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Poetry
The collection includes the poems, MacFlecknoe and Absalom and Achitophel as well as Dryden's classical translations; his versions of Homer, Horace, and Ovid are reproduced in full. There are also substantial selections from Dryden's Virgil, Juvenal, and other classical writers. Fables, Ancient and Modern, taken from Chaucer, Ovid, Boccaccio, and Homer, his last and possibly greatest work, also appears in full.
This edition represents the single most comprehensive anthology of Pope's works. The Duncaid, The Rape of the Lock, and Imitations of Horace are presented in full, together with a characteristic sample of Pope's prose, including satires, pamphlets, and periodical writing. This edition also includes a further reading list, an invaluable biographical index as well as indexes of titles, first lines, and correspondences.
This illuminating anthology follows the sonnet through its various moments and makers over five and a half centuries. Edward Hirsch and Eavan Boland, two of our foremost poets, focus on vicissitudes, paying particular attention to how individual poets from Shakespeare to Strand have claimed these fourteen lines: lengthened them, shortened them, elaborated on them, and, in turn, been defined by them. Three sections "The Sonnet in the Mirror," "The Sonnet Goes to Different Lengths," and "The Sonnet extraordinary durability and its reinventions. The collection opens with personal introductions by the editors, and, in the appendix, they provide "Ten Questions for a Sonnet Workshop" to jump-start a conversation between students and teachers. With more than three hundred poems, The Making of a Sonnet guides readers through a vigorous adventures in craft and practice, right up to its extraordinary resurgence in contemporary poetry.
Denise Levertov achieved recognition as a poet at a young age, winning the admiration of such older poets as T.S. Eliot and William Carlos Williams. Though she initially drew a line between her poetic works and her commitment to peace and justice, the Vietnam War inspired a change, and at the time of her death in 1997, she was acclaimed not only for her poetry, but also for her political engagement. Making Peace collects Levertov's finest poems about war and peace, subjects which she addresses with passion and nuance. Spanning the last three decades of her life, their subjects range from Vietnam to the death-squads of El Salvador to the first Gulf War. Often brutally vividin The Certainty she writes, war / means blood spilling from living bodiesLevertov's poems always have at their core her love for humanity, even as she registers her horror at what humans do to one another.
Introduced by Levertov scholar Peggy Rosenthal, these poems mirror the destruction that we witness today, but they also hold within them, as Levertov writes, a small grain of hope.
The Marriage of Heaven and Hell is both a humorous satire on religion and morality and a work that concisely expresses Blake's essential wisdom and philosophy, much of it revealed in the 70 aphorisms of his "Proverbs of Hell." This beautiful edition, reproduced from a rare facsimile, invites readers to enjoy the rich character of Blake's own hand-printed text along with his deeply stirring illustrations, reproduced on 27 full-color plates. A typeset transcription of the text is included.
companions in order to progress along the mystical path. By interweaving amusing stories and profound homilies, Rumi instructs his readers in a style that still speaks directly to them.
Here, Jawid Mojaddedi has translated the text into accessible rhyming couplets, as he did for Oxford's award-winning edition of Book One. This edition--the first ever verse translation of Book Two, and the first translation of any kind for over eighty years--is the closest English speakers can
come to understanding the true beauty of this classic work. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert
introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
Think of your faith as though it's your last breath.
Your life is like a purse, and night and day
Are counters of gold coins you've put away'
The classic and deeply moving memoir by Pablo Neruda, the most widely read political poet of our time and winner of the Nobel Prize
The south of Chile was a frontier wilderness when Pablo Neruda was born in 1904. In these memoirs he retraces his bohemian student years in Santiago; his sojourns as Chilean consul in Burma, Ceylon, and Java, in Spain during the civil war, and in Mexico; and his service as a Chilean senator. Neruda, a Communist, was driven from his senate seat in 1948, and a warrant was issued for his arrest. After a year in hiding, he escaped on horseback over the Andes and then to Europe; his travels took him to Russia, Eastern Europe, and China before he was finally able to return home in 1952. The final section of the memoirs was written after the coup in 1972 that overthrew Neruda's friend Salvador Allende. Many of the century's most important literary and artistic figures were Neruda's friends, and figure in his memoirs--Garcia Lorca, Aragon, Picasso, and Rivera, among them--and also such political leaders as Gandhi, Nehru, Mao, Castro, and Che Guevara. In his uniquely expressive prose, Neruda not only explains his views on poetry and describes the circumstances that inspired many of his poems, but he creates a revealing record of his life as a poet, a patriot, and one of the twentieth century's true men of conscience.
Memory Rose into Threshold Speech gathers the poet Paul Celan's first four books, written between 1952 and 1963, which established his reputation as the major post-World War II German-language poet.
Celan, a Bukovinian Jew who lived through the Holocaust, created work that displays both great lyric power and an uncanny ability to pinpoint totalitarian cultural and political tendencies. His quest, however, is not only reflective: there is in Celan's writing a profound need and desire to create a new, inhabitable world and a new language for it. In Memory Rose into Threshold Speech, Celan's reader witnesses his poetry, which starts lush with surrealistic imagery, become gradually pared down; its syntax tightens and his trademark neologisms and word formations increase toward a polysemic language of great accuracy that tries, in the poet's own words, to measure the area of the given and the possible. Translated by the prize-winning poet and translator Pierre Joris, this bilingual edition follows the 2014 publication of Breathturn into Timestead, Celan's collected later poetry. All nine volumes of Celan's poetry are now available in Joris's carefully crafted translations, accompanied here by a new introduction and extensive commentary. The four volumes in this edition show the flowering of one of the major literary figures of the last century. This volume collects Celan's first four books: Mohn und Gedächtnis (Poppy and Memory), Von Schwelle zu Schwelle (Threshold to Threshold), Sprachgitter (Speechgrille), and Die Niemandsrose (NoOnesRose).
Born in Syria in 1930, Adonis later moved to Lebanon and became a pivotal figure in the new poetry of the late 1960s. With the publication of Mihyar of Damascus: His Songs in 1963--widely viewed as a watershed moment in Arabic poetry--Adonis forged a new set of possibilities for Arabic poetry, writing in traditional meters but infusing them with modernist rhythms, styles, and conceptual complexities.
Translators Adnan Haydar (University of Arkansas in Fayetteville) and Michael Beard (University of North Dakota) co-edit a series of books, Middle East Literature in Translation, for Syracuse University Press.
Here are the gems of this major, mind-bending aesthetic, political, and humane movement: writers as diverse as Aragon, Breton, Dalí, René Char, Robert Desnos, Mina Loy, Paul Magritte, Alice Paalen, Gisele Prassinos, Man Ray, Kay Sage, and Elsa von Freytag-Loringhoven are included here, providing a grand picture of this revolutionary movement that shocked the world.
Millennial Harvest is a unique and most wonderful project. Neither a book of scholarly essays nor solely a collection of poetry, Millennial Harvest interweaves poetry and prose into a continuous personal narrative in the manner of Dante's La Vita Nuova. It does so with a tremendous intellectual scope, a very wide range of references, and an original vision of the evolution of a writer's consciousness, as well as with sharp and memorable portraits of some of the people involved--Simone Weil, Albert Einstein, Erika Mann, and William Carlos Williams, for example. Above all, Millennial Harvest is the autobiography of a beloved, highly gifted, and most unusual man.
For seventy or so years, Charles Bell has been a great thinker and a great teacher and has brought enlightenment and joy to countless others. Like that of many of the great thinker-teachers, a number of Charles' own writings have gone unpublished or are out of print.
Now, for the first time, all his poetic work is brought together, thoroughly revised and in a way that allows each part to be read in relationship to the rest--a boon to all Bell's admirers and to the many admirers who will doubtless spring up, of whom there will be many. Charles' writing makes highly entertaining, indeed gripping, reading and is full of startling insights; and it is often very, very funny.
The first English translation of the earliest Latin poems about miracles performed by the Virgin Mary, composed in twelfth-century Canterbury by a Benedictine monk who inspired Chaucer.
Nigel (ca. 1135-1198), a Benedictine monk at Christ Church in Canterbury, is best known for The Mirror of Fools--a popular satire whose hero Burnellus the Ass is referenced in Chaucer's Canterbury Tales. Nigel's oeuvre also includes other important poems and hagiography. The Miracles of the Virgin is the oldest Latin poem about miracles performed by Mary. This collection features seventeen lively tales in which the Virgin rescues a disappointed administrator from a pact with the devil, has a Roman emperor killed by a long-dead martyr, saves a Jewish boy from being burned alive, and shields an abbess from the shame of pregnancy. Each story illustrates the boundlessness of Mary's mercy. In the Tract on Abuses, a letter that resembles a religious pamphlet, Nigel rails against ecclesiastical corruption and worldly entanglements. Alongside authoritative editions of the Latin texts, this volume offers the first translations of both works into English.
Callimachus (ca. 303-ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library's holdings in 120 volumes. Callimachus' vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The "Callimachean" style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.
This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II Hecale, Hymns, and Epigrams; and Volume III miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index. The Greek text is based mainly on Pfeiffer's but enriched by subsequently published papyri and the judgment of later editors, and its notes and annotation are fully informed by current scholarship.
Formally fractured and yet gleefully alive and whole, E. E. Cummings's groundbreaking modernist poetry expanded the boundaries of language. In A Miscellany, originally released in a limited run in 1958, Cummings lent his delightfully original voice to "a cluster of epigrams," a poem, three speeches from an unfinished play, and forty-nine essays--most of them previously written for or published in magazines, anthologies, or art gallery catalogues. Seven years later, George J. Firmage--editor of much of Cummings's work, including Complete Poems--broadened the scope of this delightfully eclectic collection, adding seven more poems and essays, and many of Cummings's unpublished line drawings.
Together, these pieces paint a distinctive portrait of Cummings's eccentric, yet precise, genius. Like his poetry, Cummings's prose is lively; often witty, biting, and offbeat, he is an intelligent observer and critic of the modern. His essays explore everything from Cubism to the circus, equally quick to analyze his poetic contemporaries and satirize New York society. As Cummings wrote in his original foreword, A Miscellany contains "a great deal of liveliness and nothing dead." This remains true today, more than fifty years after its original publication.
Winner of the Sillerman First Book Prize for African Poets, Sherry Shenoda's collection Mummy Eaters follows in the footsteps of an imagined ancestor, one of the daughters of the house of Akhenaten in the Eighteenth Dynasty, Egypt. Shenoda forges an imagined path through her ancestor's mummification and journey to the afterlife. Parallel to this exploration run the implications of colonialism on her passage.
The mythology of the ancient Egyptians was oriented toward resurrection through the preservation of the human body in mummification. Shenoda juxtaposes this reverence for the human body as sacred matter and a pathway to eternal life with the sixteenth- and seventeenth-century European fascination with ingesting Egyptian human remains as medicine and using exhumed Egyptian mummies as paper, paint, and fertilizer. Today Egyptian human remains are displayed in museums. Much of Mummy Eaters is written as a call and response, in the Coptic tradition, between the imagined ancestor and the author as descendant.
Sherry Shenoda is a Coptic poet and pediatrician, born in Cairo, living near Los Angeles. Working at the intersection of human rights and child health, she serves as a pediatrician in a nonprofit health center. She is the author of The Lightkeeper: A Novel.
In "My Way, " (in)famous language poet and critic Charles Bernstein deploys a wide variety of interlinked forms--speeches and poems, interviews and essays--to explore the place of poetry in American culture and in the university. Sometimes comic, sometimes dark, Bernstein's writing is irreverent but always relevant, "not structurally challenged, but structurally challenging."
Addressing many interrelated issues, Bernstein moves from the role of the public intellectual to the poetics of scholarly prose, from vernacular modernism to idiosyncratic postmodernism, from identity politics to the resurgence of the aesthetic, from cultural studies to poetry as a performance art, from the small press movement to the Web. Along the way he provides "close listening" to such poets as Charles Reznikoff, Laura Riding, Susan Howe, Ezra Pound, Allen Ginsberg, and Gertrude Stein, as well as a fresh perspective on "L=A=N=G=U=A=G=E, " the magazine he coedited that became a fulcrum for a new wave of North American writing.
In his passionate defense of an activist, innovative poetry, Bernstein never departs from the culturally engaged, linguistically complex, yet often very funny writing that has characterized his unique approach to poetry for over twenty years. Offering some of his most daring work yet--essays in poetic lines, prose with poetic motifs, interviews miming speech, speeches veering into song--Charles Bernstein's "My Way" illuminates the newest developments in contemporary poetry with its own contributions to them.