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GRAPHIC WORLDS OF PETER BRUEGEL THE ELDER

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Renowned for his effervescent and rollicking paintings of Flemish life, Peter Bruegel the Elder also holds a place among the world's finest engraving designers. This collection contains 64 of his engravings plus a woodcut, arranged in two parts. The first depicts the outer world of nature and man, including landscapes, ships and the sea, and memorable portraits of sixteenth-century Flanders citizens, from aristocrats and burghers to villagers and peasants. The second part envisions the inner worlds of imagination, morality, and religion with scenes from the Gospels and Apocrypha.
In addition, the book offers cogent and stimulating commentaries by H. Arthur Klein that provide details of Bruegel's life and influences as well as his techniques. Many of these prints served as models for subsequent Bruegel canvases, and each image is accompanied by an essay that places it within its historical context. A unique survey of the best and most magical work of one of history's greatest printmakers, this volume offers a prized addition to the collections of all connoisseurs, especially those interested in the art of engraving.
GREAT SCENES FROM THE BIBLE

GREAT SCENES FROM THE BIBLE

By: Merian, Matthaus
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Remarkably detailed illustrations depict Adam and Eve Driven Out of the Garden of Eden, The Flood, David Slaying Goliath, Christ in the Manger, The Raising of Lazarus, The Crucifixion, and many others. 230 plates.
GREEN: THE HISTORY OF A COLOR

GREEN: THE HISTORY OF A COLOR

By: Pastoureau, Michel
$35.00
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In this beautiful and richly illustrated book, the acclaimed author of Blue and Black presents a fascinating and revealing history of the color green in European societies from prehistoric times to today. Examining the evolving place of green in art, clothes, literature, religion, science, and everyday life, Michel Pastoureau traces how culture has profoundly changed the perception and meaning of the color over millennia--and how we misread cultural, social, and art history when we assume that colors have always signified what they do today.

Filled with entertaining and enlightening anecdotes, Green shows that the color has been ambivalent: a symbol of life, luck, and hope, but also disorder, greed, poison, and the devil. Chemically unstable, green pigments were long difficult to produce and even harder to fix. Not surprisingly, the color has been associated with all that is changeable and fleeting: childhood, love, and money. Only in the Romantic period did green definitively become the color of nature.

Pastoureau also explains why the color was connected with the Roman emperor Nero, how it became the color of Islam, why Goethe believed it was the color of the middle class, why some nineteenth-century scholars speculated that the ancient Greeks couldn't see green, and how the color was denigrated by Kandinsky and the Bauhaus.

More broadly, Green demonstrates that the history of the color is, to a large degree, one of dramatic reversal: long absent, ignored, or rejected, green today has become a ubiquitous and soothing presence as the symbol of environmental causes and the mission to save the planet.

With its striking design and compelling text, Green will delight anyone who is interested in history, culture, art, fashion, or media.

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HALL OF FAME: NEW YORK CITY

By: Ket, Alan
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The birthplace of the style writing school of graffiti is New York City. This is the place where young writers first began to transform letters from simple tags on a wall to elaborate masterpieces of colorful and camoflauged letters embellished with characters that depicted friends and heroes alike. By the 1980s the artwork was quickly destroyed by authorities and the artists seeking to preserve some of their works took hold of schoolyards around the city to paint grander works. It was a no-nonsense approach to save their art form and spread their fame to the local kids. The most famous of these schoolyards is located in East Harlem on 106th street and Park Avenue and it became known as the Hall of Fame. At first the Hall of Fame was established to bring together the best artists in the city and have them paint in the same schoolyard supplanting the number 5 train as the showcase place for the best graffiti art in New York. Over the years as the word spread artists from around the city would sneak in and leave their work at night in this unsanctioned museum. From Skeme, Dez, and Daze in the early 1980s to Vulcan, Jon One, and Dome in the late 1980s to Part, Ezo, and TDS rejuvenating the schoolyard with style in the 1990s to TC5 (West, Dash, Psycho, Wane, Cope2, etc.), TDS (Flite, Part, Noc167, Serve, T-Kid170), TATS (Bio, BG183, Nicer, How, Nosm, Sen2) crews tight productions in the 2000s to the writers that travel to New York to paint there today this book documents the exciting art work that was created in a small obscure school in Harlem that became known as the legendary Hall of Fame. Join us on this artistic retrospective of the famous and important New York landmark.
HEART OF THE BRUSH: THE SPLENDOR OF EAST ASIAN CALLIGRAPHY

HEART OF THE BRUSH: THE SPLENDOR OF EAST ASIAN CALLIGRAPHY

By: Tanahashi, Kazuaki
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Its history, techniques, aesthetics, and philosophy--with an in-depth practical guide to understanding and drawing 150 characters

A guide to the history and enjoyment of Chinese and Japanese calligraphy that offers the possibility of appreciating it in a hands-on way--with step-by-step instructions for brushing 150 classic characters.

This book is a comprehensive and accessible introduction to the history and art of calligraphy as it's been practiced for centuries in China, Japan, and elsewhere in Asia. It works as a guide for the beginner hoping to develop an appreciation for Asian calligraphy, for the person who wants to give calligraphy-creation a try, as well as for the expert or afficionado who just wants to browse through and exult in lovely examples. It covers the history and development of the art, then the author invites the reader to give it a try.

The heart of the book, called Master Samples and Study, presents 150 characters--from action to zen--each in a two-page spread. On each verso page the character is presented in three different styles, each one chosen for its beauty and identified by artist when possible. The character's meaning, pronunciation (in Chinese, Japanese, Korean, and Vietnamese), etymology, the pictograph from which it evolved, and other notes of interest are included. At the bottom of the page the stroke order is shown: the sequence of brush movements, numbered in their traditional order. On each facing recto page is Kaz's own interpretation of the character, full page.

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HEART OF THE GODDESS: ART, MYTH AND MEDITATIONS OF THE WORLD'S SACRED FEMININE

By: Austen, Hallie Iglehart
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"A collection of more than 70 Goddess figures from cultures throughout the world. Each is a treasure...inspiring us to embody the Goddess's virtues in our lives."--Yoga Journal

This extraordinary compilation of the art, values and living lessons of Goddess culture dating from 30,000 years ago to the present, from Africa to Hawaii, Siberia to North America, is a multicultural tapestry of artwork, historical background, and meditations organized by the themes of creation, transformation and celebration, bringing focus and expression to the myth and spirituality of the feminine.

"A beautiful book...an excellent resource for information and inspiration from many cultures."--Starhawk, author of The Spiritual Dance and

"...a mythical journey to every corner of the Earth...a delightful book of life-affirming legends, rituals, and images that help us envision a more balanced and creative world."--Riane Eisler, author of The Chalice and the Blade

"What a treasure! Decades of scholarship and oceans of love have been poured into gathering this exquisite collection of goddesses from all the world's wisdom traditions. By gazing at the images and contemplating their stories, I felt myself joyously reclaiming the feminine face of the Holy One.... I love love love this book."--Mirabai Starr, author of God of Love: A Guide to the Heart of Judaism, Christianity & Islam

HEAVENLY MANSIONS

HEAVENLY MANSIONS

By: Summerson, John
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A classic of architectural history and theory, Heavenly Mansions interprets architecture as a reflection of the age in which it flowers, and it traces the alternating themes of fantasy and functionalism as exemplified in various styles and in the works of a number of influential men, including Christopher Wren, Viollet-le-Duc, William Butterfield, and Le Corbusier. It gives an account of John Wood and the unique English Town-Planning Tradition begun early in the eighteenth century, and of J.M. Gandy, whose two curious books of designs paralleled the Romantic Age of literature and were yet unmistakably prophetic of cubism. Succinctly summarizing 800 years of viewpoints about architecture, it ranges from Gothic architecture to the Renaissance to the influence of modern abstract art on twentieth-century architecture. This work is invaluable to students of art, architecture, and the humanities in general.
HERBS AND SPICES

HERBS AND SPICES

By: Editors of Abbeville Press
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Parsley, sage, rosemary, and thyme. Ginger, cinnamon, cloves, and more. Add some extra savor, zest, or zing to your correspondence with these quality notecards, each of which is illustrated with a different color engraving of an herb or spice from eighteenth- and nineteenth-century sources. The perfect stationery for the cook, gardener, or gourmand in your life.
HOKUSAI POP-UPS

HOKUSAI POP-UPS

By: Watson McCarthy, Courtney
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Katsushika Hokusai was a Japanese artist born in 1760 whose legacy remains, some 150 years after his death, as important as ever. His work influenced Impressionism and Art Nouveau, and a range of contemporary artists working today.

Realized in jewel-like colors, Hokusai's simple views of everyday scenes in Japan, his sense of balance and harmony, and his highly stylized but ever-changing techniques seem to capture the spirit and traditions of his homeland. Hokusai Pop-Ups brings this stunning art to life. Noted works such as Ejiri in Suruga Province, Chrysanthemums and Horsefly, Phoenix, Kirifuri Waterfall at Kurokami Mountain in Shimotsuke, The Poem of Ariwara no Narihira, and the iconic, instantly recognizable The Great Wave are accompanied by explanatory text as well as complementary quotes from writers and artists such as Degas and Van Gogh.

HOMOEROTICS OF ORIENTALISM

HOMOEROTICS OF ORIENTALISM

By: Boone, Joseph
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One of the largely untold stories of Orientalism is the degree to which the Middle East has been associated with "deviant" male homosexuality by scores of Western travelers, historians, writers, and artists for well over four hundred years. And this story stands to shatter our preconceptions of Orientalism.

To illuminate why and how the Islamicate world became the locus for such fantasies and desires, Boone deploys a supple mode of analysis that reveals how the cultural exchanges between Middle East and West have always been reciprocal and often mutual, amatory as well as bellicose. Whether examining European accounts of Istanbul and Egypt as hotbeds of forbidden desire, juxtaposing Ottoman homoerotic genres and their European imitators, or unlocking the homoerotic encoding in Persian miniatures and Orientalist paintings, this remarkable study models an ethics of crosscultural reading that exposes, with nuance and economy, the crucial role played by the homoerotics of Orientalism in shaping the world as we know it today.

A contribution to studies in visual culture as well as literary and social history, The Homoerotics of Orientalism draws on primary sources ranging from untranslated Middle Eastern manuscripts and European belles-lettres to miniature paintings and photographic erotica that are presented here for the first time.

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HOW PICTURES COMPLETE US: The Beautiful, the Sublime, and the Divine

By: Crowther, Paul
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Despite the wonders of the digital world, people still go in record numbers to view drawings and paintings in galleries. Why? What is the magic that pictures work on us? This book provides a provocative explanation, arguing that some pictures have special kinds of beauty and sublimity that offer aesthetic transcendence. They take us imaginatively beyond our finite limits and even invoke a sense of the divine. Such aesthetic transcendence forges a relationship with the ultimate and completes us psychologically. Philosophers and theologians sometimes account for this as an effect of art, but How Pictures Complete Us distinguishes itself by revealing how this experience is embodied in pictorial structures and styles. Through detailed discussions of artworks from the Renaissance through postmodern times, Paul Crowther reappraises the entire scope of beauty and the sublime in the context of both representational and abstract art, offering unexpected insights into familiar phenomena such as ideal beauty, pictorial perspective, and what pictures are in the first place.

HOW TO READ BUDDHIST ART

HOW TO READ BUDDHIST ART

By: Behrendt, Kurt A
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An indispensable introduction to the evolution of Buddhist imagery from its origins in India through its spread to China, Japan, and South Asia

For more than 2,000 years, sublime works of art have been created to embody essential aspects of Buddhist thought, which developed and evolved as its practice spread from India to East Asia and beyond. How to Read Buddhist Art introduces this complex visual tradition to a general audience by examining sixty seminal works. Beginning with the origins of representations of the Buddha in India, and moving on to address the development of Buddhist art as the religion spread across Asia, this book conveys how Buddhist philosophy affected artistic works and practice across cultural boundaries.

Reliquaries, sculptures, and paintings produced in China, the Himalayas, Japan, Korea, and South and Southeast Asia provide insight into the rich iconography of Buddhism, the technical virtuosity of their makers, and the social and political climate in which they were created. Beautiful photographs of the artworks, maps, and a glossary of the major Buddhist deities offer an engaging and informative setting in which readers--regardless of their familiarity with Buddhism--can better understand the art related to the religion's practices and representations.

HOW TO SEE: LOOKING, TALKING, AND THINKING ABOUT ART

HOW TO SEE: LOOKING, TALKING, AND THINKING ABOUT ART

By: Salle, David
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How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle's incisive essay collection illuminates these questions by exploring the work of influential twentieth-century artists. Engaging with a wide range of Salle's friends and contemporaries--from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others--How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres.

Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist's eye.

HUMAN AND DIVINE: 2000 Years of Indian Sculpture

HUMAN AND DIVINE: 2000 Years of Indian Sculpture

By: Khanna, Balraj
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This beautifully illustrated book provides a unique consideration of the magnificent tradition of Indian sculpture and offers valuable insight into the inspiration behind it. Much of Indian sculpture is sacred in purpose, embodying religious beliefs and philosophical ideals. It is at the same time deeply sensual, celebrating the human body in all its astonishing variety, and has been used to portray the gods and goddesses of Hinduism, as well as the saviors and saints of Buddhism and Jainism. The fusion of earthly and transcendent realms is conveyed by transformations, poses, and gestures whose symbolism is understood by every adherent of these great religions.
Produced to accompany the traveling exhibition of the same name, "Human and Divine "highlights the achievements of a dynamic artistic tradition and explains what Indian sculpture means and why it looks as it does. The sculptures--made from stone, bronze, terracotta, marble, ivory, and wood--are drawn from British public and private collections and date from ancient times to the early twentieth century.
Balraj Khanna outlines the early history of Indian sculpture and places it in its cultural and religious context. George Michell describes the various forms and styles that have developed in the different regions of India and explains the significance of specific works.
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HUMAN ANIMAL IN WESTERN ART AND SCIENCE

By: Kemp, Martin
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From the lazy, fiddling grasshopper to the sneaky Big Bad Wolf, children's stories and fables enchant us with their portrayals of animals who act like people. But the comparisons run both ways, as metaphors, stories, and images--as well as scientific theories--throughout history remind us that humans often act like animals, and that the line separating them is not as clear as we'd like to pretend.

Here Martin Kemp explores a stunning range of images and ideas to demonstrate just how deeply these underappreciated links between humans and other fauna are embedded in our culture. Tracing those interconnections among art, science, and literature, Kemp leads us on a dazzling tour of Western thought, from Aristotelian physiognomy and its influence on phrenology to the Great Chain of Being and Darwinian evolution. We learn about the racist anthropology underlying a familiar Degas sculpture, see paintings of a remarkably simian Judas, and watch Mowgli, the man-child from Kipling's The Jungle Book, exhibit the behaviors of the beasts who raised him. Like a kaleidoscope, Kemp uses these stories to refract, reconfigure, and echo the essential truth that the way we think about animals inevitably inflects how we think about people, and vice versa.

Loaded with vivid illustrations and drawing on sources from Hesiod to La Fontaine, Leonardo to P. T. Barnum, The Human Animal in Western Art and Science is a fascinating, eye-opening reminder of our deep affinities with our fellow members of the animal kingdom.

HUMANITY

HUMANITY

By: Ai, Weiwei
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Writings on human life and the refugee crisis by the most important political artist of our time

Ai Weiwei (b. 1957) is widely known as an artist across media: sculpture, installation, photography, performance, and architecture. He is also one of the world's most important artist-activists and a powerful documentary filmmaker. His work and art call attention to attacks on democracy and free speech, abuses of human rights, and human displacement--often on an epic, international scale.

This collection of quotations demonstrates the range of Ai Weiwei's thinking on humanity and mass migration, issues that have occupied him for decades. Selected from articles, interviews, and conversations, Ai Weiwei's words speak to the profound urgency of the global refugee crisis, the resilience and vulnerability of the human condition, and the role of art in providing a voice for the voiceless.

Select quotations from the book:

This problem has such a long history, a human history. We are all refugees somehow, somewhere, and at some moment.

Allowing borders to determine your thinking is incompatible with the modern era.

Art is about aesthetics, about morals, about our beliefs in humanity. Without that there is simply no art.

I don't care what all people think. My work belongs to the people who have no voice.

I ALWAYS KNEW

I ALWAYS KNEW

By: Chase-Riboud, Barbara
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The extraordinary life story of the celebrated artist and writer, as told through four decades of intimate letters to her beloved mother

Barbara Chase-Riboud has led a remarkable life. After graduating from Yale's School of Design and Architecture, she moved to Europe and spent decades traveling the world and living at the center of artistic, literary, and political circles. She became a renowned artist whose work is now in museum collections around the world. Later, she also became an award-winning poet and bestselling novelist. And along the way, she met many luminaries--from Henri Cartier-Bresson, Salvador Dalí, Alexander Calder, James Baldwin, and Mao Zedong to Toni Morrison, Pierre Cardin, Jacqueline Kennedy Onassis, and Josephine Baker.

I Always Knew is an intimate and vivid portrait of Chase-Riboud's life as told through the letters she wrote to her mother, Vivian Mae, between 1957 and 1991. In candid detail, Chase-Riboud tells her mother about her life in Europe, her work as an artist, her romances, and her journeys around the world, from Western and Eastern Europe to the Middle East, Africa, the Soviet Union, China, and Mongolia.

By turns brilliant and naïve, passionate and tender, poignant and funny, these letters show Chase-Riboud in the process of becoming who she is and who she might become. But what emerges most of all is the powerful story of a unique and remarkable relationship between a talented, ambitious, and courageous daughter and her adored mother.

IDEALS OF THE EAST

IDEALS OF THE EAST

By: Okakura, Kakuzo
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The 1904 book that famously declared "Asia is one" was among the first studies in English to reference Zen as it explored the roots of Japanese beauty. Like the author's "The Book of Tea, " this volume emphasized the spiritual ideals of Asian, and especially Japanese, art.

Kakuzo Okakura (1863-1913) was an administrator and scholar whose writings helped shape the West's early views of Japan and Asia.

ILLUSTRATED MAHABHARATA: THE DEFINITIVE GUIDE TO INDIA'S GREATEST EPIC

ILLUSTRATED MAHABHARATA: THE DEFINITIVE GUIDE TO INDIA'S GREATEST EPIC

By: DK
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Take a fresh look at India's great epic and rediscover the lost kingdoms, dynasties, and characters of the Mahabharata, accompanied by beautiful images and discussion points.

Often described as the longest poem ever written, the Mahabharata is one of two Sanskrit epics of ancient India. Its stories resonate with us even today through its themes of conflict and dilemmas and have been drawn on for inspiration in film, theatre, and art.

The Illustrated Mahabharata follows the tale as it unfolds through 18 episodes, or parvas, alongside stunning photographs, paintings, sculptures, and historical artifacts. Discover the principal characters of the Mahabharata and their family trees, and understand key moments - from the birth of Pandavas and Kauravas to the death of the elders.

This definitive guide also highlights important quotes, themes, and historical context points to explore and enrich your understanding of the stories.

Know the Mahabharata with this beautiful retelling of India's greatest epic.

ILLUSTRATED RAMAYANA: THE TIMELESS EPIC OF DUTY, LOVE, AND REDEMPTION

ILLUSTRATED RAMAYANA: THE TIMELESS EPIC OF DUTY, LOVE, AND REDEMPTION

By: DK
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Discover the Ramayana--one of India's most celebrated epics, and a story that transcends time itself.

The tale of Rama, the exiled prince of Ayodhya who battles the evil Ravana, the king of Lanka, and rescues his abducted wife, Sita, is about much more than the eternal battle of good versus evil. It is a tale of love, friendship, loyalty, devotion, righteousness, and deliverance. Ramayana and Rama, whose journey is told in the epic, are embedded in India's cultural consciousness, but they transcend borders. Various versions of the Ramayana can be found across the Indian subcontinent and in parts of southeast Asia.

Created in consultation with distinguished economist, scholar, and translator Dr. Bibek Debroy, The Illustrated Ramayana draws from one of its earliest composers, the celebrated sage and poet Valmiki. It uses a combination of text and stunning images drawn from a variety of sources--historic and contemporary artifacts, paintings, photographs, and performances--to tell Rama's story as he walks the path that destiny creates for him.

IMAGINARY ANIMALS

IMAGINARY ANIMALS

By: Sax, Boria
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An extraordinary menagerie of fantastical and unreal beasts featuring hundreds of illustrations, from griffins to dog-men, mermaids, dragons, unicorns, and yetis.

Fire-breathing dragons, beautiful mermaids, majestic unicorns, terrifying three-headed dogs--these fantastic creatures have long excited our imagination. Medieval authors placed them in the borders of manuscripts as markers of the boundaries of our understanding. Tales from around the world place these beasts in deserts, deep woods, remote islands, ocean depths, and alternate universes--just out of our reach. And in the sections on the apocalypse in the Bible, they proliferate as the end of time approaches, with horses with heads like lions, dragons, and serpents signaling the destruction of the world. Legends tell us that imaginary animals belong to a primordial time, before everything in the world had names, categories, and conceptual frameworks. In this book, Boria Sax digs into the stories of these fabulous beasts. He shows how, despite their liminal role, imaginary animals like griffins, dog-men, yetis, and more are socially constructed creatures, created through the same complex play of sensuality and imagination as real ones. Tracing the history of imaginary animals from Paleolithic art to their roles in stories such as Harry Potter and even the advent of robotic pets, he reveals that these extraordinary figures help us psychologically--as monsters, they give form to our amorphous fears, while as creatures of wonder, they embody our hopes. Their greatest service, Sax concludes, is to continually challenge our imaginations, directing us beyond the limitations of conventional beliefs and expectations. Featuring over 230 illustrations of a veritable menagerie of fantastical and unreal beasts, Imaginary Animals is a feast for the eyes and the imagination.

IN THE REALM OF THE GODS: Land, Myths and Legends of China

IN THE REALM OF THE GODS: Land, Myths and Legends of China

By: Cass, Victoria
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"[Victoria] Cass brings China's mythic landscape to life. These stories draw the reader into a dimension that hovers over a magical landscape where ordinary mortals confront extraordinary powers. This is a journey into the psyche of eternal China."--Christine Mathieu, co-author of "Leaving Mother Lake: A Girlhood at the Edge of the World"

China is a land that has fascinated the world for centuries. Take a journey in this book back to a China that is both stunning and mysterious, back to the places where tales of magic were born. Victoria Cass retells both popular and little-known stories of emperors and empresses, ghosts, spirits, warriors, maidens, and magical realms amid landscapes potent with history.

The stories are arranged by geography, providing an unprecedented look into how folklore and culture were shaped by China's natural surroundings. Cass shows us where mortals, demons, and gods have for centuries belonged, taking the reader on a "grand tour" of China. This is a book that will capture the imagination of a new generation of readers.

"In the Realm of the Gods" also goes where no other book on Chinese folk traditions has gone before by featuring stunning photography from some of China's most critically acclaimed landscape photographers. Their studies of abandoned villas, vertiginous cliffs, nighttime pathways, serene canals, and temples at dusk provide a rich visual complement to the stories.

By presenting the stories and photographs together, Cass has assembled a perfect synthesis of words and images while showing how the physical and cultural geography of China is at the root of its most popular legends and its tales of the natural and supernatural. This book represents a stunning achievement in storytelling.

Victoria Cass is the author of "Dangerous Women: Warriors, Grannies, and Geishas of the Ming."

IN THE SCHEME OF THINGS

IN THE SCHEME OF THINGS

By: Fisher, Thomas R Fisher
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One of the field's most innovative thinkers reconsiders the purpose and practice of architecture. At the dawn of the twenty-first century, architecture is in a state of crisis. Numbed by an ugly and shoddily constructed built environment and outraged by the cost of high-profile design projects, the public has become disinterested in and contemptuous of architecture as both a profession and an art. At the same time, some of our most creative designers have isolated themselves from the tastes and needs of mainstream society, reflecting a similar malaise found in design and architecture schools around the country. In this troubling climate, Thomas R. Fisher--who challenged architects as editorial director of Progressive Architecture, becoming recognized as one of the field's most original thinkers--contends that the purpose and prospects of architectural practice must be reconsidered and reenergized. In the Scheme of Things looks at architecture's need to respond creatively and meaningfully to the extraordinary changes affecting the profession now, changes that include the global economy, the advent of computer-aided design, and the growing disconnection between design schools, architectural practice, and the public.

In each of the twelve essays that comprise this timely volume, Fisher addresses issues of vital concern to architects and students, offering hard-hitting criticism and proposing innovative and practical ideas for reform at the level of both the individual practitioner and the profession as a whole. Through his thoughtful and nuanced consideration of architecture's ideological foundations and its relationship to ecology, politics, and technology, as well as his subtle understanding of the architect's interior life, Fisher challenges the demoralized design community to recapture its historical role as steward and visionary of the public realm.

Thomas R. Fisher is dean of the College of Architecture and Landscape Architecture at the University of Minnesota and coeditor of Architectural Research Quarterly. His essays have appeared in Design Quarterly, Architectural Record, and other leading journals.

INDIGENUITY

INDIGENUITY

By: Wigginton, Caroline
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For hundreds of years, American artisanship and American authorship were entangled practices rather than distinct disciplines. Books, like other objects, were multisensory items all North American communities and cultures, including Native and settler colonial ones, regularly made and used. All cultures and communities narrated and documented their histories and imaginations through a variety of media. All created objects for domestic, sacred, curative, and collective purposes.

In this innovative work at the intersection of Indigenous studies, literary studies, book history, and material culture studies, Caroline Wigginton tells a story of the interweavings of Native craftwork and American literatures from their ancient roots to the present. Focused primarily on North America, especially the colonized lands and waters now claimed by the United States, this book argues for the foundational but often-hidden aesthetic orientation of American literary history toward Native craftwork. Wigginton knits this narrative to another of Indigenous aesthetic repatriation through the making and using of books and works of material expression. Ultimately, she reveals that Native craftwork is by turns the warp and weft of American literature, interwoven throughout its long history.



INTERACTION OF COLOR: 50TH ANNIVERSARY EDITION

INTERACTION OF COLOR: 50TH ANNIVERSARY EDITION

By: Albers, Josef
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"One of the most important books on color ever written."--Michael Hession, Gizmodo

"Interaction of Color with its illuminating visual exercises and mind-bending optical illusions, remains an indispensable blueprint to the art of seeing. . . . An essential piece of visual literacy."--Maria Popova, Brain Pickings

Josef Albers's classic Interaction of Color is a masterwork in art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this influential book presents Albers's singular explanation of complex color theory principles.

Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten color studies chosen by Albers, and has remained in print ever since. With over a quarter of a million copies sold in its various editions since 1963, Interaction of Color remains an essential resource on color, as pioneering today as when Albers first created it.

Fifty years after Interaction's initial publication, this anniversary edition presents a significantly expanded selection of close to sixty color studies alongside Albers's original text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusion of transparency and reversed grounds. A celebration of the longevity and unique authority of Albers's contribution, this landmark edition will find new audiences in studios and classrooms around the world.

INUKSUIT

INUKSUIT

By: Hallendy, Norman
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INVENTION OF INFINITY

INVENTION OF INFINITY

By: Field, J V
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From Giotto to Michelangelo and beyond, the period from about 1300 to 1650 saw an extraordinary flowering in the visual arts in Western Europe. The works produced were sometimes of astonishing quality and their history has been well documented and much discussed. The scientific endeavour of the time has received considerably less attention. The history of science is a newer discipline than history of art, and no topic is newer than the history of mathematics in the period that saw the beginning of the Renaissance in the arts. This book tells us about the everyday worlds of art and mathematics in a time when artists were merely 'craftsmen' and their practical mathematics was separate from the mathematics of scholars. The story brings together the histories of art and mathematics and shows how the craftsmen's discoveries changed learned mathematics, taking it beyond the admired achievements of the Ancient Greeks. Infinity at last acquired a precise mathematical meaning. The journey takes us through consideration of some of the world's most renowned paintings, and lively accounts of the mathematical techniques and discoveries of the time. We are in a world where art and the sciences have not yet pulled apart from one another, and it becomes clear that the mathematical nature of what we now call Science may well owe something to the tradition of what is now called Art.
ISLAND ZOMBIE

ISLAND ZOMBIE

By: Horn, Roni
$29.95
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An evocative chronicle of the power of solitude in the natural world

I'm often asked, but have no idea why I chose Iceland, why I first started going, why I still go. In truth I believe Iceland chose me.--from the introduction

Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island's treeless expanse has had an enduring hold on Horn's creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, Island Zombie distills the artist's lifelong experience of Iceland's natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self.

Island Zombie is a meditation on being present. It vividly conveys Horn's experiences, from the deeply profound to the joyful and absurd. Through powerful evocations of the changing weather and other natural phenomena--the violence of the wind, the often aggressive birds, the imposing influence of glaciers, and the ubiquitous presence of water in all its variety--we come to understand the author's abiding need for Iceland, a place uniquely essential to Horn's creative and spiritual life. The dramatic surroundings provoke examinations of self-sufficiency and isolation, and these ruminations summon a range of cultural companions, including El Greco, Emily Dickinson, Judy Garland, Wallace Stevens, Edgar Allan Poe, William Morris, and Rachel Carson. While brilliantly portraying nature's sublime energy, Horn also confronts issues of consumption, destruction, and loss, as the industrial and man-made encroach on Icelandic wilderness.

Filled with musings on a secluded region that perpetually encourages a sense of discovery, Island Zombie illuminates a wild and beautiful Iceland that remains essential and new.

IT'S WHAT I DO: A PHOTOGRAPHER'S LIFE OF LOVE AND WAR

IT'S WHAT I DO: A PHOTOGRAPHER'S LIFE OF LOVE AND WAR

By: Addario, Lynsey
$18.00
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"An unflinching memoir . . . [that] offers insight into international events and the challenges faced by the journalists who capture them." --The Washington Post

War photographer Lynsey Addario's memoir is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It's her work, but it's much more than that: it's her singular calling.

Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She decides to set out across the world, face the chaos of crisis, and make a name for herself.

Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war.

As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys' club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life.

Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of societies. It's What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.

JAMES LOEB, COLLECTOR AND CONNOISSEUR

JAMES LOEB, COLLECTOR AND CONNOISSEUR

$30.00
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James Loeb (1867-1933), one of the great patrons and philanthropists of his time, left many enduring legacies both to America, where he was born and educated, and to his ancestral Germany, where he spent the second half of his life. Organized in celebration of the sesquicentenary of his birth, the James Loeb Biennial Conferences were convened to commemorate his achievements in four areas: the Loeb Classical Library (2017), collection and connoisseurship (2019), and after pandemic postponement, psychology and medicine (2023), and music (2025).

The subject of the second conference was Loeb's deep and multifaceted engagement with the material culture of the ancient world as a scholar, connoisseur, collector, and curator. The volume's contributors range broadly over the manifold connections and contexts, both personal and institutional, of Loeb's archaeological interests, and consider these in light of the long history of collection and connoisseurship from antiquity to the present. Their essays also reflect on the contemporary significance of Loeb's work, as the collections he shaped continue to be curated and studied in today's rapidly evolving environment for the arts.