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Poetry
The Poet Laureate's clear and entertaining account of how poetry works.
"Poetry is a vocal, which is to say a bodily, art," Robert Pinsky declares in The Sounds of Poetry. "The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is as physical or bodily an art as dancing."
As Poet Laureate, Pinsky is one of America's best spokesmen for poetry. In this fascinating book, he explains how poets use the "technology" of poetry--its sounds--to create works of art that are "performed" in us when we read them aloud.
He devotes brief, informative chapters to accent and duration, syntax and line, like and unlike sounds, blank and free verse. He cites examples from the work of fifty different poets--from Shakespeare, Donne, and Herbert to W. C. Williams, Frost, Elizabeth Bishop, C. K. Williams, Louise Glück, and Frank Bidart.
This ideal introductory volume belongs in the library of every poet and student of poetry.
When W.S. Merwin was a young poet, Ezra Pound advised him to "read the seeds of poetry, not the twigs." As the ballads of Spain are among those essential seeds, Merwin set out to select and translate a collection of them into English.
Few, if any, popular poetic traditions compare to that of the ballads in the culture of Spain. These terse, passionate, and often violent poems have been remembered, repeated, and loved for centuries throughout the Spanish-speaking world. Evolving from the epic song, this unique poetic genre has influenced the drama of the Golden Age, the novel, and lyric verse of the present day.
For this volume--long out of print and reissued in the new series Copper Canyon Classics--W.S. Merwin selected representative examples of every kind of ballad: from episodic story poems to unusual "wonder-mongering" songs. Grouped by kind and arranged in chronological order, these poems provide an essential key to Spanish culture from the late Middle Ages to the twentieth century.
Merwin approached this project humbly and notes in his introduction: "My aim was not to produce a series of virtuoso performances but a group of translations which would be faithful and readable, and would get in the way of the originals as little as possible."
W.S. Merwin is the author of over fifty books of poetry, prose, and translation. He has earned nearly every major literary prize, including the Pulitzer Prize and the National Book Award. He lives in Hawaii.
Ted Kooser must be the most accessible and enjoyable major poet in America. His lines are so clear and simple. --Michael Dirda, The Washington Post
Readers [of Splitting an Order] will find 'characters' both strange and wonderful, animal or human. There is a sense that time is passing quickly and that everything worthy must be captured and savored. --Library Journal, starred review
Kooser's ability to discover the smallest detail and render it remarkable is a rare gift. --Bloomsbury Review
Hailed by Library Journal as a master of the single-metaphor poem, Pulitzer Prize winner and bestselling poet Ted Kooser calls attention to the intimacies of life through commonplace objects and occurrences. This collection--ten years in the making--is rich with quiet and profound magnificence.
I like to watch an old man cutting a sandwich in half
. . . and then to see him lift half
onto the extra plate that he asked the server to bring,
and then to wait, offering the plate to his wife
while she slowly unrolls her napkin and places her spoon,
her knife and her fork in their proper places,
then smoothes the starched white napkin over her knees
and meets his eyes and holds out both old hands to him.
Ted Kooser is the author of numerous books of poetry and prose, including Delights and Shadows (Copper Canyon), which won the Pulitzer Prize. A former US Poet Laureate, Kooser serves as editor for American Life in Poetry, a nationally syndicated weekly newspaper column.
An exciting first collection of poetry from an emerging talent, Gabriel Spera's The Standing Wave was a winner of the 2002 National Poetry Series Open Competition, selected by esteemed poet Dave Smith.
For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.
Winner of the 1996 T. S. Eliot Prize for the Best Book of Poetry in English
Joseph Brodsky once said of Les Murray: "He is, quite simply, the one by whom the language lives." In these darkly funny and deeply observant Subhuman Redneck Poems, farmers, fathers, poverty-stricken pioneers, and people blackened by the grist of sugar mills are exposed to the blazing midday sun of Murray's linguistic powers. Richly inventive, tenderly detailed, and fiercely honest, these poems both surprise and expose the human in all of us.
The poet Gjertrud Schnackenberg, whom William Logan once called "the most talented American poet under the age of forty," published her first book of poems in 1982. She has since become one of our most respected authors of verse.
Schnackenberg's first three books, collected in Supernatural Love, show the thrilling evolution of a unique voice in today's letters. From an early mastery in which precision and heartbreak are inseparable, her poetry accelerates book by book through the searching, dense, and metaphysical imagery--as well as the cascading syntax--which have become her signature. Whether we are witnessing her classic portrait of Darwin in his last year or discovering the vertiginous brillance of her elegy for the Byzantine monuments of Ravenna, we find in Schnackenberg gemlike poems offered as visionary documents, unmistakable in their glittering range and passion--and never the same twice.
"John Stratton Hawley miraculously manages to braid the charged erotic and divine qualities of Krishna, the many-named god, while introducing us--with subtle occasional rhyme--to a vividly particularized world of prayers and crocodile earrings, spiritual longing and love-struck bees."
--Forrest Gander, winner of the Pulitzer Prize for Poetry
"Joy is not made to be a crumb," writes Mary Oliver, and certainly joy abounds in her new book of poetry and prose poems. Swan, her twentieth volume, shows us that, though we may be "made out of the dust of stars," we are of the world she captures here so vividly. Swan is Oliver's tribute to "the mortal way" of desiring and living in the world, to which the poet is renowned for having always been "totally loyal."
A dazzling collection of essays on how the best poems work, from the master poet and popular essayist
Poetry, Jane Hirshfield has said, is language that foments revolutions of being. In ten eloquent and highly original explorations, she unfolds some of the ways this is done--by the inclusion of hiddenness, paradox, and surprise; by a perennial awareness of the place of uncertainty in our lives; by language's own acts of discovery; by the powers of image, statement, music, and feeling to enlarge in every direction. Closely reading poems by Dickinson, Bashō, Szymborska, Cavafy, Heaney, Bishop, and Komunyakaa, among others, Hirshfield reveals how poetry's world-making takes place: word by charged word. By expanding what is imaginable and sayable, Hirshfield proposes, poems expand what is possible. Ten Windows restores us at every turn to a more precise, sensuous, and deepened experience of our shared humanity and of the seemingly limitless means by which that knowledge is both summoned and forged."This is Neruda at his finest, his eloquence and passion skillfully arranged in an accessible yet profound package." --Publishers Weekly
"This brief visit with Neruda ends all too soon, yet reminds one why his work still matters." --Washington Post
"They are vintage Pablo Neruda, literally and figuratively . . . he makes poetry fans swoon." --NPR
This stunning collection gathers never-before-seen poems, discovered within the Pablo Neruda Foundation's archives in Chile. Neruda is renowned for an oeuvre that casts away despair, celebrates living and arises from the belief that there is no insurmountable solitude. Then Come Back presents Pablo Neruda's mature imagination and writing: signature love poems, odes, anecdotal narratives, and poems of the political imagination.
Written on any paper imaginable--napkins, playbills, receipts--and found scattered throughout the Neruda Estate, these poems offer heartache, Chilean pride, and hope found in the changing of the seasons and the chirping of crickets. The acclaimed translator Forrest Gander beautifully renders the eros and heartache, deep wonder, and complex wordplay of the original Spanish, which is presented here alongside full-color reproductions of the poems in their original composition.
From "1"
I touch your feet in the shade, your hands in the light,
and on the flight your peregrine eyes guide me
Matilde, with the kisses your mouth taught me
my lips came to know fire.
Pablo Neruda is one of the world's most beloved and bestselling poets. He won the Nobel Prize in 1971 and died in his native Chile in 1973.
Wendell Berry's Sabbath Poems are filled with spiritual longing and political extremity, memorials and celebrations, elegies and lyrics, alongside the occasional rants of the Mad Farmer, pushed to the edge yet again by his compatriots and elected officials. With the publication of this new complete edition, it has become increasingly clear that the Sabbath Poems have become the very heart of Berry's work. And these magnificent poems, taken as a whole for the first time in This Day, have become one of the greatest contributions ever made to American poetry.
This indispensable anthology brings together the works of three major poets from the First World War. Ivor Gurney (1890-1937) was a classical music composer and poet who published two volumes of poems, Severn and Somme and War's Embers. Wilfred Owen's (1893- 1918) realistic poetry is remarkable for its details of war and combat. Isaac Rosenberg's (1890-1918) Poems from the Trenches is widely considered one of the finest examples of war poetry from the period. Carefully selected by Jon Stallworthy, a professor emeritus of English at the University of Oxford, these poems comprise a landmark publication that reflects the disparate experiences of war through the voices of the soldiers themselves. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A haiku is three simple lines. But it is also, as Allen Ginsberg put it, three lines that "make the mind leap." A good one, he said, lets the mind experience "a small sensation of space which is nothing less than God." As many spiritual practices seek to do, the haiku's spare yet acute noticing of the immediate and often ordinary grounds the reader in the pure awareness of now.
Natalie Goldberg is a delightfully companionable tour guide into this world. She highlights the history of the form, dating back to the seventeenth century; shows why masters such as Basho and Issa are so revered; discovers Chiyo-ni, an important woman haiku master; and provides insight into writing and reading haiku. A fellow seeker who travels to Japan to explore the birthplace of haiku, Goldberg revels in everything she encounters, including food and family, painting and fashion, frogs and ponds. She also experiences and allows readers to share in the spontaneous and profound moments of enlightenment and awakening that haiku promises.
Winner of the 2001 Los Angeles Times Book Prize in Poetry.
A New York Times Book Review Notable Book of 2000.
As small a sound As a housefly alighting from Persia
And stamping its foot on a mound Where the palace once was;
As small a moth chewing thread In the tyrant's robe;
As small as the cresting of red In the rim of an injured eye; as small
As the sound of a human conceived A compelling, lyric telling of the story of Oedipus, and of what happens outside the play, in the experience of the god who is its presiding oracle: Apollo, the god of poetry, music, and healing. Given the task of setting the Sophocles text to music, the god is woven reluctantly into its world of riddles, unanswered questions, partially disclosed objects, and ambiguous second-hand reports--a world where the gods, as much as humans, are subject to the binding claims of fate and necessity. Gjertrud Schnackenberg draws upon ancient fragments and allusions to Oedipus and upon folk-tales about the origin of the Greek alphabet to present a vision of the tragedy's essential unknowableness, where the destinies of gods and humans secretly mingle in the unfolding of time, and where Zeus's laws, which suffuse the great tragedy's world, are as invisible and as inviolable as physical laws.
WINNER of the INTERNATIONAL GRIFFIN POETRY PRIZE
WINNER of the BEST TRANSLATED BOOK AWARD
FINALIST for the 2020 LAMBDA LITERARY AWARD
On October 27, 2003, Adnan received a post card of a palm tree from the poet Khaled Najar, who she had met in the late seventies in Tunisia, sparking a collection of poems that would unspool over the next decade in a continuous discovery of the present moment. Originally written in French, these poems collapse time into single crystallized moments then explode outward to take in the scope of human history. In Time, we see an intertwining of war and love, coffee and bombs, empathetic observation and emphatic detail taken from both memory and the present of the poem to weave a tapestry of experience in non-linear time.
Take your time with these poems, and return to them often." --The Washington Post How else do we return to ourselves but to fold
The page so it points to the good part In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicenter of the break. The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.
The capstone of a quarter-century career in poetry, To the Boy Who Was Night collects the poetry published by Rigoberto González since 1999, including selections from five previous books as well as new work. Mirroring González's personal trajectory, the arc of this work articulates the course of a life: these poems recall leaving a beloved homeland, confront masculinity and sexuality in new adulthood, imagine the earth devoid of human inhabitants, descend into the realm of ghosts, and return to arrive at Dispatches from the Broken World. This latest section ventures into foreign terrain -- an autobiographical confrontation with isolation and the aging body. His lyrical exploration, like the weather reports scrawled on ancient temple walls, will preserve this age-old message: "likely a poem, surely an epitaph." To the Boy Who Was Night bears the fruit of 25 years of poetry, González's boldest and most comprehensive volume yet.