaldo Guayasamín
In this breathtakingly beautiful book, excerpts from Pablo Neruda's Canto General are illustrated by Oswaldo Guayasamín's powerful work, bringing to life the battles, defeats, victories, and heroes of Latin America's history of resistance.
After their paths first crossed in Mexico, the Chilean poet and indigenous Ecuadoran painter developed a lifelong friendship based on mutual admiration, profound affection, and political solidarity.
With Spanish and English text throughout, this book by two of Latin America's most beloved artists is a captivating, reasonably priced book for the holidays.
Pablo Neruda is one of Latin America's best-loved poets, his most famous work being Canto General. Born in Chile, and widely respected for his outspoken political views, he died days after the coup against the popularly elected Allende government in September 1973.
Oswaldo Guayasamín is generally considered Diego Rivera's successor as Latin America's most prominent painter. Deemed an expressionist, with evident indigenous roots, the humanist spirit of Guayasamín´s work reflects the pain and misery endured by much of humanity during the last century, but at the same time conveys a sense of human dignity and great tenderness. He died in 1999.
Neil Gaiman's acclaimed story now in comics! This supernatural American road trip fantasy tells the story of a war between the ancient and modern gods. The Hugo, Bram Stoker, Locus, World Fantasy, and Nebula award-winning novel and new Starz television series by Neil Gaiman is adapted as a graphic novel for the first time! The first in a three-volume adaptation of Neil Gaiman's modern classic! Shadow Moon gets out of jail only to discover his wife is dead. Defeated, broke, and uncertain where to go from here, he meets the mysterious Mr. Wednesday, who employs him to serve as his bodyguard--thrusting Shadow into a deadly world where ghosts of the past come back from the dead, and a god war is imminent. Collecting the first nine issues of the American Gods comic book series, along with art process features, high res scans of original art, layouts, character designs, and variant covers by BECKY CLOONAN, SKOTTIE YOUNG, FÁBIO MOON, DAVE MCKEAN, and MORE!
The bizarre road trip across America continues as our heroes gather reinforcements for the imminent god war! Shadow and Wednesday leave the House on the Rock and continue their journey across the country where they set up aliases, meet new gods, and prepare for war. The Hugo, Bram Stoker, Locus, World Fantasy, and Nebula award-winning novel and hit Starz television series by Neil Gaiman is adapted as a graphic novel! Collects issues #1-9 of American Gods: My Ainsel.
Challenging the common perception of poets as standing apart from the mainstream of American culture, Robert von Hallberg gives us a fresh and unpredictable assessment of the poetry that has come directly out of the American experience since 1945.
Who reads contemporary American poetry? More people than were reading new poetry in the 1920s, von Hallberg shows. How do poets respond to the public preoccupations of their readers? Often with fascination. Von Hallberg put the poems of Robert Creeley and John Ashbery together with the postwar outburst of systems analysis. The 1950s tourist poems of John Hollander, Adrienne Rich, W. S. Merwin, and James Merrill are treated as the cultural side of America's postwar rise to global political power There are chapters on the political poems of the 1950s and 1960s, and on Robert Lowell's sympathy for the imperialism of his liberal contemporaries. Poems of the 1970s on pop culture, especially Edward Dorn's Slinger, and some from the suburbs of the 1980s, are shown to reflect a curious peace between the literary and the mass cultures.
This groundbreaking Library of America volume offers a fresh look at early American poetry, charting its evolution over a span of almost two centuries, from the first years of English settlement in the New World to the death of George Washington. Gathering the work of more than 100 poets--including many poems never previously anthologized and some published here for the first time--it is the most comprehensive collection of its kind ever assembled, a celebration of the rich, varied, and often surprising beginnings of American poetry. The range of voices is unprecedented: broadside and newspaper satires, epitaphs, children's verse, popular songs, ballads, and Christian hymns evoke the vital currency of poetry in daily life; exhortatory elegies for public figures and historical epics declaimed on occasions of state stand alongside intricate meditative lyrics and private epistolary verses. The dramatic unfolding of American history is made immediate and vivid in the words of the participants: William Bradford reflects on the growth of New England's first colonies; Roger Wolcott recounts the incidents of the Pequot War; Thomas Paine hails the victories of the American Revolution; Ann Eliza Bleecker describes her flight from General Burgoyne's invading army; loyalist Jonathan Odell bitterly mocks the new Continental Congress. The first comprehensive anthology of early American poetry in more than a generation, this volume incorporates recent scholarly discoveries that have altered our understanding of the early American literary landscape. Alongside generous selections from long admired New England poets such as Anne Bradstreet, Edward Taylor, and Michael Wigglesworth are poets from the Middle Colonies and the South, newly emerged from the archives. Along with familiar favorites by Phillis Wheatley, celebrated pioneer of the African-American tradition in poetry, are little-known verses by Benjamin Banneker, known as "the Sable Astronomer," and African-American Minuteman Lemuel Haynes. The anthology includes hymns recently attributed to Mohegan preacher Samson Occom and the earliest known translation of a traditional Native American chant, Henry Timberlake's Cherokee "War-Song." The unpublished poems of Henry Brooke, Elizabeth Graeme Fergusson, Joseph Green, Hannah Griffitts, Margaret Lowther Page, and Annis Boudinot Stockton, among others, reflect the rediscovered vitality and importance of manuscript exchange as a form of publication in an era when it was sometimes considered indecorous, especially for women, to appear in print. Unprecedented in its textual authority and unrivaled in its scope, the anthology includes newly researched biographical sketches of each poet and extensive notes. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
In the years between the beginning of the twentieth century and the end of World War II, American poetry was transformed, producing a body of work whose influence was felt throughout the world. Now for the first time the landmark two-volume Library of America anthology of twentieth-century poetry through the post-War years restores that era in all its astonishing beauty and explosive energy. This first volume of the set, organized chronologically by the poets' birthdates, takes the reader from Henry Adams (1838-1918) to Dorothy Parker (1893-1967), and in the process reveals the unfolding of a true poetic renaissance. Included are generous selections from some of the century's greatest poets: Edwin Arlington Robinson, Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, H.D., Ezra Pound, T. S. Eliot. Here they are seen as part of an age that proposed new and often contentious definitions of what American poetry could be and fresh perceptions of a society undergoing rapid and often tumultuous change. The multifarious aesthetic influences brought to bear--Chinese and Japanese poetry, the African-American sermon, the artistic revolutions of Cubism and Dada, the cadences of jazz, the brash urgencies of vernacular speech--resulted in a poetic culture of dynamic energy and startling contrasts. The poets of this era transformed not only style but traditional subject matter: there are poems here on a silent movie actress, a lynching, the tenements of New York, the trench warfare of World War I, the Russian Revolution, and the landscape of Mars. Here too are folk ballads on events like the assassination of McKinley and the sinking of the Titanic; popular and humorous verse by Don Marquis and Franklin P. Adams; the famous "Spectra" hoax; song lyrics by Ma Rainey, Joe Hill, and Irving Berlin; and poems by writers as unexpected as Djuna Barnes, Sherwood Anderson, John Reed, and H. P. Lovecraft. Included are some of the century's most important poems, presented in full: Pound's Hugh Selwyn Mauberley, Eliot's The Waste Land, Steven's Notes Toward a Supreme Fiction. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
In nineteenth-century America, poetry was an integral part of everyday life. The two volumes of The Library of America's American Poetry: The Nineteenth Century reveal the vigor and diversity of a tradition embracing solitary visionaries and congenial storytellers, humorists and dissidents, songwriters and philosophers. These extraordinary anthologies reassess America's poetic legacy with a comprehensive sweep that no previous anthology has attempted. Extending chronologically from the classic couplets of Philip Freneau to the pioneering free verse of Walt Whitman, this first volume charts the formation of a distinctly American poetry. Here, in generous selections, are the major figures: Poe, Emerson, Bryant, Longfellow, Whittier--as well as such unexpected contributors as the landscape painter Thomas Cole, the actress Fanny Kemble, and the presidents John Quincy Adams and Abraham Lincoln. This collection offers the unique opportunity to appreciate anew such classics as Whittier's "Snow-Bound," Bryant's "Forest Hymn," and Emerson's "Hamatreya," while discovering a world of less familiar pleasures: the mystical sonnets of Jones Very, the Romantic fantasias of Maria Gowen Brooks, the stirring political poems of Joel Barlow and John Pierpont, and the somber and undervalued late lyrics of Longfellow. Woven among the poetry of the early nineteenth century is a wealth of popular ballads, recitations, and songs both secular and religious: "Home, Sweet Home," "A Visit from St. Nicholas," "It Came Upon the Midnight Clear," "Battle Hymn of the Republic." From Lydia Maria Child's Thanksgiving poem ("Over the river and through the wood") to George Pope Morris's "The Oak" ("Woodman, spare that tree!"), these pages ring with the phrases that have become part of the national memory. Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Winner of the Pulitzer Prize for Poetry
Mary Oliver's most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside.
"American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages." -- Stanley Kunitz
"These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." -- May Swenson
Mary Oliver's most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside.
"American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages." -- Stanley Kunitz
"These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." -- May Swenson
No more profound and intimate expression of America's spiritual life can be found than the work of its poets. From Anne Bradstreet to the Beats, from Native American chant and Shaker hymnody to Walt Whitman and Emily Dickinson, religion and spirituality have always been central to American poetry. In this unique anthology, world-renowned scholar Harold Bloom weaves a tapestry from the many strands of American religious experience and practice: the searching meditations of Puritan pioneers, the evangelical fervor of the Great Awakenings, the mystical currents of Transcendentalism, the diverse influences of the world religions that have taken root in modern America. Spanning four centuries and more than 200 poets, American Religious Poems is a bountiful and moving gathering of voices that offers countless moments of inspiration, solace, meditation, and transcendence. The poems in this unprecedented volume are a lasting testimony to the American spirit and its unremitting quest for ultimate truth and meaning. This deluxe collector's edition features: - an introduction by Harold Bloom;
- a reader's guide to significant topics and themes in the poems;
- Smyth-sewn binding and flexible, leatherette covers; and
- a ribbon page-marker.
- a reader's guide to significant topics and themes in the poems;
- Smyth-sewn binding and flexible, leatherette covers; and
- a ribbon page-marker.
At each step of this journey through American cultural history, Louis Menand has an original point to make: he explains the real significance of William James's nervous breakdown, and of the anti-Semitism in T. S. Eliot's writing. He reveals the reasons for the remarkable commercial successes of William Shawn's New Yorker and William Paley's CBS. He uncovers the connection between Larry Flynt's Hustler and Jerry Falwell's evangelism, between the atom bomb and the Scholastic Aptitude Test. He locates the importance of Richard Wright, Norman Mailer, Pauline Kael, Christopher Lasch, and Rolling Stone magazine. And he lends an ear to Al Gore in the White House as the Starr Report is finally presented to the public.
Like his critically acclaimed bestseller, The Metaphysical Club, American Studies is intellectual and cultural history at its best: game and detached, with a strong curiosity about the political underpinnings of ideas and about the reasons successful ideas insinuate themselves into the culture at large. From one of our leading thinkers and critics, known both for his "sly wit and reportorial high-jinks [and] clarity and rigor" (The Nation), these essays are incisive, surprising, and impossible to put down.
In this stunning collection, Joy Harjo finds blessings in the abundance of her homeland and confronts the site where the Mvskoke people, including her own ancestors, were forcibly displaced. From her memory of her mother's death, to her beginnings in the Native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to create a space for renewed beginnings.
Lawrence Ferlinghetti lights out for the territories with Book I of his own born-in-the-U.S.A. epic, Americus.
Describing Americus as "part documentary, part public pillow-talk, part personal epica descant, a canto unsung, a banal history, a true fiction, lyric and political," Ferlinghetti combines "universal texts, snatches of song, words or phrases, murmuring of love or hate, from Lotte Lenya to the latest soul singer, sayings and shibboleths from Yogi Berra to the National Anthem, the Gettysburg Address or the Ginsberg Address, that haunt our nocturnal imagination." This book is a wake-up call that breaks new ground in the grand tradition of Whitman, W.C. Williams, Charles Olson, and Ezra Pound, as Ferlinghetti cruises our literary and political landscapes, past and present, to create an autobiography of American consciousness.
Describing Americus as "part documentary, part public pillow-talk, part personal epica descant, a canto unsung, a banal history, a true fiction, lyric and political," Ferlinghetti combines "universal texts, snatches of song, words or phrases, murmuring of love or hate, from Lotte Lenya to the latest soul singer, sayings and shibboleths from Yogi Berra to the National Anthem, the Gettysburg Address or the Ginsberg Address, that haunt our nocturnal imagination." This book is a wake-up call that breaks new ground in the grand tradition of Whitman, W.C. Williams, Charles Olson, and Ezra Pound, as Ferlinghetti cruises our literary and political landscapes, past and present, to create an autobiography of American consciousness.
From Walt Whitman's catalog of America to Thomas Hart Benton's American epics painted on walls across the country to Studs Terkel's documentaries, much artistic and literary labor has stemmed from the urge to figure out what makes this country tick. Any attempt at so large a canvas as this disparate country will be fragmented and incomplete, but like Benton's 1932 mural "American Today", American Mosaic is composed of pieces that taken together provide a vivid look at vanishing scenes of American life.
Here, Robert Wolf offers a collective autobiography of the American heartland written for the most part by everyday men and women without literary ambition. Focusing on the second half of the twentieth century, this collection of essays, short stories, poems, and memoirs--woven together with Wolf's introductory notes--is the culmination of nine years of Free River Press writing workshops conducted by Wolf for the purpose of documenting contemporary American life.
The volume includes work from homeless men and women from Tennessee, small farmers in rural Iowa, residents of Midwestern small towns, the Mississippi Delta, and river communities on the Mississippi. These first-person, eyewitness accounts offer glimpses of daily life: the farmers' struggles against large corporations; poetic meditations on life in the streets, on the road, and in prison; tall tales of river town saloons; and the social rituals of cooking, town hall and party phone lines across America's small towns. Among many narratives, American Mosaic gives us the ruminations of a homeless woman over a martini in El Gilbert's poem "Drunk," descriptions of hearty, communal meals during the July harvest in Clara Leppert's piece "Meals for Threshers," a picture of the goings-on in a West Helena, Arkansas juke joint with Chris Crawford's essay "Lucky Lacey," and the reminiscences of a former Mississippi River towboat captain in Jack Libby's "The Midnight Watch Change."
Together, these diverse stories comprise panels of a literary mural of America. American Mosaic is a compelling testament to regional and local American voices and folkways which are fast disappearing through the relentless push towards a global economy and culture.
Here, Robert Wolf offers a collective autobiography of the American heartland written for the most part by everyday men and women without literary ambition. Focusing on the second half of the twentieth century, this collection of essays, short stories, poems, and memoirs--woven together with Wolf's introductory notes--is the culmination of nine years of Free River Press writing workshops conducted by Wolf for the purpose of documenting contemporary American life.
The volume includes work from homeless men and women from Tennessee, small farmers in rural Iowa, residents of Midwestern small towns, the Mississippi Delta, and river communities on the Mississippi. These first-person, eyewitness accounts offer glimpses of daily life: the farmers' struggles against large corporations; poetic meditations on life in the streets, on the road, and in prison; tall tales of river town saloons; and the social rituals of cooking, town hall and party phone lines across America's small towns. Among many narratives, American Mosaic gives us the ruminations of a homeless woman over a martini in El Gilbert's poem "Drunk," descriptions of hearty, communal meals during the July harvest in Clara Leppert's piece "Meals for Threshers," a picture of the goings-on in a West Helena, Arkansas juke joint with Chris Crawford's essay "Lucky Lacey," and the reminiscences of a former Mississippi River towboat captain in Jack Libby's "The Midnight Watch Change."
Together, these diverse stories comprise panels of a literary mural of America. American Mosaic is a compelling testament to regional and local American voices and folkways which are fast disappearing through the relentless push towards a global economy and culture.
The author of the international bestseller A Suitable Boy returns with a powerful and deeply romantic tale of two gifted musicians. Michael Holme is a violinist, a member of the successful Maggiore Quartet. He has long been haunted, though, by memories of the pianist he loved and left ten years earlier, Julia McNicholl. Now Julia, married and the mother of a small child, unexpectedly reenters his life and the romance flares up once more. Against the magical backdrop of Venice and Vienna, the two lovers confront the truth about themselves and their love, about the music that both unites and divides them, and about a devastating secret that Julia must finally reveal. With poetic, evocative writing and a brilliant portrait of the international music scene, An Equal Music confirms Vikram Seth as one of the world's finest and most enticing writers.
Barzun, Essay on French Verse. From the author of From Dawn to Decadence.
"All that kid wants to do is stick his nose in a book," Michael Dirda's steelworker father used to complain, worried about his son's passion for reading. In "An Open Book," one of the most delightful memoirs to emerge in years, the acclaimed literary journalist Michael Dirda re-creates his boyhood in rust-belt Ohio, first in the working-class town of Lorain, then at Oberlin College. In addition to his colorful family and friends, "An Open Book" also features the great writers and fictional characters who fueled Dirda's imagination: from Green Lantern to Sherlock Holmes, from Candy to Proust. The result is an affectionate homage to small-town America summer jobs, school fights, sweepstakes contests, and first dates as well as a paean to what could arguably be called the last great age of reading. "Dirda is a superb literary essayist." Harold Bloom "Michael Dirda's memoir no surprise to me is so good that I went up to the attic meaning to send him one of my antique Big Little books as a salute to excellence...A great job. I'll be buying "An Open Book" for my children and grandchildren." Russell Baker, author of "Growing Up" "Here, in "An Open Book," is the show and tell of a wonderful American story, everything coming together in the immemorial dance of literature and memory, of history and gossip, and of the deeply felt, bittersweet story (his own) of a young life. Read it and rejoice." George Garrett "A lovely, unapologetically nostalgic remembrance of growing up in a more innocent America, but it is also the touching story of one person's lifelong love affair with words." June Sawyer, "San Francisco Chronicle" "Dirda inhabits each book he reads. Inhabits it and makes a space alongside it for us to join him....He is a rare treasure." James Sallis, "Boston Sunday Globe""
A heartbreaking story about a Nigerian poultry farmer who sacrifices everything to win the woman he loves, by Man Booker Finalist and author of The Fishermen, Chigozie Obioma. "It is more than a superb and tragic novel; it's a historical treasure."-Boston Globe Set on the outskirts of Umuahia, Nigeria and narrated by a chi, or guardian spirit, An Orchestra of Minorities tells the story of Chinonso, a young poultry farmer whose soul is ignited when he sees a woman attempting to jump from a highway bridge. Horrified by her recklessness, Chinonso joins her on the roadside and hurls two of his prized chickens into the water below to express the severity of such a fall. The woman, Ndali, is stopped her in her tracks. Bonded by this night on the bridge, Chinonso and Ndali fall in love. But Ndali is from a wealthy family and struggles to imagine a future near a chicken coop. When her family objects to the union because he is uneducated, Chinonso sells most of his possessions to attend a college in Cyprus. But when he arrives he discovers there is no place at the school for him, and that he has been utterly duped by the young Nigerian who has made the arrangements... Penniless, homeless, and furious at a world which continues to relegate him to the sidelines, Chinonso gets further away from his dream, from Ndali and the farm he called home. Spanning continents, traversing the earth and cosmic spaces, and told by a narrator who has lived for hundreds of years, the novel is a contemporary twist of Homer's Odyssey. Written in the mythic style of the Igbo literary tradition, Chigozie Obioma weaves a heart-wrenching epic about destiny and determination.
The reimagined story of Anarcha, an enslaved Black woman, subjected to medical experiments by Dr. Marion Sims. Selected by Tyehimba Jess as a National Poetry Series winner. In this provocative collection by award-winning poet and artist Dominique Christina, the historical life of Anarcha is personally reenvisioned. Anarcha was an enslaved Black woman who endured experimentation and torture at the hands of Dr. Marion Sims, more commonly known as the father of modern gynecology. Christina enables Anarcha to tell her story without being relegated to the margins of history, as a footnote to Dr. Sims's life. These poems are a reckoning, a resurrection, and a proper way to remember Anarcha . . . and grieve her.
Our most revered critic returns to his signature theme
"Literary criticism, as I attempt to practice it," writes Harold Bloom in The Anatomy of Influence, "is in the first place literary, that is to say, personal and passionate."For more than half a century, Bloom has shared his profound knowledge of the written word with students and readers. In this, his most comprehensive and accessible study of influence, Bloom leads us through the labyrinthine paths which link the writers and critics who have informed and inspired him for so many years. The result is "a critical self-portrait," a sustained meditation on a life lived with and through the great works of the Western canon: Why has influence been my lifelong obsessive concern? Why have certain writers found me and not others? What is the end of a literary life?
Featuring extended analyses of Bloom's most cherished poets--Shakespeare, Whitman, and Crane--as well as inspired appreciations of Emerson, Tennyson, Browning, Yeats, Ashbery, and others, The Anatomy of Influence adapts Bloom's classic work The Anxiety of Influence to show us what great literature is, how it comes to be, and why it matters. Each chapter maps startling new literary connections that suddenly seem inevitable once Bloom has shown us how to listen and to read. A fierce and intimate appreciation of the art of literature on a scale that the author will not again attempt, TheAnatomy of Influence follows the sublime works it studies, inspiring the reader with a sense of something ever more about to be.
In his first novel since the Pulitzer Prize-winning "House Made of Dawn, " N. Scott Momaday shapes the ancient Kiowa myth of a boy who turned into a bear into a timeless American classic. "The Ancient Child" juxtaposes Indian lore and Wild West legend into a hypnotic, often lyrical contemporary novel--the story of Locke Setman, known as Set, a Native American raised far from the reservation by his adoptive father. Set feels a strange aching in his soul and, returning to tribal lands for the funeral of his grandmother, is drawn irresistibly to the fabled bear-boy. When he meets Grey, a beautiful young medicine woman with a visionary gift, his world is turned upside down. Here is a magical saga of one man's tormented search for his identity--a quintessential American novel, and a great one.
After Sappho but before the great Latin poets, the most important short poems in the ancient world were Greek epigrams. Beginning with simple expressions engraved on stone, these poems eventually encompassed nearly every theme we now associate with lyric poetry in English. Many of the finest are on love and would later exert a profound influence on Latin love poets and, through them, on all the poetry of Europe and the West. This volume offers a representative selection of the best Greek epigrams in original verse translation. It showcases the poetry of nine poets (including one woman), with many epigrams from the recently discovered Milan papyrus. Gordon L. Fain provides an accessible general introduction describing the emergence of the epigram in Hellenistic Greece, together with short essays on the life and work of each poet and brief explanatory notes for the poems, making this collection an ideal anthology for a wide audience of readers.
By turns bizarre, unsettling, spooky, and sublime, Ancient Sorceries and Other Weird Stories showcases nine incomparable stories from master conjuror Algernon Blackwood. Evoking the uncanny spiritual forces of Nature, Blackwood's writings all tread the nebulous borderland between fantasy, awe, wonder, and horror. Here Blackwood displays his best and most disturbing work-including "The Willows," which Lovecraft singled out as "the single finest weird tale in literature"; "The Wendigo"; "The Insanity of Jones"; and "Sand." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Breq and her crew must stand against an old and powerful enemy and fight for their own destinies in the stunning conclusion to the New York Times bestselling trilogy. A must read for fans of Ursula K. Le Guin and James S. A. Corey. For a moment, things seemed to be under control for Breq, the soldier who used to be a warship. Then a search of Athoek Station's slums turns up someone who shouldn't exist, and a messenger from the mysterious Presger empire arrives, as does Breq's enemy, the divided and quite possibly insane Anaander Mianaai -- ruler of an empire at war with itself. Breq refuses to flee with her ship and crew, because that would leave the people of Athoek in terrible danger. The odds aren't good, but that's never stopped her before. "There are few who write science fiction like Ann Leckie can. There are few who ever could." -- John Scalzi
An unforgettable novel about finding a lost piece of yourself in someone else. Khaled Hosseini, the #1 New York Times-bestselling author of The Kite Runner and A Thousand Splendid Suns, has written a new novel about how we love, how we take care of one another, and how the choices we make resonate through generations. In this tale revolving around not just parents and children but brothers and sisters, cousins and caretakers, Hosseini explores the many ways in which families nurture, wound, betray, honor, and sacrifice for one another; and how often we are surprised by the actions of those closest to us, at the times that matter most. Following its characters and the ramifications of their lives and choices and loves around the globe--from Kabul to Paris to San Francisco to the Greek island of Tinos--the story expands gradually outward, becoming more emotionally complex and powerful with each turning page.
"The greatest of our Civil War novels" (New York Times) reissued for a new generation As the United States prepares to commemorate the Civil War's 150th anniversary, Plume reissues the Pulitzer Prize-winning novel widely regarded as the most powerful ever written about our nation's bloodiest conflict. MacKinlay Kantor's Andersonville tells the story of the notorious Confederate Prisoner of War camp, where fifty thousand Union soldiers were held captive--and fourteen thousand died--under inhumane conditions. This new edition will be widely read and talked about by Civil War buffs and readers of gripping historical fiction.
From the author of the timeless classic Out of Africa five hauntingly evoked, sensuously realized stories and a novella "that belong in that special realm in which artistry is more real than reality" (TIME). - Ehrengard is Now a Netflix Film.
"Dinesen's stories are the work of a writer with a powerful imagination and a shrewd intelligence." --The New York Times Book Review
In the classic "Babette's Feast," a mysterious Frenchwoman prepares sumptuous feast for a gathering of religious ascetics and, in doing so, introduces them to the true essence of grace. In "The Immortal Story," a miserly old tea-trader living in Canton wishes for power and finds redemption as he turns an oft-told sailors' tale into reality for a young man and woman. And in the magnificent novella Ehrengard, Dinesen tells of the powerful yet restrained rapport between a noble Wagnerian beauty and rakish artist.
"Dinesen's stories are the work of a writer with a powerful imagination and a shrewd intelligence." --The New York Times Book Review
In the classic "Babette's Feast," a mysterious Frenchwoman prepares sumptuous feast for a gathering of religious ascetics and, in doing so, introduces them to the true essence of grace. In "The Immortal Story," a miserly old tea-trader living in Canton wishes for power and finds redemption as he turns an oft-told sailors' tale into reality for a young man and woman. And in the magnificent novella Ehrengard, Dinesen tells of the powerful yet restrained rapport between a noble Wagnerian beauty and rakish artist.
A finalist for the PEN/Faulkner Award for Fiction and the Story Prize, the first ever collection of "dazzlingly told" (The New York Times) short stories--now available as a trade paperback. Set in Greece, the Caribbean, Manhattan, a white-collar prison and outer space, this "small masterpiece of short fiction" (USA Today) is a mesmerizing introduction to Don DeLillo's iconic voice. In "Creation," a couple at the end of a cruise somewhere in the West Indies can't get off the island--flights canceled, unconfirmed reservations, a dysfunctional economy. In "Human Moments in World War III," two men orbiting the earth, charged with gathering intelligence and reporting to Colorado Command, hear the voices of American radio, from a half century earlier. In the title story, Sisters Edgar and Grace, nuns working the violent streets of the South Bronx, confirm the neighborhood's miracle, the apparition of a dead child, Esmeralda. Nuns, astronauts, athletes, terrorists and travelers, the characters in The Angel Esmeralda propel themselves into the world and define it. These nine stories describe an extraordinary journey of one great writer whose prescience about world events and ear for American language changed the literary landscape.
Winner of the Pulitzer Prize for Drama
Angels in America: A Gay Fantasia on National Themes includes Part One, Millennium Approaches and Part Two, Perestroika "Glorious. A monumental, subversive, altogether remarkable masterwork...Details of specific catastrophes may have changed since this Reagan-era AIDS epic won the Pulitzer and the Tony, but the real cosmic and human obsessions--power, religion, sex, responsibility, the future of the world--are as perilous, yet as falling-down funny, as ever." -Linda Winer, Newsday "A vast, miraculous play... provocative, witty and deeply upsetting... a searching and radical rethinking of American political drama." - Frank Rich, New York Times "A victory for theater, for the transforming power of the imagination to turn devastation into beauty." - John Lahr, New Yorker "An enormously impressive work of the imagination and intellect, a towering example of what theater stretched to its full potential can achieve." -Philadelphia Inquirer "Angels in America is the finest drama of our time, speaking to us of an entire era of life and death as no other play within memory. It ranks as nothing less than one of the greatest plays of the twentieth century." - John Heilpern, New York Observer "Some playwrights want to change the world. Some want to revolutionize theater. Tony Kushner is that rarity of rarities: a writer who has the promise to do both." -New York Times This new edition of Tony Kushner's masterpiece is published with the author's recent changes and a new introduction in celebration of the twentieth anniversary of its original production. One of the most honored American plays in history, Angels in America was awarded two Tony Awards for Best Play and the Pulitzer Prize for Drama. It was made into an Emmy Award-winning HBO film directed by Mike Nichols. This two-part epic, subtitled "A Gay Fantasia on National Themes," has received hundreds of performances worldwide in more than twenty-six languages. Tony Kushner's plays include Angels in America; Hydriotaphia, or the Death of Dr. Brown; The Illusion, adapted from the play by Pierre Cornelle; Slavs!; A Bright Room Called Day; Homebody/Kabul; Caroline, or Change, a musical with composer Jeanine Tesori; and The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures. He wrote the screenplays for Mike Nichols's film of Angels in America and for Steven Spielberg's Munich and Lincoln. His books include The Art of Maurice Sendak: 1980 to the Present; Brundibar, with illustrations by Maurice Sendak; and Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict, co-edited with Alisa Solomon.
Among many honors, Kushner is the recipient of a Pulitzer Prize, two Tony Awards, three Obie Awards, two Evening Standard Awards, an Olivier Award, an Emmy Award, two Oscar nominations, and the Steinberg Distinguished Playwright Award. He is a member of the American Academy of Arts and Letters. In 2012, he was awarded a National Medal of Arts by President Barack Obama. He lives in Manhattan with his husband, Mark Harris.
Angels in America: A Gay Fantasia on National Themes includes Part One, Millennium Approaches and Part Two, Perestroika "Glorious. A monumental, subversive, altogether remarkable masterwork...Details of specific catastrophes may have changed since this Reagan-era AIDS epic won the Pulitzer and the Tony, but the real cosmic and human obsessions--power, religion, sex, responsibility, the future of the world--are as perilous, yet as falling-down funny, as ever." -Linda Winer, Newsday "A vast, miraculous play... provocative, witty and deeply upsetting... a searching and radical rethinking of American political drama." - Frank Rich, New York Times "A victory for theater, for the transforming power of the imagination to turn devastation into beauty." - John Lahr, New Yorker "An enormously impressive work of the imagination and intellect, a towering example of what theater stretched to its full potential can achieve." -Philadelphia Inquirer "Angels in America is the finest drama of our time, speaking to us of an entire era of life and death as no other play within memory. It ranks as nothing less than one of the greatest plays of the twentieth century." - John Heilpern, New York Observer "Some playwrights want to change the world. Some want to revolutionize theater. Tony Kushner is that rarity of rarities: a writer who has the promise to do both." -New York Times This new edition of Tony Kushner's masterpiece is published with the author's recent changes and a new introduction in celebration of the twentieth anniversary of its original production. One of the most honored American plays in history, Angels in America was awarded two Tony Awards for Best Play and the Pulitzer Prize for Drama. It was made into an Emmy Award-winning HBO film directed by Mike Nichols. This two-part epic, subtitled "A Gay Fantasia on National Themes," has received hundreds of performances worldwide in more than twenty-six languages. Tony Kushner's plays include Angels in America; Hydriotaphia, or the Death of Dr. Brown; The Illusion, adapted from the play by Pierre Cornelle; Slavs!; A Bright Room Called Day; Homebody/Kabul; Caroline, or Change, a musical with composer Jeanine Tesori; and The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures. He wrote the screenplays for Mike Nichols's film of Angels in America and for Steven Spielberg's Munich and Lincoln. His books include The Art of Maurice Sendak: 1980 to the Present; Brundibar, with illustrations by Maurice Sendak; and Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict, co-edited with Alisa Solomon.
Among many honors, Kushner is the recipient of a Pulitzer Prize, two Tony Awards, three Obie Awards, two Evening Standard Awards, an Olivier Award, an Emmy Award, two Oscar nominations, and the Steinberg Distinguished Playwright Award. He is a member of the American Academy of Arts and Letters. In 2012, he was awarded a National Medal of Arts by President Barack Obama. He lives in Manhattan with his husband, Mark Harris.
Don't be alarmed, folks! He can't break those shackles -- they're forged of chrome-steel! -- Penultimate words of Carl Denham.
Winner of the World Fantasy Award for best short story collection, this volume by one of the most acclaimed authors of the twentieth century takes an intense look at how the specter of death haunts everyday life. Seventeen astonishing tales include the Hugo Award-winning novelette Paladin of the Lost Hour and Soft Monkey, winner of the 1988 Edgar Allan Poe Award for short story fiction. This edition includes a new Introduction by actor/comedian Patton Oswalt.
Harlan Ellison has written and published 120 books and has been lauded by sources as impressive as The New York Times and The Los Angeles Times, which noted, It is long past time to call Harlan Ellison the twentieth-century Mark Twain. His name is a Registered Trademark and impassioned praise comes to him from Stephen King, Joyce Carol Oates, and Dean Koontz. Online (harlanellisonbooks.com) and a laudatory YouTube site put up by Ellison's celebrity friends has over 1,000,000 hits on his Pay the Writer shout-out. You could look him up: he can't break those shackles.
Winner of the World Fantasy Award for best short story collection, this volume by one of the most acclaimed authors of the twentieth century takes an intense look at how the specter of death haunts everyday life. Seventeen astonishing tales include the Hugo Award-winning novelette Paladin of the Lost Hour and Soft Monkey, winner of the 1988 Edgar Allan Poe Award for short story fiction. This edition includes a new Introduction by actor/comedian Patton Oswalt.
Harlan Ellison has written and published 120 books and has been lauded by sources as impressive as The New York Times and The Los Angeles Times, which noted, It is long past time to call Harlan Ellison the twentieth-century Mark Twain. His name is a Registered Trademark and impassioned praise comes to him from Stephen King, Joyce Carol Oates, and Dean Koontz. Online (harlanellisonbooks.com) and a laudatory YouTube site put up by Ellison's celebrity friends has over 1,000,000 hits on his Pay the Writer shout-out. You could look him up: he can't break those shackles.