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Essays
A collection of essays on agrarian living from the poet and author hailed as "America's greatest philosopher on sustainable life" (The Chicago Tribune).
In A Continuous Harmony, renowned poet, farmer, and environmental activist Wendell Berry makes an impassioned case for returning to a way of life Americans once lived on small family farms. The book's title is taken from an account by the American mountaineer Thomas F. Hornbein on his travels in the Himalayas. "It seemed to me," Horenbein wrote, "that here man lived in continuous harmony with the land, as much as briefly a part of it as all its other occupants."
Wendell Berry's second collection of essays, A Continuous Harmony includes the seminal "Think Little," which appeared in The Last Whole Earth Catalogue, and beautifully advocates for small actions that can lead to profound change. The collection's centerpiece, "Discipline and Hope," is an insightful and articulate essay advocating for what he calls "a new middle." Taken together, this collection offers "a dignified and lucid statement of the need for present attention--love--for the land" (The Boston Phoenix).
Includes the essay Notes on Camp, the inspiration for the 2019 exhibition Notes on Fashion: Camp at the Costume Institute of the Metropolitan Museum of Art
Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the groundbreaking essays Notes on Camp and Against Interpretation, as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.
At each step of this journey through American cultural history, Louis Menand has an original point to make: he explains the real significance of William James's nervous breakdown, and of the anti-Semitism in T. S. Eliot's writing. He reveals the reasons for the remarkable commercial successes of William Shawn's New Yorker and William Paley's CBS. He uncovers the connection between Larry Flynt's Hustler and Jerry Falwell's evangelism, between the atom bomb and the Scholastic Aptitude Test. He locates the importance of Richard Wright, Norman Mailer, Pauline Kael, Christopher Lasch, and Rolling Stone magazine. And he lends an ear to Al Gore in the White House as the Starr Report is finally presented to the public.
Like his critically acclaimed bestseller, The Metaphysical Club, American Studies is intellectual and cultural history at its best: game and detached, with a strong curiosity about the political underpinnings of ideas and about the reasons successful ideas insinuate themselves into the culture at large. From one of our leading thinkers and critics, known both for his "sly wit and reportorial high-jinks [and] clarity and rigor" (The Nation), these essays are incisive, surprising, and impossible to put down.
"All that kid wants to do is stick his nose in a book," Michael Dirda's steelworker father used to complain, worried about his son's passion for reading. In "An Open Book," one of the most delightful memoirs to emerge in years, the acclaimed literary journalist Michael Dirda re-creates his boyhood in rust-belt Ohio, first in the working-class town of Lorain, then at Oberlin College. In addition to his colorful family and friends, "An Open Book" also features the great writers and fictional characters who fueled Dirda's imagination: from Green Lantern to Sherlock Holmes, from Candy to Proust. The result is an affectionate homage to small-town America summer jobs, school fights, sweepstakes contests, and first dates as well as a paean to what could arguably be called the last great age of reading. "Dirda is a superb literary essayist." Harold Bloom "Michael Dirda's memoir no surprise to me is so good that I went up to the attic meaning to send him one of my antique Big Little books as a salute to excellence...A great job. I'll be buying "An Open Book" for my children and grandchildren." Russell Baker, author of "Growing Up" "Here, in "An Open Book," is the show and tell of a wonderful American story, everything coming together in the immemorial dance of literature and memory, of history and gossip, and of the deeply felt, bittersweet story (his own) of a young life. Read it and rejoice." George Garrett "A lovely, unapologetically nostalgic remembrance of growing up in a more innocent America, but it is also the touching story of one person's lifelong love affair with words." June Sawyer, "San Francisco Chronicle" "Dirda inhabits each book he reads. Inhabits it and makes a space alongside it for us to join him....He is a rare treasure." James Sallis, "Boston Sunday Globe""
Our most revered critic returns to his signature theme
"Literary criticism, as I attempt to practice it," writes Harold Bloom in The Anatomy of Influence, "is in the first place literary, that is to say, personal and passionate."For more than half a century, Bloom has shared his profound knowledge of the written word with students and readers. In this, his most comprehensive and accessible study of influence, Bloom leads us through the labyrinthine paths which link the writers and critics who have informed and inspired him for so many years. The result is "a critical self-portrait," a sustained meditation on a life lived with and through the great works of the Western canon: Why has influence been my lifelong obsessive concern? Why have certain writers found me and not others? What is the end of a literary life?
Featuring extended analyses of Bloom's most cherished poets--Shakespeare, Whitman, and Crane--as well as inspired appreciations of Emerson, Tennyson, Browning, Yeats, Ashbery, and others, The Anatomy of Influence adapts Bloom's classic work The Anxiety of Influence to show us what great literature is, how it comes to be, and why it matters. Each chapter maps startling new literary connections that suddenly seem inevitable once Bloom has shown us how to listen and to read. A fierce and intimate appreciation of the art of literature on a scale that the author will not again attempt, TheAnatomy of Influence follows the sublime works it studies, inspiring the reader with a sense of something ever more about to be.
Threaded throughout Angels & Saints are the glorious illuminated grid poems by the eighteenth-century Benedictine monk Hrabanus Maurus. These astonishingly complex, proto-"concrete" poems are untangled in a lucid afterword by the medieval scholar and historian Mary Wellesley.
From modern health care to the practice of forestry, from local focus to national resolve, Wendell Berry argues, there can never be a separation between global ecosystems and human communities--the two are intricately connected, and the health and survival of one depends upon the other.
Provocative, intimate, and thoughtful, Another Turn of the Crank reaches to the heart of Berry's concern and vision for the future, for America and for the world.
Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts.
The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephanie Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world.
Unfortunately, on occasions too frequent and destructive to enumerate, the teachings of Christ have been either ignored or distorted by the very people calling themselves Christian. Whether directed towards social intolerance or attitudes of warlike aggression, these right-wing citizens have claimed a power of influence that far exceeds their numbers. Blessed Are the Peacemakers collects the sayings of Jesus, selected by Wendell Berry, who contributes an essay of introduction. This is a book of inspiration and prayerful compassion, a ringing call to action at a time when our country and the world it once led stand at a dangerous crossroads.
What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately.
Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term "book" commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.
"Rebecca Solnit is essential feminist reading." --The New Republic
"Solnit's exquisite essays move between the political and the personal, the intellectual and the earthy." --Elle
Rebecca Solnit is the author of more than twenty books, including the international bestseller Men Explain Things to Me. Called "the voice of the resistance" by the New York Times, she has emerged as an essential guide to our times, through her incisive commentary on feminism, violence, ecology, hope, and everything in between.
In this powerful and wide-ranging collection, Solnit turns her attention to battles over meaning, place, language, and belonging at the heart of the defining crises of our time. She explores the way emotions shape political life, electoral politics, police shootings and gentrification, the life of an extraordinary man on death row, the pipeline protest at Standing Rock, and the existential threat posed by climate change.
The work of changing the world sometimes requires changing the story, the names, and inventing or popularizing new names and terms and phrases. Calling things by their true names can also cut through the lies that excuse, disguise, avoid, or encourage inaction, indifference, obliviousness in the face of injustice and violence.
To find a personal style is, for a writer, to become adult; and to write one's first "perfect" poem--a poem that wholly and successfully embodies that style--is to come of age as a poet. By looking at the precedents, circumstances, and artistry of the first perfect poems composed by John Milton, John Keats, T. S. Eliot, and Sylvia Plath, Coming of Age as a Poet offers rare insight into this mysterious process, and into the indispensable period of learning and experimentation that precedes such poetic achievement.
Milton's L'Allegro, Keats's On First Looking into Chapman's Homer, Eliot's The Love Song of J. Alfred Prufrock, and Plath's The Colossus are the poems that Helen Vendler considers, exploring each as an accession to poetic confidence, mastery, and maturity. In meticulous and sympathetic readings of the poems, and with reference to earlier youthful compositions, she delineates the context and the terms of each poet's self-discovery--and illuminates the private, intense, and ultimately heroic effort and endurance that precede the creation of any memorable poem.
With characteristic precision, authority, and grace, Vendler helps us to appreciate anew the conception and the practice of poetry, and to observe at first hand the living organism that breathes through the words of a great poem.
Essayist Stephen Miller pursues a lifelong interest in conversation by taking an historical and philosophical view of the subject. He chronicles the art of conversation in Western civilization from its beginnings in ancient Greece to its apex in eighteenth-century Britain to its current endangered state in America. As Harry G. Frankfurt brought wide attention to the art of bullshit in his recent bestselling On Bullshit, so Miller now brings the art of conversation into the light, revealing why good conversation matters and why it is in decline. Miller explores the conversation about conversation among such great writers as Cicero, Montaigne, Swift, Defoe, Lady Mary Wortley Montagu, and Virginia Woolf. He focuses on the world of British coffeehouses and clubs in "The Age of Conversation" and examines how this era ended. Turning his attention to the United States, the author traces a prolonged decline in the theory and practice of conversation from Benjamin Franklin through Hemingway to Dick Cheney. He cites our technology (iPods, cell phones, and video games) and our insistence on unguarded forthrightness as well as our fear of being judgmental as powerful forces that are likely to diminish the art of conversation.
This international bestseller is an encyclopedic A-Z masterpiece--the perfect introduction to the very core of Western humanism. Clive James rescues, or occasionally destroys, the careers of many of the greatest thinkers, humanists, musicians, artists, and philosophers of the twentieth century. Soaring to Montaigne-like heights, Cultural Amnesia is precisely the book to burnish these memories of a Western civilization that James fears is nearly lost.
NEW YORK TIMES BESTSELLER - NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND KIRKUS REVIEWS
Hailed as "the indispensable critic" by The New York Review of Books, Harold Bloom--New York Times bestselling writer and Sterling Professor of Humanities at Yale University--has for decades been sharing with readers and students his genius and passion for understanding literature and explaining why it matters. Now he turns at long last to his beloved writers of our national literature in an expansive and mesmerizing book that is one of his most incisive and profoundly personal to date. A product of five years of writing and a lifetime of reading and scholarship, The Daemon Knows may be Bloom's most masterly book yet.
"Enrapturing . . . radiant . . . intoxicating . . . Harold Bloom, who bestrides our literary world like a willfully idiosyncratic colossus, belongs to the party of rapture."--Cynthia Ozick, The New York Times Book Review "The capstone to a lifetime of thinking, writing and teaching . . . The primary strength of The Daemon Knows is the brilliance and penetration of the connections Bloom makes among the great writers of the past, the shrewd sketching of intellectual feuds or oppositions that he calls agons. . . . Bloom's books are like a splendid map of literature, a majestic aerial view that clarifies what we cannot see from the ground."--The Washington Post
"Audacious . . . The Yale literary scholar has added another remarkable treatise to his voluminous body of work."--The Huffington Post
"The sublime The Daemon Knows is a veritable feast for the general reader (me) as well as the advanced (I assume) one."--John Ashbery
"Mesmerizing."--New York Journal of Books
"Bloom is a formidable critic, an extravagant intellect."--Chicago Tribune "As always, Bloom conveys the intimate, urgent, compelling sense of why it matters that we read these canonical authors."--Kirkus Reviews (starred review) "Few people write criticism as nakedly confident as Bloom's any more."--The Guardian (U.K.)
A generous and varied selection-the only hardcover edition available-of the literary and political writings of one of the greatest essayists of the twentieth century.
Although best known as the author of Animal Farm and Nineteen Eighty-four, George Orwell left an even more lastingly significant achievement in his voluminous essays, which dealt with all the great social, political, and literary questions of the day and exemplified an incisive prose style that is still universally admired. Included among the more than 240 essays in this volume are Orwell's famous discussion of pacifism, "My Country Right or Left"; his scathingly complicated views on the dirty work of imperialism in "Shooting an Elephant"; and his very firm opinion on how to make "A Nice Cup of Tea."
In his essays, Orwell elevated political writing to the level of art, and his motivating ideas-his desire for social justice, his belief in universal freedom and equality, and his concern for truth in language-are as enduringly relevant now, a hundred years after his birth, as ever.
Demonstrating the lasting brilliance of her voice and her prophetic vision, Essential Essays showcases Adrienne Rich's singular ability to unite the political, personal, and poetical. The essays selected here by feminist scholar Sandra M. Gilbert range from the 1960s to 2006, emphasizing Rich's lifelong intellectual engagement and fearless prose exploration of feminism, social justice, poetry, race, homosexuality, and identity.
"Overheard in a coffee shop the other day, one young woman severely admonishing another about the dangers of amateur seances: 'Just one wrong move, and Poof! Suddenly every dead rock star and TV evangelist is knocking at your door and forcing you to bake ten thousand apple pies. You can t trust these ghosts. They have a mind of their own.'"
from the book
Just because this is a collection of essays about psychics, murderers, strange disappearances, and occult phenomena doesn t mean it isn t funny. With wit, wry curiosity, and redemptive irony John P. O Grady peels back the surface of the seemingly normal to reveal the dubious, the inexplicable, the outlandish.
Consider Leo LaHappe, a.k.a. "The Bugman." During a 1970s-era dormitory bull session Leo reveals a strange obsession with Virginia Dare, the first child born of English parents in the New World. His obsession becomes the catalyst for a campus-wide witch hunt at the University of Maine.
Or, what about the beekeeper who knocks on O Grady s door. Dressed in his professional gear boots, coveralls, and dark veil the man seeks permission to search the author s woods for his hive. Turns out he hadn t told the bees about his mother s death and, sensitive creatures that they are, the bees had run away. "I have to tell them I m sorry," the beekeeper explains. "I just hope they forgive me and come home."
"Grave Goods "includes ghost stories, macabre modern legends, and metaphysical investigations, all informed by the natural sciences, history, philosophy, literature, and mythology. From laugh-out-loud funny to eerily thoughtful, these essays reveal the natural world as a place of unnatural surprises and strange beauty. A place where Rip Van Winkle, O Grady s college buddies, and ragtag psychics rub shoulders with Buddha, Socrates, and Stephen King and it all makes perfect sense."
With the expected grace of Wendell Berry comes The Hidden Wound, an essay about racism and the damage it has done to the identity of our country. Through Berry's personal experience, he explains how remaining passive in the face of the struggle of racism further corrodes America's potential. In a quiet and observant manner, Berry opens up about how his attempt to discuss racism is rooted in the hope that someday the historical wound will begin to heal.
In Imagination in Place, we travel to the local cultures of several writers important to Berry's life and work, from Wallace Stegner's great West and Ernest Gaines' Louisiana plantation life to Donald Hall's New England, and on to the Western frontier as seen through the Far East lens of Gary Snyder. Berry laments today's dispossessed and displaced, those writers and people with no home and no citizenship, but he argues that there is hope for the establishment of new local cultures in both the practical and literary sense.
Berry laments today's dispossessed and displaced, those writers and people with no home and no citizenship, but he argues that there is hope for the establishment of new local cultures in both the practical and literary sense. Rich with Berry's personal experience of life as a Kentucky agrarian, the collection includes portraits of a few of America's most imaginative writers, including James Still, Hayden Carruth, Jane Kenyon, John Haines, and several others.
All written between 1400 and 1500-- among them a rare gem by Lorenzo the Magnificent and a famous account featuring Filippo Brunelleschi-- the six stories are presented here in new and lively translations. As engrossing, fresh, and high-spirited as those in Boccaccio's "Decameron," the tales deal with marriage, deception, rural manners, gender relations, social ambitions, adultery, homosexuality, and the demands of individual identity.
Each is accompanied by an essay, in which Lauro Martines situates the story in its temporal context, transforming it into an outright historical document. The stories and essays focus mainly on people from the ordinary and middling ranks of society, as they go about the daily give-and-take of city life, under the pressure of a highly practical, conformist, pleasure-loving (but often cruel) urban society.
"An Italian Renaissance Sextet" reveals the concerns of a searching historical work with a combined anthropological, demographic, and cultural slant; what emerges is a fascinating range of issues: gender, age, sexuality, blasphemy, forms of social address, and, above all, the invasive gaze of a community that kept an ever vigilant eye on its public spaces.
Throughout his long career, Jacques Barzun, the author of From Dawn to Decadence, has been known as a witty and graceful essayist, conversant with a wide range of subjects. Michael Murray has compiled eighty of Barzun's most remarkable short works into one comprehensive volume that will give students a full appreciation of this great writer's erudition and literary talent.
The essays in A Jacques Barzun Reader cover an astonishing array of topics, including history, philosophy, music and baseball. Barzun re-examines Diderot, Shaw, Swift, and Berlioz, and analyzes both Lincoln as a literary artist and the pleasures of reading crime novels. To read Barzun is to share in his delight at all aspects of arts and culture, and this remarkable volume shows him at his best. Born in France in 1907, Jacques Barzun came to the United States in 1920. After graduating from Columbia College, he joined the faculty of the university, becoming Seth Low Professor of History and, for a decade, Dean of Faculties and Provost. A finalist in the National Book Awards, he received the Gold Medal for Criticism from the American Academy of Arts and Letters, of which he was twice president. He lives in San Antonio, TX. Michael Murray's previous books include Albert Schweitzer, Musician and French Masters of the Organ. "Each essay yields unexpected insights, and the volume as a whole makes clear why Barzun is probably our best-known public intellectual. Challenging, satisfying, elegant." -- Kirkus Reviews
In Karmic Traces, Weinberger's third collection from New Directions, twenty-four essays take the reader along on the author's personal travels from the Atacama Desert to Iceland to Hong Kong on the verge of the handover to China, as well as on imagined voyages in a 17th-century Danish ship bound for India and among strange religious cults or even stranger small animals. One never knows what will appear next: Viking dreams, Aztec rituals, Hindu memory, laughing fish, or prophetic dogs. And, in "The Falls", the long tour-de-force that closes the book, Weinberger recapitulates 3,000 years of history in a cascade of telling facts to uncover the deep roots of contemporary racism and violence.
This timely and provocative book examines a fundamental shift in contemporary Western thought: the replacement of the traditional dualistic and hierarchical model of reality by a holistic one. Betty Jean Craige traces the emergence of this new paradigm to Charles Darwin, whose evolutionary theory exploded the idea of a fixed natural hierarchy and opened the way for a more egalitarian vision of human society as an evolving system of interdependent individuals and cultures.
Since Darwin's time, Craige argues, there has been an ongoing struggle in the West between these two conceptions of order, a clash that in recent years has manifested itself in volatile debates over sexual and racial equality, censorship, multiculturalism, "political correctness," the undergraduate curriculum, and the environment.
Craige analyzes each of these controversies and shows how they are at root reflective of the intellectual revolution that began more than a century ago. In one chapter she discusses the fundamentalist assault on Salman Rushdie; in another, the quarrel involving Robert Mapplethorpe and the National Endowment for the Arts. In still another she explores the powerful conservative backlash against the perceived threat to Western values, comparing it to the creationist attack on Darwin in the late nineteenth century.
