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Art & Architecture
Using security scanners and x-ray machines, Nick Veasey creates beautiful, unsettling, inside-out images that reveal?like never before?the intricacy of everyday objects, animals, and plants. Whether the spectacle of an x-rayed Boeing 777, the elaborate geometry of an mp3 player's circuit boards, or the ethereal grace of a translucent daffodil, each page of this book is an absorbing work of art.
In a security-obsessed age, Veasey's work is subtly subversive, as it uses sophisticated technology to discover inner beauty rather than concealed dangers.
Veasey captures the x-ray images on film in a lead-lined studio. (He works on the outside of the studio when the machines are operating.) Once the x-ray has been exposed, it is scanned at ultrahigh resolution, using special equipment tailored for the process. These digital images are then composed and embellished on a computer. The whole process can take weeks or even months?but the results speak for themselves.
From the acclaimed author of Blue, a beautifully illustrated history of yellow from antiquity to the present
In this richly illustrated book, Michel Pastoureau--a renowned authority on the history of color and the author of celebrated volumes on blue, black, green, and red--now traces the visual, social, and cultural history of yellow. Focusing on European societies, with comparisons from East Asia, India, Africa, and South America, Yellow tells the intriguing story of the color's evolving place in art, religion, fashion, literature, and science. In Europe today, yellow is a discreet color, little present in everyday life and rarely carrying great symbolism. This has not always been the case. In antiquity, yellow was almost sacred, a symbol of light, warmth, and prosperity. It became highly ambivalent in medieval Europe: greenish yellow came to signify demonic sulfur and bile, the color of forgers, lawless knights, Judas, and Lucifer--while warm yellow recalled honey and gold, serving as a sign of pleasure and abundance. In Asia, yellow has generally had a positive meaning. In ancient China, yellow clothing was reserved for the emperor, while in India the color is associated with happiness. Above all, yellow is the color of Buddhism, whose temple doors are marked with it. Throughout, Pastoureau illuminates the history of yellow with a wealth of captivating images. With its striking design and compelling text, Yellow is a feast for the eye and mind.
Chet Baker was just twenty-two when he was discovered by Charlie Parker in 1951. It was the heyday of the California jazz scene, and the handsome, brooding young trumpeter skyrocketed to fame. During a glorious period that stretched from 1952 to 1957 Baker, the "James Dean of jazz, " captured the hearts and soul of a generation that was infatuated with "cool, " yet deeply moved by the musician's underlying tone of seductive melancholy.
Among Baker's admirers was jazz photographer William Claxton, who accompanied Chet to concerts, performances and studio sessions. His photos show a dreamily introverted musician whose charisma and appearance matched the suggestiveness of his art. And they document a vibrant period in our country's musical history, when youth and beauty ruled the day, and which paved the way for America's obsession with glamorous, fast-living entertainers. Reprinted in an attractive smaller format, and accompanied by Claxton's affecting, personal memories of Baker, these photographs document not just an artist at work, but friendship in the making.