Poetry
Rainer Maria Rilke's Duino Elegies are one of the great literary masterpieces of the twentieth century. Begun in 1912 while the poet was a guest at Duino Castle on the Adriatic Sea and completed in a final bout of feverish inspiration in 1922, the ten elegies survey the mysteries of consciousness, whether human or animal, earthly or divine. Poet and translator Alfred Corn brings us closer to Rilke's meaning than ever before and illuminates the elegies' celebration of life and love. Also included are a critical introduction exploring the nuances of the translation, several thematically linked lyrics, and two of the "Letters to a Young Poet" to complete the volume.
Combining Thoreau's controlled belligerence with the brash abandon of an uninhibited bohemian, E. E. Cummings, together with Ezra Pound, T. S. Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. Today Cummings is recognized as the author of some of the most sensuous lyric poems in the English language, as well as one of the most inventive American poets of his time. Formally fractured and yet gleefully alive and whole, at once cubistic and figurative, Cummings's work expanded the boundaries of what language is and can do.
With a new introduction by Pulitzer Prize-winning poet Stephen Dunn, this redesigned, newly corrected, and fully reset edition of Complete Poems collects and presents all the poems published or designated for publication by E. E. Cummings in his lifetime. It includes 36 poems that were first collected in the 1991 edition and 164 unpublished poems issued in 1983 under the title Etcetera. It spans his earliest creations, his vivacious linguistic acrobatics, up through his last valedictory sonnets.
In the words of Randall Jarrell, "No one else has ever made avant-garde, experimental poems so attractive to the general and special reader."
Carter Revard, Osage Indian poet, Rhodes scholar, and professor of medieval English literature, shares both this amazement and his amazing command of language in this first retrospective collection of 40 published and unpublished pieces written from 1970 to 1991.
The book displays Dickey's extraordinary range from experimental monologues to blues chants. It embraces a lively array of symbolic figures, drawing as readily from Judeo-Christian theology, the "natural" world, and classical myths as from postmodern technologies and popular culture. Readers encounter Little Red Riding Hood, Ken and Barbie, David and Saul, a bungee cord salesman, God, the holy grail, the Virgin Mary, the Titanic, Tiresias, an avid member of the National Rifle Association, and many others. As W. D. Snodgrass says in his foreword, the poems are filled with a "wild prankiness, a giddy whirl of idea and vision, . . . [yet] love is the central theme of all the poems in this book and of all their problems of boundaries, of memory, of suffering."
A stylistic tour de force, EIMI is a mélange of styles and tones, the prose containing many abbreviations, grammatical and syntactical shifts, typographical devices, compounds, and word coinages. This is Cummings's invigorating and unique voice at its finest, and EIMI is without question one of his most substantial accomplishments.
"Not all things are blest, but the seeds of all things are blest." -- Muriel Rukeyser, "Elegy in Joy"
First published by New Directions in 1949, Muriel Rukeyser's Elegies were written over a seven years period the end of the Spanish Civil War, World War II, Hiroshima and Nagasaki, and the beginnings of the Cold War. Both and homage to Rilke's Duino Elegies and a spiritual reckoning that is particularly resonant today, these poems present no angelic orders, only the difficulties of living in the modern world, the depths of shipwreck, and "Love that gives us ourselves, in the world known to all."
NOW
When I spoke
they said I was mute;
when I wrote
they said I was blind;
when I left them
they said I was lame.
When they were calling me back
they found out I was deaf.
They turned my senses upside-down
and came to the conclusion I was crazy.
Now I am happy.
Full-color facsimiles are accompanied by Marta L. Werner and Jen Bervin's pioneering transcriptions of Dickinson's handwriting. Their transcriptions allow us to read the texts, while the facsimiles let us see exactly what Dickinson wrote (the variant words, crossings-out, dashes, directional fields, spaces, columns, and overlapping planes).
Edited by Abel Debritto, the definitive collection of poems from an influential writer whose transgressive legacy and raw, funny, and acutely observant writing has left an enduring mark on modern culture.
Few writers have so brilliantly and poignantly conjured the desperation and absurdity of ordinary life as Charles Bukowski. Resonant with his powerful, perceptive voice, his visceral, hilarious, and transcendent poetry speaks to us as forcefully today as when it was written. Encompassing a wide range of subjects--from love to death and sex to writing--Bukowski's unvarnished and self-deprecating verse illuminates the deepest and most enduring concerns of the human condition while remaining sharply aware of the day to day.
With his acute eye for the ridiculous and the troubled, Bukowski speaks to the deepest longings and strangest predilections of the human experience. Gloomy yet hopeful, this is tough, unrelenting poetry touched by grace.
This is Essential Bukowski.
Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.
This bilingual collection of Neruda's most essential poems is indispensable.
Selected by a team of poets and prominent Neruda scholars in both Chile and the U.S., this is a definitive selection that draws from the entire breadth and width of Neruda's various styles and themes.
An impressive group of translators that includes Alistair Reid, Stephen Mitchell, Robert Hass, Stephen Kessler and Jack Hirschman, have come together to revisit or completely retranslate the poems; and a handful of previously untranslated works are included as well.
This selection sets the standard for a general, high-quality introduction to Neruda's complete oeuvre.
...The Essential Neruda will prove to be, for most readers, the best introduction to Neruda available in English. In fact, I can think of few other books that have given me so much delight so easily. --The Austin Chronicle
This book is a must-have for any reader interested in a definitive sampling of the most essential poems by one whom many consider one of the best poets of the 20th century.--Mike Nobles, Tulsa World
A splendid way to begin a love affair with our Pablo or, having already succumbed to his infinite charms, revisit him passionately again and again and yet again.--Ariel Dorfman, author of Death and the Maiden
The editors and translators know how to extract gold from a lifetime of prolific writing. If you want a handy Neruda companion and don't know where to begin, this is it.--The Bloomsbury Review
"The Essential W.S. Merwin beautifully demonstrates why Merwin has been one of America's most decorated and important poets for more than 60 years."--The Washington Post
"Merwin is one of the great poets of our age."--Los Angeles Times Book Review
"Merwin has become instantly recognizable on the page; he has made for himself that most difficult of all creations, an accomplished style."--Helen Vendler, New York Review of Books
"It is gratifying to read poetry that is this ambitious, that cares about vision and the possibilities of poetry, by a poet who is capable of so much change."--The Nation
The Essential W.S. Merwin traces a poetic legacy that has changed the landscape of American letters: seven decades of audacity, rigor, and candor distilled into one definite volume curated to represent the very best works from a vast oeuvre, from his 1952 debut, A Mask for Janus, to 2016's Garden Time. The Essential W.S. Merwin includes favorite poems from two Pulitzer Prize-winning volumes; a selection of iconic translations; and lesser-known prose narratives. As the formalism of Merwin's early work loosens into the open, unpunctuated style he developed later in his career--when urgent times demanded innovative modes of expression--readers can trace the evolution of one voice's commitment to moral, spiritual, and aesthetic inquiry. Across the decades, beyond headlines, policies, and trends, W.S. Merwin's poems point to the lessons that hide in the shadows of sentience.
"Poetry is a way of looking at the world for the first time."--W.S. Merwin
Noah's Raven
Why should I have returned?
My knowledge would not fit into theirs.
I found untouched the desert of the unknown,
Big enough for my feet. It is my home.
It is always beyond them. The future
Splits the present with the echo of my voice.
Hoarse with fulfillment. I never made promises.
Since launching his career by winning the Yale Younger Poets Award 1952, W. S. Merwin has authored dozens of books of poetry, prose, and translation. A beloved voice in American literature, Merwin is a former U.S. Poet Laureate and two-time winner of the Pulitzer Prize. He lives in Hawaii, within the palm forest where he wrote, "On the last day of the world I would want to plant a tree."
Never afraid to shed the pretense of academic poetry, never shy of letting the power of an image lie in unadorned language, Mary Oliver offers us poems of arresting beauty that reflect on the power of love and the great gifts of the natural world. Inspired by the familiar lines from William Wordsworth, "To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears," she uncovers the evidence presented to us daily by nature, in rivers and stones, willows and field corn, the mockingbird's "embellishments," or the last hours of darkness.
"These poems shine with a Taoist sensibility and the wisdom and simplicity of self. John Brandi, as a traveler throughout Asia and the Americas, gives us the artist's heightened sensitivity and clarity of detail; and poems of rare precision, charm and truth."--Joanne Kyger, author of About Now
From the Himalayas, Angkor Wat, the barrios of Old Havana, the highlands of Chiapas, and the streets of New York, John Brandi's poems lead us toward rapport with the natural world and our own inner landscapes.
John Brandi is a poet, writer, and artist. He is the author of thirty-eight books of poetry and nonfiction.