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Biography
In On Marx, Alan Ryan examines Marx's political and economic philosophy within the Victorian context of Marx's own life and times as well as glancing forward to the uses and abuses of his ideas by his many successors. Tracing Marx's influences from Hegel to Feuerbach, from French socialism to British political economy, and documenting his ideological battles with his contemporaries, Ryan provides a sterling explication and critique of Marx's theories of alienation, surplus value, class struggle, and revolution. Situating Marx into the framework of everyday politics is never easy, but this one volume provides the clearest, most accessible introduction to Marx's theories in recent years.
On Marx: Revolutionary and Utopian features:
- a chronology of Karl Marx's life
- an introduction and text by Alan Ryan that provides crucial context and cogent analysis
- key excerpts from: "Notes on James Mill," The German Ideology, "Theses on Feuerbach," The Communist Manifesto, Capital, The Civil War in France, and Critique of the Gotha Program
Antiquarian, lawyer, and cat lover Nicolas Fabri de Peiresc (1580-1637) was a "prince" of the Republic of Letters and the most gifted French intellectual in the generation between Montaigne and Descartes. From Peiresc's study in Aix-en-Provence, his insatiable curiosity poured forth in thousands of letters that traveled the Mediterranean, seeking knowledge of matters mundane and exotic. Mining the remarkable 70,000-page archive of this Provençal humanist and polymath, Peter N. Miller recovers a lost Mediterranean world of the early seventeenth century that was dominated by the sea: the ceaseless activity of merchants, customs officials, and ships' captains at the center of Europe's sprawling maritime networks. Peiresc's Mediterranean World reconstructs the web of connections that linked the bustling port city of Marseille to destinations throughout the Western Mediterranean, North Africa, the Levant, and beyond.
"Peter Miller's reanimation of Peiresc, the master of the Mediterranean, is the best kind of case study. It not only makes us appreciate the range and richness of one man's experience and the originality of his thought, but also suggests that he had many colleagues in his deepest and most imaginative inquiries. Most important, it gives us hope that their archives too will be opened up by scholars skillful and imaginative enough to make them speak to us."
--Anthony Grafton, New York Review of Books
Following the war and two scandal-ridden terms as President of the United States, Grant again fell on hard times after involvement in some disastrous business dealings. Suffering from terminal cancer, he hoped to secure his family's financial future -- at least in part -- by publishing his memoirs. That remarkable work -- considered by many authorities among the finest military memoirs ever written -- is reprinted here, complete and unabridged.
Concentrating primarily on Civil War military campaigns, Grant's firsthand accounts of those campaigns offer students and historians an incomparable vantage point on the conflict. There are also excellent observations of the Mexican War and glimpses of Grant's personal life -- boyhood, the years at West Point, his marriage to Julia Dent, and more. Throughout, Grant displays a calm detachment, generosity, integrity, and intelligence that are deeply moving.
The present volume reproduces the unabridged text, lengthy Appendix and all illustrations from the original two-volume edition published in 1885-86. The work is further enhanced by the addition of historic photographs by famed Civil War photographer Mathew Brady and others.
In this affordably priced unabridged edition, Personal Memoirs of U. S. Grant will be eagerly welcomed by students of American history and the legions of military enthusiasts and Civil War buffs.
"Leaps straight onto the roster of essential reading for anyone even vaguely interested in Grant and the Civil War."
--Ron Chernow, author of Grant
"Provides leadership lessons that can be obtained nowhere else... Ulysses Grant in his Memoirs gives us a unique glimpse of someone who found that the habit of reflection could serve as a force multiplier for leadership."
--Thomas E. Ricks, Foreign Policy
Ulysses S. Grant's memoirs, sold door-to-door by former Union soldiers, were once as ubiquitous in American households as the Bible. Mark Twain and Henry James hailed them as great literature, and countless presidents credit Grant with influencing their own writing. This is the first comprehensively annotated edition of Grant's memoirs, clarifying the great military leader's thoughts on his life and times through the end of the Civil War and offering his invaluable perspective on battlefield decision making. With annotations compiled by the editors of the Ulysses S. Grant Association's Presidential Library, this definitive edition enriches our understanding of the pre-war years, the war with Mexico, and the Civil War. Grant provides essential insight into how rigorously these events tested America's democratic institutions and the cohesion of its social order.
"What gives this peculiarly reticent book its power? Above all, authenticity... Grant's style is strikingly modern in its economy."
--T. J. Stiles, New York Times
"It's been said that if you're going to pick up one memoir of the Civil War, Grant's is the one to read. Similarly, if you're going to purchase one of the several annotated editions of his memoirs, this is the collection to own, read, and reread."
--Library Journal
Philosopher of the Heart is the groundbreaking biography of renowned existentialist Søren Kierkegaard's life and creativity, and a searching exploration of how to be a human being in the world.
Søren Kierkegaard is one of the most passionate and challenging of all modern philosophers, and is often regarded as the founder of existentialism. Over about a decade in the 1840s and 1850s, writings poured from his pen pursuing the question of existence--how to be a human being in the world?--while exploring the possibilities of Christianity and confronting the failures of its institutional manifestation around him. Much of his creativity sprang from his relationship with the young woman whom he promised to marry, then left to devote himself to writing, a relationship which remained decisive for the rest of his life. He deliberately lived in the swim of human life in Copenhagen, but alone, and died exhausted in 1855 at the age of 42, bequeathing his remarkable writings to his erstwhile fiancée. Clare Carlisle's innovative and moving biography writes Kierkegaard's life as far as possible from his own perspective, to convey what it was like actually being this Socrates of Christendom--as he put it, living life forwards yet only understanding it backwards.Joy Harjo, the first Native American to serve as U.S. poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her "poet-warrior" road. A musical, kaleidoscopic, and wise follow-up to Crazy Brave, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice.
Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, and the messengers of a changing earth--owls heralding grief, resilient desert plants, and a smooth green snake curled up in surprise. She celebrates the influences that shaped her poetry, among them Audre Lorde, N. Scott Momaday, Walt Whitman, Muscogee stomp dance call-and-response, Navajo horse songs, rain, and sunrise. In absorbing, incantatory prose, Harjo grieves at the loss of her mother, reckons with the theft of her ancestral homeland, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member.
Moving fluidly between prose, song, and poetry, Harjo recounts a luminous journey of becoming, a spiritual map that will help us all find home. Poet Warrior sings with the jazz, blues, tenderness, and bravery that we know as distinctly Joy Harjo.
A patriot and a political radical, Woody Guthrie captured the spirit of his times in his enduring songs. He was marked by the FBI as a subversive. He lived in fear of the fatal fires that stalked his family and of the mental illness that snared his mother. At forty-two, he was cruelly silenced by Huntington's disease. Ed Cray, the first biographer to be granted access to the Woody Guthrie Archive, has created a haunting portrait of an American who profoundly influenced Pete Seeger, Bob Dylan, Bruce Springsteen, and American popular music itself.
In this brilliantly illuminating group portrait of the men who came to be known as the Founding Fathers, the incomparable Gordon Wood has written a book that seriously asks, What made these men great, and shows us, among many other things, just how much character did in fact matter. The life of each, Washington, Adams, Jefferson, Franklin, Hamilton, Madison, Paine, is presented individually as well as collectively, but the thread that binds these portraits together is the idea of character as a lived reality. They were members of the first generation in history that was self-consciously self-made men who understood that the arc of lives, as of nations, is one of moral progress. Lin-Manuel Miranda's smash Broadway musical Hamilton sparked new interest in the Revolutionary War and the Founding Fathers. In addition to Alexander Hamilton, the production also features George Washington, Thomas Jefferson, James Madison, Aaron Burr, Lafayette, and many more. Look for Gordon's 2017 release, Friends Divided: John Adams and Thomas Jefferson.
Within four years of his first victory, Nixon was a U.S. senator; in six, the vice president of the United States of America. "Few came so far, so fast, and so alone," Farrell writes. Nixon's sins as a candidate were legion; and in one unlawful secret plot, as Farrell reveals here, Nixon acted to prolong the Vietnam War for his own political purposes. Finally elected president in 1969, Nixon packed his staff with bright young men who devised forward-thinking reforms addressing health care, welfare, civil rights, and protection of the environment. It was a fine legacy, but Nixon cared little for it. He aspired to make his mark on the world stage instead, and his 1972 opening to China was the first great crack in the Cold War.
Nixon had another legacy, too: an America divided and polarized. He was elected to end the war in Vietnam, but his bombing of Cambodia and Laos enraged the antiwar movement. It was Nixon who launched the McCarthy era, who played white against black with a "southern strategy," and spurred the Silent Majority to despise and distrust the country's elites. Ever insecure and increasingly paranoid, he persuaded Americans to gnaw, as he did, on grievances--and to look at one another as enemies. Finally, in August 1974, after two years of the mesmerizing intrigue and scandal of Watergate, Nixon became the only president to resign in disgrace.
Richard Nixon is a gripping and unsparing portrayal of our darkest president. Meticulously researched, brilliantly crafted, and offering fresh revelations, it will be hailed as a master work.
A small, insignificant-looking intellectual with absurdly long legs, Søren Kierkegaard (1813-1855) was a veritable Hans Christian Andersen caricature of a man. A strange combination of witty cosmopolite and melancholy introvert, he spent years writing under a series of fantastical pseudonyms, lavishing all the splendor of his magnificent mind on a seldom-appreciative world. He had a tragic love affair with a young girl, was dominated by an unforgettable Old Testament father, fought a sensational literary duel with a popular satiric magazine, and died in the midst of a violent quarrel with the state church for which he had once studied theology. Yet this iconoclast produced a number of brilliant books that have profoundly influenced modern thought.
In this classic biography, the celebrated Kierkegaard translator Walter Lowrie presents a charming and warmly appreciative introduction to the life and work of the great Danish writer. Lowrie tells the story of Kierkegaard's emotionally turbulent life with a keen sense of drama and an acute understanding of how his life shaped his thought. The result is a wonderfully informative and entertaining portrait of one of the most important thinkers of the past two centuries. This edition also includes Lowrie's wry essay How Kierkegaard Got into English, which tells the improbable story of how Lowrie became one of Kierkegaard's principal English translators despite not learning Danish until he was in his 60s, as well as a new introduction by Kierkegaard scholar Alastair Hannay.Over his four-decade career, Sid Meier has produced some of the world's most popular video games, including Sid Meier's Civilization, which has sold more than 51 million units worldwide and accumulated more than one billion hours of play. Sid Meier's Memoir! is the story of an obsessive young computer enthusiast who helped launch a multibillion-dollar industry. Writing with warmth and ironic humor, Meier describes the genesis of his influential studio, MicroProse, founded in 1982 after a trip to a Las Vegas arcade, and recounts the development of landmark games, from vintage classics like Pirates! and Railroad Tycoon, to Civilization and beyond.
Articulating his philosophy that a video game should be "a series of interesting decisions," Meier also shares his perspective on the history of the industry, the psychology of gamers, and fascinating insights into the creative process, including his rules of good game design.
*Featured in the Chicago Tribune's Great 2021 Fall Book Preview* THE SINNER AND THE SAINT is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story--and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment to craft an enduring classic. The germ of CRIME AND PUNISHMENT came from the sensational story of Pierre François Lacenaire, a notorious murderer who charmed and outraged Paris in the 1830s. Lacenaire was a glamorous egoist who embodied the instincts that lie beneath nihilism, a western-influenced philosophy inspiring a new generation of Russian revolutionaries. Dostoevsky began creating a Russian incarnation of Lacenaire, a character who could demonstrate the errors of radical politics and ideas. His name would be Raskolnikov. Lacenaire shaped Raskolnikov in profound ways, but the deeper insight, as Birmingham shows, is that Raskolnikov began to merge with Dostoevsky. Dostoevsky was determined to tell a murder story from the murderer's perspective, but his character couldn't be a monster. No. The murderer would be chilling because he wants so desperately to be good. The writing consumed Dostoevsky. As his debts and the predatory terms of his contract caught up with him, he hired a stenographer to dictate the final chapters in time. Anna Grigorievna became Dostoevsky's first reader and chief critic and changed the way he wrote forever. By the time Dostoevsky finished his great novel, he had fallen in love. Dostoevsky's great subject was self-consciousness. CRIME AND PUNISHMENT advanced a revolution in artistic thinking and began the greatest phase of Dostoevsky's career. THE SINNER AND THE SAINT now gives us the thrilling and definitive story of that triumph.
In 1762, with the condemnation of "É mile" and "The Social Contract, " harried by both church and state, Jean-Jacques Rousseau fled Paris, seeking refuge in Switzerland, Prussia, and England. Deemed a social outcast and beset with feelings of persecution and abuse, not wholly unwarranted, the philosopher turned in despair to the production of autobiographical works intended to reveal his essential innocence and integrity. Through this bitter introspection, Rousseau transformed his misery and solitude into some of the most enduring literature of his time.
A monumental achievement, the trilogy provides generations of readers with the definitive account of Rousseau's turbulent life. Marked by Cranston's characteristic elegance, authority, and grace, this volume, like "Jean-Jacques" and "The Noble Savage, " presents "Rousseau beautifully in the round, and leaves him just as extraordinary as ever" (John Weightman, "The Sunday Independent" ).
An acclaimed scholar and recipient of Britain's James Tait BlackMemorial Prize, Maurice Cranston (1902-1995) served as Professor of Political Science at the London School of Economics. Drawing upon the biographer's published and unpublished papers, Sanford Lakoff, professor emeritus of political science at the University of California-San Diego, brought the manuscript into final form.
A magnificent new biography that revolutionizes our understanding of Stalin and his world
The product of a decade of intrepid research, Stalin is a landmark achievement. Stephen Kotkin offers a biography that, at long last, is equal to this shrewd, sociopathic, charismatic dictator in all his dimensions. We see a man inclined to despotism who could be utterly charming; a pragmatic ideologue; a leader who obsessed over slights yet was a precocious geostrategic thinker--unique among Bolsheviks--and yet who made egregious strategic blunders. Through it all, we see Stalin's unflinching persistence, his sheer force of will--perhaps the ultimate key to understanding his indelible mark on history. Drawing on Kotkin's exhaustive study of Soviet archival materials as well as vast scholarly literature, Stalin recasts the way we think about the Soviet Union, revolution, dictatorship, the twentieth century, and indeed the art of history itself.A new look at one of the most important composers of the twentith century
Stravinsky and His World brings together an international roster of scholars to explore fresh perspectives on the life and music of Igor Stravinsky. Situating Stravinsky in new intellectual and musical contexts, the essays in this volume shed valuable light on one of the most important composers of the twentieth century. Contributors examine Stravinsky's interaction with Spanish and Latin American modernism, rethink the stylistic label neoclassicism with a section on the ideological conflict over his lesser-known opera buffa Mavra, and reassess his connections to his homeland, paying special attention to Stravinsky's visit to the Soviet Union in 1962. The essays also explore Stravinsky's musical and religious differences with Arthur Lourié, delve into Stravinsky's collaboration with Pyotr Suvchinsky and Roland-Manuel in the genesis of his groundbreaking Poetics of Music, and look at how the movement within stasis evident in the scores of Stravinsky's Orpheus and Oedipus Rex reflected the composer's fierce belief in fate. Rare documents--including Spanish and Mexican interviews, Russian letters, articles by Arthur Lourié, and rarely seen French and Russian texts--supplement the volume, bringing to life Stravinsky's rich intellectual milieu and intense personal relationships. The contributors are Tatiana Baranova, Leon Botstein, Jonathan Cross, Valérie Dufour, Gretchen Horlacher, Tamara Levitz, Klára Móricz, Leonora Saavedra, and Svetlana Savenko.Susan Sontag, one of the most internationally renowned and controversial intellectuals of the latter half of the twentieth century, still provokes. In 1978 Jonathan Cott, a founding contributing editor of Rolling Stone magazine, interviewed Sontag first in Paris and later in New York. Only a third of their twelve hours of discussion ever made it to print. Published more than three decades later, this book provides the entire transcript of Sontag's remarkable conversation, accompanied by Cott's preface and recollections. Sontag's musings and observations reveal the passionate engagement and breadth of her critical intelligence and curiosities at a moment when she was at the peak of her powers. Nearly a decade after her death, these hours of conversation offer a revelatory and indispensable look at the self-described "besotted aesthete" and "obsessed moralist." "I really believe in history, and that's something people don't believe in anymore. I know that what we do and think is a historical creation. . . .We were given a vocabulary that came into existence at a particular moment. So when I go to a Patti Smith concert, I enjoy, participate, appreciate, and am tuned in better because I've read Nietzsche." "There's no incompatibility between observing the world and being tuned into this electronic, multimedia, multi-tracked, McLuhanite world and enjoying what can be enjoyed. I love rock and roll. Rock and roll changed my life. . . .You know, to tell you the truth, I think rock and roll is the reason I got divorced. I think it was Bill Haley and the Comets and Chuck Berry that made me decide that I had to get a divorce and leave the academic world and start a new life."
Nikola Tesla invented radio, robots, and remote control. His electric induction motors run our appliances and factories. In the early 1900s, he designed plans for cell phones, the Internet, death-ray weapons, and interstellar communication. His ideas have lived on to shape the modern economy, yet he has been largely overlooked by history. In Tesla, Richard Munson presents a comprehensive portrait of this farsighted and underappreciated mastermind. Drawing on letters, technological notebooks, and other primary sources, Munson pieces together the magnificently bizarre personal life and mental habits of the enigmatic inventor whose most famous inventions were the product of a mind fueled by both the humanities and sciences--Tesla conceived the induction motor while walking through a park and reciting Goethe's Faust. Clear, authoritative, and highly readable, Tesla takes into account all the phases of Tesla's remarkable life and career.