Poetry

Known to his contemporaries primarily as an art critic, but ambitious to secure a more lasting literary legacy, Charles Baudelaire, a Parisian bohemian, spent much of the 1840s composing gritty, often perverse, poems that expressed his disgust with the banality of modern city life.

First published in 1857, the book that collected these poems together, Les Fleurs du mal, was an instant sensation--earning Baudelaire plaudits and, simultaneously, disrepute. Only a year after Gustave Flaubert had endured his own public trial for published indecency (for Madame Bovary), a French court declared Les Fleurs du mal an offense against public morals and six poems within it were immediately suppressed (a ruling that would not be reversed until 1949, nearly a century after Baudelaire's untimely death). Subsequent editions expanded on the original, including new poems that have since been recognized as Baudelaire's masterpieces, producing a body of work that stands as the most consequential, controversial, and influential book of poetry from the nineteenth century.

Acclaimed translator and poet Aaron Poochigian tackles this revolutionary text with an ear attuned to Baudelaire's lyrical innovations--rendering them in "an assertive blend of full and slant rhymes and fluent iambs" (A. E. Stallings)--and an intuitive feel for the work's dark and brooding mood. Poochigian's version captures the incantatory, almost magical, effect of the original--reanimating for today's reader Baudelaire's "unfailing vision" that "trumpeted the space and light of the future" (Patti Smith).

An introduction by Dana Gioia offers a probing reassessment of the supreme artistry of Baudelaire's masterpiece, and an afterword by Daniel Handler explores its continued relevance and appeal. Featuring the poems in English and French, this deluxe dual-language edition allows readers to commune both with the original poems and with these electric, revelatory translations.

For Nirvana features exceptional examples of the poet Cho Oh-Hyun's award-winning work. Cho Oh-Hyun was born in Miryang, South Gyeongsang Province, Korea, and has lived in retreat in the mountains since becoming a novice monk at the age of seven. Writing under the Buddhist name Musan, he has composed hundreds of poems in seclusion, many in the sijo style, a relatively fixed syllabic poetic form similar to Japanese haiku and tanka. For Nirvana contains 108 Zen sijo poems (108 representing the number of klesas, or "defilements," that one must overcome to attain enlightenment). These transfixing works play with traditional religious and metaphysical themes and include a number of "story" sijo, a longer, more personal style that is one of Cho Oh-Hyun's major innovations. Kwon Youngmin, a leading scholar of sijo, provides a contextualizing introduction, and in his afterword, Heinz Insu Fenkl reflects on the unique challenges of translating the collection.

Winner, 2017 Kingsley Tufts Poetry Award
Winner, 2016 Hurston/Wright Legacy Award in the Poetry category
Finalist, 2015 Balcones Poetry Prize
Shortlist finalist, 2015 PEN Open Book Award for an exceptional book by an author of color

"Another Anti-Pastoral," the opening poem of Forest Primeval, confesses that sometimes "words fail." With a "bleat in [her] throat," the poet identifies with the voiceless and wild things in the composed, imposed peace of the Romantic poets with whom she is in dialogue. Vievee Francis's poems engage many of the same concerns as her poetic predecessors--faith in a secular age, the city and nature, aging, and beauty. Words certainly do not fail as Francis sets off into the wild world promised in the title. The wild here is not chaotic but rather free and finely attuned to its surroundings. The reader who joins her will emerge sensitized and changed by the enduring power of her work.

With its intricate structure and reverberative imagery, "Four Quartets" is the culminating achievement of T.S. Eliot's career. Its greatness is done full justice in this rendition by the Poet Laureate, Ted Hughes.

Containing some of the most melodic passages in modern poetry, "Four Quartets" blends the religious, the philosophical and the personal themes that preoccupied Eliot. The four parts, "Burnt Norton, East Coker, The Dry Salvages" and "Little Gidding," are interconnected both by theme and by symbol. A poem of war, of Christianity, of literature and of history, "Four Quartets" speaks for a whole generation and is an enduring masterpiece.

Fresco: Selected Poetry of Luljeta Lleshanaku introduces to English-speaking readers the arresting work of Luljeta Lleshanaku, one of Albania's foremost younger poets. Born in Elbasan in 1968, she grew up under virtual house arrest because of her family's opposition to the Stalinist dictatorship of Enver Hoxha. She was not permitted to attend college or publish her poetry until the weakening and eventual collapse of the Communist regime in the early '90s. She is among the first generation of poets to emerge out of the cultural wasteland of enforced socialist realism in the arts, reinventing Albanian poetry almost entirely from scratch. In a voice at once firm yet quiet and spare, with haunting imagery that challenges the imagination, her highly charged poems carry the burden of her own and her country's past.

For Fresco, editor Henry Israeli has gathered fifty-seven poems from Luljeta Lleshanaku's published books (The Sleepwalker's Eyes, 1992; Sunday Bells, 1994; Half-Cubism, 1996; Antipastoral, 1999) as well as some newer work. His Afterword places her writing within its personal and social context, while an Introduction by the award-winning translator Peter Constantine views the poet from the wider perspective of modern Albanian literature. The poems themselves are translated by Henry Israeli in collaboration with the author and Uk Zenel Bucpapa, Noci Deda, Joanna Goodman, Alban Kupi, Albana Lleshanaku, Lluka Qafoku, Shpresa Qatipi, Qazim Sheme, and Daniel Weissbort. Many of the translations have appeared in such magazines as Grand Street, Denver Quarterly, The Iowa Review, Seneca Review, and Quarterly West

Winner of the National Book Award for Poetry, this collection of experimental and visual poems dives into the history and culture of the poet's homeland, Guam.

This book is the fifth collection in Craig Santos Perez's ongoing from unincorporated territory series about the history of his homeland, the western Pacific island of Guåhan (Guam), and the culture of his indigenous Chamoru people. "Åmot" is the Chamoru word for "medicine," commonly referring to medicinal plants. Traditional Chamoru healers were known as yo'åmte; they gathered åmot in the jungle and recited chants and invocations of taotao'mona, or ancestral spirits, in the healing process.

Through experimental and visual poetry, Perez explores how storytelling can become a symbolic form of åmot, offering healing from the traumas of colonialism, militarism, migration, environmental injustice, and the death of elders.

An engaging and accessible collection that includes some of the Nobel Prize winner's own favorite poems, with the English translations and original Spanish presented on facing pages.

"The Sea"
A single entity, but no blood.
A single caress, death or a rose.
The sea comes in and puts our lives together
and attacks alone and spreads itself and sing
sin nights and days and men and living creatures.
Its essence-fire and cold; movement, movement.

Pablo Neruda himself regarded Fully Empowered -- which first appeared in Spanish in 1962 under the title Plenos Poderes -- as a particular favorite, in part because it came out of a most fruitful period in his life. These thirty-six poems vary from short, intense lyrics to characteristic Neruda odes to magnificent meditations on the office of poet, including poems that would undoubtedly claim a place in any selection of Neruda's greatest work. "The People" ("El Pueblo"), about the state of the working man in Chile's past and present, and the most celebrated of Neruda's later poems, completes this reflective, graceful collection.

Taught in schools and universities around the world, and the constant subject of books, essays, and articles down the years, The General Prologue to the "Canterbury Tales" has long been central to the English literary canon. Jodi-Anne George provides a detailed introduction to the most important critical debates surrounding The General Prologue.

The extracts and essays included here date from early as 1368, when Eustace Deschamps paid the first recorded tribute to Chaucer's genius, and move chronologically through to the late 1990s. The selections address the opinions of early editors of Chaucer as well as the continuing interest in the poet by other writers throughout the ages. Sociological, gender-based, historical, and structural readings of The Prologue are also represented.

The finest ghazals of Mir Taqi Mir, the most accomplished of Urdu poets.

The prolific Mir Taqi Mir (1723-1810), widely regarded as the most accomplished poet in Urdu, composed his ghazals--a poetic form of rhyming couplets--in a distinctive Indian style arising from the Persian ghazal tradition. Here, the lover and beloved live in a world of extremes: the outsider is the hero, prosperity is poverty, and death would be preferable to the indifference of the beloved. Ghazals offers a comprehensive collection of Mir's finest work, translated by a renowned expert on Urdu poetry.

A ground-breaking new collection of queer poetry from a leading contemporary Korean poet.

Kim Hyun's Glory Hole is the first Korean queer poetry collection. Featuring gay teens, elders, cats, caterpillars, robots, and other unexpected characters, Kim's fifty-one eccentric poems trace themes of love, sexual desire, abandonment, destitution, and death. In recounting the splendid yet tragic journeys of his speakers, Kim defies meaningful sense-making. His poems are a mishmash of dystopian sci-fi and pornography, storytelling and poetry, fictive references, and real figures. They are not embellished with elegant imagery; in fact, they are antithetical to it, opting instead for incoherent tense, unidiomatic expressions, and never-ending puns. After all, like LGBTQ+ people in many cultures, Korean queers live in this site of violence. Bewilderment, deliberately, is Kim Hyun's form. Glory Hole invites readers into a very queer world.

In day's first hours consciousness can grasp the world
as the hand grips a sun-warmed stone.

Translated into fifty languages, the poetry of Tomas Transtromer has had a profound influence around the world, an influence that has steadily grown and has now attained a prominence comparable to that of Pablo Neruda's during his lifetime. But if Neruda is blazing fire, Transtromer is expanding ice. The Great Enigma: New Collected Poems gathers all the poems Tomas Transtromer has published, from his distinctive first collection in 1954, 17 Poems, through his epic poem Baltics ("my most consistent attempt to write music"), and The Sad Gondola, published six years after he suffered a debilitating stroke in 1990 ("I am carried in my shadow / like a violin / in its black case."), to his most recent slim book, The Great Enigma, published in Sweden in 2004. Also included is his prose-memoir Memories Look at Me, containing keys into his intensely spiritual, metaphysical poetry (like the brief passage of insect collecting on Runmaro Island when he was a teenager). Firmly rooted in the natural world, his work falls between dream and dream; it probes "the great unsolved love" with the opening up, through subtle modulations, of "concrete words."

For those who know his history, it is no surprise that Leroy V. Quintana is a great story-teller in his poetry. He was raised in Albuquerque by Mexican grandparents who told him numerous folk-tales (Cuentos) as a child. "In many ways, I'm still basically a small-town New Mexico boy carrying on the oral tradition," he comments. His work is endowed not only with a raucous frontier humor, but also a remarkable emotional range, from comic depictions of adolescent love to moving poems of death and loss, to reflections on his war experience in Vietnam.

A Times Literary Supplement Book of the Year

A renowned Keats scholar illuminates the poet's extraordinary career, in a new edition featuring seventy-eight verse selections with commentary.

John Keats's career as a published poet spanned scarcely more than four years, cut short by his death early in 1821 at age twenty-five. Yet in this time, he produced a remarkable--and remarkably wide-ranging--body of work that has secured his place as one of the most influential poets in the British literary tradition. Celebrated Keats scholar Susan J. Wolfson presents seventy-eight selections from his work, each accompanied by a commentary on its form, style, meanings, and relevant contexts.

In this edition, readers will rediscover a virtuoso poet, by turns lively, experimental, self-ironizing, outrageous, and philosophical. Wolfson includes such well-known favorites as Ode to a Nightingale, Ode on a Grecian Urn, To Autumn, La Belle Dame sans Merci, and The Eve of St. Agnes, as well as less familiar poems, several in letters to family and friends never meant for publication. Her selections redefine the breadth and depth of Keats's poetic imagination, from intellectual jests and satires to erotic bandying, passionate confessions, and reflections on mortality.

The selections, presented in their order of composition, convey a chronicle of Keats's artistic and personal evolution. Wolfson's revealing commentaries unfold the lively complexities of his verbal arts and stylistic experiments, his earnest goals and nervous apprehensions, and the pressures of politics and literary criticism in his day. In critically attentive and conversational prose, Wolfson encourages us to experience Keats in the way that he himself imagined the language of poetry: as a living event, a cooperative experience shared between author and reader.

"There are in Harmonium six or eight of the most beautiful poems an American has written. The poems see, feel, and think with equal success." -- Randall Jarrell, Poetry and The Age
An executive with a Connecticut-based insurance company, Wallace Stevens (1879-1955) wrote poetry in the evenings and during his daily commute. Harmonium, his first collection of verse, was published when he was 44 years old. Although largely overlooked upon its 1923 debut, the compilation is recognized today as an important contribution to Modernism, offering a diverse range of satirical and philosophical lyrical works that explore the nature of reality and the power of the imagination. They include some of Stevens's most famous and frequently studied works, including "Thirteen Ways of Looking at a Blackbird," "The Emperor of Ice-Cream," and "Peter Quince at the Clavier."