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Art & Architecture

Three Thousand Years of Chinese Painting

Three Thousand Years of Chinese Painting

By: Wu, Hung
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From Neolithic painted petroglyphs, early paintings on silk, and landscapes by twelfth-century literati to the traditional handscrolls being produced today, Chinese painting has always had the power to enthrall. This magnificent book, written by a team of eminent international scholars, is the first to recount the history of Chinese painting over a span of some three thousand years. Drawing on museum collections, archives, and archaeological sites in China--including many resources never before available to Western scholars--as well as on collections in other countries, the authors present and analyze the very best examples of Chinese painting: more than 300 of them are reproduced here in color. Both accessible to the general reader and revelatory for the scholar, the book provides the most up-to-date and detailed history of China's pictorial art available today.

In this book the authors rewrite the history of Chinese art wherever it is found--in caves, temples, or museum collections. They begin by grounding the Western reader in Chinese traditions and practices, showing in essence how to look at a Chinese painting. They then shed light on such topics as the development of classical and narrative painting, the origins of the literati tradition, the flowering of landscape painting, and the ways the traditions of Chinese painting have been carried into the present day. The book, which concludes with a glossary of techniques and terms and a list of artists by dynasty, is an essential resource for all lovers of, or newcomers to, Chinese painting.

Three Thousand Years of Chinese Painting is the inaugural volume in a new series, The Culture & Civilization of China, a joint publishing venture of Yale University Press and the American Council of Learned Societies with the China International Publishing Group in Beijing. The undertaking will ultimately result in the publication of more than seventy-five volumes on the visual arts, classical literature, language, and philosophy, as well as several comprehensive reference volumes.

Published in association with Foreign Languages Press, Beijing

THROWING POTS

THROWING POTS

By: Rogers, Phil
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"Throwing clay on a potter's wheel and the seemingly effortless and wonderful way that clay will swell and climb in the hands of a skilled potter is merely the beginning to this most 'natural' and ancient of crafts."--from Throwing Pots

Throwing is a skill that many potters seek to master. It requires patience, time, and lots of practice. In Throwing Pots, Phil Rogers takes the reader through the basic principles of throwing. With the help of step-by-step illustrations, he demonstrates how to make a wide range of pots, from the simple bowl to the more complex forms of teapots and jugs, including lids and spouts. Rogers also discusses the aesthetics of pottery, encouraging readers to assess design and develop a personal style as well as recommending places to see examples of fine quality handthrown pottery.

TIMELESS WAY OF BUILDING

TIMELESS WAY OF BUILDING

By: Alexander, Christopher
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The theory of architecture implicit in our world today, Christopher Alexander believes, is bankrupt. More and more people are aware that something is deeply wrong. Yet the power of present-day ideas is so great that many feel uncomfortable, even afraid, to say openly that they dislike what is happening, because they are afraid to seem foolish, afraid perhaps that they will be laughed at.

Now, at last, here is a coherent theory which describes in modern terms an architecture as ancient as human society itself.

TINY HOUSES: 47 GRAND DESIGNS FOR 47 TINY HOUSES

TINY HOUSES: 47 GRAND DESIGNS FOR 47 TINY HOUSES

By: Walker, Lester
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Both playful tribute and handy how-to, this is a wonderfully illustrated volume that features hundreds of photographs and detailed scale drawings. Whether you're a student of philosophy aspiring to build a replica of Thoreau's cabin, an ice fisherman in need of four walls to fend off winter winds, or just a dreamer with a vision of a humble cottage on a quite seashore, Tiny Houses is a precious resource for ideas, instruction, and inspiration.
TRAVELS WITH FACE HUNTER: STREET STYLE FROM AROUND THE WORLD

TRAVELS WITH FACE HUNTER: STREET STYLE FROM AROUND THE WORLD

By: Rodic, Yvan
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This ultra-stylish travel diary chronicles a year-long face-hunting expedition to more than thirty of pioneering street fashion photographer Yvan Rodic's favorite cities. An extension of Rodic's wildly popular Face Hunter blog (1.5 million page views per month), Travels with Face Hunter is a visual feast for a wide audience of fashionistas.

For Yvan Rodic (better known to his fans as "Face Hunter"), style is about so much more than clothes -- it's an attitude, a form of self-expression, a way of interacting with the world that is at once expansively global and distinctively local. Travels with Face Hunter captures the global phenomenon that is street fashion, and proves the best outfits and most beautiful faces of fashion aren't necessarily on runways or in magazines. Along with more than three hundred stylish photos, Rodic offers commentary on the atmosphere and style trends of each city he visits, taking readers with him on the journey.

Throughout the pages of this book, readers will discover a young child in Tokyo wearing fantastic striped sunglasses; trainers paired with cowrie shells in Cape Town; a woman posing in a fake leopard-skin coat outside of a Milan Cathedral; and blue suede shoes in Beirut. You never know what will catch Face Hunter's eye -- but you can bet it won't be a professional model or celebrity wearing this season's must-have outfit from a leading fashion house.

TREASURES FROM INDIA (SP.SALE)

TREASURES FROM INDIA (SP.SALE)

By: Clive, Museum
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The Clive Collection at Powis Castle in Wales contains some 300 pieces, and represents perhaps the greatest single sampling of the art of Mughal India outside of the subcontinent itself. It was begun by Clive of India, whose military victories in the 18th century marked the first stage of Britain's domination of India. Archer writes on collectors in India at the time, Rowell about the Clive family and the assembling of the collection and Skelton provides and original assessment of the objects themselves.
TREE HOUSES BY ARCHITECTS

TREE HOUSES BY ARCHITECTS

By: Trulove, James Grayson
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Tree houses are no longer just for children. With the growing excitement surrounding tree house architecture, adults around the world are building their own treetop hideaways -- savoring the childhood memories, feelings of nostalgia, and images of fantasy that are evoked by these almost dreamlike constructions. TreeHouses: Living a Dream brings together the most innovative ideas of today's architects and designers, providing readers with a comprehensive exploration of the unique construction methods that allow these amazing structures to adapt to their changing environments.

From Nebraska and Georgia to France and Germany, this book features a variety of projects that include playrooms, weekend retreats, home offices, dining rooms, and more. Each case study includes interior and exterior photography, as well as detailed site and floor plans accompanied by concise, informative text. With more than 350 full-color illustrations, TreeHouses: Living a Dream is sure to help every reader make a reality out of their tree house fantasy.

TREEHOUSES AND PLAYHOUSES YOU CAN BUILD

TREEHOUSES AND PLAYHOUSES YOU CAN BUILD

By: Stiles, Jeanie
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Treehouses & Playhouses You Can Build shows how average "do-it-yourself" families can easily and affordably bring to life a "Hobbit's Treehouse," a "Pirate's Playhouse," or a "Crow's Nest" in their own backyards! There are a lot of books out there filled with enchanting photos of elaborate treehouses and playhouses built by professionals and costing tens of thousands to build. For the rest of us, there's bit of elbow grease, a lot of imagination, a trip to the hardware store-and Treehouses & Playhouses You Can Build.

Authors David and Jeanie Stiles are the best-selling authors of a number of books on treehouses with sales of over 150,000 copies. They have created another straightforward how-to-build book filled with beautiful hand-drawn step-by-step illustrations that are easy to follow and describe in detail how to create each project. They include tips on budgeting, using basic tools, buying materials, and kid- and adult-friendly instructions! Even for DIY novice types, this book simplifies the building process and inspires families of all types to work together and build cool stuff.

UNEARTHING THE PAST: Renaissance Culture

UNEARTHING THE PAST: Renaissance Culture

By: Barkan, Leonard
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In this text, Leonard Barkan tells the cultural story of the emergence into the daylight of the artworks of antiquity that had lain beneath Roman ground for more than a thousand years.
UNPACKING MY LIBRARY: ARCHITECTS AND THEIR BOOKS

UNPACKING MY LIBRARY: ARCHITECTS AND THEIR BOOKS

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"I am unpacking my library. Yes, I am. . . . Be ready to share with me a bit of the mood--it is certainly not an elegiac mood but, rather, one of anticipation--which these books arouse in a genuine collector. . . . What I am really concerned with is giving you some insight into the relationship of a book collector to his possessions, into collecting rather than a collection." --Walter Benjamin, 1931

What does a library say about the mind of its owner? How do books map the intellectual interests, curiosities, tastes, and personalities of their readers? What does the collecting of books have in common with the practice of architecture? Unpacking My Library provides an intimate look at the personal libraries of twelve of the world's leading architects, alongside conversations about the significance of books to their careers and lives.

Photographs of bookshelves--displaying well-loved and rare volumes, eclectic organizational schemes, and the individual touches that make a bookshelf one's own--provide an evocative glimpse of their owner's personal life. Each architect also presents a reading list of top ten influential titles, from architectural history to theory to fiction and nonfiction, that serves as a personal philosophy of literature and history, and advice on what every young architect, scholar, and lover of architecture should read.

An inspiring cross-section of notable libraries, this beautiful book celebrates the arts of reading and collecting.

Unpacking My Library: Architects and Their Books features the libraries of:

Stan Allen

Henry Cobb

Liz Diller & Ric Scofidio

Peter Eisenman

Michael Graves

Steven Holl

Toshiko Mori

Michael Sorkin

Bernard Tschumi

Todd Williams & Billie Tsien

Peter Eisenman's Recommended Titles:

Robert Musil, The Man Without Qualities

Le Corbusier, Vers une Architecture

Thomas Pynchon, Gravity's Rainbow

Robert Venturi, Complexity and Contradiction in Architecture

Rem Koolhaas, Delirious New York

Jacques Derrida, Of Grammatology

Andrea Palladio, The Four Books on Architecture

Walter Benjamin, Illuminations

James Joyce, Finnegans Wake

William Faulkner, Light in August

Published in association with Urban Center Books, The Architecture Bookstore of the Municipal Art Society of New York

UTAMARO: Portraits from the Floating World

UTAMARO: Portraits from the Floating World

By: Kobayashi, Tadashi
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Who was the man behind the pseudonym "Utamaro"? We know that he was one of the greatest artists of eighteenth-century Japan, and that he was a master portraitist of women in the woodblock-print tradition known as ukiyo-e. But as for the man himself, we know almost nothing. The little there is-gleaned from contemporary books, miscellaneous writings, temple registers-is brought together in this book to present as clear a picture of Utamaro's life as modem researchers are capable of. Utamaro is placed in his cultural setting-the pleasure-loving urban culture of eighteenth-century Tokyo, the shogun's capital and the de facto center of Japan

Utamaro's world was that of teahouse girls and courtesans whose fame and popularity can only be compared, in modern terms, to those of a movie actress whose name is on every man's lips. His was a world of popular literature and art, of publishers competing for the work of the most talked-about writers and artists. This world, however, was under the constant scrutiny of the authorities, and near the end of his career, Utamaro fell afoul of the government's proscription of certain subject matter, and he was sentenced to three days in prison and fifty days in hand chains.

But Utamaro's life is only one theme of this book. The other is the development of his art, the perfection of his depictions of women that enabled him to capture subtle moods and differences of character. The prints of women produced by the ukiyo-e artists preceding Utamaro showed expressionless beauties of little individuality. It was against this that Utamaro rebelled, creating such prints as that of the kashi, one of the lowest ranking of courtesans-in fact, a mere prostitute. Recognizing within himself the power to see and depict the individual behind the outward appearance, Utamaro added to some of his prints the notation "Studies in Physiognomic Judgment of Character by Utamaro." Modem opinion tends to agree with Utamaro's assessment of himself, and his reputation as an artist of the inner woman has firmly established him in the top ranks of the ukiyo-e world.

VAN GOGH TV'S PIAZZA VIRTUALE

VAN GOGH TV'S PIAZZA VIRTUALE

By: Baumgärtel, Tilman
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Piazza virtuale by the group of artists known as Van Gogh TV was not only the biggest art project ever to appear on television, but from a contemporary point of view the project was also a forerunner of today's social media. The ground-breaking event that took place during the 100 days of documenta IX in 1992 was an early experiment with entirely user-created content. This is the first book-length study of this largely forgotten experiment: It documents the radicality of Piazza virtuale's approach, the novel programme ideas and the technical innovations. It also allows, via QR codes, direct access to videos from the show, which until now have been inaccessible.
VERMEER

VERMEER

By: Schneider, Norbert
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Though numbering just 35 known works, the oeuvre of Johannes Vermeer (1632-1675) is hailed as one of the most important and inspiring portfolios in art history. His paintings have prompted a New York Times best seller, a film starring Scarlett Johansson, and record visitor numbers at art institutions from Amsterdam to Washington.

Vermeer's subjects focus on daily domestic activities, from letter writing to music playing to preparations in the kitchen. The scenes astound with their meticulous detail, majestic planes of light, and with Vermeer's extraordinary ability to draw out narrative intrigues. In such beloved paintings as Lady Standing at a Virginal, A Lady Writing a Letter with Her Maid and, most famously, the enigmatic, wide-eyed, and enchanting Girl with a Pearl Earring, Vermeer evokes not only the effects of substance and texture, but also the many stories and secrets that reside beneath the surface.

Featuring all Vermeer's known works and succinct, accessible texts, this essential introduction explores Vermeer's leading place in art history and his unique ability to transform oil paint into a living, breathing scene of human life.

VINCENT'S GARDENS

VINCENT'S GARDENS

By: Skea, Ralph
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Vincent van Gogh never owned a garden, but throughout his career he painted and drew outdoor spaces and natural objects frequently, both fascinated and stimulated by each location's unique character.

In this book Ralph Skea surveys the gardens that were most dear to Van Gogh--from the domestic havens of parsonage gardens in the Netherlands to the romance of Parisian city parks, from the blazing flower beds of Provence to the asylum gardens that provided the artist with seclusion and calm in his final months.

Whether joyous paintings of plants in bloom or the intensely beautiful studies of lilacs, roses, irises, and pine trees that he produced in the asylum at Saint-Rémy, all the oils and sketches included here are monuments to the artist's originality and poetic sensibility.
VIRTUES OF UNDERWEAR

VIRTUES OF UNDERWEAR

By: Edwards, Nina
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Laced with illustrations of undergarments both prosaic and exotic, a global exposé of the hidden meaning of knickers, lingerie, and everything in between.

This book unravels the intimate narratives woven into the fabric of our most personal garments. From the first loincloths to the intricate layers of shapewear, the narrative explores the concealed world of underwear as a silent communicator of individual desire and societal affiliation. As an indicator of the pulse of fashion, underwear has evolved from minimalism to intricate designs with new materials. Beyond its role in denying our corporeal nature, underwear safeguards and exposes, reflecting our innermost desires and past experiences.

From clean underclothing resisting carnal urges to the protective embrace of fabric, this book illuminates the profound, often hidden stories told by the garments beneath our outer layers. It rewards the reader with historical insights into both women's and men's underwear and global cultures of dress.

VISIONS OF BUDDHIST LIFE

VISIONS OF BUDDHIST LIFE

By: Farber, Don
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Don Farber's highly acclaimed photographs open a spectacular view of the beauty and diversity of Buddhist life around the world. His superb eye for composition, his attention to color and detail, and his intimate knowledge of Buddhism come together to produce outstanding, often breathtaking images. A selection of Farber's best work to date, Visions of Buddhist Life brings an important message of compassion, healing, and understanding to today's troubled world.

The photographs, together with Farber's extensive captions, take us to the temples, monasteries, and colorful streets of Los Angeles, Kyoto, and Bangkok, and travel onward to China, India, Nepal, South Korea, and Taiwan. They depict Buddhists alone and in crowds, in cities rich and poor, in meditation and in conversation. They also picture some of the great teachers of our day--the Dalai Lama, Thich Nhat Hanh, and Kalu Rinpoche. These images capture some of the last Tibetan masters to have received their training before the Chinese invasion and are a vital documentation of a tradition in danger of vanishing forever.

A study in the human face, in the art of spiritual devotion, in the evocative power of landscape, this collection of images provides an essential context for understanding Buddhism. Visions of Buddhist Life is also a visual and spiritual journey into a realm where the doctrine of nonviolence is paramount and where peace begins with the thoughts and actions of the individual.

VISUAL THINKING

VISUAL THINKING

By: Arnheim, Rudolf
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For thirty-five years Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of The Dynamics of Architectural Form, Film as Art, Toward a Psychology of Art, and Art and Visual Perception, asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. An indispensable tool for students and for those interested in the arts.
VIVIAN MAIER: A PHOTOGRAPHER'S LIFE AND AFTERLIFE

VIVIAN MAIER: A PHOTOGRAPHER'S LIFE AND AFTERLIFE

By: Bannos, Pamela
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Who was Vivian Maier? Many people know her as the reclusive Chicago nanny who wandered the city for decades, constantly snapping photographs, which were unseen until they were discovered in a seemingly abandoned storage locker. They revealed her to be an inadvertent master of twentieth-century American street photography. Not long after, the news broke that Maier had recently died and had no surviving relatives. Soon the whole world knew about her preternatural work, shooting her to stardom almost overnight.

But, as Pamela Bannos reveals in this meticulous and passionate biography, this story of the nanny savant has blinded us to Maier's true achievements, as well as her intentions. Most important, Bannos argues, Maier was not a nanny who moonlighted as a photographer; she was a photographer who supported herself as a nanny. In Vivian Maier: A Photographer's Life and Afterlife, Bannos contrasts Maier's life with the mythology that strangers--mostly the men who have profited from her work--have created around her absence. Bannos shows that Maier was extremely conscientious about how her work was developed, printed, and cropped, even though she also made a clear choice never to display it. She places Maier's fierce passion for privacy alongside the recent spread of her work around the world, and she explains Maier's careful adjustments of photographic technique, while explaining how the photographs have been misconstrued or misidentified. As well, Bannos uncovers new information about Maier's immediate family, including her difficult brother, Karl--relatives that once had been thought not to exist.

This authoritative and engrossing biography shows that the real story of Vivian Maier, a true visionary artist, is even more compelling than the myth.

WABI-SABI: FURTHER THOUGHTS

WABI-SABI: FURTHER THOUGHTS

By: Koren, Leonard
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Twenty-plus years after the initial publication of Wabi-Sabi: for Artists, Designers, Poets & Philosophers, Leonard Koren is back with further insights into this seminal aesthetic paradigm. An important book for art and design theorists, and other thoughtful creators.


WATER, WIND, BREATH

WATER, WIND, BREATH

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The Barnes Foundation's historic Pueblo and Navajo collections are explored alongside works by contemporary Native American artists

This richly illustrated book makes the Barnes Foundation's exceptional collection of Native American art from the Southwest available to the public for the first time. Collector and educator Albert C. Barnes traveled to the U.S. Southwest in 1930 and 1931 and, deeply impressed by the generative art practices he saw there, formed a collection of Pueblo and Navajo pottery, textiles, and jewelry. Water, Wind, Breath illuminates the materials, forms, and designs of the objects as they relate to Pueblo and Navajo histories and ideas. The book blends postcolonial and Indigenous perspectives, introducing readers to living artistic traditions filled with purpose, intention, and a deeply embedded spirituality that connects places, practices, and Native identities. Works by contemporary Native American artists are juxtaposed with historic pieces, illuminating the connections between heritage traditions and modern practices.

Distributed for the Barnes Foundation


Exhibition Schedule:

The Barnes Foundation, Philadelphia
(February 20-May 15, 2022)

WAY OF THE BRUSH: Painting Techniques of China and Japan

WAY OF THE BRUSH: Painting Techniques of China and Japan

By: Van Briessen, Fritz
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The first paperback edition of this backlist classic, "The Way of the Brush" examines the technique, style, traditions, and methods of ink-painting. Illustrated with over 250 paintings and packed with instructions, "The Way of the Brush" covers every aspect of the art, from brushstrokes, composition, and the painting surface to meaning, perspective, and artistic philosophy. Part One explains the elements, techniques, and principles of Chinese and Japanese painting, while Part Two is devoted to challenges associated with the art. Also included are three appendices and a full bibliography.
WHAT IS CULTURE FOR?

WHAT IS CULTURE FOR?

By: The School of Life
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What is culture really for?


How to find compassion, hope and perspective in the arts.


Many people search for the meaning of life through music, film, literature and the visual arts. But how can we synthesize the emotions we feel through art?


This book looks at how works of culture were made - that is, to improve the way we live. Connecting a range of (Western) cultural masterpieces with our own pains and dilemmas, we learn to better see culture as a resource, a way to address the agonies of being human.


It provides us with enduring keys to unlocking culture as a way of transforming our lives.


Using common themes - such as companionship, hope balance, compassion, knowledge, encouragement, appreciation, and perspective - and combining them with works from Bach to Renoir, The Beatles to Mel Gibson's Braveheart, Hamlet, Anselm Kiefer, and writers like Proust and Virginia Woolf, this book provides the key to unlocking culture. Indeed, the keys to transforming our lives.


  • HOW MUSIC, FILM, LITERATURE AND VISUAL ART operate in our society and lives.
  • EXPLORES CULTURAL MASTERPIECES and how they relate to our everyday lives.
  • ILLUSTRATED with full color images throughout.
  • THOUGHT-PROVOKING CONCEPTS that enhance any future visit to a gallery, theater or cinema.
  • BEAUTIFULLY PRODUCED premium gift format.
  • WHAT IS LANDSCAPE?

    WHAT IS LANDSCAPE?

    By: Stilgoe, John R
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    A lexicon and guide for discovering the essence of landscape.

    "Mr. Stilgoe does not ask that we take his book outdoors with us; he believes that reading and experiencing landscapes are activities that should be kept separate. But, as I learned in his book, the hollow storage area in a car driver's door was once a holster, the 'secure nesting place of a pistol.' I recommend you stow your copy there."
    --The Wall Street Journal

    Landscape, John Stilgoe tells us, is a noun. From the old Frisian language (once spoken in coastal parts of the Netherlands and Germany), it meant shoveled land: landschop. Sixteenth-century Englishmen misheard or mispronounced this as landskep, which became landskip, then landscape, designating the surface of the earth shaped for human habitation. In What Is Landscape? Stilgoe maps the discovery of landscape by putting words to things, zeroing in on landscape's essence but also leading sideways expeditions through such sources as children's picture books, folklore, deeds, antique terminology, out-of-print dictionaries, and conversations with locals. ("What is that?" "Well, it's not really a slough, not really, it's a bayou...") He offers a highly original, cogent, compact, gracefully written narrative lexicon of landscape as word, concept, and path to discoveries.

    What Is Landscape? is an invitation to walk, to notice, to ask: to see a sandcastle with a pinwheel at the beach and think of Dutch windmills--icons of triumph, markers of territory won from the sea; to walk in the woods and be amused by the Elizabethans' misuse of the Latin silvaticus (people of the woods) to coin the word savages; to see in a suburban front lawn a representation of the meadow of a medieval freehold.

    Discovering landscape is good exercise for body and for mind. This book is an essential guide and companion to that exercise--to understanding, literally and figuratively, what landscape is.

    WHAT IS LANDSCAPE?

    WHAT IS LANDSCAPE?

    By: Stilgoe, John R
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    A lexicon and guide for discovering the essence of landscape.

    "Mr. Stilgoe does not ask that we take his book outdoors with us; he believes that reading and experiencing landscapes are activities that should be kept separate. But, as I learned in his book, the hollow storage area in a car driver's door was once a holster, the 'secure nesting place of a pistol.' I recommend you stow your copy there."

    --The Wall Street Journal

    Landscape, John Stilgoe tells us, is a noun. From the old Frisian language (once spoken in coastal parts of the Netherlands and Germany), it meant shoveled land: landschop. Sixteenth-century Englishmen misheard or mispronounced this as landskep, which became landskip, then landscape, designating the surface of the earth shaped for human habitation. In What Is Landscape? Stilgoe maps the discovery of landscape by putting words to things, zeroing in on landscape's essence but also leading sideways expeditions through such sources as children's picture books, folklore, deeds, antique terminology, out-of-print dictionaries, and conversations with locals. ("What is that?" "Well, it's not really a slough, not really, it's a bayou...") He offers a highly original, cogent, compact, gracefully written narrative lexicon of landscape as word, concept, and path to discoveries.

    What Is Landscape? is an invitation to walk, to notice, to ask: to see a sandcastle with a pinwheel at the beach and think of Dutch windmills--icons of triumph, markers of territory won from the sea; to walk in the woods and be amused by the Elizabethans' misuse of the Latin silvaticus (people of the woods) to coin the word savages; to see in a suburban front lawn a representation of the meadow of a medieval freehold.

    Discovering landscape is good exercise for body and for mind. This book is an essential guide and companion to that exercise--to understanding, literally and figuratively, what landscape is.

    WHEN I WAS A PHOTOGRAPHER

    WHEN I WAS A PHOTOGRAPHER

    By: Nadar, Felix
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    The first complete English translation of Nadar's intelligent and witty memoir, a series of vignettes that capture his experiences in the early days of photography.

    Celebrated nineteenth-century photographer--and writer, actor, caricaturist, inventor, and balloonist--Félix Nadar published this memoir of his photographic life in 1900 at the age of eighty. Composed as a series of vignettes (we might view them as a series of "written photographs"), this intelligent and witty book offers stories of Nadar's experiences in the early years of photography, memorable character sketches, and meditations on history. It is a classic work, cited by writers from Walter Benjamin to Rosalind Krauss. This is its first and only complete English translation.

    In When I Was a Photographer (Quand j'étais photographe), Nadar tells us about his descent into the sewers and catacombs of Paris, where he experimented with the use of artificial lighting, and his ascent into the skies over Paris in a hot air balloon, from which he took the first aerial photographs. He recounts his "postal photography" during the 1870-1871 Siege of Paris--an amazing scheme involving micrographic images and carrier pigeons. He describes technical innovations and important figures in photography, and offers a thoughtful consideration of society and culture; but he also writes entertainingly about such matters as Balzac's terror of being photographed, the impact of a photograph on a celebrated murder case, and the difference between male and female clients. Nadar's memoir captures, as surely as his photographs, traces of a vanished era.

    WHITE

    WHITE

    By: Pastoureau, Michel
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    From the acclaimed author of Blue, a beautifully illustrated history of the color white in visual culture, from antiquity to today

    As a pigment, white is often thought to represent an absence of color, but it is without doubt an important color in its own right, just like red, blue, green, or yellow--and, like them, white has its own intriguing history. In this richly illustrated book, Michel Pastoureau, a celebrated authority on the history of colors, presents a fascinating visual, social, and cultural history of the color white in European societies, from antiquity to today.

    Illustrated throughout with a wealth of captivating images ranging from the ancient world to the twenty-first century, White examines the evolving place, perception, and meaning of this deceptively simple but complex hue in art, fashion, literature, religion, science, and everyday life across the millennia. Before the seventeenth century, white's status as a true color was never contested. On the contrary, from antiquity until the height of the Middle Ages, white formed with red and black a chromatic triad that played a central role in life and art. Nor has white always been thought of as the opposite of black. Through the Middle Ages, the true opposite of white was red. White also has an especially rich symbolic history, and the color has often been associated with purity, virginity, innocence, wisdom, peace, beauty, and cleanliness.

    With its striking design and compelling text, White is a colorful history of a surprisingly vivid and various color.

    WHY ARCHITECTS STILL DRAW

    WHY ARCHITECTS STILL DRAW

    By: Belardi, Paolo
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    An architect's defense of drawing as a way of thinking, even in an age of electronic media.

    Why would an architect reach for a pencil when drawing software and AutoCAD are a click away? Use a ruler when 3D-scanners and GPS devices are close at hand? In Why Architects Still Draw, Paolo Belardi offers an elegant and ardent defense of drawing by hand as a way of thinking. Belardi is no Luddite; he doesn't urge architects to give up digital devices for watercolors and a measuring tape. Rather, he makes a case for drawing as the interface between the idea and the work itself.

    A drawing, Belardi argues, holds within it the entire final design. It is the paradox of the acorn: a project emerges from a drawing--even from a sketch, rough and inchoate--just as an oak tree emerges from an acorn. Citing examples not just from architecture but also from literature, chemistry, music, archaeology, and art, Belardi shows how drawing is not a passive recording but a moment of invention pregnant with creative possibilities.

    Moving from the sketch to the survey, Belardi explores the meaning of measurement in a digital era. A survey of a site should go beyond width, height, and depth; it must include two more dimensions: history and culture. Belardi shows the sterility of techniques that value metric exactitude over cultural appropriateness, arguing for an "informed drawing" that takes into consideration more than meters or feet, stone or steel. Even in the age of electronic media, Belardi writes, drawing can maintain its role as a cornerstone of architecture.

    WHY ARCHITECTURE MATTERS

    WHY ARCHITECTURE MATTERS

    By: Goldberger, Paul
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    A classic work on the joy of experiencing architecture, with a new afterword reflecting on architecture's place in the contemporary moment

    "Architecture begins to matter," writes Paul Goldberger, "when it brings delight and sadness and perplexity and awe along with a roof over our heads." In Why Architecture Matters, he shows us how that works in examples ranging from a small Cape Cod cottage to the vast, flowing Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the Guggenheim Bilbao. He eloquently describes the Church of Sant'Ivo in Rome as a work that "embraces the deepest complexities of human imagination."

    In his afterword to this new edition, Goldberger addresses the current climate in architectural history and takes a more nuanced look at projects such as Thomas Jefferson's academical village at the University of Virginia and figures including Philip Johnson, whose controversial status has been the topic of much recent discourse. He argues that the emotional impact of great architecture remains vital, even as he welcomes the shift in the field to an increased emphasis on social justice and sustainability.

    WHY PHOTOGRAPHY MATTERS

    WHY PHOTOGRAPHY MATTERS

    By: Thompson, Jerry L
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    A lucid and wide-ranging meditation on why photography is unique among the picture-making arts.

    Photography matters, writes Jerry Thompson, because of how it works--not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. He constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote "Tell all the Truth but tell it slant") to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way.

    WOMEN ARE HEROES

    WOMEN ARE HEROES

    By: Jr
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    Guerilla street artist JR traveled to Sierra Leone, Liberia, Sudan, Kenya, Brazil, India, and Cambodia to seek out women struggling in their everyday lives and, in his words, "to take their stories around the world." Pasting mural-size portraits of his subjects into their own communities--on the sides of buildings, on trains, on bridges--he brings a haunting human presence to harsh environments of social conflict. His photographs of the vast outdoor "exhibitions" that he creates are iconic images celebrating the worth of the individual. A beautifully illustrated account of this remarkable project, Women Are Heroes introduces JR's thrilling imagery of the modern landscape filled with human faces, and also includes his original photographic portraits paired with interviews in which the women share their lives and dreams.