Banner Message
The Bookstore will be closed until sometime in late June as we relocate to a temporary space. The Pritzker Student Center is undergoing major renovations, and we will not be shipping or processing any online orders until we are fully set up in our temporary location.
International Literature
A "sharply satirical" novel about an oppressive religious dictatorship and one man's discovery of an underground resistance (Library Journal).
2015 Winner of the Le Grand Prix du Roman de l'Académie française A tribute to George Orwell's dystopian classic 1984 and a cry of protest against totalitarianism of all kinds, Boualem Sansal's 2084 tells the story of a near future in which religious extremists have established a caliphate that forbids autonomous thought. In the year 2084, in the kingdom of Abistan--named after the prophet Abi, earthly messenger of the god Yölah--citizens submit to a single god, demonstrating their devotion by kneeling in prayer nine times a day. Remembering the past is forbidden, and an omnipresent surveillance system instantly informs the authorities of every deviant act, thought, or idea.The kingdom is blessed and its citizens are happy, filled with purpose and piety. Those who are not--the heretics--are put to death by stoning or beheading in city squares. But Ati has met people who think differently: In ghettos and caves, hidden from the authorities, exist the last living heretics and free-thinkers of Abistan. Under their influence, Ati begins to doubt. He begins to think. Now, he will have to defend his thoughts with his life.
2084 is "a rare, powerful book, at the intersection of fable and lampoon, of satire and science fiction," a cry of freedom, a gripping novel of ideas, and an indictment of the kind of closed-minded fundamentalism that threatens our democracies and the ideals on which they are founded (Lire). "Alison Anderson's deft and intelligent translation [conveys] Sansal's abhorrence of a system that controls people's minds, while explaining that the religion was not originally evil but has been corrupted. A moving and cautionary story."--The Times Literary Supplement "A powerful novel that celebrates resistance."--The Guardian
Set in the wake of the Mau Mau rebellion and on the cusp of Kenya's independence from Britain, A Grain of Wheat follows a group of villagers whose lives have been transformed by the 1952-1960 Emergency. At the center of it all is the reticent Mugo, the village's chosen hero and a man haunted by a terrible secret. As we learn of the villagers' tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
-The New York Times Book Review "A marvelous dovetailing of fantasy, history and religion . . . This sensitive new translation by Musharraf Ali Farooqi is filled with lyrical resonance. . . . [Readers] will love losing themselves in this complex yet ancient world of the imagination."
-The Washington Post Book World "It's hard to think of an epic more dazzlingly splendid . . . Farooqi has given world literature a gift."
-Time "With prose as embroidered as the tales themselves, the book should be savored under the covers like a secret lover."
-The Austin Chronicle "[A] revelatory translation of a masterpiece of world literature . . . unequivocally an amazing piece of publishing history."
-The Buffalo News
"What do you do, exactly? I have no idea." "I reify," he answered. "It's a serious job," I added. "Yes, it is," he said. "I see," Carol observed with admiration. "Serious work, with big books and a big table cluttered with papers." "No," said Gilles. "I walk. Mostly I walk."--from All the King's Horses
Michèle Bernstein's novel, All the King's Horses (1960), is one of the odder and more elusive, entertaining, and revealing documents of the Situationist International. At the instigation of her first husband, Guy Debord, Bernstein agreed to write a potboiler to help swell the Situationist International's coffers. When she objected to the idea of practicing a "dead art," Debord suggested that it would be instead be détournement--the Situationist reuse of media toward different, subversive, ends. Inspired by the pseudo-scandalous success of Roger Vadim's filmed version of Choderlos de Laclos's Les Liaisons dangereuses and the adolescent Françoise Sagan's bestselling novel Bonjour tristesse, Bernstein lampooned and borrowed from both Sagan and de Laclos, concocting a roman à clef that succeeded on several levels. A moneymaker for the most radical front of the French avant-garde, the novel (by its very success) demonstrated the bankruptcy of contemporary French letters and the Situationist contempt for the psychological novel, while (perhaps unintentionally) holding up a playful mirror to the private lives of two of the Situationist International's most important members.All the King's Horses is a slippery rewrite of Dangerous Liaisons with Debord playing the role of cold libertine, Bernstein as his cohort, and disguised walk-on roles by the likes of the painter Asger Jorn and others. Though Greil Marcus sparked interest in this novel in his 1989 book Lipstick Traces, All the King's Horses remained unavailable until its 2004 republication in France. This Semiotext(e) edition is its first translation into English.
Armand is a diplomat rising through the ranks of the Norwegian foreign office, but he's caught between his public duty to support foreign wars in the Middle East and his private disdain for Western intervention. He hides behind knowing, ironic statements, which no one grasps and which change nothing. Armand's son joins the Norwegian SAS to fight in the Middle East, despite being specifically warned against such a move by his father, and this leads to catastrophic, heartbreaking consequences.
Told exclusively in footnotes to an unwritten book, this is Solstad's radically unconventional novel about how we experience the passing of time: how it fragments, drifts, quickens, and how single moments can define a life.
In masterfully honed prose, Voetmann brings the formidable Pliny the Elder (and his pompous nephew) to life. Awake is a comic delight about one of history's great minds and the not-so-great human body it was housed in.
Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. "The Dark Room" is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In "Mr. Sampath, " a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical "Swami and Friends" and "The Bachelor of Arts." Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.
"The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness like one's own reflection seen in a green twilight." Margaret Parton, "New York Herald Tribune"
"
Because She Never Asked is a story reminiscent of that reached by the travelers in Patricia Highsmith's Stranger on a Train. The author first writes a piece for the artist Sophie Calle to live out: a young, aspiring, French artist travels to Lisbon and the Azores in pursuit of an older artist whose work she's in love with. The second part of the story tells what happens between the author and Calle. She eludes, him; he becomes blocked, and suffers physical collapse.
"Something strange happened along the way," Vila-Matas wrote. "Normally, writers try to pass a work of fiction off as being real. But in Because She Never Asked, the opposite occurred: in order to give meaning to the story of my life, I found that I needed to present it as fiction."
This memorable, heartbreaking story opens in Addis Ababa, Ethiopia, 1974, on the eve of a revolution. Yonas kneels in his mother's prayer room, pleading to his god for an end to the violence that has wracked his family and country. His father, Hailu, a prominent doctor, has been ordered to report to jail after helping a victim of state-sanctioned torture to die. And Dawit, Hailu's youngest son, has joined an underground resistance movement--a choice that will lead to more upheaval and bloodshed across a ravaged Ethiopia.
Beneath the Lion's Gaze tells a gripping story of family, of the bonds of love and friendship set in a time and place that has rarely been explored in fiction. It is a story about the lengths human beings will go in pursuit of freedom and the human price of a national revolution. Emotionally gripping, poetic, and indelibly tragic, Beneath The Lion's Gaze is a transcendent and powerful debut.