Poetry

From the UK Poet Laureate and bestselling translator of Sir Gawain and the Green Knight, a complete verse translation of a spirited and humorous medieval English poem

The Owl and the Nightingale, one of the earliest literary works in Middle English, is a lively, anonymous comic poem about two birds who embark on a war of words in a wood, with a nearby poet reporting their argument in rhyming couplets, line by line and blow by blow. In this engaging and energetic verse translation, Simon Armitage captures the verve and humor of this dramatic tale with all the cut and thrust of the original.

In an agile iambic tetrameter that skillfully amplifies the prosody and rhythm of the original, Armitage's translation moves entertainingly from the eloquent and philosophical to the ribald and ridiculous. Sounding at times like antagonists in a Twitter feud, the owl and the nightingale quarrel about a host of subjects that still resonate today--including love, marriage, identity, cultural background, class distinctions, and the right to be heard. Adding to the playful, raucous mood of the barb-trading birds is Armitage, who at one point inserts himself into the poem as a "magistrate . . . to adjudicate"--one who is "skilled with words & worldly wise / & frowns on every form of vice."

Featuring the Middle English text on facing pages and an introduction by Armitage, this volume will delight readers of all ages.

A poet's final barbed compilation that pierces the inherited and self-inflicted experiences of masculinity

The keen and jagged blade that is Kyle Dargan's eye is drawn in Panzer Herz: A Live Dissection, the final poetic compilation of a lived and inherited masculinity.

Dargan targets the armored heart, or "panzer herz"--a site where desire, violence, family, politics, blackness, and capitalism all intertwine with gender. Pierced with the question--What if the heart, in the aforementioned capacity, was not a constricting vessel, struggling to withstand internal and external pressures, but instead was a space of release?--the collection opens a cishet masculinity to the inquiries and explorations that the traditional conscription of gender discourages and often vilifies.

I long to abandon this violent / vagrancy, but the roads . . . teem with other men who know / no training, who see upon me / my teachers' marks and ache / for the elicitation of drawn steel.

The denser blades of compassion and accountability are Dargan's arms of choice to carry, and not conceal, the weapons he uses to probe his own heart and the hearts of the men and women who shaped him into a man that has been . . . and is unbecoming. The poetic paring of layered lines, the nicking of the process, these poems crimson the page--and not for scarlet spectacle. These versed incisions and sutures are the oeuvre dedicated to the outgrowing of the writer and the "man" that began it.

A Paradise of Poets is Jerome Rothenberg's tenth book of poetry to be published by New Directions, beginning with his Poland/1931(1974). In considering the title of his newest collection, he says: "Writing poetry for me has always included an involvement with the life of poetry--& through that life an intensification, when it happened, of my involvement with the other life around me. In an earlier poem I spoke of this creating a paradise of poets ... I do not of course believe that such a paradise exists in any supernatural or mystical sense, but I have sometimes felt it come to life among my fellow poets and, even more, in writing--in the body of the poem." In Rothenberg's hands, the body of the poem is an extraordinarily malleable object. Collage, translation, even visual improvisation serve to open up his latest book to the presence of poets and artists he has known and to others, past and present, who he feels have somehow touched him, among them Nakahara Chuya, Jackson Mac Low, Pablo Picasso, Leonardo da Vinci, Federico Garcia Lorca, Kurt Schwitters, and Vitezslav Nezval. Kenneth Rexroth once commented: "Jerome Rothenberg is one of our truly great American poets who has returned U.S. poetry to the mainstream of international modern literature. No one has dug deeper into the roots of poetry." With A Paradise of Poets, it is clear that this evaluation is as fresh today as it was twenty-five years ago.

In the years immediately following World War II, Jacques Prévert spoke directly to and for the French who had come of age during the German Occupation. First published in 1946 by Les Editions de Minuit, a press with its origins in the Underground, PAROLES met with enormous success, and there were several hundred thousand copies in print by the time these first translations in English were published by City Lights in 1958.

Today Prévert speaks out in a voice still attuned to our times, for the human condition (which is always his focus) has not changed. In fact, man's inhumanity to man would seem to have intensified, making these poems ever more touching, ever more prescient.

Jacques Prévert (1900-1977) was a French poet and screenwriter. His poetry is popular in French education and is films formed a part of the poetic realist movement.

A biography-in-poems of Georgia O'Keeffe, interwoven with the poet's lyric accounts of a solitary month in a primitive desert cabin. A narrative-driven collection that reads like a novel, this book delves into issues of creativity, feminism, and relationships, while exploring turn-of-the last century New York City and the New Mexico high desert of the 1930s and today.

Georgia O'Keeffe's remarkable life and work inspired this poetic meditation on everything from the pleasures and pains of love to the transformations that time works on an individual. And just as the artist distilled the essence of her subject matter, abstracting from flowers and bones, landscapes and clouds, a vivid story of her walk in the sun, so Jessica Jacobs discovers a vibrant music rooted in portraiture. 'How little it takes/ to make home unfamiliar, ' she writes. And home in this stunning book turns out to be the entire universe. Make yourself comfortable. There is so much to taste and see.--Christopher Merrill, Necessities and From the Faraway Nearby: Georgia O'Keeffe as Icon

An enchanting collection of the very best of Russian poetry, edited by acclaimed translator Robert Chandler together with poets Boris Dralyuk and Irina Mashinski

In the late eighteenth and early nineteenth centuries, poetry's pre-eminence in Russia was unchallenged, with Pushkin and his contemporaries ushering in the 'Golden Age' of Russian literature. Prose briefly gained the high ground in the second half of the nineteenth century, but poetry again became dominant in the 'Silver Age' (the early twentieth century), when belief in reason and progress yielded once more to a more magical view of the world. During the Soviet era, poetry became a dangerous, subversive activity; nevertheless, poets such as Osip Mandelstam and Anna Akhmatova continued to defy the censors. This anthology traces Russian poetry from its Golden Age to the modern era, including work by several great poets - Georgy Ivanov and Varlam Shalamov among them - in captivating modern translations by Robert Chandler and others. The volume also includes a general introduction, chronology and individual introductions to each poet.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Lawrence Ferlinghetti has influenced American culture like few other poets. But in 1955, shortly before he would gain fame as the beloved author of A Coney Island of the Mind, he was an unpublished and mostly unknown poet. He launched City Lights Publishers that year with a five-hundred-copy letterpress edition of Pictures of the Gone World, Number One in the Pocket Poets Series. A classic collection of early work, Pictures includes many of Ferlinghetti's most iconic poems. This limited edition sixtieth anniversary hardcover restores the book to its original selection with the addition of eighteen new verses, and is a must for collectors and fans.

Lawrence Ferlinghetti is a poet, painter, and founder of City Lights Booksellers & Publishers.

In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding America's, and the world's, experiments in democracy. Whether depicting the first Jewish ghetto in sixteenth-century Venice or the contemporary efforts of Black Lives Matter, a girls' night clubbing in the shadow of World War II or the doomed nobility of Muhammad Ali's conscious objector stance, this extraordinary poet never fails to connect history's grand exploits to the triumphs and tragedies of individual lives.

Meticulously orchestrated and musical in its forms, Playlist for the Apocalypse collects a dazzling array of voices: an elevator operator simmers with resentment, an octogenarian dances an exuberant mambo, a spring cricket philosophizes with mordant humor on hip hop, critics, and Valentine's Day. Calamity turns all too personal in the book's final section, "Little Book of Woe," which charts a journey from terror to hope as Dove learns to cope with debilitating chronic illness.

At turns audaciously playful and grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to catastrophic failures of the human soul. Listen up, the poet says, speaking truth to power; what you'll hear in return is "a lifetime of song."

The first complete publication of Robert Walser's poems translated into English.

Admired by the likes of Kafka, Musil, and Walter Benjamin and acclaimed "unforgettable, heart-rending" by J. M. Coetzee, Swiss writer Robert Walser (1878-1956) remains one of the most influential authors of modern literature. Walser left school at fourteen and led a wandering and precarious existence while producing poems, stories, essays, and novels. In 1933, he abandoned writing and entered a sanatorium, where he remained for the rest of his life. "I am not here to write," Walser said, "but to be mad."

This first collection of Walser's poems in English translation allows English-speaking readers to experience the author as he saw himself at the beginning and the end of his literary career--as a poet. The book also includes notes on dates of composition, draft versions of the printed poems, and brief biographical information on characters and locations that appear in the poems and may not be known to readers. Few writers have ever experienced such a steady rise in their reputation and public profile as Walser has seen in recent years, and this collection of his poems will help readers discover a unique writer whose off-kilter sensibility and innovations in form are perfectly suited to our fragmented, distracted, bewildering era.

In this restructured and greatly expanded version of Burton Raffel's out-of-print classic, Poems from the Old English, Raffel and co-editor Alexandra H. Olsen place the oldest English writings in an entirely different perspective. Keeping the classroom teacher's needs foremost in mind, Raffel and Olsen organize the major old English poems (except Beowulf) and new prose selections so as to facilitate both reading and studying. A general introduction provides an up-to-date and detailed historical account of the Anglo-Saxon period, and concise introductions open the literature sections of the book and many of the translations.

Raffel's masterly translations of Old English poetry, praised as fine poems in their own right, reproduce much of the flavor as well as the sense of the originals. With more than 1800 newly translated lines and many revised older translations, the poems in this volume are organized into four genres--elegies, heroic poems, religious poems, and wisdom poetry. Raffel's new translations include more than twenty poem-riddles, with proposed solutions in a separate section. Prose translations--grouped in historical, testamentary and legal, religious, social and instructional, and medical and magical categories--feature writings by King Alfred, Aelfric, and Wulfstan, among others.

A comprehensive English-language edition of verse by the Austrian poet

An undeniable aura surrounds the name of Georg Trakl, a poet of intense inner vision and originality whose work stands alongside that of Yeats, Valéry, and T. S. Eliot. Besides Rilke, his more famous admirers include Karl Kraus and Martin Heidegger. The distinctive tone of Trakl's work-especially admired by his patron Ludwig Wittgenstein-is autumnal and melancholy. Trakl was writing at a time of spiritual and social disintegration on the eve of the First World War, when personal values and perceptions tended to be subsumed in a more generalized anguish and exaltation. Neo-romantic, early modernist, his rich, vitally sensuous poetry can be seen to mark the transition from impressionism to expressionism, but at the same time transcends such categories. Trakl's poetry has previously only been available in English in short selections or in anthologies. This bilingual edition, the most comprehensive to date, gives readers the chance to get to know Trakl's work more fully than ever before.

One of the most original and influential European poets of the Middle Ages, François Villon took his inspiration from the streets, taverns, and jails of Paris. Villon was a subversive voice speaking from the margins of society. He wrote about love and sex, money trouble, "the thieving rich," and the consolations of good food and wine. His work is striking in its directness, wit, and gritty urban realism. Villon's writing spurred the development of the psychologically complex first-person voice in lyric poetry. He has influenced generations of avant-garde poets and artists. Arthur Rimbaud and Paul Verlaine have emulated Villon's poetry. Claude Debussy set it to music, and Bertolt Brecht adapted it for the stage. Ezra Pound championed Villon's poetry and became largely responsible for its impact on modern verse. With David Georgi's ingenious translation, English-speaking audiences finally have a text that captures the riotous energy and wordplay of the original. With a newly revised French text that reflects the latest scholarship, this bilingual edition also features inviting and informative notes that illuminate the nuances of Villon's poems and the world of medieval Paris.

Although The Book of Hours is the work of Rilke's youth, it contains the germ of his mature convictions. Written as spontaneously as received prayers, these poems celebrate a God who is not the Creator of the Universe but is rather humanity itself, and, above all, that most intensely conscious part of humanity, the artist. Babette Deutsch's classic translations capture the rich harmony and suggestive imagery of the originals, allowing interpretations both religious and philosophical and transporting the reader to new heights of inspirations and musicality.