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Art & Architecture
By the 1980s the artwork was quickly destroyed by authorities and the artists seeking to preserve some of their works took hold of schoolyards around the city to paint grander works. It was a no-nonsense approach to save their art form and spread their fame to the local kids. The most famous of these schoolyards is located in East Harlem on 106th street and Park Avenue and it became known as the Hall of Fame.
At first the Hall of Fame was established to bring together the best artists in the city and have them paint in the same schoolyard supplanting the number 5 train as the showcase place for the best graffiti art in New York. Over the years as the word spread artists from around the city would sneak in and leave their work at night in this unsanctioned museum.
From Skeme, Dez, and Daze in the early 1980s to Vulcan, Jon One, and Dome in the late 1980s to Part, Ezo, and TDS rejuvenating the schoolyard with style in the 1990s to TC5 (West, Dash, Psycho, Wane, Cope2, etc.), TDS (Flite, Part, Noc167, Serve, T-Kid170), TATS (Bio, BG183, Nicer, How, Nosm, Sen2) crews tight productions in the 2000s to the writers that travel to New York to paint there today this book documents the exciting art work that was created in a small obscure school in Harlem that became known as the legendary Hall of Fame. Join us on this artistic retrospective of the famous and important New York landmark.
"A collection of more than 70 Goddess figures from cultures throughout the world. Each is a treasure...inspiring us to embody the Goddess's virtues in our lives."--Yoga Journal
This extraordinary compilation of the art, values and living lessons of Goddess culture dating from 30,000 years ago to the present, from Africa to Hawaii, Siberia to North America, is a multicultural tapestry of artwork, historical background, and meditations organized by the themes of creation, transformation and celebration, bringing focus and expression to the myth and spirituality of the feminine.
"A beautiful book...an excellent resource for information and inspiration from many cultures."--Starhawk, author of The Spiritual Dance and
"...a mythical journey to every corner of the Earth...a delightful book of life-affirming legends, rituals, and images that help us envision a more balanced and creative world."--Riane Eisler, author of The Chalice and the Blade
"What a treasure! Decades of scholarship and oceans of love have been poured into gathering this exquisite collection of goddesses from all the world's wisdom traditions. By gazing at the images and contemplating their stories, I felt myself joyously reclaiming the feminine face of the Holy One.... I love love love this book."--Mirabai Starr, author of God of Love: A Guide to the Heart of Judaism, Christianity & Islam
Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, and Jacqueline Roque. These six extraordinary women loved and inspired Pablo Picasso. They frequently appear as the women in his portraits, but they also pursued their own ambitions in dance, writing, painting, and more. Each transformed Picasso's life and work--and he theirs. Yet they have long been dismissed as simply passive models or muses.
In?a groundbreaking and deeply researched account, acclaimed author Sue Roe brings to light the true stories of the women in Picasso's life. Using recently discovered source material and hitherto overlooked firsthand accounts, Roe positions each woman not as a footnote in Picasso's biography, but center stage, from their own point of view.
All six lived remarkable, unconventional lives on their own terms. Each was tested not only by the subterfuges and betrayals of the art world's most notorious womanizer, but also by the wider social turbulence of their time. Hidden Portraits traces each woman's story across nearly a century, from bohemian early-twentieth-century Montmartre to the glittering Riviera in the 1920s, from Paris under Nazi occupation to Picasso's death, and beyond. Roe unearths the ways these women influenced every stage of Picasso's work, from his sketches to masterpieces like Guernica.
Under her eye, we recognize Fernande in the early Rose Period paintings; Olga draped across an armchair; Marie-Thérèse asleep in a painting of a woman dreaming; Dora in Picasso's weeping women; Françoise in his paintings of domestic life; Jacqueline as the raven-haired figure frequenting his late-in-life drawings.
Spanning seventy years and traveling between the cafés of Paris and the Côte d'Azur, Roe reclaims a set of brilliant women, and in the process rewrites a vital chapter in the history of modern art.
Katsushika Hokusai was a Japanese artist born in 1760 whose legacy remains, some 150 years after his death, as important as ever. His work influenced Impressionism and Art Nouveau, and a range of contemporary artists working today.
Realized in jewel-like colors, Hokusai's simple views of everyday scenes in Japan, his sense of balance and harmony, and his highly stylized but ever-changing techniques seem to capture the spirit and traditions of his homeland. Hokusai Pop-Ups brings this stunning art to life. Noted works such as Ejiri in Suruga Province, Chrysanthemums and Horsefly, Phoenix, Kirifuri Waterfall at Kurokami Mountain in Shimotsuke, The Poem of Ariwara no Narihira, and the iconic, instantly recognizable The Great Wave are accompanied by explanatory text as well as complementary quotes from writers and artists such as Degas and Van Gogh.
Despite the wonders of the digital world, people still go in record numbers to view drawings and paintings in galleries. Why? What is the magic that pictures work on us? This book provides a provocative explanation, arguing that some pictures have special kinds of beauty and sublimity that offer aesthetic transcendence. They take us imaginatively beyond our finite limits and even invoke a sense of the divine. Such aesthetic transcendence forges a relationship with the ultimate and completes us psychologically. Philosophers and theologians sometimes account for this as an effect of art, but How Pictures Complete Us distinguishes itself by revealing how this experience is embodied in pictorial structures and styles. Through detailed discussions of artworks from the Renaissance through postmodern times, Paul Crowther reappraises the entire scope of beauty and the sublime in the context of both representational and abstract art, offering unexpected insights into familiar phenomena such as ideal beauty, pictorial perspective, and what pictures are in the first place.
How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle's incisive essay collection illuminates these questions by exploring the work of influential twentieth-century artists. Engaging with a wide range of Salle's friends and contemporaries--from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others--How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres.
Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist's eye.
Produced to accompany the traveling exhibition of the same name, "Human and Divine "highlights the achievements of a dynamic artistic tradition and explains what Indian sculpture means and why it looks as it does. The sculptures--made from stone, bronze, terracotta, marble, ivory, and wood--are drawn from British public and private collections and date from ancient times to the early twentieth century.
Balraj Khanna outlines the early history of Indian sculpture and places it in its cultural and religious context. George Michell describes the various forms and styles that have developed in the different regions of India and explains the significance of specific works.
From the lazy, fiddling grasshopper to the sneaky Big Bad Wolf, children's stories and fables enchant us with their portrayals of animals who act like people. But the comparisons run both ways, as metaphors, stories, and images--as well as scientific theories--throughout history remind us that humans often act like animals, and that the line separating them is not as clear as we'd like to pretend.
Here Martin Kemp explores a stunning range of images and ideas to demonstrate just how deeply these underappreciated links between humans and other fauna are embedded in our culture. Tracing those interconnections among art, science, and literature, Kemp leads us on a dazzling tour of Western thought, from Aristotelian physiognomy and its influence on phrenology to the Great Chain of Being and Darwinian evolution. We learn about the racist anthropology underlying a familiar Degas sculpture, see paintings of a remarkably simian Judas, and watch Mowgli, the man-child from Kipling's The Jungle Book, exhibit the behaviors of the beasts who raised him. Like a kaleidoscope, Kemp uses these stories to refract, reconfigure, and echo the essential truth that the way we think about animals inevitably inflects how we think about people, and vice versa. Loaded with vivid illustrations and drawing on sources from Hesiod to La Fontaine, Leonardo to P. T. Barnum, The Human Animal in Western Art and Science is a fascinating, eye-opening reminder of our deep affinities with our fellow members of the animal kingdom.
An unprecedented art-historical account of practices of image ingestion from ancient Egypt to the twentieth century
Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated--taken into the body--as solids or liquids. How can we explain such behavior? Why take an image into one's own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy. Iconophages aims to retrace, for the first time, the history of iconophagy. Jérémie Koering examines this unexplored facet of the history of images through an interdisciplinary approach that ranges across art history, cultural and material history, anthropology, philosophy, and the history of the body and the senses. He analyzes the human investment, in terms of culture and imagination, at stake in this seemingly paradoxical way of experiencing images. Beyond the hidden knowledge unearthed here, these pages bring to light a new way of understanding images, just as they illuminate the occasionally outlandish relations we maintain with them.
The 1904 book that famously declared "Asia is one" was among the first studies in English to reference Zen as it explored the roots of Japanese beauty. Like the author's "The Book of Tea, " this volume emphasized the spiritual ideals of Asian, and especially Japanese, art.
Kakuzo Okakura (1863-1913) was an administrator and scholar whose writings helped shape the West's early views of Japan and Asia.
Artists and art lovers will find in these pages supreme examples of the illustrator's art. Among the events depicted: the expulsion of Satan from heaven, Adam and Eve in Paradise, the nine-day fall of Lucifer's legions to Hell, the Creation, the temptation of Eve, the Flood, Moses holding up the Ten Commandments, and the fearsome creatures Milton referred to as "Gorgons, and Hydras, and Chimeras dire."
The dreamlike, otherworldly quality Doré often brought to his work seems especially appropriate for Paradise Lost with its lofty spirit and epic events. Indeed, Doré's grand conception seems to realize perfectly Milton's own poetic version. Appropriate quotes from the text of Paradise Lost are printed alongside each illustration. A plot summary of the entire poem is also included.
The enduring popularity of Impressionism belies what the group of eponymous painters stood for. In the 1870s and 1880s, French artists dubbed the Impressionists, including Pissarro, Monet, Degas, Morisot, and Renoir, adopted a revolutionary style of technique and subject matter that defied the traditions of the French Academy and the salons. Rooted in anarchism, political radicalism, and a belief in science and individualism, their paintings captured modern life in ways never seen before.
Acclaimed art historian Belinda Thomson's insightful study sheds light on the personal lives and creative thinking behind the great Impressionists, exploring the varied factors that shaped their masterpieces. From family backgrounds to the importance of the art market and the critical reception that challenged, yet ultimately defined their work, this introduction offers a nuanced exploration of one of the most transformative movements in art history.
"[Victoria] Cass brings China's mythic landscape to life. These stories draw the reader into a dimension that hovers over a magical landscape where ordinary mortals confront extraordinary powers. This is a journey into the psyche of eternal China."--Christine Mathieu, co-author of "Leaving Mother Lake: A Girlhood at the Edge of the World"
China is a land that has fascinated the world for centuries. Take a journey in this book back to a China that is both stunning and mysterious, back to the places where tales of magic were born. Victoria Cass retells both popular and little-known stories of emperors and empresses, ghosts, spirits, warriors, maidens, and magical realms amid landscapes potent with history.
The stories are arranged by geography, providing an unprecedented look into how folklore and culture were shaped by China's natural surroundings. Cass shows us where mortals, demons, and gods have for centuries belonged, taking the reader on a "grand tour" of China. This is a book that will capture the imagination of a new generation of readers.
"In the Realm of the Gods" also goes where no other book on Chinese folk traditions has gone before by featuring stunning photography from some of China's most critically acclaimed landscape photographers. Their studies of abandoned villas, vertiginous cliffs, nighttime pathways, serene canals, and temples at dusk provide a rich visual complement to the stories.
By presenting the stories and photographs together, Cass has assembled a perfect synthesis of words and images while showing how the physical and cultural geography of China is at the root of its most popular legends and its tales of the natural and supernatural. This book represents a stunning achievement in storytelling.
Victoria Cass is the author of "Dangerous Women: Warriors, Grannies, and Geishas of the Ming."
An evocative chronicle of the power of solitude in the natural world
I'm often asked, but have no idea why I chose Iceland, why I first started going, why I still go. In truth I believe Iceland chose me.--from the introduction Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island's treeless expanse has had an enduring hold on Horn's creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, Island Zombie distills the artist's lifelong experience of Iceland's natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self. Island Zombie is a meditation on being present. It vividly conveys Horn's experiences, from the deeply profound to the joyful and absurd. Through powerful evocations of the changing weather and other natural phenomena--the violence of the wind, the often aggressive birds, the imposing influence of glaciers, and the ubiquitous presence of water in all its variety--we come to understand the author's abiding need for Iceland, a place uniquely essential to Horn's creative and spiritual life. The dramatic surroundings provoke examinations of self-sufficiency and isolation, and these ruminations summon a range of cultural companions, including El Greco, Emily Dickinson, Judy Garland, Wallace Stevens, Edgar Allan Poe, William Morris, and Rachel Carson. While brilliantly portraying nature's sublime energy, Horn also confronts issues of consumption, destruction, and loss, as the industrial and man-made encroach on Icelandic wilderness. Filled with musings on a secluded region that perpetually encourages a sense of discovery, Island Zombie illuminates a wild and beautiful Iceland that remains essential and new.
"An unflinching memoir . . . [that] offers insight into international events and the challenges faced by the journalists who capture them." --The Washington Post
War photographer Lynsey Addario's memoir is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It's her work, but it's much more than that: it's her singular calling. Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She decides to set out across the world, face the chaos of crisis, and make a name for herself. Addario finds a way to travel with a purpose. She photographs the Afghan people before and after the Taliban reign, the civilian casualties and misunderstood insurgents of the Iraq War, as well as the burned villages and countless dead in Darfur. She exposes a culture of violence against women in the Congo and tells the riveting story of her headline-making kidnapping by pro-Qaddafi forces in the Libyan civil war. As a woman photojournalist determined to be taken as seriously as her male peers, Addario fights her way into a boys' club of a profession. Rather than choose between her personal life and her career, Addario learns to strike a necessary balance. In the man who will become her husband, she finds at last a real love to complement her work, not take away from it, and as a new mother, she gains an all the more intensely personal understanding of the fragility of life. Watching uprisings unfold and people fight to the death for their freedom, Addario understands she is documenting not only news but also the fate of societies. It's What I Do is more than just a snapshot of life on the front lines; it is witness to the human cost of war.
A collector's delight, this exquisite edition reprints a rare 1930s facsimile of Kashû's works. Its vivid gallery of high-quality illustrations features 150 images of birds that are realistic as well as charmingly traditional. Most include the species' names in kanji as well as in English translations. Lovers of fine art -- and of Japanese art in particular -- will treasure this handsome volume, as will naturalists and rare book enthusiasts.
In a resurrection few could have predicted, Jean-Michel Basquiat joined Picasso, Modigliani, and Munch when one of his paintings sold for more than $100 million. Nearly four decades after his untimely death at 27 years of age, Basquiat is one of the most recognizable artists in the world, his work not just headlining major museum and private collections but his image on T-shirts, sneakers, tattoos, and accessories from Rio to Singapore.
Drawing on more than 100 interviews--including family members, friends, lovers, gallery owners, collectors, musicians, academics, and artists--art-world insider Doug Woodham offers a revealing account of Basquiat's life, work, and enduring legacy. He delves into Basquiat's rich and complex family background, his overlapping identities, and the dramatic arc of his posthumous fall and rise--an ascent that has reshaped the art-world itself. This behind-the-scenes narrative pulls back the curtain on how the art world selects its icons and cements their place in history.
The first substantive biography in more than a quarter century, Jean-Michel Basquiat: The Making of an Icon examines key aspects of the artist's life--his childhood trauma, sexuality, cultural identities, and struggles with addiction--topics long downplayed in the museum and art world due to pressure from his estate. Woodham also uncovers the previously untold story of how a few against-the-grain speculators and gallerists--plus his uniquely skilled father--all contributed to bringing what Basquiat accomplished back to the center of the conversation nearly a decade after his death, and in the process helped to birth a new era in contemporary art.
One of the founding forces behind the 1970s feminist art movement, Judy Chicago became widely known for The Dinner Party, a massive installation turning women's traditional household-bound role on its head by setting a feast for thirty-nine remarkable women to shine a spotlight on women's contributions to history. Like much of her work that would follow, The Dinner Party received massive popular acclaim while being harshly dismissed for its subject matter and embrace of "feminine" craft. For decades, Chicago operated on the margins of the art world, her work shunned by most critics and institutions, but she never stopped creating. Employing a vast array of mediums from textiles to painting to pyrotechnics Chicago is always willing to tackle the most urgent human questions. Judy Chicago: In the Making accompanies the first exhibition to offer a thorough overview of Chicago's career. It traces the artist's practice back to its roots, revealing her unique working process and the origins of the formal and conceptual strategies she has applied throughout her oeuvre. Bringing together a selection drawn from every major series of her work, it also reproduces sketchbooks, journals, and preparatory drawings that document her extensive process of research and development.
